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Manuscript Tune Index

by Aaron McGregor


All title fields
Key signature
Time signature
Bass
Source
KS (edited)
TS (edited)
Variations

Key note
Index 1 [starts with / is]
Index 2 [starts with / is]
How to use
Index 1 & Index 2

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Manuscript: George Skene Manuscript

Title (source) Title (standardised) Source Key note Key signature KS (edited) Time signature TS (edited) Strains Variations Bass Index 1 Index 2 Index 1 (long) Index 2 (long)
A Lassie may be kind enough tho she look Down
A Lassie May Be Kind Enough Though She Look Down George Skene Manuscript 22, f. 7 G ♯ ♯ 12/8 12/8 2 no no 3362 3331 3362 3331
A New Reill
1 strain tune + 3 variations. Concordances (other): "Jock's Lodge", Bremner Scots Reels 1; "Cut and Dry", Stewart Reels.

- Loch Sloy, Loch Sloy (from MacFarlane Manuscript 2 173, p. 228) [3135; 2472]
 A New Reel
Title (alternative): Jock’s Lodge; Cut and Dry; Loch Sloy		 George Skene Manuscript 1, f. 1 A ♯♯ ♯♯ ₵ ₵ 4 yes no 3135 2472 3135 247bL2
A New Reell
A New Reel George Skene Manuscript 24, f. 7v C ₵ ₵ 2 no no 3531 1322 3531H 1H3H2H2
A Reill
A Reel George Skene Manuscript 6, f. 2 D ♯ ♯ ₵ 3 no no 1512 1515 1H512H 1H51H5
A Reell Jannie
Only 2 strains, but second strain is very much like a division on the first.
A Reel Jannie George Skene Manuscript 27, f. 8 D ♯♯ ♯♯ 12/8 12/8 2 no no 1333 5727 1H3H3H3H 57b2H7b
A Scotts Misure
A Scots Measure
Title (alternative): O’er the Muir to Ketty; McKeeny’s; Oswald’s Scotch Measure 		George Skene Manuscript 7, f. 2 D ♯ ♯ ₵ 2 no no 1155 4111 1155 41H1H1H
Cauld Kail in Aberdeen Kail-castocks in Strahbogie - Bagpipe humour
Different hand (probably George Skene). Long set of pipe variations. 2 strain tune + 4 variations. The letters "gr" [gatherings] are used to indicate an ornament (Like GeorgeSkene 37). After the end of the variations there are two additional systems, with text above each: "A way in stead of the gatherings in the second measure" "Anoyt [another] way of the 2d measure wt gatherings". See McGregor 2020 on the meaning of the term "gathering" in this context.

- Lang Kell in Aberden, Lang Kell in Aberdeen (from Bowie Manuscript 21, f. 14) [5152; 5154]
- pease caill in Aberdeen, Cauld Kail in Aberdeen (from Gairdyn Manuscript 29, f. 3v) [5152; 5154]
 Cauld Kail in Aberdeen
Title (alternative): Kail-castocks in Strathbogie; Lang Kell in Aberdeen		 George Skene Manuscript 45, f. 17v A ♯♯ ♯♯ ₵ 10 yes no 5352 3154 5352 3154
Chisholm’s Rant
Very strathspey-like, and in fact later published by Niel Gow as the strathspey "The Duke of Athole's Delight". Whilst the tune has been credited variously to Gow and to Joseph Reinagle (1760-1825), its appearance here suggests the tune is far older. Another title below the first stave has been rubbed out, something like ‘Caskleas Rant’. Concordances (other): Gow1, pp. 34-5.

