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Manuscript Tune Index

by Aaron McGregor


All title fields
Key signature
Time signature
Bass
Source
KS (edited)
TS (edited)
Variations

Key note
Index 1 [starts with / is]
Index 2 [starts with / is]



Showing results for:

Manuscript: Robert Kelsall Manuscript

Title (source) Title (standardised) Source Key note Key signature KS (edited) Time signature TS (edited) Strains Variations Bass Index 1 Index 2 Index 1 (long) Index 2 (long)
'Tis Liberty
'Tis Liberty Robert Kelsall Manuscript 539, f. 111v D ♯♯ ♯♯ C C 1 no no 3310 3311 3310 3H3H1H1H
A Cantata. words by Mr Carey. Set by Mr Anthony Young.
With words. Continued on f. 100. Two movements: Recit, Aria.
A Cantata. words by Mr Carey. Set by Mr Anthony Young. Robert Kelsall Manuscript 496, f. 99 E no no 0011 0311 001H1H 03bH1H1H
A Country Dance
A Country Dance Robert Kelsall Manuscript 26, f. 7 D ♯♯ ♯♯ 2 no no 1231 4321 1H2H3H1H 4H3H2H1H
A friend & A Bottle
A Friend and a Bottle Robert Kelsall Manuscript 288, f. 50v G 3/4 3/4 no no 117 115 11H7 1H1H5
A Ground
A Ground Robert Kelsall Manuscript 105, f. 18v D ♯♯ ♯♯ 6/4 9 yes no 1115 1411 1H1H51H 1H4H1H1H
A song Tune

- A health to all Honest men, A Health to All Honest Men (from Cameron Manuscript 267, p. 63) [3111; 5255]
A Health to All Honest Men Robert Kelsall Manuscript 142, f. 23v G ♭♭ ♭♭ 6/8 no no 3111 5255 3b11H1H 5255
A Hornpipe
Hornpipe + variations. Some harmonic shifts in the variations, and some rhythmic shifting from compound to simple time
A Hornpipe Robert Kelsall Manuscript 80, f. 14v F 9/4 5 yes no 171 513 171H 513
A Hornpipe
Looks quite like Purcell
A Hornpipe Robert Kelsall Manuscript 111, f. 20 F 3/2 3/2 2 no no 154 517 154 51H7
A Hornpipe
Hornpipe + variations

- Lady Susan Montgomery’s Hornpipe, Lady Susan Montgomery’s Hornpipe (from Drummond Castle Manuscript 1 17) [155; 722]
- Jock and Tam, Jock and Tam (from MacFarlane Manuscript 2 163, p. 220) [155; 722]
A Hornpipe
Title (alternative): Lady Susan Montgomery's Hornpipe; Jock and Tam
Robert Kelsall Manuscript 122, f. 21 G 3/2 3/2 4 yes no 155 722 155 7L22
A Jigg
A Jigg Robert Kelsall Manuscript 285, f. 49 D ♯♯ ♯♯ 6/8 6/8 2 no no 1531 1333 1H531 1H3H3H3H
A Jigg divided 12 ways
A Jigg Divided 12 Ways Robert Kelsall Manuscript 106, f. 19 D ♯♯ ♯♯ 3 6/4 12 yes no 3326 3316 33H2H6 33H1H6
A lass that was lead in with care
1 strain tune + 4 variations.

- The yellow hair'd Ladie, The Yellow Haired Laddie (from Gairdyn Manuscript 36, f. 4) [356; 113]
- Yellow Haird Ladie, The Yellow Haired Laddie (from MMC 491 9, p. 53) [356; 113]
- The Yellow Haird Laddie, The Yellow Haired Laddie (from MMC 491 11, p. 56) [156; 111]
A Lass that was Loaded With Care
Title (alternative): The Yelllow Haired Laddie
Robert Kelsall Manuscript 563, f. 116 D ♯♯ ♯♯ 3/4 3/4 5 yes no 111 552 1H1H1H 552
A Lass yt was loaded wt Care
See longer set earlier in this manuscript.
A Lass that was Loaded With Care
Title (alternative): The Yellow Haired Laddie
Robert Kelsall Manuscript 583, f. 119 G 3/4 3/4 no no 1H1H1H 113 1H1H1H 113
A march
A March Robert Kelsall Manuscript 618, f. 128v D ♯♯ ♯♯ 2 no no 5556 1115 5556 1H1H1H5
A march in Judas Maccabeus
A March in Judas Maccabeus Robert Kelsall Manuscript 619, f. 129 G 2 no no 1112 3332 1112 3332
A march in ye Opera of Orpheus & Euridice
A March in the Opera of Orpheus & Euridice Robert Kelsall Manuscript 575, f. 117v G 2 no no 1111 1166 1111 116L6L
A Minuet
A Minuet Robert Kelsall Manuscript 346, f. 64 C 3/4 3/4 2 no no 113 561 113 561H
A new minuet
A New Minuet Robert Kelsall Manuscript 197, f. 31 D ♯♯ ♯♯ 3/4 3/4 2 no no 153 113 1H53 113
A new minuet
A New Minuet Robert Kelsall Manuscript 338, f. 62 A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 333 255 333 255
A new minuet
A New Minuet Robert Kelsall Manuscript 610, f. 126v A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 335 111 335 111H
A new minuet
A New Minuet Robert Kelsall Manuscript 611, f. 126v D ♯♯ ♯♯ 3/4 3/4 2 no no 334 512 3H3H4H 5H1H2H
A new minuet
A New Minuet Robert Kelsall Manuscript 612, f. 127 G 3/4 3/4 2 no no 556 514 556 51H4
A new Minuet
A New Minuet Robert Kelsall Manuscript 646, f. 137 G 3/4 3/4 2 no no 117 665 1H1H7 665
A new minuet for his Majesty's Birth-day
Although there is a new ks (♭) and clef, looks like next (untitled) tune is actually strains 3-4, with da capo given at end.
A New Minuet for His Majesty's Birthday Robert Kelsall Manuscript 614, f. 127v D ♯♯ ♯♯ 3/4 3/4 4 no no 111 112 1H11 112
A Soldier & a Sailor
A Soldier & a Sailor Robert Kelsall Manuscript 176, f. 28 B♭ ♭♭ ♭♭ 6/4 6/4 2 no no 3115 1331 3L115L 1331
A Song
A Song Robert Kelsall Manuscript 525, f. 109 G 3/8 3/8 2 no no 123 271 123 27L1
A Song Set by Mr Clayton.a celebrated verse in Arsinoe.
With words.
A Song Set by Mr Clayton Robert Kelsall Manuscript 460, f. 87v B♭ ♭♭ ♭♭ no no 0355 2423 0355 2423
A song tune
A Song Tune Robert Kelsall Manuscript 129, f. 22 G ♭♭ ♭♭ 3/4 2 no no 517 113 5L17L 113b
A song by Mr John Eccles
With words. Multiple sections: ₵; 3/4
A Song by Mr John Eccles Robert Kelsall Manuscript 461, f. 87v A 3 no no 5512 2555 5512 25L55
A Song by Mr Jno Eccles
With words. Multiple sections: ₵; 3 [3/4]; ₵ [backwards]; 6/4
A Song by Mr John Eccles Robert Kelsall Manuscript 480, f. 92v C ♭♭♭ ♭♭♭ no no 0005 1111 0005 1H1H1H1H
A Song in Rhadamistus. Primo
Setting for two trebles. Second treble on f. 70.
A Song in Rhadamistus Robert Kelsall Manuscript 377, f. 69v D ♯♯ ♯♯ 3/4 3/4 no yes 135 112 135 1H1H2
A Song in the Fair Penetent: Set by Mr Eccles Sung by Mr Hudson
With words. Multiple sections: 3/2; 6/4
A Song in the Fair Penetent Robert Kelsall Manuscript 459, f. 87 G ♭♭ ♭♭ 3/2 3/2 no no 115 332 115 3b3b2
A Song. words by Mr C.S. Set by Mr Peichello
With words.
A Song. words by Mr C.S. Set by Mr Peichello Robert Kelsall Manuscript 473, f. 90v C 2 no no 1535 1512 1H535 1H51H2H
A trumpet minuet
A Trumpet Minuet Robert Kelsall Manuscript 85, f. 15v D 3/4 3/4 2 no no 111 131 111 131
A Trumpet minuet
A Trumpet Minuet Robert Kelsall Manuscript 143, f. 23v D ♯♯ ♯♯ 3/4 2 no no 111 111 1H1H1H 1H1H1H
A Trumpet Minuet
A Trumpet Minuet Robert Kelsall Manuscript 617, f. 128v G 3/4 3/4 2 no no 311 113 311 113
A Trumpet Tune
A Trumpet Tune Robert Kelsall Manuscript 59, f. 12 D ♯♯ ♯♯ 2 no no 3334 2233 3H3H3H4H 2H2H3H3H
A while tho: Conquest. First trible in Thomyris
First violin part for a song from the pasticcio opera Thomyris (1707), with music by Bononcini and others.
A While Tho Conquest Charms Me Robert Kelsall Manuscript 313, f. 57 C no no 0055 5113 005H5H 5H1H1H3H
A son. Set by Mr William Turner
With words.
A son. Set by Mr William Turner Robert Kelsall Manuscript 483, f. 94 A C C no no 1133 1470 113b3b 147L0
A song by Mr John Weldon
With words. Multiple sections: ₵; 3 [3/4]. 3 bars rest at opening - index given from b. 4.
A song by Mr John Weldon Robert Kelsall Manuscript 476, f. 91v D 3 3/4 2 no no 500 112 500 1H1H2H
A song in Bonducca Set by Mr Henry Purcell
A song in Bonducca Set by Mr Henry Purcell Robert Kelsall Manuscript 475, f. 91 C ♭♭ ♭♭ 2 no no 1150 3370 1H1H50 3bH3bH70
Adagio
Duet for two trebles. Second treble on f. 74. Change of ts to 12/8 in b. 2.
Adagio Robert Kelsall Manuscript 392, f. 73v D ♯♯ ♯♯ 2 no no 3231 5432 3H2H3H1H 5H4H3H2H
Again be Victorious, first trible Symphony in Thomyris
First violin part for a song from the pasticcio opera Thomyris (1707), with music by Bononcini and others.
Again be Victorious Robert Kelsall Manuscript 312, f. 56v C no no 0011 1335 001H1H 1H3H3H5H
A Air
Air Robert Kelsall Manuscript 44, f. 10v A ♯♯ ♯♯ 2 no no 1122 3115 1122 3115
Air
Air Robert Kelsall Manuscript 242, f. 42v A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 175 334 1H75 334
An Air
Air Robert Kelsall Manuscript 243, f. 42v A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 555 654 555 654
An Air
last section given on bottom of f. 65v.
Air Robert Kelsall Manuscript 354, f. 66 B♭ ♭♭ ♭♭ 2 no no 1111 5522 1H1H1H1H 5522
An Air
Four-strain piece, rather than any sense of variations.
Air Robert Kelsall Manuscript 439, f. 83 D no no 5533 2223 553bH3bH 2H2H2H3bH
Air
Air Robert Kelsall Manuscript 455, f. 86 A ♯♯♯ ♯♯♯ 3/4 no no 355 112 355L 112
Air

- Air, Air (from Robert Kelsall Manuscript 597, f. 123v) [3127; 1105]
Air Robert Kelsall Manuscript 532, f. 110 C no no 3127 1105 3H1H2H7 1H105H
Air
Also earlier in the MS.

