hms.scot
hms.scot

Manuscript Tune Index

by Aaron McGregor


All title fields
Key signature
Time signature
Bass
Source
KS (edited)
TS (edited)
Variations

Key note
Index 1 [starts with / is]
Index 2 [starts with / is]
How to use
Index 1 & Index 2

Clear form
Go to the list of manuscripts

Showing results for:

Manuscript: Sinkler Manuscript

Title (source) Title (standardised) Source Key note Key signature KS (edited) Time signature TS (edited) Strains Variations Bass Index 1 Index 2 Index 1 (long) Index 2 (long)
Allan watter
Written out repeat / variation on 2nd strain (no double barline beforehand).

- Alen Watter, Allan Water (from Bowie Manuscript 12, f. 9v) [1131; 5221]
- Allan water, Allan Water (from Gairdyn Manuscript 340, f. 46v) [None; None]
- Allin Water, Allan Water (from Thomson Manuscript 50, p. 35) [1331; 5221]
- Allan Water, Allan Water (from Cuming Manuscript 21, p. 25) [1131; 5221]
- Allan Water. D.Y., Allan Water (from MacFarlane Manuscript 2 103, p. 146) [1131; 5521]
 Allan Water Sinkler Manuscript 11, f. 67 F ♭ ♭ ₵ 3 yes no 1131 5221 1131H 5221
[Bass Minuet]

- Bass Minuit, Bass Minuet (from Thomson Manuscript 43, p. 31) [113; 335]
 Bass Minuet Sinkler Manuscript 16, f. 66v C 3/4 2 no no 113 335 113 335
Berwick Johny
1 strain tune + 6 variations.

- Berrick Johne, Berwick Johnny (from Gairdyn Manuscript 283, f. 36v) [None; None]
- Banick Johnie, Berwick Johnny (from Leyden Lyra-viol and Violin Manuscript 40, f. 66v) [516; 424]
- Go to Berwick Johny, Berwick Johnny (from McGibbon Manuscript 105, p. 64) [515; 424]
 Berwick Johnny Sinkler Manuscript 45, f. 60v F ♭ ♭ 3/2 7 yes no 516 424 516 424
Ane Irish tune

- Chami Ma Whatle, Chami Ma Chattle (from Gairdyn Manuscript 345, f. 47) [None; None]
- Past one a clock, Past One o'clock (from Robert Kelsall Manuscript 572, f. 117v) [6126; 6321]
- Ata mi mo chedail, Ata Mi Mo Chedail (from MacFarlane Manuscript 3 269, p. 246) [611; 111]
- The Cold Frosty Morning, The Cold Frosty Morning (from McGibbon Manuscript 145, p. 81) [511; 111]
 Chami Ma Chattle Sinkler Manuscript 12, f. 67 G 6/4 2 no no 5126
Alt. index 1: 511 (Alt index as if TS is 3/4)		 5321
Alt. index 2: 111 (Alt index as if TS is 3/4)		 5L126L
Alt. index 1: 5L11 (Alt index as if TS is 3/4)		 5L321
Alt. index 2: 111 (Alt index as if TS is 3/4)
Deal ye rump among yow
Deal the Rump Among You
Title (alternative): Row the Rump to Maggie		 Sinkler Manuscript 15, f. 66v C ₵ ₵ 2 yes no 3311 3515 3H3H1H1H 3H5H1H5H
deells dozen

- St Katherine, Saint Katherine (from Robert Kelsall Manuscript 353, f. 66) [5112; 3332]
- the Devills Dusine or St Catherings, Devil's Dozen (from Cameron Manuscript 182, p. 45) [5112; 3332]
- Saint Katharine, Saint Katherine (from MacFarlane Manuscript 3 223, p. 200) [5133; 4272]
 Devil’s Dozen
Title (alternative): Saint Katherine		 Sinkler Manuscript 19, f. 65v G ♯ ♯ ₵ ₵ 2 no no 5112 3332 5112 3332
Dunnigalls Rant
No double barlines. Variation set, structured AABBBBA.

