hms.scot
hms.scot

Manuscript Tune Index

by Aaron McGregor


All title fields
Key signature
Time signature
Bass
Source
KS (edited)
TS (edited)
Variations

Key note
Index 1 [starts with / is]
Index 2 [starts with / is]
How to use
Index 1 & Index 2

Clear form
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Manuscript: Agnes Hume Manuscript

Title (source) Title (standardised) Source Key note Key signature KS (edited) Time signature TS (edited) Strains Variations Bass Index 1 Index 2 Index 1 (long) Index 2 (long)
A minaway
Looks like an incorrect ks of ♯♯. C♯ always corrected to C♮. 2 strain tune + 1 variation. Variation is division into quavers.
A Minuet Agnes Hume Manuscript 11, f. 4 G ♯♯ ♯♯ 3 6/4 4 yes no 5543 5543 5543 5543
A Trumpett Minaway
Like Hume 11, incorrect key signature of two sharps.
A Trumpet Minuet Agnes Hume Manuscript 12, f. 4 G ♯♯ ♯♯ 3 6/4 2 no no 5553 3255 5553 3255
Athols L[ilt]
Athole's Lilt Agnes Hume Manuscript 9, f. 3v D ♯♯ ♯♯ 3 3/4 2 no no 551 333 55L1 333
Glenbrissels Jigg
3 bar phrases

- [Glenbrissels Jigg], Glenbristle’s Jig (from Panmure Violin Manuscript 1 54, f. 26v) [155; 227]
- Hey Tramudle, Hey Tramudle (from MacFarlane Manuscript 2 146, p. 203) [155; 227]
 Glenbristle's Jig
Title (alternative): Hey Tramudle		 Agnes Hume Manuscript 3, f. 1v D ♯♯ ♯♯ 3 6/4 2 no no 1552 2715 1H552 2H71H5
I Love My Love In Secret

- I Love my Love in secret, I Love My Love in Secret (from Guthrie Manuscript 39, p. 303) [3155; 6225]
- I Love my Love in secret, I Love My Love in Secret (from Guthrie Manuscript 52, p. 306) [3155; 5555]
- I Love my Love in secret, I Love My Love In Secret (from Bowie Manuscript 52, f. 33v) [3111; 6223]
- I Love my Love in Secret, I Love my Love in Secret (from Gairdyn Manuscript 4, f. 1v) [3215; 6226]
- I Love my Love in Secret, I Love My Love In Secret (from Thomson Manuscript 3, p. 2) [3215; 5226]
- I love my Love in Secret, I Love My Love in Secret (from MacFarlane Manuscript 2 155, p. 210) [3211; 6226]
- I love my Love in Secret by Mr McLean, I Love My Love In Secret (from McGibbon Manuscript 3, p. 2) [3211; 6226]
- I Love my Love in Secret, I Love my Love in Secret (from McGibbon Manuscript 156, p. 84) [3211; 6226]
- I love my love in secret, I Love My Love in Secret (from James Knox Manuscript 109, f. 29v) [3211; 6225]
 I Love My Love In Secret Agnes Hume Manuscript 16, f. 5v C ₵ 3 yes no 3111 6226 3H1H1H1H 62H2H6H
Jockies gaine to the wood

- Jockie went to the wood, Jockie's Gone to the Wood (from Sinkler Manuscript 37, f. 62v) [155; 222]
 Jockie's Gone to the Wood Agnes Hume Manuscript 7, f. 2v G ♯ ♯ 3 3/4 3 no no 355 222 35L5L 222
John Anderson my Jo

- John Anderson my Jo, John Anderson My Jo (from Agnes Hume Manuscript 20, f. 19) [5112; 3334]
- John Anderson my Jo, John Anderson My Jo (from Agnes Hume Manuscript 21, f. 20) [5112; 3334]
- John Anderson my Jo, John Anderson My Jo (from Agnes Hume Manuscript 22, f. 21) [5112; 3334]
 John Anderson My Jo Agnes Hume Manuscript 19, f. 18 A ₵ 2 no no 5112 3334 5L112 3b3b3b4
John Anderson my Jo