- Air, Air (from Robert Kelsall Manuscript 532, f. 110) [3127; 1105]
Air Robert Kelsall Manuscript 597, f. 123v C no no 3127 1105 3H1H2H7 1H105H
An Air by Mr Ruthven
Air by Mr Ruthven Robert Kelsall Manuscript 239, f. 41v D ♯♯ ♯♯ 2 no no 3512 4266 351H2H 4H2H66
Alass poor thing
English broadside tune.
Alas Poor Thing Robert Kelsall Manuscript 90, f. 16 D 1 no no 5112 1177 51H1H2H 1H1H7b7b
Alexis by Dr Pepusch Recit
With words. Cantata of Recit, Aria, Recit, Aria.
Alexis by Dr Pepusch Recit Robert Kelsall Manuscript 495, f. 98v D ♯♯ ♯♯ C C no no 1055 1130 1H055 1H1H3H0
All hail Imperial love
An aria from Galliard's opera Calypso and Telemachus (1712).
All Hail Imperial Love Robert Kelsall Manuscript 206, f. 33 G ♭♭ ♭♭ 3/8 3/8 no no 113 553 113b 553b
All Joy to great Caesar
8 Set of variations on La Folia theme. Jigg written on beginning of strain.

- Haille great Sir, All Joy to Great Caesar (from Gairdyn Manuscript 19, f. 3) [112; 177]
- [La Folia], La Folia (from Gairdyn Manuscript 91, f. 15v) [111; 777]
- Joy to great Cesar, All Joy to Great Caesar (from MacFarlane Manuscript 3 195, p. 168) [111; 777]
All Joy to Great Caesar
Title (alternative): La Folia
Robert Kelsall Manuscript 196, f. 30v D 3/4 9 yes no 111 777 1H1H1H 777
Alla Fama in Otho
Aria from Handel's Ottone (HWV 15).
Alla Fama Robert Kelsall Manuscript 400, f. 76v G 3/8 3/8 no no 317 132 317L 132
Allegro Primo
Duet for two trebles. Second treble on f. 74.
Allegro Robert Kelsall Manuscript 389, f. 73v D ♯♯ ♯♯ 2 no no 1232 4311 1H2H3H2H 4H3H1H1H
Allegro
Allegro Robert Kelsall Manuscript 622, f. 129v G 6/8 6/8 2 no no 5656 5211 5656 52H1H1
Almand by Vivaldi
Almand by Vivaldi Robert Kelsall Manuscript 453, f. 85v D ♯♯ ♯♯ 2 no no 3113 2751 311H3H 2H751H
An Italian Hornpipe
Quite a strange tune. Unusual cadence onto D at end of strain 1, then a feel of Lydian mode on D for much of the second strain, before a more straight-forward final perfect cadence in A. Possibly continental bagpipe music.
An Italian Hornpipe Robert Kelsall Manuscript 79, f. 14v A ♯♯♯ ♯♯♯ 2 no no 7161 5116 7161 5116
Gin thou was my Ain thing
2 strain tune + 1 variation.

- If thou wert my own thing, An Thou Were My Ain Thing (from Guthrie Manuscript 49, p. 306) [5613; 2611]
- wert you but my oun thing, An Thou Were My Ain Thing (from Gairdyn Manuscript 97, f. 17v) [None; None]
- An thou were my own thing, An Thou Were My Ain Thing (from MacFarlane Manuscript 2 17, p. 42) [5513; 2265]
An Thou Were My Ain Thing Robert Kelsall Manuscript 594, f. 122v A ♯♯ ♯♯ 4 yes no 5513 2265 5L5L13 226L5L
Andrew Kerr

- Andrew Kerr, Andrew Kerr (from MacFarlane Manuscript 2 225, p. 272) [355; 467]
Andrew Kerr Robert Kelsall Manuscript 599, f. 123v G 9/8 9/8 2 no no 355 367 355 367
Aria di Castruccio

- Menwett no: 8, Aria di Castruccio (from Cameron Manuscript 8, p. 2) [132; 123]
Aria di Castruccio Robert Kelsall Manuscript 451, f. 85 A ♯♯♯ ♯♯♯ 3/8 3/8 no no 132 123 132 123
Ariet by Mr Schickard

- March, March (from MacFarlane Manuscript 3 272, p. 254) [5555; 5311]
Ariet by Schickard Robert Kelsall Manuscript 340, f. 63 C C C 2 no no 5555 5311 5555 5311H
Ariet in Rinaldoe
Handel
Ariet from Rinaldo Robert Kelsall Manuscript 188, f. 29v G ♭♭ ♭♭ 2 no no 3151 1776 3b151H 1H7b7b6b
Armatevi di Vezzi
Aria "Armateui di Vezzi" from the opera Antioci by Gasparini.
Armateui di Vezzi Robert Kelsall Manuscript 215, f. 35v G 2/4 2/4 no no 3344 1554 3355 1H554
As Phebus did wt heart pursue. By Hen Hall organist at Hereford
With words. Multiple sections: ₵; 3 [3/4].
As Phebus Did With Heart Pursue Robert Kelsall Manuscript 477, f. 92 D 2 no no 0133 1030 01H3b3b 1H03bH0
Awfull Hero
Concordances (other): "The Genius,.Written in 1717, on Occasion of the Duke of Marlborough's Apoplexy. By Mr Welsted. Set by Mr. J. Sheeles", The Musical Miscellany (London: John Watts, 1730), 17.
Awful Hero, Marlbro', Rise
Title (alternative): The Genius
Robert Kelsall Manuscript 371, f. 68v D ♯♯ ♯♯ 2 no no 3155 1111 3155 1H1H1H1H
Bacchus one day Gayly Shining. a Favourite Minuet of Mr. Handel

- Minuet by Handell, Minuet by Handel (from Robert Kelsall Manuscript 397, f. 76) [115; 315]
Bacchus One Day Gaily Shining
Title (alternative): Favourite Minuet of Mr Handel
Robert Kelsall Manuscript 372, f. 69 F 3/4 3/4 no no 115 315 1H1H5 315L
Barcelona
Barcelona Robert Kelsall Manuscript 162, f. 26v G ♭♭ ♭♭ 9/8 9/8 2 no no 175 465 17b5 46b5
Barcelona Minuet
Barcelona Minuet Robert Kelsall Manuscript 180, f. 28 G 3/4 3/4 2 no no 113 111 1H1H3H 111
Bass Minuet
Bass Minuet Robert Kelsall Manuscript 264, f. 46v G 3/4 3/4 2 no no 113 515 113 515L
Bath minuet
Bath minuet Robert Kelsall Manuscript 531, f. 109v G 3/4 3/4 2 no no 511 213 511 213
Beauty Fair
Beauty Fair Robert Kelsall Manuscript 48, f. 11 F 2 no no 5332 2556 5332 25L5L6
Beaux Stratagem

- Bana Stratagem, Beaux Stratagem (from Cameron Manuscript 255, p. 61) [1551; 7711]
Beaux Stratagem Robert Kelsall Manuscript 112, f. 20 A 2 no no 1551 7711 15L5L1 7711
A Song
Behold the Sun Behold Robert Kelsall Manuscript 497, f. 99v G no no 0030 5530 0030 5530
Belvedera
Belvedera Robert Kelsall Manuscript 161, f. 26v A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 353 423 353 423
Bess of Bedlam Set by Mr Henry Purcell
With words.
Bess of Bedlam Set by Mr Henry Purcell Robert Kelsall Manuscript 488, f. 95v C no no 0355 2244 0355 2244
Beanca Man in the Opera of Hydaspes
Aria "Bianca Man" from the opera Hydaspes by Mancini (1710).
Bianca Man Robert Kelsall Manuscript 211, f. 34v D ♯♯ ♯♯ 2/4 2/4 no no 1132 1021 1H1H3H2H 1H02H1H
Bishop of Bangors Jigg
Concordances (other): Walsh Complete Country Dancing Master Vol 4 (1740).
Bishop of Bangor’s Jig Robert Kelsall Manuscript 51, f. 11 E ♯♯ ♯♯ 6/4 2 no no 1275 7655 1H2H7b5 7b655
Black & Blue
Hornpipe + variations.
Black & Blue Robert Kelsall Manuscript 82, f. 15 D 3/2 3/2 4 yes no 367 472 3b67b 47bL2
Black & Grey
Black & Grey Robert Kelsall Manuscript 171, f. 27v A 2 no no 1142 3314 1142 3b3b14
Blandman's Cibel
Blandman's Sibell Robert Kelsall Manuscript 351, f. 65v G 2 2 no no 1664 7531 16L6L4L 7L5L3L1L
Bleinkam Pound
Bleinkam Pound Robert Kelsall Manuscript 116, f. 20v D no no 1512 3425 1H51H2H 3bH4H2H5H
Bobbing Joe
Bobbing Joe Robert Kelsall Manuscript 170, f. 27v A 6/4 6/4 2 no no 1552 1351 1552 13b51
Bonny Kate of Edinborough brow

- Bonny Kate of Edr., Bonny Kate of Edinburgh (from James Knox Manuscript 116, f. 31v) [5551; 2266]
Bonny Kate of Edinburgh Robert Kelsall Manuscript 125, f. 21v D ♯♯ ♯♯ 2 no no 5551 3366 5551H 3H3H66
Bright Aurelia
Bright Aurelia Robert Kelsall Manuscript 304, f. 55 D ♯♯ ♯♯ 6/8 6/8 2 no no 1377 1277 1H3H77 1H2H77
Brittain’s Glory
Britain’s Glory Robert Kelsall Manuscript 70, f. 13v D ♯♯ ♯♯ 6/4 6/4 2 no no 1451 3226 1451H 3H2H2H6
Minuet

- Brivio’s Solo Minuet, Brivio’s Solo Minuet (from MacFarlane Manuscript 2 70, p. 120) [153; 113]
Brivio’s Solo Minuet Robert Kelsall Manuscript 452, f. 85v D ♯♯ ♯♯ 3/8 3/8 2 no no 153 113 1H53 11H3H
Buff Coat

- Buff Coat, Buff Coat (from MacFarlane Manuscript 2 149, p. 205) [1327; 6331]
Buff Coat Robert Kelsall Manuscript 40, f. 10 D ♯♯ ♯♯ 6/4 2 no no 1327 1331 1H327 1H331
Bumper's Squire Jones. A Song in ye provoked wife
Bumper's Squire Jones Robert Kelsall Manuscript 584, f. 119 C 6/4 6/4 2 no no 3132 1431 31H3H2H 1H431H
By Jove i'le be free!
By Jove I'll Be Free Robert Kelsall Manuscript 546, f. 112v D ♯♯ ♯♯ 3/8 3/8 2 no no 355 515 355 51H5
By Mr John Weldon
With words. Multiple sections: ₵; ₵ [backwards]; ₵; 6/4; 3 [3/4].
By Mr John Weldon Robert Kelsall Manuscript 482, f. 93v G 5 no no 0010 5554 0010 5554
Set by William Crofts
With words.
By Purling Streams Robert Kelsall Manuscript 506, f. 104v G ♭♭ ♭♭ 3/2 3/2 no no 005 542 005 542
Can Love be controul'd by Advice
Can Love Be Controlled by Advice Robert Kelsall Manuscript 601, f. 124 G 3/4 3/4 2 no no 542 231 542 231
New minuet
Definitely missing a key signature and/or accidentals, comparing version in MacFarlane 3, most likely two sharps / D Major.