- Marriage and Money, Marriage and Money (from MacFarlane Manuscript 3 68, p. 54) [5211; 1213]
- Matrimony, Matrimony (from McGibbon Manuscript 4, p. 3) [553; 262]
 Donegal’s Rant
Title (alternative): Marriage and Money; Matrimony; The Dandling O' The Bairns		 Sinkler Manuscript 43, f. 61 D ♯♯ ♯♯ 6/4 7 yes no 5211 1213 5211 1213
Emperours March

- Empr March, Emperor's March (from Thomson Manuscript 1, p. 1) [1115; 1211]
- Empr March, Emperor's March (from Thomson Manuscript 2, p. 2) [1115; 1211]
 Emperor’s March Sinkler Manuscript 24, f. 64 C ₵ ₵ 2 no no 1115 1211 1H1H1H5 1H2H1H1H
A horn pyp
Final strain is a variation on the A part. Concordances (other): "Flat-Capp, an Old Hornpipe", Marsden, Lancashire Hornpipes. "Flat Cap", Wright, Walsh Third Book of the Most Celebrated Jiggs.

- Horne Pipe, Flat Cap (from Thomson Manuscript 56, p. 39) [155; 742]
- [Flat Cap], Flat Cap (from Cuming Manuscript 7, p. 10) [535; 742]
- Punchanallors Hornpipe, Punchanallor's Hornpipe (from Robert Kelsall Manuscript 84, f. 15v) [155; 742]
- Hornpipe, Flat Cap (from Robert Kelsall Manuscript 273, f. 47v) [155; 742]
 Flat Cap
Title (alternative): Punchanallor's Hornpipe		 Sinkler Manuscript 48, f. 60 D ♯ ♯ 3/2 3 yes no 155 742 155 7b42
Gallways Lament

- Galloway’s Lament, Galloway’s Lament (from MacFarlane Manuscript 2 247, p. 287) [111; 117]
 Galloway’s Lament Sinkler Manuscript 25, f. 64 G ♭♭ ♭♭ 3/4 2 no no 112 115 1H1H2H 1H1H5
jingiling Gordy
2 strain tune + 2&1/2 variations.

- Girdlin Geordy, Gingling Geordie (from Thomson Manuscript 21, p. 15) [3112; 3111]
 Gingling Geordie Sinkler Manuscript 28, f. 63v G 6/4 5 yes no 1112 1111 1H1H1H2 1H1H1H1
Good Night

- good night & god be with yow, Good Night and Joy Be With You (from Guthrie Manuscript 61, p. 310) [1655; 6666]
- Good night and God be with you, Good Night and Joy Be With You (from Thomson Manuscript 38, p. 28) [1155; 6666]
- Good Night & c., Good Night and Joy Be With You (from McGibbon Manuscript 207, p. 102) [3166; 3331]
 Good Night and Joy Be With You Sinkler Manuscript 30, f. 63 C ₵ 2 no no 1155 6666 1H1H55 666H6H
Green sleivs and pudding pys

- Green slives, Greensleeves (from Thomson Manuscript 26, p. 18) [3347; 3175]
- Greensleeves, Greensleeves (from Robert Kelsall Manuscript 148, f. 24v) [3547; 1425]
- The Bass to Green Sleeves, Greensleeves (bass) (from Robert Kelsall Manuscript 428, f. 81) [3355; 6633]
- Green Sleeves, Greensleeves (from MacFarlane Manuscript 2 212, p. 258) [3347; 3175]
 Greensleeves Sinkler Manuscript 39, f. 62 G ♭ ♭ 6/4 2 no no 3347 3175 3b3b47bL 3b17bL5L
I am ye king and prince of drunkards
Drinking song.
I am the King and Prince of Drunkards Sinkler Manuscript 31, f. 63 G ♭♭ ♭♭ ₵ 2 no no 1132 5177 113b2 51H7b7b
[I'll Make You Be Fain to Follow Me]

- II mak you be fain to follow me, I'll Make You Be Fain To Follow Me (from Thomson Manuscript 37, p. 28) [3142; 3171]
- [I'll Make You Be Fain to Follow Me], I'll Make You Be Fain to Follow Me (from Sinkler Manuscript 55, f. 58v) [3572; 3533]
- I’ll make thee be fain to follow me, I’ll Make You Be Fain To Follow Me (from MacFarlane Manuscript 3 14, p. 9) [3122; 3171]
 I'll Make You Be Fain to Follow Me Sinkler Manuscript 49, f. 59v D ♯ ♯ 6/4 2 no no 3572 3533 357b2 3533H
[I'll Make You Be Fain to Follow Me]

