Similar to "Major Erskine's Minuet", Knox 31.

Incipt only (3 bars long)

Clerk Sonata for Violin and Basso Continuo in G Major, i. Preludio

Clerk Sonata for Violin and Basso Continuo in G Major, ii. Air & Variations

Clerk Sonata for Violin and Basso Continuo in G Major, iii. Sarabanda

Clerk Sonata for Violin and Basso Continuo in G Major, iv. Giga

Bass at bottom of page

1 strain tune + 4 variations on passemezzo moderno.

- John Come Kiss Me Now, John Come Kiss Me Now (from Cuming Manuscript 31, p. 40) [1112; 4443]
- Old Mackentosh’s march, Old Mackintosh's March (from Robert Kelsall Manuscript 53, f. 11v) [1132; 4443]
- Old Mackintosh's march, Old Mackintosh's March (from Robert Kelsall Manuscript 596, f. 123) [1132; 4443]
- John come kiss me now, John Come Kiss Me Now (from MacFarlane Manuscript 3 43, p. 26) [1112; 4643]
- John come kiss me now, John Come Kiss Me Now (from MacFarlane Manuscript 3 193, p. 164) [1132; 4443]
- King of Swedens March, The King of Sweden’s March (from James Knox Manuscript 71, f. 24v) [3313; 4444]

An [incomplete] setting of "Lord from the deeps lo I have cry’d to thee o Lord". Instrumental intro, and four bars of vocal part.

Rewriting of the opening treble part, but written at doubled note values.

Another passage of the Lord from the deep piece (numbers 24-25).

Either a reworking or variation on previous piece. Some extra written out figuration, particularly notable is alternative ending. 

Another notation of numbers 11-12. The number "2" above the tune seems to imply this is another tune by John Clerk.

Sketch of a minuet tune. Looks like a work in progress, with bars 3-4 crossed out and written again. 

Setting for three voices and organ, only eight bars long. Organ part is an embellished version of the bass part, with figured bass.

2 strain tune + 3 variations. One bass given for all strains, realised in chords. Over the top is written "Basses for the Harpsecord, which serves for all the devitions".

- Saw ye my pegie, Saw Ye No My Peggie (from Gairdyn Manuscript 26, f. 3v) [665; 555]
- Saw you my Love Migey Linken over the Lee, Saw Ye No My Peggie (from Thomson Manuscript 7, p. 5) [663; 552]
- [Saw Ye No My Peggie], Saw Ye No My Peggie (from Sinkler Manuscript 54, f. 58v) [663; 253]
- Saw ye nae my Peggie, Saw Ye No My Peggie (from McGibbon Manuscript 107, p. 65) [665; 554]
- Saw ye my Peggy, Saw Ye No My Peggie (from James Knox Manuscript 172, f. 43v) [665; 555]

Looks like another sketch of a Corellian violin sonata. The first 2 bars correspond to the "Prelud" in Clerk no. 2 above. Following this is a faster, semi-quaver section, and finally a sketch of a fugal movement for treble and bass.

2 strain tune + 2 variations

- The Lass of Patys Mill, The Lass of Patie's Mill (from MacFarlane Manuscript 2 14, p. 36) [3235; 1155]
- The Lass of Patie’s Mill, The Lass of Patie’s Mill (from MacFarlane Manuscript 3 188, p. 146) [3235; 1155]
- Peaties Mill, The Lass of Patie's Mill (from MMC 491 10, p. 54) [3235; 1130]
- Lass of Paties Mill, The Lass of Patie's Mill (from James Knox Manuscript 57, f. 21v) [3235; 1155]

Looks like a march. Space left below each stave, possibly intended for a bass part.

Minuet

Looks like a sketch of a sonata. Begins reasonably enough, in C clef on lowest line, though looks like Bflat missing from key sig. After double barline, looks like Italian-style written out ornaments, but then goes into 3/4. Below sketches is another passage (now in treble clef?) written ‘passage’

Looks like the opening of another violin piece. Bars 1 & 4 feature 4-note chords. 

Looks like another composition exercise, a cadence for three voices. 

Looks like the opening movement of another violin sonata

Opening of a variation set, possibly part of another violin sonata. At the end of the set is a double barline and the time signature 6/12.

Incipit, possibly intro to an aria.

bass part of a minuet

Looks like a piece based on the passamezzo antico, but the melody has a lop-sided 7-bar structure, to which only some of the variations correspond. After the final double barline, there is what looks like a sketch for another variation.

Unusual set of variations. Looks like it is in Scottish style, with the tune not unlike the rhythmic structure of a Scots Measure, and variation patterns similar to Scottish setting. However, built on an unusual harmonic structure (C-a-C-a-C-D-G-D-G).

Looks like a set of pipe-style variations. No double barlines

Looks like a trio sonata movement written in short score, or could just about be a sonata for solo violin and bass, with lots of double stopping in top part.

Possibly another sketch for a sonata movement.

Looks like incipit for a violin piece, only 5 bars long. Three note chord in bar 4.

Possibly the introduction to an aria. Only 8 bars long.

Prelude. Doesn’t look like John Clerk’s hand.

Looks like a continuation or another excerpt from the trio sonata in number 38.