- Carnwaths Minuet, Carnwath's Minuet (from MacFarlane Manuscript 3 93, p. 71) [111; 335]
Carnwath's Minuet Robert Kelsall Manuscript 202, f. 32 D ♯♯ 3/4 3/4 2 no no 111 335 1H1H1H 3bH3BH5H
Cato’s Trajedy
Cato’s Tragedy Robert Kelsall Manuscript 128, f. 22 D ♯♯ ♯♯ C 2 no no 1231 2222 1H2H3H1H 2H2H2H2H
Celia has A thousand charms
Song by Henry Purcell from "The Rival Sisters" (Z. 609). In two sections: ₵ and 3 [3/4].
Celia Has A Thousand Charms Robert Kelsall Manuscript 9, f. 5 G ♭♭ ♭♭ no no 1101 1355 1101 13b55
A song set by Mr John Eccles
With words.
Celia With Mournful Pleasure Hears Robert Kelsall Manuscript 492, f. 97v A 2 no no 3462 2444 3b46b2 2444
Chara Bella
Chara Bella Robert Kelsall Manuscript 199, f. 31v F 3/8 3/8 no no 1616 1753 1H61H6 1H753
[untitled]
With words.
Charmer Hear Your Faithfull Lover Robert Kelsall Manuscript 481, f. 93 A ♯♯♯ ♯♯♯ 3/4 3/4 3 no no 357 123 357L 123
Charming Phillis

- Charming Phillis, Charming Phillis (from Robert Kelsall Manuscript 291, f. 50v) [112; 355]
Charming Phillis Robert Kelsall Manuscript 35, f. 9 G 3/8 3/8 2 no no 112 355 112 355
Charming Phillis

- Charming Phillis, Charming Phillis (from Robert Kelsall Manuscript 35, f. 9) [112; 355]
Charming Phillis Robert Kelsall Manuscript 291, f. 50v G 3/8 3/8 2 no no 112 355 112 355
Che bel piacer in Dario
Aria "Che bel piacere" from the opera Dario by Ariosti (1725).
Che bel piacere Robert Kelsall Manuscript 464, f. 88v G 3/8 3/8 no no 542 665 542 665
Cheshire round
Cheshire Round Robert Kelsall Manuscript 520, f. 107v G 3/2 3/2 2 no no 432 243 432 243
Cheshire rounds
Cheshire Rounds Robert Kelsall Manuscript 175, f. 27v D ♯♯ ♯♯ 3/2 3/2 2 no no 343 637 3H4H3H 6H3H7
Cloe Sleeping Set by Mr Abington
Chloe Sleeping Robert Kelsall Manuscript 578, f. 118 C 3/4 3/4 2 no no 543 176 543 1H76
Cold & Raw

- Up in the Morning earlie, Up in the Morning Early (from George Skene Manuscript 39, f. 13v) [5357; 1515]
- Up in the morning Early, Up in the Morning Early (from Young-Bodleian 38, f. 42) [1357; 1515]
- Up in the morning early, Up in the Morning Early (from MacFarlane Manuscript 2 51, p. 100) [1374; 1315]
Cold & Raw
Title (alternative): Up in the Morning Early
Robert Kelsall Manuscript 62, f. 12v A 6/4 6/4 2 no no 1357 1513 13b57L 1513b
Coll Gauge's march
Colonel Gauge's March Robert Kelsall Manuscript 192, f. 30 D 2 no no 1111 2255 1H1H1H1H 2H2H55
Come over Jemmy come over.
Possibly missing key signature
Come Over Jemmy Come Over Robert Kelsall Manuscript 73, f. 13v D 6/4 2 no no 1574 1515 1H57b4 1H51H5
Come Triumph ye Debtors. In ye opera of Tom: Thumb
Come Triumph the Debtors Robert Kelsall Manuscript 604, f. 125 D ♯♯ ♯♯ 2/4 2/4 3 no no 1131 3325 1H1H31 3H3H2H5
Conforzia in Vespasian
Aria from the opera Il Vespasian (1724) by Attilio Ariosti.

- Conforza ascosi, Con Forza Ascosa (from MacFarlane Manuscript 3 71, p. 56) [123; 211]
Con Forza Ascosa Robert Kelsall Manuscript 434, f. 82v D ♯♯ ♯♯ 3/8 3/8 2 no no 123 311 1H2H3H 3H1H1H
Cook’s humour
Cook’s Humour Robert Kelsall Manuscript 154, f. 25v D ♯♯ ♯♯ 1 no no 5171 2755 51H71H 2H755
Gavotta Corellÿ
1st violin part from Corelli Trio Sonata in G Major op 4 no 10, iv. Tempo di Gavotta

- Gavott, Corelli Trio Sonata in G Major op 4 no 10, iv. Tempo di Gavotta (from Robert Kelsall Manuscript 561, f. 115v) [3232; 1717]
Corelli Trio Sonata in G Major op 4 no 10, iv. Tempo di Gavotta Robert Kelsall Manuscript 457, f. 86 G C C 2 no no 3232 1717 3H2H3H2H 1H71H7
Gavott
1st violin part from Corelli Trio Sonata in G Major op 4 no 10, iv. Tempo di Gavotta

- Gavotta Corellÿ, Corelli Trio Sonata in G Major op 4 no 10, iv. Tempo di Gavotta (from Robert Kelsall Manuscript 457, f. 86) [3232; 1717]
Corelli Trio Sonata in G Major op 4 no 10, iv. Tempo di Gavotta Robert Kelsall Manuscript 561, f. 115v G C C 2 no no 3232 1717 3H2H3H2H 1H71H7
Sonata
Corelli Violin Sonata in A Major op 5 no 9, i. Preludio

- Mr McGibbon's Graces on Corelli’s IXth Solo. Adagio I, Corelli Violin Sonata in A Major, Op 5 No 9 i. Adagio (with embellishments by McGibbon) (from McGibbon Manuscript 51, p. 33) [3325; 1275]
- Sonata IX [Preludio], Corelli Violin Sonata in A Major op 5 no 9, i. Preludio (from James Knox Manuscript 211, f. 54v) [3325; 1275]
Corelli Violin Sonata in A Major op 5 no 9, i. Preludio Robert Kelsall Manuscript 635, f. 132 A ♯♯ ♯♯ C C 2 no no 3325 1275 3325L 127L5L
Giga Allegro
Corelli Violin Sonata in A Major op 5 no 9, ii. Giga

- Giga Allegro, Corelli Violin Sonata in A Major op 5 no 9, ii. Giga (from James Knox Manuscript 212, f. 55) [3210; 6730]
Corelli Violin Sonata in A Major op 5 no 9, ii. Giga Robert Kelsall Manuscript 636, f. 133 A ♯♯ ♯♯ 12/8 12/8 2 no no 3210 6730 3210 6L7L30
Adagio
Corelli Violin Sonata in A Major op 5 no 9, iii. Adagio. NB this movement in F♯ minor.

- Adagio, Corelli Violin Sonata in C Major op 5 no 3, iii. Adagio (from James Knox Manuscript 199, f. 52) [516; 711]
- Adagio, Corelli Violin Sonata in A Major op 5 no 9, iii. Adagio (from James Knox Manuscript 213, f. 55) [001; 555]
Corelli Violin Sonata in A Major op 5 no 9, iii. Adagio Robert Kelsall Manuscript 637, f. 133 F♯ ♯♯ ♯♯ 3/2 3/2 1 no no 555 111 555 1H1H1H
Tempo di gavotta

- [Tempo di Gavotta], Corelli Violin Sonata in A Major, Op 5 No 9 iv. Tempo di Gavotta (with embellishments by McGibbon) (from McGibbon Manuscript 53, p. 34) [5117; 7665]
- Tempo Di Gavotta Allegro, Corelli Violin Sonata in A Major op 5 no 9, iv. Tempo di Gavotta (from James Knox Manuscript 215, f. 55v) [5127; 1675]
Corelli Violin Sonata in A Major, op 5 no 9, iv. Tempo di Gavotta Robert Kelsall Manuscript 644, f. 137 A ♯♯ ♯♯ 2 no no 5127 1675 51H27 167L5
Corelli Sonata X Preludio Adagio
Corelli Violin Sonata in F Major op 5 no 10, i. Preludio Adagio

- Mr McGibbon's Graces on Corelli's Xth Solo, Corelli Violin Sonata in F Major, Op 5 No 10 i. Preludio Adagio (with embellishments by McGibbon) (from McGibbon Manuscript 55, p. 36) [3511; 6540]
Corelli Violin Sonata in F Major op 5 no 10, i. Preludio Adagio Robert Kelsall Manuscript 305, f. 55v F C C no no 3511 6430 3511 6430
Allemanda Allegro
Corelli Violin Sonata in F Major op 5 no 10, ii. Allemanda Allegro

- Allegro, Corelli Violin Sonata in A Major op 5 no 6, ii. Allegro (from James Knox Manuscript 160, f. 40v) [1145; 1755]
Corelli Violin Sonata in F Major op 5 no 10, ii. Allemanda Allegro Robert Kelsall Manuscript 306, f. 55v F C C 2 no no 1510 6430 1H5H1H0 6430
Sarabanda Allegro
Corelli Violin Sonata in F Major op 5 no 10, iii. Sarabanda Allegro