- II mak you be fain to follow me, I'll Make You Be Fain To Follow Me (from Thomson Manuscript 37, p. 28) [3142; 3171]
- [I'll Make You Be Fain to Follow Me], I'll Make You Be Fain to Follow Me (from Sinkler Manuscript 49, f. 59v) [3572; 3533]
- I’ll make thee be fain to follow me, I’ll Make You Be Fain To Follow Me (from MacFarlane Manuscript 3 14, p. 9) [3122; 3171]
 I'll Make You Be Fain to Follow Me Sinkler Manuscript 55, f. 58v D ♯ ♯ 6/4 2 no no 3572 3533 357b2 3533H
Loves a sweet passion
Song by Henry Purcell from "The Fairy Queen" (Z. 629)

- Since Loves a sweet pasion, If Love's a Sweet Passion (from Gairdyn Manuscript 67, f. 10) [None; None]
- If loves a sweat pasion, If Love's a Sweet Passion (from Leyden Lyra-viol and Violin Manuscript 17, f. 56v) [535; 554]
- Since love's a Sweet passion, If Love's A Sweet Passion (from Robert Kelsall Manuscript 344, f. 63v) [444; 435]
 If Love's a Sweet Passion Sinkler Manuscript 20, f. 65 G ♭♭ ♭♭ 3 6/4 2 no no 4431 4555 443b1 4555
Jockie went to the wood

- Jockies gaine to the wood, Jockie's Gone to the Wood (from Agnes Hume Manuscript 7, f. 2v) [355; 222]
 Jockie's Gone to the Wood Sinkler Manuscript 37, f. 62v C 3/4 2 no no 155
Alt. index 1: 1211 (Alt index given as if ts is 6/4)		 222
Alt. index 2: 3547 (Alt index given as if ts is 6/4)		 1H55
Alt. index 1: 1H2H1H1H (Alt index given as if ts is 6/4)		 2H2H2H
Alt. index 2: 3H5H4H7 (Alt index given as if ts is 6/4)
Joly bris

- The gellie braes, The Jolly Breeze (from Leyden Lyra-viol and Violin Manuscript 24, f. 59v) [1513; 5554]
- Gollie Breez, Jolly Breeze (from Leyden Lyra-viol and Violin Manuscript 29, f. 61v) [1154; 2744]
- The Jolly Briese, Jolly Breeze (from Thomson Manuscript 30, p. 22) [1155; 1744]
- Jolly Breeze, Jolly Breeze (from Robert Kelsall Manuscript 185, f. 29) [1154; 2744]
 Jolly Breeze Sinkler Manuscript 40, f. 61v C ₵ ₵ 2 no no 1134 2244 1H1H3H4H 2H2H4H4H
King James March

- Limerick's Lament, Limerick's Lament (from George Skene Manuscript 17, f. 5v) [333; 333]
- Menwett 122 Lochaber, Lochaber (from Cameron Manuscript 122, p. 25) [133; 331]
- Lochaber, Lochaber (from McGibbon Manuscript 85, p. 55) [133; 333]
- Lochaber no more, Lochaber (from James Knox Manuscript 112, f. 30) [333; 333]
 King James’s March
Title (alternative): Lochaber; Limerick's Lament		 Sinkler Manuscript 21, f. 65 G 6/4 2 no no 5322
Alt. index 1: 121 (Alt index as if TS is 3/4)		 3511
Alt. index 2: 333 (Alt index as if TS is 3/4)		 5L32H2
Alt. index 1: 121 (Alt index as if TS is 3/4)		 35L11
Alt. index 2: 333 (Alt index as if TS is 3/4)
Lennox love to Blanter
Reel tune. Looks like some rhythmic errors in 2nd strain.

- Lennox Love, Lennox Love to Blantyre (from Drummond Castle Manuscript 1 30) [1131; 2366]
- How can I keep my Maidenhead, How Can I Keep My Maidenhead (from MacFarlane Manuscript 2 188, p. 235) [1131; 2266]
- How can I keep my Maidenhead, How Can I Keep My Maidenhead (from James Knox Manuscript 75, f. 25v) [1131; 2266]
 Lennox Love to Blantyre
Title (alternative): How Can I Keep My Maidenhead		 Sinkler Manuscript 44, f. 61 F ₵ 2 no no 1131 2266 1131 2266
Mcfarsances tesment
2 strain tune + 1 variation. Strathspey-like, but no back-dotted rhythms.

