Manuscript Tune Index
by Aaron McGregor
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Manuscript: Leyden Lyra-viol and Violin Manuscript
Title (source) | Title (standardised) | Source | Key note | Key signature | KS (edited) | Time signature | TS (edited) | Strains | Variations | Bass | Index 1 | Index 2 | Index 1 (long) | Index 2 (long) |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
A new minuit
Concordances
- Minuit, Minuet (from Thomson Manuscript 4, p. 3) [555; 315]
|
A New Minuet | Leyden Lyra-viol and Violin Manuscript 30, f. 62 | C | 3/4 | 2 | no | no | 555 | 315 | 5H5H5H | 3H1H5H | |||
Bang the Brockere
|
Bang the Brockere | Leyden Lyra-viol and Violin Manuscript 42, f. 68 | D | ♯♯ | ♯♯ | 6/8 | 2 | no | no | 5133 | 4327 | 51H3H3H | 4327 | |
Banick Johnie
Comments
Long variation set, but no double barlines
Concordances
- Berrick Johne, Berwick Johnny (from Gairdyn Manuscript 283, f. 36v) [None; None]
- Berwick Johny, Berwick Johnny (from Sinkler Manuscript 45, f. 60v) [516; 424] - Go to Berwick Johny, Berwick Johnny (from McGibbon Manuscript 105, p. 64) [515; 424] |
Berwick Johnny | Leyden Lyra-viol and Violin Manuscript 40, f. 66v | F | ♭ | ♭ | 3/2 | yes | no | 516 | 424 | 516 | 424 | ||
Caladonia Phillas
|
Caledonia Phillis | Leyden Lyra-viol and Violin Manuscript 31, f. 62v | F | ♭ | ♭ | ₵ | 2 | no | no | 3513 | 5533 | 351H3H | 5H5H3H3H | |
Chikens and sparrow-grass
|
Chickens and Sparrow Grass | Leyden Lyra-viol and Violin Manuscript 47, f. 70 | F | ♭ | ♭ | 3 | 3/4 | 1 | no | no | 311 | 355 | 311 | 355 |
Court minuit
|
Court Minuet | Leyden Lyra-viol and Violin Manuscript 27, f. 60v | C | 3/4 | 2 | no | no | 511 | 222 | 51H1H1H | 2H2H2H | |||
Foull take the warss
Concordances
- fy on the warrs, De'il Take the Wars (from Gairdyn Manuscript 138, f. 19v) [None; None]
- De'il take ye wars, De'il take the wars (from Robert Kelsall Manuscript 533, f. 110) [1122; 1653] |
De'il Take the Wars | Leyden Lyra-viol and Violin Manuscript 14, f. 56 | C | ₵ | ₵ | 2 | no | no | 1122 | 1553 | 1H1H2H2H | 1H553 | ||
Great ware
|
Great War | Leyden Lyra-viol and Violin Manuscript 18, f. 57 | D | 3/4 | 1 | no | no | 225 | 116 | 2H2H5 | 1H1H6 | |||
I am com to lock al fast
|
I Am Come to Lock al Fast | Leyden Lyra-viol and Violin Manuscript 6, f. 52v | C | ♭♭ | ♭♭ | ₵ | 2 | no | no | 5111 | 7222 | 51H1H1H | 72H2H2H | |
yonthea the Lovlay
|
Ianthea the Lovely | Leyden Lyra-viol and Violin Manuscript 44, f. 69v | G | ♭♭ | ♭♭ | ₵ | ₵ | 2 | no | no | 3355 | 6422 | 3b3b55 | 6b422 |
If loves a sweat pasion
Comments
Song by Henry Purcell from "The Fairy Queen" (Z. 629)
Concordances
- Since Loves a sweet pasion, If Love's a Sweet Passion (from Gairdyn Manuscript 67, f. 10) [None; None]
- Loves a sweet passion, If Love's a Sweet Passion (from Sinkler Manuscript 20, f. 65) [4431; 4555] - Since love's a Sweet passion, If Love's A Sweet Passion (from Robert Kelsall Manuscript 344, f. 63v) [444; 435] |