- [untitled], Corelli Violin Sonata in F Major, Op 5 No 10 iii. Sarabanda (with embellishments by McGibbon). (from McGibbon Manuscript 56, p. 36) [133; 725]
Corelli Violin Sonata in F Major op 5 no 10, iii. Sarabanda Allegro Robert Kelsall Manuscript 307, f. 55v F 3/4 3/4 2 no no 133 725 1H3H3H 7L2H5L
Gavotta
Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta

- Gavotta Allegro, Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta Allegro (from Robert Kelsall Manuscript 308, f. 55v) [1122; 3322]
- Mr McLeans Variations on the Gavott in Corelli's 10th Solo, Corelli Sonata in F Major Op 5 No 10 iv. Gavotta (variations by McLean) (from McGibbon Manuscript 82, p. 52) [1122; 3422]
- Mr McGibbon's Variations on the Gavot in Corelli's 10 Solo, Corelli Violin Sonata in F Major, Op 5 No 10, iv. Gavotta (with variations by McGibbon). (from McGibbon Manuscript 140, p. 79) [1522; 3322]
- [Corelli Sonata in F Major Op 5 no 10, IV: Gavotta], Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta (from James Knox Manuscript 90, f. 27) [1122; 3322]
Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta Robert Kelsall Manuscript 639, f. 134 F 2 no no 1122 3325 1H1H2H2H 3H3H2H5
Gavotta Allegro
Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta Allegro

- Gavotta, Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta (from Robert Kelsall Manuscript 639, f. 134) [1122; 3325]
- Mr McLeans Variations on the Gavott in Corelli's 10th Solo, Corelli Sonata in F Major Op 5 No 10 iv. Gavotta (variations by McLean) (from McGibbon Manuscript 82, p. 52) [1122; 3422]
- Mr McGibbon's Variations on the Gavot in Corelli's 10 Solo, Corelli Violin Sonata in F Major, Op 5 No 10, iv. Gavotta (with variations by McGibbon). (from McGibbon Manuscript 140, p. 79) [1522; 3322]
- [Corelli Sonata in F Major Op 5 no 10, IV: Gavotta], Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta (from James Knox Manuscript 90, f. 27) [1122; 3322]
Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta Allegro Robert Kelsall Manuscript 308, f. 55v F C C 2 no no 1122 3322 1H1H2H2H 3H3H2H2H
Giga Allegro
Corelli Violin Sonata in F Major op 5 no 10, v. Giga Allegro

- Giga allegro in the Xth Sonata of Corelli, Corelli Violin Sonata in F Major, op 5 no 10, v. Giga (from Robert Kelsall Manuscript 643, f. 136v) [3571; 6535]
Corelli Violin Sonata in F Major op 5 no 10, v. Giga Allegro Robert Kelsall Manuscript 309, f. 56 F 6/8 6/8 2 no no 3571 6535 3571H 6535
Giga allegro in the Xth Sonata of Corelli

- Giga Allegro, Corelli Violin Sonata in F Major op 5 no 10, v. Giga Allegro (from Robert Kelsall Manuscript 309, f. 56) [3571; 6535]
Corelli Violin Sonata in F Major, op 5 no 10, v. Giga Robert Kelsall Manuscript 643, f. 136v F 6/8 6/8 2 no no 3571 6535 3571H 6535
Corn Riggs or Sawney was tall
2 strain tune + 2 variations.

- New Corn Rigs, Corn Riggs (from Newbattle Violin Manuscript 2 31, f. 14v) [1132; 7725]
- New Corn riggs, Corn Riggs (from Panmure Violin Manuscript 1 56, f. 27) [1332; 7221]
- Corn riggs, Corn Riggs (from Gairdyn Manuscript 31, f. 4) [1132; 7725]
- [Corn Riggs], Corn Riggs (from Cuming Manuscript 32, p. 45) [1342; 7725]
- Corn Riggs, Corn Riggs (from MacFarlane Manuscript 3 288, p. 274) [1342; 7775]
Corn Riggs
Title (alternative): Sawney was tall
Robert Kelsall Manuscript 647, f. 138v C 6 yes no 1112 7775 1H1H1H2H 7775
Giga di Corelli

- [Giga], Corelli Violin Sonata in G minor op 5 no 5, v. Giga (from Cameron Manuscript 278, p. 67) [1111; 7655]
- Giga, Corelli Violin sonata in G minor Op 5 No 5, v. Giga (from McGibbon Manuscript 38, p. 27) [1111; 7655]
- Mr McGibbons Variations upon the Giga in Corelli's 5th Solo, Corelli Violin sonata in G minor Op 5 No 5 v. Giga (variation by McGibbon) (from McGibbon Manuscript 69, p. 44) [1713; 7653]
- [McGibbon's variations on Corelli's Giga op 5 no 5], Corelli Violin sonata in G minor Op 5 No 5 v. Giga (variation by McGibbon) (from McGibbon Manuscript 70, ) [1213; 7655]
- Variations on the Giga of Corelli's 5th Solo. By Mr McLean, Corelli Violin sonata in G minor Op 5 No 5. v Giga (variations by McLean) (from McGibbon Manuscript 135, p. 77) [1111; 7655]
- Allegro, Corelli Violin Sonata in G minor op 5 no 5 v. Giga (from James Knox Manuscript 153, f. 39) [1111; 7655]
- Variations on the Giga Allegro by Mr Johnston of Dublin, Corelli Violin Sonata in G minor op 5 no 5 v. Giga, with variations by Johnston (from James Knox Manuscript 155, f. 39v) [1211; 7753]
Correli Violin Sonata in G Minor Op 5 no 5, v. Giga Robert Kelsall Manuscript 406, f. 78 G 12/8 12/8 2 no no 1111 7655 1H1H1H1H 7b6b55
Country Dance

- March, March (from MacFarlane Manuscript 3 116, p. 86) [5171; 2222]
Country Dance
Title (alternative): March
Robert Kelsall Manuscript 281, f. 48v D ♯♯ ♯♯ 2 no no 5171 2222 51H71H 2H2H2H2H
Caddie Clauder
1 strain tune + 4 variations. Concordances: Bowie MS.

- Cutie Clather, Cuddie Clauder (from Bowie Manuscript 36, f. 21v) [3552; 3553]
- Cow'd I ha'e claw'd her, Cuddie Clauder (from McGibbon Manuscript 115, p. 69) [3552; 3553]
Cuddie Clauder Robert Kelsall Manuscript 591, f. 122 G 6/4 6/4 5 yes no 3552 3553 3552 3553
Dainty Davy

- Dainty Davy, Dainty Davy (from Robert Kelsall Manuscript 254, f. 44) [5532; 2711]
- Dainty Davie, Dainty Davy (from MacFarlane Manuscript 2 1, p. 1) [5532; 1711]
- Dainty Davie, Dainty Davy (from James Knox Manuscript 145, f. 37v) [5532; 2711]
Dainty Davy Robert Kelsall Manuscript 182, f. 28v F 2 no no 5532 1711 5532 17L11
Dainty Davy
2 strain tune + 1 variation.

- Dainty Davy, Dainty Davy (from Robert Kelsall Manuscript 182, f. 28v) [5532; 1711]
- Dainty Davie, Dainty Davy (from MacFarlane Manuscript 2 1, p. 1) [5532; 1711]
- Dainty Davie, Dainty Davy (from James Knox Manuscript 145, f. 37v) [5532; 2711]
Dainty Davy Robert Kelsall Manuscript 254, f. 44 F 4 yes no 5532 2711 5532 27L11
Daniel Cowper

- New donnald Cupper, Donald Coupar (from Newbattle Violin Manuscript 2 32, f. 15) [1111; 2222]
- Donald Couper, Donald Coupar (from Newbattle Violin Manuscript 2 42, f. 19v) [None; None]
- Donald Couper, Donald Coupar (from Gairdyn Manuscript 6, f. 1v) [1245; 3356]
- Daniel Coupper, Daniel Coupar (from Cameron Manuscript 254, p. 61) [5116; 6225]
- Donald Cooper. D.Y., Donald Coupar (from MacFarlane Manuscript 2 116, p. 176) [6162; 6531]
Daniel Coupar Robert Kelsall Manuscript 172, f. 27v D ♯♯ ♯♯ 2 no no 5116 6225 51H1H6 62H2H5
Aria
With words. Three movement cantata of Aria, Recit Aria. Words by Henry Carey, possibly the music is by Abiell Whichello. This isn't the cantata to the same words by Daniel Purcell.
Daphne and Appollo Robert Kelsall Manuscript 493, f. 98 F 2/4 2/4 no no 3353 6715 3353 671H5
De'il take ye wars

- fy on the warrs, De'il Take the Wars (from Gairdyn Manuscript 138, f. 19v) [None; None]
- Foull take the warss, De'il Take the Wars (from Leyden Lyra-viol and Violin Manuscript 14, f. 56) [1122; 1553]
De'il take the wars Robert Kelsall Manuscript 533, f. 110 C 2 no no 1122 1653 1H1H2H2H 1H653
Dear Catholick Brother
Dear Catholic Brother Robert Kelsall Manuscript 195, f. 30 D ♯♯ ♯♯ 3/4 2 no no 555 554 555 554
A Song
With words.
Dear Charming Fair Robert Kelsall Manuscript 471, f. 90 A ♯♯♯ ♯♯♯ 3/4 3 no no 115 110 115L 110
Deh fuggi in Traditore in Rhadamisto
Aria "Deh Fuggi in Traditore" from Handel's opera Radamisto (HWV 12).
Deh Fuggi un Traditore Robert Kelsall Manuscript 466, f. 89 G C C no no 0015 1324 001H5 1324
Did you see e're a Shepherd
Did You See E'er a Shepherd Robert Kelsall Manuscript 549, f. 113 G 3/4 3/4 2 no no 536 315 536 315L
Divine Gloriana
Concordances (other): "Hampton Court, a new Song. To a pretty new Tune, made by a Person of Quality", D'Urfey, Songs Compleat (1719), vol 1, 298. Words begin "Where Divine Gloriana, her Palace late rear'd".
Divine Gloriana
Title (alternative): Hampton Court
Robert Kelsall Manuscript 282, f. 48v G 3/4 3/4 2 no no 342 231 342 231
Division to a Ground
Could be Playford, but difficult to fit one ground to the divisions - lots of harmonic shifting
Division to a Ground Robert Kelsall Manuscript 134, f. 22v D ♯♯ ♯♯ C/3 3/4 14 no no 334 266 334 26L6L
Do you know how to court A woman
Do You Know How to Court a Woman Robert Kelsall Manuscript 55, f. 11v C 2 no no 1535 1166 1535 1H1H66
Dona in Qualm's
Dona in Qualm's Robert Kelsall Manuscript 345, f. 64 D 2 no no 1553 2225 1H553bH 2H2H2H5
Donawert Pass
Donawert Pass Robert Kelsall Manuscript 115, f. 20v G ♭♭ ♭♭ 1 no no 1715 6531 1H71H5 6b53b1
Doris
Doris Robert Kelsall Manuscript 529, f. 109v D ♯♯ ♯♯ 6/8 6/8 2 no no 1153 2115 1H1H53 211H5
Dove Sei in Rodelinda
Aria "Dove sei? amato bene! vieni" from Handel's opera Rodelinda (HWV 19).
Dove sei? amato bene! vieni Robert Kelsall Manuscript 450, f. 85 G 3/8 3/8 no no 551 320 551H 320
Dr: Sachevelier’s minuet
Presumably named for the famous clergyman Dr Henry Sacheverell (1674-1724)