- Mcpherson's Rant , MacPherson's Rant (from Gairdyn Manuscript 46, f. 5v) [1122; 1766]
- Mcpherson’s Rant, MacPherson’s Rant (from Young-Bodleian 30, f. 34) [1122; 1766]
- Macphersons Rant, MacPherson's Rant (from MacFarlane Manuscript 3 291, p. 287) [1122; 1766]
 MacPherson’s Rant Sinkler Manuscript 14, f. 66v F ₵ 4 yes no 1122 1165 1122 116L5L
[untitled]
Minuet tune. 2 strain tune + 1 variation.
Minuet Sinkler Manuscript 2, f. 68v C 3/4 4 no no 332 113 3H3H2H 1H1H3H
Minivet
Key sig looks to be missing B♭
Minuet Sinkler Manuscript 4, f. 68 F ♭ 3/4 2 no no 555 557 555 557
[untitled]
Minuet tune
Minuet Sinkler Manuscript 5, f. 68 C 3/4 2 no no 557 113 557 1H1H3H
[untitled]
Key sig looks to be missing B♭
Minuet Sinkler Manuscript 6, f. 68 D ♭ 3/4 2 no no 113 555 1H1H3bH 5H5H5H
[untitled]
Minuet Sinkler Manuscript 7, f. 68 C 3/4 2 no no 331 555 3H3H1H 5H5H5H
Minivet
Minuet Sinkler Manuscript 33, f. 62v C 3/4 2 no no 333 212 3H3H3H 2H1H2H
My plaid away

- Ow'r the hills and far away, O'er the Hills and Far Away (from Gairdyn Manuscript 275, f. 35v) [None; None]
- Over the hill’s & far awar, O'er the Hills and Far Away (from Robert Kelsall Manuscript 89, f. 16) [1113; 1666]
- O’er the hills & far awa, O’er the Hills and Far Away (from MacFarlane Manuscript 3 13, p. 9) [1113; 1665]
 My Plaid Away
Title (alternative): O'er the Hills and Far Away		 Sinkler Manuscript 18, f. 65v C ₵ 2 no no 1113 1165 1H1H1H3H 1H665
O Minie

- O dear Mother what shall I do, O Dear Mother What Shall I Do (from MacFarlane Manuscript 2 213, p. 262) [113; 356]
- O Dear Mother, O Dear Mother What Shall I Do (from MacFarlane Manuscript 3 135, p. 100) [112; 356]
- O Dear Mother what Shall I do, O Dear Mother What Shall I Do (from James Knox Manuscript 146, f. 37v) [111; 356]
 O Dear Mother What Shall I Do Sinkler Manuscript 50, f. 59v C 6/4 2 no no 1312
Alt. index 1: 111 (Alt index as if TS is 3/4)		 1652
Alt. index 2: 356 (Alt index as if TS is 3/4)		 131H2H
Alt. index 1: 111 (Alt index as if TS is 3/4)		 1H65H2H
Alt. index 2: 356 (Alt index as if TS is 3/4)
ore the muir to Maggie
1 strain tune + 4 variations. Concordances (other): "O’er the moor to Maggy", Neal CST p. 12 (close concordance with st1-4).

- over the moor to magie, O'er the Moor to Maggie (from Bowie Manuscript 50, f. 32v) [5113; 2227]
- O’er the muir to Maggie, O’er the Moor to Maggie (from Cuming Manuscript 26, p. 31) [5122; 5155]
- Over ye muir to Maggie, O'er the Moor to Maggie (from Robert Kelsall Manuscript 247, f. 43) [5311; 2221]
- O'er the Muir to Maggie, O'er the Moor to Maggie (from McGibbon Manuscript 94, p. 60) [5122; 5155]
 O'er the Moor to Maggie Sinkler Manuscript 38, f. 62 G ♯ ₵ 5 yes no 5122 5155 51H22H 51H55
[Old Lang Syne]

- Old Long Signe, Old Lang Syne (from Bowie Manuscript 49, f. 31v) [1113; 5554]
- For old long syne, Old Lang Syne (from Robert Kelsall Manuscript 258, f. 44v) [1113; 5554]
- For old long Syne, Old Lang Syne (from Robert Kelsall Manuscript 278, f. 48) [1113; 5554]
 Old Lang Syne Sinkler Manuscript 51, f. 59v F ♭ ♭ ₵ 2 no no 1113 5554 1H1H1H3H 5554
Owing at her