- Haelle and Sound to Company or The Bone Wives of Aberden, Hail and Sound to Company or The Bonny Wives of Aberdeen (from Bowie Manuscript 20, f. 13v) [1126; 1151]
- Kirkcudbright, Kirkcudbright (from Drummond Castle Manuscript 1 26) [1126; 1111]
- Kirkcudbright, Kirkcudbright (from MacFarlane Manuscript 2 182, p. 232) [1121; 1111]
 Chisholm's Rant
Title (alternative): Casklea's Rant; Kirkudbright; Lady Grant of Monymusk’s Reell; Lochgery’s Rant; Duke of Athole's Delight		 George Skene Manuscript 4, f. 1v G ♯ ♯ ₵ 2 no no 1125 1111 1125L 1111
Ketty

- Countrey Kate, Country Kate (from Drummond Castle Manuscript 1 36, ) [133; 636]
- Countrey Kate, Country Kate (from MacFarlane Manuscript 3 40, p. 24) [133; 637]
 Country Kate George Skene Manuscript 26, f. 8 D ♯♯ ♯♯ 9/8 9/8 2 no no 133 637 1H33 637b
Gavotte by Mr Handel
Alternative given below stave for the penultimate bar. Taken from the Overture to Handel's Ottone (HWV 15)

- By Handel Allegro in the Overture of Otho, Gavotte by Handel (from James Knox Manuscript 49, f. 19) [5432; 7611]
 Gavotte by Handel George Skene Manuscript 40, f. 14v G ♯ ♯ ₵ 2 no no 5423 7611 5423 7L6L11
Gavott by hender
different script [hand d]; Da capo at end.
Gavotte by Hender George Skene Manuscript 41, f. 15 B♭ ♭ ♭ 2/4 2/4 2 no no 1527 3232 1527L 3232
Gird the logie, for the pipe Ingram’s Set
Long set of pipe variations. Again, lots of pipe-related ornaments, including lots of birls, possibly pipe cuttings (strain 5) and 'gr' [gatherings].
Gird the Logie George Skene Manuscript 52, f. 24v A ♯♯ ♯♯ ₵ 8 yes no 5522 5533 5522 5533
Gou’d on your Gartens Marion
Title takes its name from the beginning of the second verse of the vernacular ballad "Will ye go to the ewe-buchts, Marion". A different script begins here, in this case with some very Italianate ornamentation in strain 1 bar 6. Phrase lengths of 6 bars.
Gou'd on your Gartens Marion
Title (alternative): Will ye go to the ewe-buchts, Marion		 George Skene Manuscript 13, f. 4 G ♯ ♯ C C 2 no no 5361
Alt. index 1: 7513 (Alt index given as if key note is E)		 5153
Alt. index 2: 7375 (Alt index given as if key note is E)		 5361
Alt. index 1: 7b51H3b (Alt index given as if key note is E)		 5L153
Alt. index 2: 7bL3b7b5 (Alt index given as if key note is E)
Green grows the Rashes
1 strain tune + 3 variations. There is another version later in MS.

- Green grows the Rushes, Green Grow the Rashes (from Panmure Violin Manuscript 1 75, f. 38) [1113; 5333]
- Green grows the rashes, Green Grow the Rashes (from Guthrie Manuscript 6, p. 294) [1111; 5311]
- another way of Green grows the Rashes, Green Grow the Rashes (from George Skene Manuscript 20, f. 6v) [3573; 4614]
- Green grow the Rashes, Green Grow the Rashes (from MacFarlane Manuscript 3 228, p. 204) [6651; 1211]
- Green grow the Rushes, Green Grow the Rashes (from McGibbon Manuscript 1, p. 1) [6651; 1211]
 Green Grow the Rashes George Skene Manuscript 16, f. 4v A C C 4 yes no 1113
Alt. index 1: 6661 (Alt index given as if key note is C)		 3433
Alt. index 2: 1211 (Alt index given as if key note is C)		 1113b
Alt. index 1: 6661H (Alt index given as if key note is C)		 3b43b3b
Alt. index 2: 1H2H1H1H (Alt index given as if key note is C)
another way of Green grows the Rashes