If Love's a Sweet Passion | Leyden Lyra-viol and Violin Manuscript 17, f. 56v | G | ♭♭ | ♭♭ | 3/4 | 1 | no | no | 535 | 554 | 53b5 | 554 | |
The Jeig
|
Jig | Leyden Lyra-viol and Violin Manuscript 11, f. 55 | B♭ | ♭♭ | 3/4 | 2 | no | no | 556 | 531 | 556 | 531 | ||
A Jeig
|
Jig | Leyden Lyra-viol and Violin Manuscript 28, f. 61 | F | ♭ | ♭ | 6/8 | 1 | no | no | 3515 | 4224 | 351H5 | 42H24 | |
Jockie wood me long
|
Jockie Wood Me Long | Leyden Lyra-viol and Violin Manuscript 37, f. 64v | F | ♭ | ♭ | ₵ | 2 | no | no | 3113 | 2755 | 3H1H1H3H | 2H755 | |
McLachlens scotts measure
Concordances
- J: Mc: Scotts Measure, John McLachlan’s Scots Measure (from Bowie Manuscript 37, f. 22v) [1155; 5151]
- McLachlen Scots measure, John McLachlan's Scots measure (from Gairdyn Manuscript 173, f. 22v) [None; None] |
John McLachlan's Scots Measure | Leyden Lyra-viol and Violin Manuscript 2, f. 50 | C | ₵ | 2 | no | no | 1155 | 5151 | 1155 | 5151H | |||
Johnie is the blythest lad
Concordances
- Jockie was the bravest Lad. &c., Jockie Was the Bravest Lad (from MacFarlane Manuscript 3 36, p. 22) [1126; 6633]
|
Johnny is the Blythest Lad Title (alternative): Jockie was the Bravest Lad |
Leyden Lyra-viol and Violin Manuscript 34, f. 63v | F | ♭ | ♭ | ₵ | 2 | no | no | 1126 | 6633 | 1H1H2H6 | 6633 | |
Gollie Breez
Concordances
- The gellie braes, The Jolly Breeze (from Leyden Lyra-viol and Violin Manuscript 24, f. 59v) [1513; 5554]
- The Jolly Briese, Jolly Breeze (from Thomson Manuscript 30, p. 22) [1155; 1744] - Joly bris, Jolly Breeze (from Sinkler Manuscript 40, f. 61v) [1134; 2244] - Jolly Breeze, Jolly Breeze (from Robert Kelsall Manuscript 185, f. 29) [1154; 2744] |
Jolly Breeze | Leyden Lyra-viol and Violin Manuscript 29, f. 61v | F | ♭ | ♭ | ₵ | 2 | no | no | 1154 | 2744 | 1H1H5H4H | 2H74H4H | |
Catherne Logie
Concordances
- Kathren Oggie, Katherine Oggie (from Panmure Violin Manuscript 1 73, f. 36) [5117; 2111]
- Ketron Ogie, Katherine Oggie (from Guthrie Manuscript 27, p. 299) [5111; 2111] - Catharin Logie, Katherine Oggie (from Bowie Manuscript 30, f. 19v) [5111; 3217] - Cathrin Ogie, Katherine Oggie (from Gairdyn Manuscript 396, f. 54v) [; ] - Katherine Ogie, Katherine Oggie (from Robert Kelsall Manuscript 303, f. 54v) [5111; 3217] - Katherine Ogie, Katherine Oggie (from Robert Kelsall Manuscript 310, f. 56) [5117; 2112] - Katharine Ogie. Disb., Katherine Oggie (from MacFarlane Manuscript 2 29, p. 58) [5111; 3211] - Katharine Ogie, Katherine Oggie (from James Knox Manuscript 144, f. 37) [5111; 3217] |
Katherine Oggie | Leyden Lyra-viol and Violin Manuscript 20, f. 58 | A | ₵ | 2 | no | no | 3325 | 4443 | 3b3b25 | 4443b | |||
Minuit
Concordances
- Lane’s trumpet Minuet, Lane’s Trumpet Minuet (from Robert Kelsall Manuscript 174, f. 27v) [355; 131]
|
Lane’s Trumpet Minuet | Leyden Lyra-viol and Violin Manuscript 39, f. 65v | F | ♭ | ♭ | 3/4 | 2 | no | no | 355 | 131 | 355 | 1H3H1H | |
Loudons scotch measure