- Dr: Sacheveril's minuet, Dr Sacheverell's Minuet (from Robert Kelsall Manuscript 257, f. 44v) [331; 516]
Dr Sacheverell's Minuet Robert Kelsall Manuscript 50, f. 11 G 3/4 3/4 2 no no 331 515 331 515
Dr: Sacheveril's minuet
Presumably named for the famous clergyman Dr Henry Sacheverell (1674-1724)

- Dr: Sachevelier’s minuet, Dr Sacheverell's Minuet (from Robert Kelsall Manuscript 50, f. 11) [331; 515]
Dr Sacheverell's Minuet Robert Kelsall Manuscript 257, f. 44v G 3/4 3/4 2 no no 331 516 331 516
Draw Cupid
Draw Cupid Robert Kelsall Manuscript 119, f. 20v F 2 no no 1111 7776 1H1H11H 7776
[Duet]
Untitled duet for two trebles. Second treble on f. 72
Duet Robert Kelsall Manuscript 384, f. 71v D ♯♯ ♯♯ 2 no no 1111 3524 1H1H1H1H 3H5H2H4H
[Duet]
Untitled duet for two trebles. Second treble on f. 74.
Duet Robert Kelsall Manuscript 388, f. 73v D ♯♯ ♯♯ 2/4 2/4 2 no no 3333 3533 3H3H3H3H 3H5H3H3H
Duke of Dorset's minuet
Duke of Dorset's minuet Robert Kelsall Manuscript 508, f. 105 G 3/4 3/4 2 no no 555 664 555 664
Eaglisfield’s new Hornpipe
Too many beats in the second bar.
Eaglesfield’s New Hornpipe Robert Kelsall Manuscript 177, f. 28 A ♯♯♯ ♯♯♯ 3/2 3/2 2 no no 156 324 1H56 324
Allin A Roon
One of three copies of this set in the manuscript.

- Allin a roon, Eileen a Roon (from Robert Kelsall Manuscript 521, f. 108) [567; 123]
- Allin A Roon, Eileen A Roon (from Robert Kelsall Manuscript 359, f. 115) [567; 113]
- Robin Adair, Robin Adair (from McGibbon Manuscript 185, p. 92) [561; 231]
- Robin Adair, Robin Adair (from James Knox Manuscript 142, f. 36) [567; 113]
Eileen A Roon
Title (alternative): Robin Adair
Robert Kelsall Manuscript 558, f. 114v D ♯♯ ♯♯ 3/4 3/4 4 yes no 567 113 567 1H1H3H
Allin A Roon
One of three copies of this set in the manuscript.

- Allin a roon, Eileen a Roon (from Robert Kelsall Manuscript 521, f. 108) [567; 123]
- Allin A Roon, Eileen A Roon (from Robert Kelsall Manuscript 558, f. 114v) [567; 113]
- Robin Adair, Robin Adair (from McGibbon Manuscript 185, p. 92) [561; 231]
- Robin Adair, Robin Adair (from James Knox Manuscript 142, f. 36) [567; 113]
Eileen A Roon
Title (alternative): Robin Adair
Robert Kelsall Manuscript 359, f. 115 G 3/4 3/4 4 yes no 567 113 5L6L7L 113
Allin a roon

- Allin A Roon, Eileen A Roon (from Robert Kelsall Manuscript 558, f. 114v) [567; 113]
- Allin A Roon, Eileen A Roon (from Robert Kelsall Manuscript 359, f. 115) [567; 113]
- Robin Adair, Robin Adair (from McGibbon Manuscript 185, p. 92) [561; 231]
- Robin Adair, Robin Adair (from James Knox Manuscript 142, f. 36) [567; 113]
Eileen a Roon
Title (alternative): Robin Adair
Robert Kelsall Manuscript 521, f. 108 G 3/4 3/4 4 yes no 567 123 5L6L7L 123
Mandane. Sung by Sigra. Isabella in the opera of Hydaspes
Aria "Empia Stella nemica e rubella" from the opera Hydaspes by Mancini (1710).
Empia Stella nemica e rubella Robert Kelsall Manuscript 300, f. 53v D ♯♯ ♯♯ no no 1235 5512 1H2H3H5H 5H5H1H2
Enticeing Love my bows has broke
Possibly "Enticeing Love. A Song" by William Gorton (fl 1711). RISM A/I G 3028.
Enticing Love My Bows Has Broke Robert Kelsall Manuscript 10, f. 5v F 3/2 3/2 no no 000 000 000 000
Allegro Ever Merry First Trible in Thomyris
First violin part for a song from the pasticcio opera Thomyris (1707), with music by Bononcini and others.
Ever Merry Robert Kelsall Manuscript 332, f. 60v A ♯♯♯ ♯♯♯ no no 5055 5555 5055 5555
Excuse me

- Excuse me, Excuse Me (from Cameron Manuscript 207, p. 50) [3375; 7427]
- Excuse me, Excuse me (from MacFarlane Manuscript 3 225, p. 201) [1175; 7427]
Excuse me Robert Kelsall Manuscript 503, f. 104 G ♭♭ ♭♭ 6/4 6/4 3 no no 1175 7427 117b5 7b427bL
Fair Dorinda
Fair Dorinda Robert Kelsall Manuscript 217, f. 36v D ♯♯ ♯♯ 3/8 3/8 no no 122 321 1H2H2H 3H2H1H
Farewell Cloe
Farewell Chloe Robert Kelsall Manuscript 6, f. 4 G C C no no 5155 1567 51H55 1H567
Fidlers Moris
Fiddler’s Morris Robert Kelsall Manuscript 71, f. 13v F 2 no no 1151 4226 1151 4226L
First Trebble
Untitled piece for two trebles. Second treble on f. 70.
First Trebble Robert Kelsall Manuscript 378, f. 69v C 2 no yes 1511 3315 1H51H1H 3H3H1H5H
March

- First troop of Guards, First Troop of Guards (from MacFarlane Manuscript 2 240, p. 282) [3335; 3335]
First Troop of Guards Robert Kelsall Manuscript 429, f. 81v G 2 no no 3335 3335 3335 3335
Hornpipe
2 strain tune + 1 variation. Concordances (other): "Flat-Capp, an Old Hornpipe", Marsden, Lancashire Hornpipes. "Flat Cap", Wright, Walsh Third Book of the Most Celebrated Jiggs.

- Horne Pipe, Flat Cap (from Thomson Manuscript 56, p. 39) [155; 742]
- A horn pyp, Flat Cap (from Sinkler Manuscript 48, f. 60) [155; 742]
- [Flat Cap], Flat Cap (from Cuming Manuscript 7, p. 10) [535; 742]
- Punchanallors Hornpipe, Punchanallor's Hornpipe (from Robert Kelsall Manuscript 84, f. 15v) [155; 742]
Flat Cap
Title (alternative): Punchanallor's Hornpipe
Robert Kelsall Manuscript 273, f. 47v D 3/2 4 yes no 155 742 155 7b42
[French Horn Tune]
Untitled duet for two trebles. Second treble on f. 74.

- French Horn Tune, French Horn Tune (from Robert Kelsall Manuscript 570, f. 117) [3131; 3425]
French Horn Tune Robert Kelsall Manuscript 391, f. 73v D ♯♯ ♯♯ 12/8 12/8 2 no no 3131 3425 3H1H3H1H 3H4H2H5
French Horn Tune

- [French Horn Tune], French Horn Tune (from Robert Kelsall Manuscript 391, f. 73v) [3131; 3425]
French Horn Tune Robert Kelsall Manuscript 570, f. 117 G 6/8 6/8 2 no no 3131 3425 3131 3425L
A Song Set by Mr Jno Weldon & Sung by Mr Bradshore
With words. Multiple sections: ₵; ₵[backwards]; 3
From Grave Lessons & Restraint Robert Kelsall Manuscript 458, f. 86v D ♯♯ ♯♯ 5 no no 0355 3135 0355 3135
From me from thee he turns his Eyes
An aria from Galliard's opera Calypso and Telemachus (1712).
From Me From Thee He Turns His Eyes Robert Kelsall Manuscript 205, f. 33 G 6/8 6/8 no no 1151 4736 1H1H31 4736
A Song Set by Mr Henry Purcell
With words. Henry Purcell, "From Rosy Bow'rs" from Don Quixote (Z. 578)
From Rosie Bow'rs Robert Kelsall Manuscript 501, f. 101v C ♭♭ ♭♭ no no 0111 1760 01H1H1H 1H7b6b0
Fye gar rub her ore with straw
Wrong key signature - perhaps started off with intention of notating in G minor.

- Fy gar rubher, Fy Gar Rub Her O'er Wi Strae (from Gairdyn Manuscript 32, f. 4) [3215; 4321]
- Fy gar rub her oer wt straw, Fy Gar Rub Her O'er With Strae (from Robert Kelsall Manuscript 276, f. 47v) [3315; 4421]
- Fy gar rub her o'er wi Strae, Fy Gar Rub Her O'er Wi Strae (from MacFarlane Manuscript 3 290, p. 282) [3315; 4321]
Fy Gar Rub Her O'er With Strae Robert Kelsall Manuscript 94, f. 16v A 2 no no 3315 4321 3b3b15 43b21
Fy gar rub her oer wt straw

- Fy gar rubher, Fy Gar Rub Her O'er Wi Strae (from Gairdyn Manuscript 32, f. 4) [3215; 4321]
- Fye gar rub her ore with straw, Fy Gar Rub Her O'er With Strae (from Robert Kelsall Manuscript 94, f. 16v) [3315; 4321]
- Fy gar rub her o'er wi Strae, Fy Gar Rub Her O'er Wi Strae (from MacFarlane Manuscript 3 290, p. 282) [3315; 4321]
Fy Gar Rub Her O'er With Strae Robert Kelsall Manuscript 276, f. 47v G ♭♭ ♭♭ 2 no no 3315 4421 3b3b15 4421
Gavotta
Gavotta Robert Kelsall Manuscript 149, f. 25 D ♯♯ ♯♯ 2 no no 1755 6427 1H755 6427L
Gavotta
Gavotta Robert Kelsall Manuscript 375, f. 69 D ♯♯ ♯♯ 2/4 2/4 2 no no 1120 1470 1H12H0 1H4x70
Gavotta ala Francoise
Gavotta a la Française Robert Kelsall Manuscript 448, f. 84 G 2 2 no no 5511 7776 551H1H 7776
Gavotta by Mr Handell
Gavotta by Handel Robert Kelsall Manuscript 362, f. 67v D ♯♯ ♯♯ C C 2 no no 1234 5176 1H2H3H4H 5H1H76
Geld him lasses _ Geld him
1 strain tune + 6 variations.