- Green grows the Rushes, Green Grow the Rashes (from Panmure Violin Manuscript 1 75, f. 38) [1113; 5333]
- Green grows the rashes, Green Grow the Rashes (from Guthrie Manuscript 6, p. 294) [1111; 5311]
- Green grows the Rashes, Green Grow the Rashes (from George Skene Manuscript 16, f. 4v) [1113; 3433]
- Green grow the Rashes, Green Grow the Rashes (from MacFarlane Manuscript 3 228, p. 204) [6651; 1211]
- Green grow the Rushes, Green Grow the Rashes (from McGibbon Manuscript 1, p. 1) [6651; 1211]
 Green Grow the Rashes George Skene Manuscript 20, f. 6v E ♯ ♯ ₵ 2 no no 3573
Alt. index 1: 1351 (Alt index given as if key note is G)		 4614
Alt. index 2: 2462 (Alt index given as if key note is G)		 3b57b3b
Alt. index 1: 1351 (Alt index given as if key note is G)		 461H4
Alt. index 2: 2462 (Alt index given as if key note is G)
Hetrope W M
The letters "W M" after the title could be the composer's initials.
Hetrope George Skene Manuscript 44, f. 17 F ♭ ♭ 6/8 6/8 2 no no 1712 7211 1H71H2H 72H1H1H
I’ve Seen as good as you muffed below the Covering
I've Seen As Good As You Muffed Below the Covering George Skene Manuscript 2, f. 1 G ♭ ♭ 9/8 9/8 2 no no 131 134 13b1H 13b4
Jig
Long set of variations (no double barlines). 3 bar phrases [ie slip jig 9/8 feel]. The tune is related to "The Souters of Selkirk". The title "Jig" seems to be a far later hand.
Jig George Skene Manuscript 42, f. 15v A ♯♯ ♯♯ 3/4 3/4 7 yes no 331
Alt. index 1: 337 (Alt index given as if ts is 9/4)		 353
Alt. index 2: 331 (Alt index given as if ts is 9/4)		 331
Alt. index 1: 337b (Alt index given as if ts is 9/4)		 353
Alt. index 2: 331 (Alt index given as if ts is 9/4)
Jobsons Jigg
2 strain tune + 1 variation. The entire set is concordant with Oswald CPC6 (though the latter is in G). Concordances (other): Oswald CPC6, p. 21.

- I was no’ kist sin’ Martinmass. D.Y., I Was No Kissed Since Martinmas (from MacFarlane Manuscript 3 153, p. 116) [1527; 1551]
 Jobson's Jig
Title (alternative): I Was No Kissed Since Martinmas		 George Skene Manuscript 31, f. 9v D ♯♯ ♯♯ ₵ 2/4 4 yes no 1527 1551 1527bL 1551
Limerick's Lament
The title "Limerick's Lament" seems to be in a far later hand. In Scotland this tune was known as "Lochaber" or "Lochaber No More", and was most famous for the words written by Allan Ramsay in the 1720s. This is a very ornate setting.