|
Loudon's Scots Measure | Leyden Lyra-viol and Violin Manuscript 4, f. 51v | D | ♯ | ♯ | C | C | 2 | no | no | 3314 | 3213 | 331H4 | 321H3 |
Love is the caus of my mourning
Concordances
- Love is the Caues of My mornen, Love is the Cause of my Mourning (from Bowie Manuscript 7, f. 6v) [1313; 4312]
- Love is the cause of my Mourning, Love is the Cause of My Mourning (from Gairdyn Manuscript 385, f. 53v) [; ] - Love is the Cause of my mourning, Love is the Cause of My Mourning (from MacFarlane Manuscript 2 129, p. 189) [133; 333] - Love is the Cause of my mourning, Love is the Cause of my Mourning (from MacFarlane Manuscript 3 237, p. 213) [133; 333] - Love is the Cause of my mourning, Love is the Cause of my mourning (from McGibbon Manuscript 113, p. 67) [133; 333] |
Love is the Cause of My Mourning | Leyden Lyra-viol and Violin Manuscript 3, f. 50v | F | ♭ | 3 | 3/4 | 2 | no | no | 133 | 331 | 133 | 331 | |
Minuit
|
Minuet | Leyden Lyra-viol and Violin Manuscript 1, f. 49v | C | 3 | 3/4 | 2 | no | no | 333 | 111 | 3H3H3H | 1H1H1H | ||
Minuit
|
Minuet | Leyden Lyra-viol and Violin Manuscript 33, f. 63 | C | 3/4 | 1 | no | no | 223 | 225 | 2H2H3H | 2H2H5 | |||
My Lady Muntsross her scotts measure
|
My Lady Montrose Her Scots Measure | Leyden Lyra-viol and Violin Manuscript 16, f. 56v | C | ₵ | ₵ | 2 | no | no | 5551 | 5111 | 5551H | 511H1H | ||
Queen maries minuit
|
Queen Mary's Minuet | Leyden Lyra-viol and Violin Manuscript 38, f. 65 | F | ♭ | ♭ | 3/4 | 1 | no | no | 313 | 553 | 313 | 553 | |
Ane royel bourie
|
Royal Bourée | Leyden Lyra-viol and Violin Manuscript 9, f. 54v | B♭ | ♭♭ | ♭♭ | ₵ | 1 | no | no | 5465 | 3111 | 54x65 | 3111 | |
The saraband
|
Sarabande | Leyden Lyra-viol and Violin Manuscript 10, f. 55 | G | ♭♭ | ♭♭ | 3/4 | 1 | no | no | 331 | 234 | 331 | 234 | |
The Scots Shochone
Comments
Key signature probably incorrect (see Bowie and Kelsall). Composer: [John McLachlan?]
Variations: not really a chaconne, but rather variation set with variable harmonic pattern.
Concordances
- the Scots Chaconne, Scots Chaconne (from Bowie Manuscript 22, f. 14v) [3342; 1155]
- highland air or A Scots chacune, Scots Chaconne (from Gairdyn Manuscript 257, f. 28) [None; None] - Scoth chacon, Scots Chaconne (from Robert Kelsall Manuscript 586, f. 121) [1H1H2H7; 663H3H] |
Scots Chaconne | Leyden Lyra-viol and Violin Manuscript 43, f. 68v | A | ♯♯ | ₵ | 6 | no | no | 3342 | 1155 | 3b3b42 | 1155 | ||
The bonie brookit lasie blew beneath the eys
Concordances
- The bonie brooked lassie, The Bonny Bruicked Lassie (from Leyden Lyra-viol and Violin Manuscript 26, f. 60v) [5532; 3513]
- [The Bonny Brooked Lassie], The Bonny Bruicked Lassie (from Sinkler Manuscript 29, f. 63) [3532; 3513] - The bonny bruicked Lassie, The Bonny Bruicked Lassie (from MacFarlane Manuscript 3 208, p. 187) [315; 551] |
The Bonny Bruicked Lassie | Leyden Lyra-viol and Violin Manuscript 25, f. 60 | F | ♭ | ♭ | 3/4 | 2 | no | no | 315 | 551 | 31H5 | 551 | |