- John Anderson my Jo, John Anderson My Jo (from Agnes Hume Manuscript 19, f. 18) [5112; 3334]
- John Anderson my Jo, John Anderson My Jo (from Agnes Hume Manuscript 21, f. 20) [5112; 3334]
- John Anderson my Jo, John Anderson My Jo (from Agnes Hume Manuscript 22, f. 21) [5112; 3334]
 John Anderson My Jo Agnes Hume Manuscript 20, f. 19 A ₵ 2 no no 5112 3334 5L112 3b3b3b4
John Anderson my Jo

- John Anderson my Jo, John Anderson My Jo (from Agnes Hume Manuscript 19, f. 18) [5112; 3334]
- John Anderson my Jo, John Anderson My Jo (from Agnes Hume Manuscript 20, f. 19) [5112; 3334]
- John Anderson my Jo, John Anderson My Jo (from Agnes Hume Manuscript 22, f. 21) [5112; 3334]
 John Anderson My Jo Agnes Hume Manuscript 21, f. 20 A ₵ 2 no no 5112 3334 5L112 3b3b3b4
John Anderson my Jo
Instructions for a country dance given below the tune.

- John Anderson my Jo, John Anderson My Jo (from Agnes Hume Manuscript 19, f. 18) [5112; 3334]
- John Anderson my Jo, John Anderson My Jo (from Agnes Hume Manuscript 20, f. 19) [5112; 3334]
- John Anderson my Jo, John Anderson My Jo (from Agnes Hume Manuscript 21, f. 20) [5112; 3334]
 John Anderson My Jo Agnes Hume Manuscript 22, f. 21 A ₵ 2 no no 5112 3334 5L112 3b3b3b4
Lady Streathelen's tune
What look like staccato markings over many of the notes might actually be instructions for down bows.
Lady Strathallan's Tune
Title (alternative): Willie Was a Wanton Wag		 Agnes Hume Manuscript 15, f. 5v C ₵ 2 no no 3555 1111 3555 1H1H1H1
Lillye Bur lerro

- Lillibullero, Lillibullero (from MacFarlane Manuscript 3 259, p. 233) [1324; 3521]
 Lillibullero Agnes Hume Manuscript 6, f. 2v D ♯♯ ♯♯ 3 6/4 2 no no 1324 3421 1324 3421
[March]
Looks like a trumpet march, but again probably for violin - follows the downbow markings of Hume 15.
March Agnes Hume Manuscript 17, f. 7 C C 1 no no 1111 1333 1H1H1H1H 1H3H3H3H
Markhams Scots Meassor

- MacLean’s Scotch Measure, McLean's Scots Measure (from MacFarlane Manuscript 2 236, p. 280) [1122; 5223]
 Markham's Scots Measure
Title (alternative): McLean's Scots Measure		 Agnes Hume Manuscript 13, f. 4v D ♯♯ ♯♯ ₵ ₵ 2 no no 1122 5223 1122 5223
Mary Scott
Looks like either copy of the RH of a keyboard arrangement, or else possibly lyra viol - lots of harmony notes, but not particularly violin-friendly. Concordances (other): “Mary Scot”, Thumoth Scotch & Irish. “Mary Scot”, McGibbon Scots Tunes Vol II, p. 60. “Mary Scott”, Oswald CPC 1, p. 4.

- Mary Scot's the Flower of yearow, Mary Scott (from Gairdyn Manuscript 15, f. 2v) [113; 555]
- Mary Scott, Mary Scott (from Agnes Hume Manuscript 4, f. 2) [1555; 2111]
- Mary Scott, Mary Scott (from Cuming Manuscript 8, p. 10) [113; 553]
- Mary Scot, Mary Scott (from Robert Kelsall Manuscript 290, f. 50v) [113; 556]
- Mary Scott, Mary Scott (from Robert Kelsall Manuscript 580, f. 118v) [113; 556]
- Mary Scott, Mary Scott (from MacFarlane Manuscript 3 238, p. 214) [113; 556]
 Mary Scott
Title (alternative): When the Cold Winter Nights Were Frozen; The Banks of Yaro; Sir John Fenwick’s the Flower Amang Them All		 Agnes Hume Manuscript 1, f. 1 D ♯♯ ♯♯ 3 6/4 2 no no 1555
Alt. index 1: 123 (Alt index given as if ts is 3/4)		 2111
Alt. index 2: 551 (Alt index given as if ts is 3/4)		 1555
Alt. index 1: 123 (Alt index given as if ts is 3/4)		 21H1H1H
Alt. index 2: 551H (Alt index given as if ts is 3/4)
Mary Scott
Concordances (other): “Mary Scot”, Thumoth Scotch & Irish. “Mary Scot”, McGibbon Scots Tunes Vol II, p. 60. “Mary Scott”, Oswald CPC 1, p. 4.