- Tibie fouller in the glen, Tibbie Fowler (from Bowie Manuscript 47, f. 29v) [1111; 2744]
- Mary Harvey att the Gaurd, Mary Harvey at the Guard (from Thomson Manuscript 52, p. 37) [1111; 2744]
- Tibbie Fouller in the Glen, Tibbie Fowler (from George Skene Manuscript 14, f. 4) [1112; 7233]
- Tibbie fowler in the Glen, Tibbie Fowler (from Drummond Castle Manuscript 1 38) [5172; 3175]
- Tibbie Fowler. D.Y., Tibbie Fowler (from MacFarlane Manuscript 2 171, p. 226) [1172; 3175]
 Owing At Her
Title (alternative): Tibbie Fowler		 Sinkler Manuscript 36, f. 62v G ₵ 2 no no 1112
Alt. index 1: 4445 (Alt index given as if key note is D)		 7742
Alt. index 2: 3375 (Alt index given as if key note is D)		 1112
Alt. index 1: 4445 (Alt index given as if key note is D)		 7bL7bL42
Alt. index 2: 3b3b7b5 (Alt index given as if key note is D)
Magie I most love thee
2 strain tune + 1 variation.

- pege I most Love the, Peggy I Must Love Thee (from Bowie Manuscript 24, f. 16v) [6111; 2266]
- Pegy I mosst love thee Capt: Campbell his marsh, Peggy I Must Love Thee (from Bowie Manuscript 48, f. 30v) [6111; 2266]
- As I went down yon burn so Clear, As I Went Down Yon Burn So Clear (from Gairdyn Manuscript 54, f. 7v) [6111; 2266]
- Peggie I must love thee, Peggy I Must Love Thee (from MacFarlane Manuscript 2 18, p. 44) [5111; 2266]
 Peggy I Must Love Thee Sinkler Manuscript 32, f. 63 G ₵ 4 no no 6111 2266 6L111 226L6L
[Saw Ye No My Peggie]
2 strain tune + 2 variations.

- Saw ye my pegie, Saw Ye No My Peggie (from Gairdyn Manuscript 26, f. 3v) [665; 555]
- Saw you my Love Migey Linken over the Lee, Saw Ye No My Peggie (from Thomson Manuscript 7, p. 5) [663; 552]
- Saw ye not my Meggie. divisions 1720, Saw Ye No My Peggie (from Clerk of Penicuik Papers 21, GD18/4538/5/7) [663; 552]
- Saw ye nae my Peggie, Saw Ye No My Peggie (from McGibbon Manuscript 107, p. 65) [665; 554]
- Saw ye my Peggy, Saw Ye No My Peggie (from James Knox Manuscript 172, f. 43v) [665; 555]
 Saw Ye No My Peggie Sinkler Manuscript 54, f. 58v F ♭ ♭ 3/2 6 yes no 663 253 663 253
Sweet pudding
Title "Lumps o' pudding" given in later hand. 1 strain tune + 2 variations.

- Lumps of Puddings, Lumps of Puddings (from Gairdyn Manuscript 39, f. 4v) [3151; -]
- Lumps of Pudding, Lumps of Pudding (from Robert Kelsall Manuscript 166, f. 27) [3351; 2247]
- Lumps of Pudding, Lumps of Pudding (from McGibbon Manuscript 61, p. 40) [1151; 2747]
 Sweet Pudding
Title (alternative): Lumps of Pudding		 Sinkler Manuscript 27, f. 63v G ♭ ♭ 6/4 3 yes no 3151 2747 3b151 27bL47bL
[Tail Toddle]

- Lasses Gar your Tales todell, Tail Toddle (from Gairdyn Manuscript 350, f. 47v) [None; None]
- Taill todle, Tail Toddle (from Gairdyn Manuscript 378, f. 51v) [1343; 1327]
- Lasses gar your Tails Todle, Tail Toddle (from George Skene Manuscript 37, f. 12) [1344; 1327]
- Tail Todle, Tail Toddle (from Drummond Castle Manuscript 2 14) [1341; 1327]
 Tail Toddle Sinkler Manuscript 52, f. 59 G ₵ ₵ 5 yes no 1131 4427 1131H 4427bL
[The Bonny Brooked Lassie]