The bonie brooked lassie
Concordances
- The bonie brookit lasie blew beneath the eys, The Bonny Bruicked Lassie (from Leyden Lyra-viol and Violin Manuscript 25, f. 60) [315; 551]
- [The Bonny Brooked Lassie], The Bonny Bruicked Lassie (from Sinkler Manuscript 29, f. 63) [3532; 3513] - The bonny bruicked Lassie, The Bonny Bruicked Lassie (from MacFarlane Manuscript 3 208, p. 187) [315; 551] |
The Bonny Bruicked Lassie | Leyden Lyra-viol and Violin Manuscript 26, f. 60v | F | ♭ | ♭ | 6/4 | 2 | no | no | 5532 | 3513 | 5532 | 351H3 | |
The Gray Eyed Morning
Concordances
- Bonny Gray head morn, The Bonny Gray Eyed Morn (from Gairdyn Manuscript 134, f. 19v) [None; None]
- The Gray Eyed Morn, The Bonny Gray Eyed Morn (from Thomson Manuscript 32, p. 24) [1132; 3555] - Gray Morning, The Bonny Gray Eyed Morn (from Sinkler Manuscript 13, f. 67) [1132; 3555] - The Bonny gray-Ey'd morning, The Bonny Gray Eyed Morn (from Robert Kelsall Manuscript 360, f. 115v) [1132; 3555] - Bonny gray eyed Morning, The Bonny Gray Eyed Morn (from MacFarlane Manuscript 3 15, p. 10) [1112; 3555] |
The Bonny Gray Eyed Morn | Leyden Lyra-viol and Violin Manuscript 13, f. 55v | B♭ | ♭♭ | ♭♭ | ₵ | 2 | no | no | 1132 | 3555 | 1132 | 3555 | |
The Capin Trade
Comments
2 strain tune + 1 variation.
Concordances
- The Caping Trade, The Caping Trade (from MacFarlane Manuscript 2 139, p. 196) [1111; 5255]
|
The Caping Trade | Leyden Lyra-viol and Violin Manuscript 36, f. 64 | F | ♭ | ♭ | ₵ | 4 | yes | no | 1111 | 5255 | 1H1H11 | 5255 | |
The Clock Cowpite
|
The Clock Cowpite | Leyden Lyra-viol and Violin Manuscript 21, f. 58v | A | ♯ | ♯ | ₵ | 2 | no | no | 5117 | 2111 | 5L117bL | 2111 | |
The Colleyrs daughter
Concordances
- The Coaliers daughter, The Collier's Daughter (from Gairdyn Manuscript 35, f. 4) [3311; 1156]
- Coalliers daughter, The Collier’s Daughter (from Sinkler Manuscript 10, f. 67v) [3311; 1155] - [The Collier's Daughter], The Collier’s Daughter (from Cuming Manuscript 45, p. 64) [3311; 1155] - The nine Pint Cogie, The Nine Pint Cogie (from MacFarlane Manuscript 3 58, p. 46) [3312; 1155] |
The Collier's Daughter Title (alternative): The Nine Pint Cogie; The Collier's Lass |
Leyden Lyra-viol and Violin Manuscript 12, f. 55v | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 3311 | 1155 | 3b3b11 | 115L5L |
The enuchs fareweel
|
The Eunuch's Farewell | Leyden Lyra-viol and Violin Manuscript 35, f. 63v | F | ♭ | ♭ | 3/4 | 1 | no | no | 116 | 773 | 1H1H6 | 773 | |
The following
|
The Following | Leyden Lyra-viol and Violin Manuscript 46, f. 69v | D | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 3561 | 5222 | 3561H | 5222 |
The following Jeig
|
The Following Jig | Leyden Lyra-viol and Violin Manuscript 32, f. 62v | F | ♭ | ♭ | 6/4 | 2 | no | no | 1355 | 1311 | 1H3H55 | 1H3H1H1H | |
The ytallian pastrolla
Comments
Only strains 1-7 have double barlines. Much of the piece is misbarred in 9/8.