- Mary Scot's the Flower of yearow, Mary Scott (from Gairdyn Manuscript 15, f. 2v) [113; 555]
- Mary Scott, Mary Scott (from Agnes Hume Manuscript 1, f. 1) [1555; 2111]
- Mary Scott, Mary Scott (from Cuming Manuscript 8, p. 10) [113; 553]
- Mary Scot, Mary Scott (from Robert Kelsall Manuscript 290, f. 50v) [113; 556]
- Mary Scott, Mary Scott (from Robert Kelsall Manuscript 580, f. 118v) [113; 556]
- Mary Scott, Mary Scott (from MacFarlane Manuscript 3 238, p. 214) [113; 556]
 Mary Scott
Title (alternative): When the Cold Winter Nights Were Frozen; The Banks of Yaro; Sir John Fenwick’s the Flower Amang Them All		 Agnes Hume Manuscript 4, f. 2 D ♯♯ ♯♯ 3 6/4 2 no no 1555
Alt. index 1: 123 (Alt index given as if ts is 3/4.)		 2111
Alt. index 2: 551 (Alt index given as if ts is 3/4.)		 1555
Alt. index 1: 123 (Alt index given as if ts is 3/4.)		 21H1H1H
Alt. index 2: 551H (Alt index given as if ts is 3/4.)
New Ayelie
Looks like tune has been misbarred - should be a 9/4 slip jig
New Ayelie Agnes Hume Manuscript 5, f. 2 D ♯♯ ♯♯ 3 6/4 2 no no 3553
Alt. index 1: 355 (Alt index given as if ts is 9/4)		 5635
Alt. index 2: 356 (Alt index given as if ts is 9/4)		 3553
Alt. index 1: 355 (Alt index given as if ts is 9/4)		 5635
Alt. index 2: 356 (Alt index given as if ts is 9/4)
Preludio
Short four-bar prelude. Violin fingering given below the notes.
Preludio Agnes Hume Manuscript 14, f. 5v C ₵ 1 no no 1351 5315 1351H 5315H
She gote money by it

- Barley Cakes, Barley Cakes (from James Knox Manuscript 79, f. 25v) [3322; 3351]
 She Got Money By It
Title (alternative): Barley Cakes		 Agnes Hume Manuscript 8, f. 3 G ♯♯ ♯♯ 3 6/4 2 no no 3322 3351 3322 3351H
Shes sweet like sugarcandie
1 strain tune + 2 variations. Division-style variations into semi-quavers. Similar in style to the version in the Bowie MS, most likely a John McLachlan setting. Concordances (other): "Sugarcandoe, by Iohn red", Balcarres p. 39. "Sugercandie, mr mclaughlans way, by mr Beck", Balcarres, p. 117.

- Sugar Candie, Sugarcandy (from Gairdyn Manuscript 183, f. 23) [; ]
- Sweet like Sugar Candie, Sweet Like Sugar Candie (from MacFarlane Manuscript 2 44, p. 88) [3571; 4472]
- Sweet as Sugar Candie, Sweet Like Sugar Candie (from McGibbon Manuscript 128, p. 73) [3571; 4472]
 Sweet Like Sugar Candie Agnes Hume Manuscript 18, f. 10v G C 3 yes no 3571 4472 357b1H 447bL2
The Kings Dellight

- [The King's Delight], The King’s Delight (from Panmure Violin Manuscript 1 2, f. 1) [1531; 2532]
- the Kings Delight, The King's Delight (from Panmure Violin Manuscript 1 10, f. 4v) [1531; 2532]
 The King's Delight Agnes Hume Manuscript 10, f. 3v A ♯♯ ♯♯ 3 6/4 2 no no 1531 2532 1531 2532
The pitticott
D♯s seem to be notated as E♭s.
The Petticoat Agnes Hume Manuscript 2, f. 1 E ♯♯ ♯♯ 3 6/4 2 no no 5317 1335 53b17L 13b3b5