- The bonie brookit lasie blew beneath the eys, The Bonny Bruicked Lassie (from Leyden Lyra-viol and Violin Manuscript 25, f. 60) [315; 551]
- The bonie brooked lassie, The Bonny Bruicked Lassie (from Leyden Lyra-viol and Violin Manuscript 26, f. 60v) [5532; 3513]
- The bonny bruicked Lassie, The Bonny Bruicked Lassie (from MacFarlane Manuscript 3 208, p. 187) [315; 551]
 The Bonny Bruicked Lassie Sinkler Manuscript 29, f. 63 F 6/4 2 no no 3532 3513 3532 351H3
Gray Morning

- Bonny Gray head morn, The Bonny Gray Eyed Morn (from Gairdyn Manuscript 134, f. 19v) [None; None]
- The Gray Eyed Morning, The Bonny Gray Eyed Morn (from Leyden Lyra-viol and Violin Manuscript 13, f. 55v) [1132; 3555]
- The Gray Eyed Morn, The Bonny Gray Eyed Morn (from Thomson Manuscript 32, p. 24) [1132; 3555]
- The Bonny gray-Ey'd morning, The Bonny Gray Eyed Morn (from Robert Kelsall Manuscript 360, f. 115v) [1132; 3555]
- Bonny gray eyed Morning, The Bonny Gray Eyed Morn (from MacFarlane Manuscript 3 15, p. 10) [1112; 3555]
 The Bonny Gray Eyed Morn Sinkler Manuscript 13, f. 67 C ₵ 2 no no 1132 3555 1H1H3H2H 3H5H5H5H
Coalliers daughter

- The Coaliers daughter, The Collier's Daughter (from Gairdyn Manuscript 35, f. 4) [3311; 1156]
- The Colleyrs daughter, The Collier's Daughter (from Leyden Lyra-viol and Violin Manuscript 12, f. 55v) [3311; 1155]
- [The Collier's Daughter], The Collier’s Daughter (from Cuming Manuscript 45, p. 64) [3311; 1155]
- The nine Pint Cogie, The Nine Pint Cogie (from MacFarlane Manuscript 3 58, p. 46) [3312; 1155]
 The Collier’s Daughter
Title (alternative): The Nine Pint Cogie; The Collier's Lass		 Sinkler Manuscript 10, f. 67v G ₵ 2 no no 3311 1155 3311 115L5L
Drunken wives of Carlyle
1 strain tune + 5 variations. Concordant with MacFarlane 3, though rhythm values halved there.

- The Pinken Durceken wives of Carilel, The Drunken Wives of Carlisle (from Thomson Manuscript 35, p. 26) [1111; 7722]
- The drunken Wives of Carlyl, The Drunken Wives of Carlisle (from MacFarlane Manuscript 3 45, p. 34) [1172; 1115]
 The Drunken Wives of Carlisle Sinkler Manuscript 23, f. 64v G ♯ ♯ ₵ ₵ 6 yes no 1111 7722 1111 7b7b22
The horsmans port
1 strain tune + 4 variations.

- The horsemans Sport, The Horseman's Port (from Robert Kelsall Manuscript 592, f. 122) [3131; 3131]
 The Horseman’s Port
Title (alternative): The Black and the Brown		 Sinkler Manuscript 17, f. 66 F 6/4 5 yes no 3131 3131 31H31H 31H31
When ye king enjoyes his oun

- The King shall enjoy his own again, The King Shall Enjoy His Own Again (from MacFarlane Manuscript 3 194, p. 167) [5117; 5470]
 The King Shall Enjoy His Own Again Sinkler Manuscript 9, f. 67v C ₵ 2 no no 5511 2432 551H1H 2H4H3H2H
Lasses of Edenburgh
In his notes to the Thomson MS, Davidson Cook notes that this tune also is by John Eccles and is to be found in Rinaldo and Armida (c. 1700).