|
The Italian Pastorella | Leyden Lyra-viol and Violin Manuscript 41, f. 67v | G | ♯ | ♯ | 6/8 | 14 | yes | no | 5343 | 5321 | 5343 | 5321 | |
The gellie braes
Concordances
- Gollie Breez, Jolly Breeze (from Leyden Lyra-viol and Violin Manuscript 29, f. 61v) [1154; 2744]
- The Jolly Briese, Jolly Breeze (from Thomson Manuscript 30, p. 22) [1155; 1744] - Joly bris, Jolly Breeze (from Sinkler Manuscript 40, f. 61v) [1134; 2244] - Jolly Breeze, Jolly Breeze (from Robert Kelsall Manuscript 185, f. 29) [1154; 2744] |
The Jolly Breeze | Leyden Lyra-viol and Violin Manuscript 24, f. 59v | C | ₵ | 2 | no | no | 1513 | 5554 | 1H51H3H | 5H5H5H4H | |||
The milkeine pell
Concordances
- Milking peall, The Milking Pail (from Sinkler Manuscript 26, f. 64) [5321; 1136]
|
The Milking Pail | Leyden Lyra-viol and Violin Manuscript 15, f. 56 | C | ₵ | ₵ | 2 | no | no | 5321 | 1136 | 53H2H1H | 1H1H3H6 | ||
The Smullichan
|
The Smullichan | Leyden Lyra-viol and Violin Manuscript 48, f. 70v | A | ₵ | 2 | no | no | 3322 | 2255 | 3b3b22 | 225L5L | |||
This Consenting maid
|
This Consenting Maid | Leyden Lyra-viol and Violin Manuscript 19, f. 57v | A | 3/4 | 1 | no | no | 351 | 225 | 3b51 | 225L | |||
two furlongs from Edr toun
Concordances
- within a furlong of Edenburgh, Twas Within a Furlong of Edinburgh Town (from Sinkler Manuscript 22, f. 65) [1354; 4511]
- Twas within a furlong of Edinborough town, Twas Within a Furlong of Edinburgh Town (from Robert Kelsall Manuscript 178, f. 28) [3354; 4511] - It was within a forlong of Edinbrough toun, Twas Within a Furlong of Edinburgh Town (from Cameron Manuscript 248, p. 59) [1354; 4511] - Edinburgh Town MacLean, Twas Within a Furlong of Edinburgh Town (from MacFarlane Manuscript 3 215, p. 194) [1354; 4511] |
Twas Within a Furlong of Edinburgh Town | Leyden Lyra-viol and Violin Manuscript 7, f. 53 | G | ♭♭ | ♭♭ | ₵ | 2 | no | no | 1354 | 4511 | 13b54 | 4511 | |
[untitled]
Comments
Triple time version of following tune
Concordances
- [untitled], Untitled (from Leyden Lyra-viol and Violin Manuscript 23, f. 59) [3225; 7577]
|
Untitled | Leyden Lyra-viol and Violin Manuscript 22 | G | 3/4 | 1 | no | no | 322 | 774 | 322 | 7b7b4 | |||
[untitled]
Comments
Duple time version of previous tune
Concordances
- [untitled], Untitled (from Leyden Lyra-viol and Violin Manuscript 22, ) [322; 774]
|
Untitled | Leyden Lyra-viol and Violin Manuscript 23, f. 59 | G | ₵ | 2 | no | no | 3225 | 7577 | 3225 | 7b57b7bL | |||
When the bryd cam ben she becked
Comments
2 strain tune + 2 variations.
Concordances
- when she came ben she bobbed, When She Came Ben She Bobbed (from Bowie Manuscript 46, f. 28v) [1327; 1175]
- When she cam ben, When She Came Ben She Bobbed (from Sinkler Manuscript 35, f. 62v) [121; 334] - When she came ben she bobbed, When She Came Ben She Bobbed (from MacFarlane Manuscript 3 227, p. 202) [111; 333] - When She came ben She bobbed, When She Came Ben She Bobbed (from James Knox Manuscript 220, f. 56v) [111; 334] |
When She Came Ben She Bobbed | Leyden Lyra-viol and Violin Manuscript 8, f. 53v | G | ♭♭ | ♭♭ | 6/4 | 6 | yes | no | 1327 | 1175 | 13b27bL | 11H75 | |
Young I Am
Concordances
- Young I am, Young I am (from Thomson Manuscript 28, p. 21) [1324; 3577]
|
Young I Am | Leyden Lyra-viol and Violin Manuscript 5, f. 52 | C | C | C | 2 | no | no | 1124 | 3577 | 1H1H2H4H | 3H5H77 | ||
young Jockie hee was and Sandie was his nam
|
Young Jockie He Was and Sandie Was His Name | Leyden Lyra-viol and Violin Manuscript 45, f. 69v | D | ♯ | ♯ | 6/4 | 2 | no | no | 3166 | 1251 | 31H66 | 1H251 |