- King James March, King James’s March (from Sinkler Manuscript 21, f. 65) [5322; 3511]
- Menwett 122 Lochaber, Lochaber (from Cameron Manuscript 122, p. 25) [133; 331]
- Lochaber, Lochaber (from McGibbon Manuscript 85, p. 55) [133; 333]
- Lochaber no more, Lochaber (from James Knox Manuscript 112, f. 30) [333; 333]
 Limerick's Lament
Title (alternative): Lochaber; King James's March		 George Skene Manuscript 17, f. 5v A ♯♯♯ ♯♯♯ 3 3/4 2 no no 333 333 333 333
Malcome Kaird’s Come Again _ Bagpipe way
Long set of pipe variations. Number of bars in each strain is irregular ( 4/8/4/4/4/4/4/8/12). Lots of pipe-style ornaments, including birls and the ornament sign 'gr' [gatherings]. See GeorgeSkene 45.
Malcolm Kaird's Come Again George Skene Manuscript 46, f. 18v G ₵ 9 yes no 3153 2127 3153 2127bL
Minuet
Possibly intended to have 4 sharps in the key signature, as there are natural sign accidentals on most of the ‘d’s, and yet the only one that might be a d# - at the cadence of the first half - has no marking.
Minuet George Skene Manuscript 29, f. 8v A ♯♯♯ ♯♯♯ 3 3/4 2 no no 117 112 1H1H7 1H12
Minuet
Some similarity in melodic shape with the Scots tune "Ochonochie O" (MacFarlane 3, no. 245).
Minuet George Skene Manuscript 36, f. 11v G ♯ ♯ 3 3/4 2 no no 334 221 334 221
Minuet
Minuet in 4 sections. Instruction after the final strains to ‘end wt the 3d Measure’
Minuet George Skene Manuscript 48, f. 20 D ♭ ♭ 3/4 3/4 4 no no 111 115 1H1H1H 1H1H5H
Minuet
Looks like hand B again. Clearly same tune as "Miss Lanae" in MacFarlane 3, but there are lots of small differences, possibly indicating aural circulation.

- Miss Lanae, Miss Lanae (from MacFarlane Manuscript 3 78, p. 61) [333; 511]
 Minuet
Title (alternative): Miss Lanae		 George Skene Manuscript 51, f. 24 G ♯ ♯ 3/4 2 no no 333 517 333 517L
Mr Campbell;s Reell
Concordances (other): "Glenlyons Rant", Bremner Scots Reels2, p. 99. "Glen Lyon's", Stewart Reels, p. 18.

- Ochal Reel, Ochal Reel (from Drummond Castle Manuscript 2 20) [1155; 6547]
- Eccles’s Rant, Eccles’s Reel (from Young-Bodleian 46, f. 50) [1155; 6547]
- Eccles’s Reel, Eccles’s Reel (from MacFarlane Manuscript 2 93, p. 141) [1155; 6547]
 Mr Campbell's Reel
Title (alternative): Glen Lyon's Rant; Glen Lyon's Reel; Eccles’s Reel; Ochal Reel		 George Skene Manuscript 19, f. 6 D ♯ ♯ ₵ [backwards] ₵ 2 no no 1155 6547 11H55 6547bL
Mr David Skene:s Reell
Strathspey-like rhythms, and the tune later became the strathspey "The Fir Tree". Concordances (other): "The Fir Tree - Strathspey", Bremner Reels1, p. 38. "The Fir Tree", Gow1, p. 17.
Mr David Skene's Reel
Title (alternative): The Fir Tree		 George Skene Manuscript 18, f. 5v D ♯ ♯ ₵ [backwards] ₵ 2 no no 3117 2772 311H7b 27bL7b2
My Dear durst I but m_w you
Reel tune. 2 strain tune + 1 variation. Concordances (other): a strathspey version of the tune appears as "Sir Allan McLean's Reel" in Robert Ross, Choice Collection (1780), p. 37.
My Dear Durst I But M_w You
Title (alternative): Sir Allan McLean's Reel		 George Skene Manuscript 11, f. 3v G ♯ ♯ ₵ 4 yes no 1122
Alt. index 1: 3344 (Alt index given as if key note is E)		 1111
Alt. index 2: 3333 (Alt index given as if key note is E)		 1122
Alt. index 1: 3b3b44 (Alt index given as if key note is E)		 1111
Alt. index 2: 3b3b3b3b (Alt index given as if key note is E)
my Nanny O
2 strain tune + 1 variation.