- Geld him Lasses, Geld Him Lasses (from Thomson Manuscript 10, p. 8) [131; 357]
- Geld him lasses Geld him, Geld Him Lasses (from Robert Kelsall Manuscript 279, f. 48) [151; 357]
- Clerks Hornpipe, Clerk's Hornpipe (from Cameron Manuscript 258, p. 61) [151; 357]
- Geld him Lasses. D.Y., Geld Him Lasses (from MacFarlane Manuscript 2 142, p. 198) [151; 357]
Geld Him Lasses
Title (alternative): Clerk's Hornpipe
Robert Kelsall Manuscript 259, f. 44v D ♯♯ ♯♯ 3/2 3/2 7 yes no 161 357 1H61H 357
Geld him lasses Geld him
1 strain tune + 6 variations. Also see earlier in the manuscript.

- Geld him Lasses, Geld Him Lasses (from Thomson Manuscript 10, p. 8) [131; 357]
- Geld him lasses _ Geld him, Geld Him Lasses (from Robert Kelsall Manuscript 259, f. 44v) [161; 357]
- Clerks Hornpipe, Clerk's Hornpipe (from Cameron Manuscript 258, p. 61) [151; 357]
- Geld him Lasses. D.Y., Geld Him Lasses (from MacFarlane Manuscript 2 142, p. 198) [151; 357]
Geld Him Lasses
Title (alternative): Clerk's Hornpipe
Robert Kelsall Manuscript 279, f. 48 D ♯♯ ♯♯ 3/2 3/2 7 yes no 151 357 1H51H 357
Geminiani's Favourite minuet

- D.o in another key, Geminiani's Minuet (from Robert Kelsall Manuscript 366, f. 68) [117; 117]
- Signr. Geminiani’s Minuet, Geminiani's Minuet (from James Knox Manuscript 139, f. 35v) [117; 117]
Geminiani's Minuet Robert Kelsall Manuscript 365, f. 68 B♭ ♭♭ ♭♭ 3/4 2 no no 117 117 117L 117L
D.o in another key
Incipit of previous piece in alt key, 3 bars only.

- Geminiani's Favourite minuet, Geminiani's Minuet (from Robert Kelsall Manuscript 365, f. 68) [117; 117]
- Signr. Geminiani’s Minuet, Geminiani's Minuet (from James Knox Manuscript 139, f. 35v) [117; 117]
Geminiani's Minuet Robert Kelsall Manuscript 366, f. 68 G 3/4 no no 117 117 117L 117L
Genius of England
Aria from Henry Purcell's "Don Quixote" (Z. 578). Goes into triple time (3) at b. 19.
Genius of England Robert Kelsall Manuscript 348, f. 64v D ♯♯ ♯♯ no no 1115 1133 1H1H1H5 1H1H3H3H
Gentle sighs
Aria from Haym's opera Pyrrhus and Demetrius (1709).
Gentle Sighs Robert Kelsall Manuscript 204, f. 32v G C C no no 5310 6430 5310 6430
Giga
tune continues onto bottom of f. 78.
Giga Robert Kelsall Manuscript 405, f. 77v E 6/8 6/8 2 no no 1717 1221 1H71H7 1H2H2H1H
Gigha
Giga Robert Kelsall Manuscript 441, f. 83 D 6/8 6/8 2 no no 1313 1232 1H3b1H3b 1H2H3bH2H
Gigha
Giga Robert Kelsall Manuscript 445, f. 83v B♭ ♭♭ ♭♭ 12/8 12/8 2 no no 0123 3511 0123 351H1
Giga
Giga Robert Kelsall Manuscript 615, f. 127v A 12/8 12/8 2 no no 3510 3670 3b510 3b6b7L0
Giga
Giga Robert Kelsall Manuscript 638, f. 134 D ♯♯ ♯♯ 12/8 12/8 2 no no 1234 5420 1H2H3H4H 5H4H2H0
Giga
Giga Robert Kelsall Manuscript 641, f. 135 F ♭♭♭♭ ♭♭♭♭ 6/4 6/4 2 no no 3135 2724 3b1H3b5 27b24
Giga Allegro
Giga Allegro Robert Kelsall Manuscript 350, f. 65v A ♯♯ ♯♯ 12/8 12/8 2 no no 1353 4327 1353 4327L
Giga Corelli
Giga by Corelli Robert Kelsall Manuscript 126, f. 21v D ♯♯ ♯♯ 12/8 2 no no 3166 4277 31H66 42H77
Giga per Handell Allegro
Setting for two trebles. Second treble on f. 75.
Giga by Handel Robert Kelsall Manuscript 393, f. 74v D ♯♯ ♯♯ 6/8 6/8 no no 5522 4411 5H5H2H2H 4H4H1H1H
Giga in the opera of Rinaldo. Handel's Jigg
Giga from Rinaldo Robert Kelsall Manuscript 642, f. 135 D ♯♯ ♯♯ 6/8 6/8 2 no no 1111 5431 1H1H1H1H 5431
Gossips Frolick A Country dance
Gossip's Frolick Robert Kelsall Manuscript 76, f. 14 D ♯♯ ♯♯ 6/4 6/4 1 no no 1271 4521 1H2H71H 4521
Granoes March Primo
March by John Grano (c. 1692-1748), famous trumpeter associated with Handel. Setting for two trebles. Second treble on f. 71

- Grano's March, Grano's March (from Robert Kelsall Manuscript 616, f. 128) [3322; 1115]
Grano's March Robert Kelsall Manuscript 382, f. 70v D ♯♯ ♯♯ 2 no yes 3322 1115 3H3H2H2H 1H1H1H5
Grano's March
March by John Grano (c. 1692-1748), famous trumpeter associated with Handel.

- Granoes March Primo, Grano's March (from Robert Kelsall Manuscript 382, f. 70v) [3322; 1115]
Grano's March Robert Kelsall Manuscript 616, f. 128 G 2 no no 3322 1115 3322 1115L
Green stockings
Green Stockings Robert Kelsall Manuscript 168, f. 27 D ♯♯ ♯♯ 6/4 6/4 2 no no 1277 4521 1H2H77 4521
Greensleeves

- Green slives, Greensleeves (from Thomson Manuscript 26, p. 18) [3347; 3175]
- Green sleivs and pudding pys, Greensleeves (from Sinkler Manuscript 39, f. 62) [3347; 3175]
- The Bass to Green Sleeves, Greensleeves (bass) (from Robert Kelsall Manuscript 428, f. 81) [3355; 6633]
- Green Sleeves, Greensleeves (from MacFarlane Manuscript 2 212, p. 258) [3347; 3175]
Greensleeves Robert Kelsall Manuscript 148, f. 24v G ♭♭ ♭♭ 6/4 15 yes no 3547 1425 3b547bL 1425L
The Bass to Green Sleeves
presumably intended as accompaniment to greensleeves, but written out in treble clef.

- Green slives, Greensleeves (from Thomson Manuscript 26, p. 18) [3347; 3175]
- Green sleivs and pudding pys, Greensleeves (from Sinkler Manuscript 39, f. 62) [3347; 3175]
- Greensleeves, Greensleeves (from Robert Kelsall Manuscript 148, f. 24v) [3547; 1425]
- Green Sleeves, Greensleeves (from MacFarlane Manuscript 2 212, p. 258) [3347; 3175]
Greensleeves (bass) Robert Kelsall Manuscript 428, f. 81 F 1 no no 3355 6633 3bH3bH55 6633
Handel's water piece
Trumpet part from the first movement of Handel's Water Music, Suite II in D Major (HWV 349). Transposed down to C Major here.
Handel's Water Music, Suite II in D Major, I Robert Kelsall Manuscript 518, f. 107v C C C no no 0011 1033 001H1H 1H03H3H
another key
Not actually in "another key" - this is an incipit for 2nd trumpet part.
Handel's Water Music, Suite II in D Major, I Robert Kelsall Manuscript 519, f. 107v C C C no no 0033 3011 0033 301H1H
Handell's hornpipe
Handel's hornpipe Robert Kelsall Manuscript 424, f. 80v G 2 2 no no 3423 2556 3423 25L5L6L
The happy clown

- Happy Clown, Happy Clown (from Cameron Manuscript 266, p. 63) [1355; 7531]
- Happy Clown, Happy Clown (from MacFarlane Manuscript 2 158, p. 215) [1355; 7531]
Happy Clown Robert Kelsall Manuscript 38, f. 9v G 3 6/4 2 no no 1355 7531 1355 7b531
A Song By Purcell
With words. Henry Purcell, "Hark the Ech'ing Air" from The Fairy Queen (Z. 629)
Hark the Ech'ing Air Robert Kelsall Manuscript 491, f. 97 C C C no no 0105 3213 01H05H 3H2H1H3H
Hark ye Huntsman
Hark the Huntsman Robert Kelsall Manuscript 347, f. 64 D ♯♯ ♯♯ 6/8 6/8 2 no no 3531 1342 3H5H3H1H 1H3H4H2H
Harvest home
Harvest Home Robert Kelsall Manuscript 573, f. 117v G 6/4 6/4 2 no no 3561 6230 3561H 6230
Hear me Love
Da Capo Aria.
Hear Me Love Robert Kelsall Manuscript 201, f. 32 B♭ ♭♭ ♭♭ 3/4 3/4 no no 516 510 51H6 510
Scotch measure

- A Scotts misur, Helen Hume's Scots Measure (from Bowie Manuscript 27, f. 17v) [3111; 3332]
- [Helen Hume's Scots Measure], Helen Hume's Scots Measure (from Cuming Manuscript 34, p. 50) [3111; 3332]
- Scotch Measure, Helen Hume's Scots Measure (from MacFarlane Manuscript 3 102, p. 76) [1111; 3332]
Helen Hume's Scots Measure Robert Kelsall Manuscript 274, f. 47v G 2 no no 1111 3332 11H11 3332
Hemp-dresser
Hemp-dresser Robert Kelsall Manuscript 169, f. 27v G 6/4 6/4 2 no no 3533 1134 3533L 1134
Here's to thee my Boy
Here's to thee my Boy Robert Kelsall Manuscript 485, f. 94v A 3/4 3/4 2 no no 116 556 1H1H6b 556b
Hay to ye Camp