- The Lasses of Edenburaghe, The Lasses of Edinburgh (from Thomson Manuscript 31, p. 23) [5366; 5362]
 The Lasses of Edinburgh Sinkler Manuscript 47, f. 60 G 6/4 2 no no 5366 5362 5366 5362
Milking peall

- The milkeine pell, The Milking Pail (from Leyden Lyra-viol and Violin Manuscript 15, f. 56) [5321; 1136]
 The Milking Pail Sinkler Manuscript 26, f. 64 C ₵ ₵ 2 no no 5321 1136 53H2H1H 1H1H3H6
The princ of waills wellcome to ye world
The Prince of Wales’s Welcome to the World Sinkler Manuscript 46, f. 60 G ♭♭ ♭♭ 6/4 2 no no 1574 3475 157b4 3bH47b5
[Trumpet Tune]
Minuet tune. Concordances (other): "Minuet" Atkinson MS, p. 91.

- Trumpet tune., Trumpet Tune (from Robert Kelsall Manuscript 15, f. 6v) [355; 553]
 Trumpet Tune Sinkler Manuscript 1, f. 68v C 3/4 2 no no 355 553 3H5H5H 5H5H3H
[Trumpeter’s Currand]
Key sig looks to be missing B♭. Concordances (other): "Trumpeters Currand", John Skene MS, p. 22.
Trumpeter’s Currand Sinkler Manuscript 8, f. 67v F ♭ 3/4 2 no no 551 776 551H 776
within a furlong of Edenburgh

- two furlongs from Edr toun, Twas Within a Furlong of Edinburgh Town (from Leyden Lyra-viol and Violin Manuscript 7, f. 53) [1354; 4511]
- Twas within a furlong of Edinborough town, Twas Within a Furlong of Edinburgh Town (from Robert Kelsall Manuscript 178, f. 28) [3354; 4511]
- It was within a forlong of Edinbrough toun, Twas Within a Furlong of Edinburgh Town (from Cameron Manuscript 248, p. 59) [1354; 4511]
- Edinburgh Town MacLean, Twas Within a Furlong of Edinburgh Town (from MacFarlane Manuscript 3 215, p. 194) [1354; 4511]
 Twas Within a Furlong of Edinburgh Town Sinkler Manuscript 22, f. 65 G ♭♭ ♭♭ ₵ 2 no no 1354 4511 13b54 4511
[untitled]
Looks more like a jig than a minuet.
Untitled Sinkler Manuscript 3, f. 68v C 3/4 2 no no 333
Alt. index 1: 3223 (Alt index given as if ts is 6/4)		 231
Alt. index 2: 3223 (Alt index given as if ts is 6/4)		 3H3H3H
Alt. index 1: 3H2H2H3H (Alt index given as if ts is 6/4)		 2H3H1H
Alt. index 2: 3H2H2H3H (Alt index given as if ts is 6/4)
[untitled]
♯ sign in penultimate bar of each section is probably actually a trill
Untitled Sinkler Manuscript 34, f. 62v C 3/4 2 no no 332 151 3H3H2H 1H51H
[untitled]
Untitled Sinkler Manuscript 41, f. 61v D ♭ ♭ ₵ 1 no no 5531 2277 553bH1H 2H2H7b7b
[untitled]
Untitled Sinkler Manuscript 42, f. 61v G 6/4 2 no no 7772
Alt. index 1: 1113 (Alt index given as if key note is F)		 7712
Alt. index 2: 1123 (Alt index given as if key note is F)		 7b7b7bL2
Alt. index 1: 1H1H13 (Alt index given as if key note is F)		 7b7b12
Alt. index 2: 1H1H23 (Alt index given as if key note is F)
[untitled]
Untitled Sinkler Manuscript 53, f. 59 G 6/4 2 no no 3155 1122 315L5L 1122
When she cam ben
B♭ probably missing from ks. Some likely rhythmic inaccuracies - groupings in 3, 3, 4, 3, instead of standard 4-bar phrase.

- when she came ben she bobbed, When She Came Ben She Bobbed (from Bowie Manuscript 46, f. 28v) [1327; 1175]
- When the bryd cam ben she becked, When She Came Ben She Bobbed (from Leyden Lyra-viol and Violin Manuscript 8, f. 53v) [1327; 1175]
- When she came ben she bobbed, When She Came Ben She Bobbed (from MacFarlane Manuscript 3 227, p. 202) [111; 333]
- When She came ben She bobbed, When She Came Ben She Bobbed (from James Knox Manuscript 220, f. 56v) [111; 334]
 When She Came Ben She Bobbed Sinkler Manuscript 35, f. 62v G ♭ 3/4 1 no no 121 334 121 3b3b4