- My Nanny-o. Disb., My Nanny O (from MacFarlane Manuscript 2 108, p. 150) [3155; 3217]
- My Nanny-o, My Nanny O (from McGibbon Manuscript 201, p. 98) [3155; 3217]
 My Nanny O George Skene Manuscript 43, f. 16v D ♭ ♭ ₵ ₵ 4 yes no 5554 3117 5554 3b117b
Minuett
This is the tune "Oswald's Bass Minuet", first published and presumably composed by James Oswald (1710-1769) in 1736, which would seem to date this part of the manuscript to the later 1730s. Concordances (other): "Mr Oswald's Bass Minuet", Oswald A Collection ... by Several Hands ([1734]), p. 19. "Mr Oswald's Bass Minuet", Oswald Curious Collection ([1739]), p. 27. "Oswald's Bass Minuet", Bremner Minuets, p. 29.
Oswald's Bass Minuet George Skene Manuscript 47, f. 19v G ♭♭ ♭♭ 3/4 3/4 4 no no 155 151 155L 151H
Reel
Different hand (probably George Skene's hand).
Reel George Skene Manuscript 50, f. 23v D ♯♯ ♯♯ ₵ 4 yes no 1627 1632 1627b 163H2H
Sir Andrew Wood
Heavily ornamented (with ornament symbols), and an alternative is given above the stave for b. 5. There is a ballad named "Sir Andrew Wood", whose words were printed in David Herd's Ancient and Modern Scots Songs (Edinburgh: Martin & Wotherspoon. 1769), p. 243.
Sir Andrew Wood George Skene Manuscript 35, f. 11v D ♯ ♯ ₵ ₵ 2 no no 3243 3555 3H2H4H3H 3H5H5H5H
Sir William Wallace His March
Alongside the title is the text: "learnt from pat. Ogilvie Young Babbur anno 1715". There is a different tune named "Walace March" in Alexander Munro's Scots Tunes (1732), p. 1.
Sir William Wallace His March George Skene Manuscript 34, f. 11 C ♯ ♯ ₵ ₵ 2 no no 6661 6521 6661 6521
Lasses gar your Tails Todle
Underneath the first two systems are given what appears to be the opening lyrics to the song: "Lasses gar your Tails Todle; spread your houghs bat in the Dodle, that will gar your Tails Todle". There are both lots of ornaments and instructions on different ways to perform the tune. Above the first system is written "This only to be play'd the first time"; and at the end of the setting there are two additional strains (ie st 4-5) with the instruction "or this for a first strains wt the last when Danc'd".

- Lasses Gar your Tales todell, Tail Toddle (from Gairdyn Manuscript 350, f. 47v) [None; None]
- Taill todle, Tail Toddle (from Gairdyn Manuscript 378, f. 51v) [1343; 1327]
- [Tail Toddle], Tail Toddle (from Sinkler Manuscript 52, f. 59) [1131; 4427]
- Tail Todle, Tail Toddle (from Drummond Castle Manuscript 2 14) [1341; 1327]
 Tail Toddle George Skene Manuscript 37, f. 12 D ♯♯ ♯♯ ₵ 5 yes no 1344 1327 1H3H4H4H 1H3H2H7
The Black Part of the C_t
The Black Part of the C__t George Skene Manuscript 12, f. 3v A ♯♯♯ ♯♯♯ ₵ 2 no no 3152 3164 3152 3164
The Duke of Lenoxe Portt
Possibly written for the Duke of Lennox - favourite of James VI/I. He had a harper in his retinue named David Callinder. [See Chelys 18 pp44-5]. This setting is very similar to Balcarres, though there are bits of extra division in given here. At strain 2 bb 11-12 there is a division into semi-quavers, with a simpler option given beneath the stave. Concordances (other): "The dukes Port. mr Becks way", Balcarres p. 35 no 67 - also in John Bowie collection.
The Duke of Lennox's Port George Skene Manuscript 15, f. 4v C ₵ ₵ 2 no no 1122 3355 1H1H2H2H 3H3H5H5H
The heer among the Corn
Only 2 strains, but second strain is very much like a division on the first. Concordances only follow general shape in strain 1, but are generally pretty close in strain 2. Concordances (other): "Hare in the Corn", Walsh Caledonian Country Dances (c. 1745), p. 50. Oswald CPC7, p. 12; Riddell Scotch, p. 22.
The Hare Among the Corn
Title (alternative): Hare in the Corn		 George Skene Manuscript 28, f. 8v G ♯ ♯ 6/8 6/8 2 no no 5363 4372 5363 4372
The Highlands Lassies Lovly thing
George Skene's script begins again here