- Hey to the Camp, Hey to the Camp (from MacFarlane Manuscript 2 91, p. 140) [1262; 3632]
- Hey to the Camp, Hey to the Camp (from MacFarlane Manuscript 3 140, p. 106) [111; 216]
Hey to the Camp Robert Kelsall Manuscript 544, f. 112v D ♯♯ ♯♯ 6/8 6/8 2 no no 1262 3512 1H2H62 351H2H
Highland Laddie

- hyland Lady, Highland Laddie (from Bowie Manuscript 11, f. 8v) [1133; 5155]
- Highland Laddie, Highland Laddie (from Drummond Castle Manuscript 1 29, ) [5333; 6262]
Highland Laddie Robert Kelsall Manuscript 552, f. 113v G 2 no no 1122 1122 1122 1122
The Highland Laddie
Not the classic Highland Laddie tune - 12/8 jig with Scotch snap rhythms.
Highland Laddie Robert Kelsall Manuscript 609, f. 126v C 12/8 12/8 2 no no 1352 1453 1352H 1H453
Highland Solo
Pipe style variations over a binary A-G ground. 2 strain tune. First variation is only on A part, followed by a 4 variations following 2 strain pattern. In the opening theme, the A part seems to have been incorrectly notated, with only 6 instead of 8 bars. According to Pete Stewart, this is a reel made from several similar pibroch tunes, such as "The Sound of the Waves Beneath the Castle of Duntroon". This version is closely concordant with Walsh, except that Kelsall has corrected the spelling of "Highland", corrected the key signature, added double barlines, slurs and ornaments. Additionally, strains 7-8 have been put in reverse order, with the penultimate strain extended from 5 to 6 bars. Kelsall's final strain is missing from Walsh, and is really a varied reprise of the opening strain. It is likely that Kelsall had an alternative source, and that Walsh is a more corrupt source. Concordances (other): "The Hilland Solo", Walsh, Third Book of the Most Celebrated Jiggs etc., 24.
Highland Solo
Title (alternative): Duntroon Castle
Robert Kelsall Manuscript 263, f. 45v D 11 yes no 5566 4422 5566 4422
Hiland Tune
Reel tune, though quite strathspey-like feel. Birls are probably incorrectly notated as q+s+s, rather than s+s+q.
Highland Tune Robert Kelsall Manuscript 593, f. 122v G 2 no no 3551 1312 3551H 1H3H1H2H
Highlander's March
No double barlines, but certainly looks like a variation set of four irregular phrases, with lengths 8+6+6+12(8+4)
Highlander's March Robert Kelsall Manuscript 179, f. 28 G 4 yes no 1133 2226 1133 2226L
Highlander’s Wedding
Highlander’s Wedding Robert Kelsall Manuscript 155, f. 25v D 6/8 6/8 2 no no 1232 1232 1H2H3bH2H 1H2H3bH2H
Hornpipe by J: Wolfenden
Hornpipe + variations.
Hornpipe by J. Wolfenden Robert Kelsall Manuscript 69, f. 13 E 3/2 3/2 4 no no 117 162 1H1H7b 1H6b2
Hornpipe by Mr Ruthven
1 strain tune + 7 variations.
Hornpipe by Mr Ruthven Robert Kelsall Manuscript 260, f. 45 D ♯♯ ♯♯ 3/2 3/2 8 yes no 151 727 1H51H 727L
Horse Grenadier's march
Horse Grenadier's March Robert Kelsall Manuscript 555, f. 114 C 2/4 2/4 2 no no 1111 1132 1H1H1H1H 1H1H3H2H
A song Set by Mr Gouge
How Happy Silvia Art Thou Robert Kelsall Manuscript 498, f. 100v F 4 no no 0005 1716 0005 1H71H6
How severe is my Fate
Song by William Croft. RISM A/I C 4529. Multiple sections: 3/4; C; 3/4.
How Severe is my Fate Robert Kelsall Manuscript 31, f. 8v C ♭♭ ♭♭ 3/4 3/4 no no 351 770 3b51H 770
Hunt the Squerill
Hunt the Squirrel Robert Kelsall Manuscript 56, f. 11v G 3 6/4 2 no no 1553 1313 1553 1313
I gently gently touched her hand
Song by John Eccles, 1710. RISM A/I E 326; EE 326. Multiple sections: 3/4; ₵ backwards; 3/4; ₵ backwards.
I Gently Gently Touched Her Hand Robert Kelsall Manuscript 29, f. 7v G ♭♭ ♭♭ 3/4 3/4 no no 543 654 543b 6b54
I often for my Jenny Strove

- No Charms above her, No Charms Above Her (from MacFarlane Manuscript 2 114, p. 169) [5226; 6267]
- No Charms above her, No Charms Above Her (from McGibbon Manuscript 25, p. 19) [5226; 6752]
I often for my Jenny Strove
Title (alternative): No Charms Above Her
Robert Kelsall Manuscript 173, f. 27v G 6/4 6/4 2 no no 5225 6367 5225L 6L367
A song in ye Act of ye Fools preferment. Set by Mr H. Purcell
With words. "I'll Sail Upon the Dogstar" by Henry Purcell, from his music for A Fool's Preferment (Z. 571)
I'll Sail Upon the Dogstar Robert Kelsall Manuscript 486, f. 95 C no no 0011 1500 001H1H 1H500
Idolo del mio Corse in Crasus
Idolo Del Mio Corse from Crasus Robert Kelsall Manuscript 208, f. 33v G 3/8 3/8 no no 113 566 1H13 566
Since love's a Sweet passion
Song by Henry Purcell from "The Fairy Queen" (Z. 629)

- Since Loves a sweet pasion, If Love's a Sweet Passion (from Gairdyn Manuscript 67, f. 10) [None; None]
- If loves a sweat pasion, If Love's a Sweet Passion (from Leyden Lyra-viol and Violin Manuscript 17, f. 56v) [535; 554]
- Loves a sweet passion, If Love's a Sweet Passion (from Sinkler Manuscript 20, f. 65) [4431; 4555]
If Love's A Sweet Passion Robert Kelsall Manuscript 344, f. 63v B ♯♯ ♯♯ 3/4 3/4 no no 444 435 444 43b5
A song by Mr Henry Purcell
With words. Purcell's "If Musick Be the Food of Love" (Z. 379c).
If Musick Be the Food of Love Robert Kelsall Manuscript 490, f. 96v G ♭♭ ♭♭ no no 0033 0556 003b3b 0556b
Il mormorio In Numitor
Aria "Il Mormorio Del Rio" from the opera Numitore by Giovanni Porta (1720).
Il Mormorio Del Rio Robert Kelsall Manuscript 218, f. 36v C C C no no 0011 1133 001H1H 1H1H3H3H
In all her charmes Aurora gay & Smiling
Song by John Ernst Galliard, from the opera Calypso and Telemachus (1712).
In All Her Charmes Aurora Gay & Smiling Robert Kelsall Manuscript 32, f. 8v G ♭♭ ♭♭ no no 0111 1354 01H11H 13b54
Inner Temple Jigg
3 bar phrases

- Jigg, Inner Temple Jig (from Panmure Violin Manuscript 1 40, f. 18v) [535; 116]
Inner Temple Jig Robert Kelsall Manuscript 107, f. 19 D ♯♯ ♯♯ 3 6/4 2 no no 5151 2251 51H51H 2H251H
Irish Minuet
Irish Minuet Robert Kelsall Manuscript 507, f. 105 G ♭♭ ♭♭ 3/4 3/4 2 no no 166 443 16b6b 443b
Italian tune
Italian Tune Robert Kelsall Manuscript 253, f. 44 D ♯♯ ♯♯ C C 2 no no 1144 5156 1144 5156
Jack a Green
Hornpipe + variations.

- Jack on the Green, Jack on the Green (from Young-Bodleian 36, f. 40) [712; 523]
- Blackmoor's Hornpipe, Blackmoor's Hornpipe (from McGibbon Manuscript 110, p. 66) [722; 713]
- Jack on the Green, Jack on the Green (from McGibbon Manuscript 125, p. 71) [212; 523]
Jack on the Green
Title (alternative): Blackmoor's Hornpipe
Robert Kelsall Manuscript 34, f. 9 D ♯♯ ♯♯ 3/2 9/4 7 yes no 722 723 7L22 723
Jennet come tye my bony cravat
Looks like a jig with some errors in notation.

- Drucken Meg Young, Drunken Meg Young (from Gairdyn Manuscript 308, f. 43v) [None; None]
- Drunken Meg Young, Drunken Meg Young (from Young-Bodleian 20, f. 24) [3524; 3531]
Janet Come Tie My Bonny Cravat
Title (alternative): Drunken Meg Young
Robert Kelsall Manuscript 42, f. 10 D 6/4 2 no no 3524 3531 3524 353H1H
Jigg
Time signature is smudged - looks like could be 3/4; clearly 6/4 jig feel. Very clearly violin range
Jig Robert Kelsall Manuscript 47, f. 10v G 3 6/4 2 no no 4142 7441 4142 7b441
Jigg
3-bar phrases.
Jig Robert Kelsall Manuscript 193, f. 30 D 6/8 6/8 2 no no 1131 2754 1H13b1H 2H7b5H4H
A Jigg
3 bar phrases.
Jig Robert Kelsall Manuscript 194, f. 30 F 6/8 6/8 2 no no 3165 2531 31H65 25L31H
Jigg
Jig Robert Kelsall Manuscript 356, f. 66v C 6/8 2 no no 1351 3725 1H351 3H72H5
Jigg
Jig Robert Kelsall Manuscript 357, f. 66v G 6/8 6/8 2 no no 1351 3422 1351 3422
[Jig]
Untitled duet for two trebles. Second treble on f. 73
Jig Robert Kelsall Manuscript 385, f. 72v D ♯♯ ♯♯ 6/8 2 no no 1110 2430 1H1H1H0 2H4H3H0
[Jig]
Untitled duet for two trebles. Second treble on f. 73
Jig Robert Kelsall Manuscript 386, f. 72v D ♯♯ ♯♯ 12/8 12/8 2 no no 1111 6322 1H1H1H1H 6H3H2H2H
[Jig]
Untitled duet for two trebles. Second treble on f. 73
Jig Robert Kelsall Manuscript 387, f. 72v D ♯♯ ♯♯ 12/8 12/8 2 no no 1111 3333 1H1H1H1H 3H3H3H3H
[untitled]
Jig Robert Kelsall Manuscript 588, f. 121v G 6/8 6/8 2 no no 1324 3155 1324 3155L
[untitled]
Jig Robert Kelsall Manuscript 595 D ♯♯ ♯♯ 9/8 9/8 2 no no 155 627 1H55 62H7
Jigg by Albinoni
Jig by Albinoni Robert Kelsall Manuscript 579, f. 118v G 6/8 6/8 3 no no 1375 6751 1375 67L51
A Jigg by Mr Schickard
Jigg by Schickard Robert Kelsall Manuscript 270, f. 47 D ♯♯ ♯♯ 6/8 6/8 no no 1237 1232 1H2H3H7 1H2H3H2H
Jockey a new Song. Sung by Miss Hevinsom at Vauxhall
With words
Jockey, A New Song Robert Kelsall Manuscript 613, f. 127 D ♯♯ ♯♯ 3/4 3/4 2 no no 332 554 332 554
Jocky has gotten a wife
Continued on bottom of f. 111
Jockie Has Gotten a Wife Robert Kelsall Manuscript 536, f. 110v A 6/8 6/8 1 no no 3113 1231 3b113b 123b1
Jockey rejected
Jockie Rejected Robert Kelsall Manuscript 255, f. 44 D 2/4 2/4 2 no no 1713 5112 1H71H3bH 5H1H1H2H
Jockey cock the beaver. Horse to new market
1 strain tune + 8 variations. Closely concordant with version in Playford's Division Violin (1684)