- The Highland Lassie’s bonny thing, The Highland Lassie’s Bonny Thing (from MacFarlane Manuscript 3 159, p. 123) [1135; 7147]
 The Highland Lassie's Bonny Thing George Skene Manuscript 21, f. 7 D ♯ ♯ ₵ 2 no no 1135 7147 1135 7b1H47bL
The Kent Minuit
The Kent Minuet George Skene Manuscript 30, f. 9 A ♯♯♯ ♯♯♯ 3/4 2 no no 111 131 111L 131
The Knott
The Knot George Skene Manuscript 8, f. 2v G ♯ ♯ ₵ 3 no no 3441 1772 3L4L4L1L 17L7L2
Larghetto a M G Largo The Long Sadle
Variation sonata, in multiple sections: Air [C] + variations; Jig [12/8]; and "menuett" [4/3 = 3/4].
The Long Saddle
Title (alternative): For the Sake of Somebody		 George Skene Manuscript 49, f. 20v A ♯♯ ♯♯ C C 10 yes no 1353 4616 1353 461H6
The Minsters wife has earn’d a sang & she cares not how grit it be if it be lang

- The Minister’s wife has learnt a sang, The Minister’s Wife Has Earned a Sang (from MacFarlane Manuscript 3 183, p. 143) [1125; 3211]
 The Minister's Wife Has Earned a Sang George Skene Manuscript 5, f. 2 D ♯♯ ♯♯ 12/2 6/8 2 no no 1125 3211 1H1H2H5 3H2H1H1
The New Duch Schipper
English country dance tune. 2 strain tune + 2 variations. Variations have different KS and TS: ♭ [d minor] and 6/8. Concordances (other): "The first new Dutch Skipper", Walsh, 3rd book of Jiggs etc.
The New Dutch Skipper George Skene Manuscript 32, f. 10 D ♯♯ ♯♯ 6/4 6/4 6 yes no 1313 5151 1313 51H51H
Thomas a Bunk
Variations: 1 strain tune (16 bars) + 1 variation. Concordances (other): "My Loves a Bonny Naithing" Oswald CPC8 p. 3; "Thomas Burk" Neal 1724 p. 4; ‘Thomas Burk’ Thumoth c1745a (with bass).
Thomas Burk
Title (alternative): My Love’s a Bonny Naithing		 George Skene Manuscript 33, f. 10v G ♯ ♯ ₵ ₵ 2 no no 3235 5114 3235 5L114
Tibbie Fouller in the Glen
Under the first system is written the alt title: "or Isobell fouller in ye mount"

- Tibie fouller in the glen, Tibbie Fowler (from Bowie Manuscript 47, f. 29v) [1111; 2744]
- Mary Harvey att the Gaurd, Mary Harvey at the Guard (from Thomson Manuscript 52, p. 37) [1111; 2744]
- Owing at her, Owing At Her (from Sinkler Manuscript 36, f. 62v) [1112; 7742]
- Tibbie fowler in the Glen, Tibbie Fowler (from Drummond Castle Manuscript 1 38) [5172; 3175]
- Tibbie Fowler. D.Y., Tibbie Fowler (from MacFarlane Manuscript 2 171, p. 226) [1172; 3175]
 Tibbie Fowler
Title (alternative): Isobell Fouller in the Mount; Mary Harvey at the Guard; Owing at Her		 George Skene Manuscript 14, f. 4 G ♭ ♭ C C 2 no no 1112 7233 1112 7bL23b3b
Tocher her o’er again
Tocher Her O'er Again George Skene Manuscript 3, f. 1v G ♯ ♯ 9/8 9/8 2 no no 331 554 331 554x
Up in the Morning earlie
Incomplete - first strain only.

- Cold & Raw, Cold & Raw (from Robert Kelsall Manuscript 62, f. 12v) [1357; 1513]
- Up in the morning Early, Up in the Morning Early (from Young-Bodleian 38, f. 42) [1357; 1515]
- Up in the morning early, Up in the Morning Early (from MacFarlane Manuscript 2 51, p. 100) [1374; 1315]
 Up in the Morning Early
Title (alternative): Cold & Raw		 George Skene Manuscript 39, f. 13v G ♭ ♭ 6/8 1 no no 5357 1515 5L3b57bL 1515
Wat ye what I got late yest'reen - Bagpipe set
Long set of pipe-style variations. Strain 5 is twice as long as the other strains. There are what look like pipe-style cuttings in strain 6. This does not appear to be related to the similarly titled tune "Wat ye wha I met yestreen", as printed in Stuart Musick, p. 122.
Wat Ye What I Got Late Yestreen George Skene Manuscript 38, f. 12v D ♯ ♯ 6/8 8 yes no 7223 7241 7b2H2H3H 7b2H4H1H
A Minuit whall hae Denty Sawsers
A minuet based on what looks like a street cry. "Whall hae Denty Sawserrs" - who'll have dainty [tasty] sausages
Wha'll Hae Denty Sawsers George Skene Manuscript 10, f. 3 G ♯ ♯ 3/4 2 no no 665 355 665 355
What hea pease & beans heat and warram
Presumably based on a street cry on the words in the title
What Hea Pease & Beans George Skene Manuscript 9, f. 2v E ♯ ♯ ₵ ₵ 2 no no 3211 3211 b3H2H1H1H b3H2H1H1H
Y’ere wellcome Hame fm Fockabers
2nd strain of this is on f. 1. Concordances (other): "The Drunken Wives of Fochabers A Strathspey", Gow1, p. 10.

- Drunken Wives of Fochabers, Drunken Wives of Fochabers (from Drummond Castle Manuscript 1 48) [5572; 1343]
 You're Welcome Home From Fochabers
Title (alternative): Drunken Wives of Fochabers		 George Skene Manuscript 25, f. 7v G ₵ 2 no no 7572
Alt. index 1: 3135 (Alt index given as if key note is D)		 3142
Alt. index 2: 6475 (Alt index given as if key note is D)		 7bL5L7bL2
Alt. index 1: 3b13b5 (Alt index given as if key note is D)		 3142
Alt. index 2: 647b5 (Alt index given as if key note is D)
Y’ere the Lass that has the Geir & I am the Lad that Loes you &c.
Concordances (other): "Back of the Change House", Bremner Scots Reels1, p. 93.

- A Measure, Cadger of Crief (from Gairdyn Manuscript 49, f. 6v) [5526; 5511]
- Cadger of Crief, Cadger of Crief (from Drummond Castle Manuscript 2 35) [3126; 3355]
- The Cadger o’ Crief, Cadger of Crief (from Young-Bodleian 9, f. 13) [5526; 5511]
- Cadger of Crief, Cadger of Crief (from MacFarlane Manuscript 2 197, p. 239) [5526; 5511]
 You're the Lass That Has the Gear
Title (alternative): Back of the Change House; Cadger of Crief		 George Skene Manuscript 23, f. 7v D ♯ ♯ ₵ 2 no no 5526
Alt. index 1: 1152 (Alt index given as if key note is A)		 5511
Alt. index 2: 1144 (Alt index given as if key note is A)		 552H6
Alt. index 1: 1152 (Alt index given as if key note is A)		 551H1H
Alt. index 2: 1144 (Alt index given as if key note is A)