- New market or Jockey Cock thy Bever, Johnny Cock Thy Beaver (from Robert Kelsall Manuscript 433, f. 82) [5324; 5313]
- Johny cock up your Beaver, Johnny Cock Thy Beaver (from MacFarlane Manuscript 3 55, p. 42) [5324; 5313]
- Johnny cock up your Beaver, Johnny Cock Thy Beaver (from McGibbon Manuscript 191, p. 94) [5324; 5313]
Johnny Cock Thy Beaver
Title (alternative): Horse to New Market
Robert Kelsall Manuscript 292, f. 51 F 6/4 9 yes yes 5324 5313 5324 5313
New market or Jockey Cock thy Bever
Long set of variations. 1 strain tune + 8 variations. Another similar set earlier in the manuscript.

- Jockey cock the beaver. Horse to new market, Johnny Cock Thy Beaver (from Robert Kelsall Manuscript 292, f. 51) [5324; 5313]
- Johny cock up your Beaver, Johnny Cock Thy Beaver (from MacFarlane Manuscript 3 55, p. 42) [5324; 5313]
- Johnny cock up your Beaver, Johnny Cock Thy Beaver (from McGibbon Manuscript 191, p. 94) [5324; 5313]
Johnny Cock Thy Beaver
Title (alternative): Horse to New Market
Robert Kelsall Manuscript 433, f. 82 F 6/4 6/4 9 yes no 5324 5313 5324 5313
Jolly Breeze

- The gellie braes, The Jolly Breeze (from Leyden Lyra-viol and Violin Manuscript 24, f. 59v) [1513; 5554]
- Gollie Breez, Jolly Breeze (from Leyden Lyra-viol and Violin Manuscript 29, f. 61v) [1154; 2744]
- The Jolly Briese, Jolly Breeze (from Thomson Manuscript 30, p. 22) [1155; 1744]
- Joly bris, Jolly Breeze (from Sinkler Manuscript 40, f. 61v) [1134; 2244]
Jolly Breeze Robert Kelsall Manuscript 185, f. 29 G 2 no no 1154 2744 1154 27L44
Katherine Ogie
Long variation set. 2 strain tune + 6 & 1/2 variations. At strain 11 turns into 12/8 giga. Final strain is variation on strain 1 only. Likely that ks is incorrect - normally in A minor. Probably should be key signature of ♯.

- Kathren Oggie, Katherine Oggie (from Panmure Violin Manuscript 1 73, f. 36) [5117; 2111]
- Ketron Ogie, Katherine Oggie (from Guthrie Manuscript 27, p. 299) [5111; 2111]
- Catharin Logie, Katherine Oggie (from Bowie Manuscript 30, f. 19v) [5111; 3217]
- Cathrin Ogie, Katherine Oggie (from Gairdyn Manuscript 396, f. 54v) [; ]
- Catherne Logie, Katherine Oggie (from Leyden Lyra-viol and Violin Manuscript 20, f. 58) [3325; 4443]
- Katherine Ogie, Katherine Oggie (from Robert Kelsall Manuscript 310, f. 56) [5117; 2112]
- Katharine Ogie. Disb., Katherine Oggie (from MacFarlane Manuscript 2 29, p. 58) [5111; 3211]
- Katharine Ogie, Katherine Oggie (from James Knox Manuscript 144, f. 37) [5111; 3217]
Katherine Oggie Robert Kelsall Manuscript 303, f. 54v A ♯♯ ♯♯ 15 yes no 5111
Alt. index 1: 5111 (Alt index as if ks is ♯.)
3217
Alt. index 2: 3217 (Alt index as if ks is ♯.)
5L111
Alt. index 1: 5L111 (Alt index as if ks is ♯.)
3217bL
Alt. index 2: 3b217bL (Alt index as if ks is ♯.)
Katherine Ogie

- Kathren Oggie, Katherine Oggie (from Panmure Violin Manuscript 1 73, f. 36) [5117; 2111]
- Ketron Ogie, Katherine Oggie (from Guthrie Manuscript 27, p. 299) [5111; 2111]
- Catharin Logie, Katherine Oggie (from Bowie Manuscript 30, f. 19v) [5111; 3217]
- Cathrin Ogie, Katherine Oggie (from Gairdyn Manuscript 396, f. 54v) [; ]
- Catherne Logie, Katherine Oggie (from Leyden Lyra-viol and Violin Manuscript 20, f. 58) [3325; 4443]
- Katherine Ogie, Katherine Oggie (from Robert Kelsall Manuscript 303, f. 54v) [5111; 3217]
- Katharine Ogie. Disb., Katherine Oggie (from MacFarlane Manuscript 2 29, p. 58) [5111; 3211]
- Katharine Ogie, Katherine Oggie (from James Knox Manuscript 144, f. 37) [5111; 3217]
Katherine Oggie Robert Kelsall Manuscript 310, f. 56 A 2 no no 5117 2112 5117bL 2112
King George's Jigg
King George's Jig Robert Kelsall Manuscript 153, f. 25v G 6/8 6/8 2 no no 1351 1715 1351H 1H71H5
King George’s March
King George’s March Robert Kelsall Manuscript 152, f. 25v G 2 no no 1115 1105 1H1H1H5 1H1H05
King William’s march
King William’s March Robert Kelsall Manuscript 187, f. 29 G 1 no no 3311 5722 3311 5L7L22
Minuet

- Trump: Minuet, Trumpet Minuet (from Gairdyn Manuscript 9, f. 2) [111; 333]
- Menwett 59 king of frances, King of France (from Cameron Manuscript 59, p. 11) [111; 333]
King of France
Title (alternative): Trumpet Minuet
Robert Kelsall Manuscript 337, f. 62 D ♯♯ ♯♯ 3/4 3/4 2 no no 111 333 111 333
Kings High-Constable
King's High Constable Robert Kelsall Manuscript 511, f. 106 D 1 no no 1111 2223 1H1H1H1H 2H2H2H3bH
Kitchen Hornpipe
Hornpipe + variations.
Kitchen Hornpipe Robert Kelsall Manuscript 81, f. 14v G 3/2 3/2 9 yes no 314 314 314 314
La Gelosia del regno
La Gelosia del regno Robert Kelsall Manuscript 213, f. 35 A ♯♯♯ ♯♯♯ 12/8 12/8 no no 5531 3320 5531 3320
Arietta in Hydaspe
Aria "La gelosia di regno" from the opera Hydaspes by Mancini (1710).
La gelosia di regno Robert Kelsall Manuscript 463, f. 88 A ♯♯♯ ♯♯♯ 12/8 12/8 no no 5531 4320 5531 4320
Lady Essex
“1st strain 4: ye 2d twice over”
Lady Essex Robert Kelsall Manuscript 147, f. 24 C 2 no no 3535 1331 3H5H3H5H 1H3H3H1H
Lady Herbert’s delight
Lady Herbert’s delight Robert Kelsall Manuscript 101, f. 17v F 6/4 6/4 2 no no 5656 5231 5656 5231
Lancashire Hornpipe

- Lancashire Hornpipe, Lancashire Hornpipe (from Robert Kelsall Manuscript 515, f. 107) [432; 254]
Lancashire Hornpipe Robert Kelsall Manuscript 514, f. 107 D ♯♯ ♯♯ 3/2 3/2 3 yes no 432 253 432 253
Lancashire Hornpipe
Looks more a like a continuation of variations from the previous tune

- Lancashire Hornpipe, Lancashire Hornpipe (from Robert Kelsall Manuscript 514, f. 107) [432; 253]
Lancashire Hornpipe Robert Kelsall Manuscript 515, f. 107 D ♯♯ ♯♯ 3/2 3/2 3 yes no 432 254 432 254
Lane’s trumpet Minuet

- Minuit, Lane’s Trumpet Minuet (from Leyden Lyra-viol and Violin Manuscript 39, f. 65v) [355; 131]
Lane’s Trumpet Minuet Robert Kelsall Manuscript 174, f. 27v C 3/4 3/4 2 no no 355 131 355 1H3H1H
Latin's Jigg Johnson
1 strain tune + 4 variations. Strain 3 probably missing b. 3.

- Jack Laton, Jack Latin (from Gairdyn Manuscript 379, f. 52) [1553; 5353]
- Latin's Jigg, Latin's Jig (from Robert Kelsall Manuscript 582, f. 119) [1335; 5331]
- Jack Leighton, Jack Leighton (from Drummond Castle Manuscript 1 2) [1553; 5353]
Latin's Jig
Title (alternative): Jack Latin; Leighton's Jig
Robert Kelsall Manuscript 510, f. 106 A 5 yes no 1331 5331 13b3b1H 53b3b1H
Latin's Jigg
1 strain tune + 4 variations. See set earlier in this manuscript.

- Jack Laton, Jack Latin (from Gairdyn Manuscript 379, f. 52) [1553; 5353]
- Latin's Jigg Johnson, Latin's Jig (from Robert Kelsall Manuscript 510, f. 106) [1331; 5331]
- Jack Leighton, Jack Leighton (from Drummond Castle Manuscript 1 2) [1553; 5353]
Latin's Jig
Title (alternative): Jack Latin; Leighton's Jig
Robert Kelsall Manuscript 582, f. 119 A ♯♯ ♯♯ 5 yes no 1335 5331 1335 5331H
minuet
Quite a lot of ornaments

- A Minuet Le Printems rappelle, Le Printemps Rappelle (from Robert Kelsall Manuscript 121, f. 21) [113; 551]
Le Printemps Rappelle Robert Kelsall Manuscript 68, f. 13 A ♯♯♯ ♯♯♯ 3/4 2 no no 113 551 113 551H
A Minuet Le Printems rappelle

- minuet, Le Printemps Rappelle (from Robert Kelsall Manuscript 68, f. 13) [113; 551]
Le Printemps Rappelle Robert Kelsall Manuscript 121, f. 21 G 3/4 3/4 2 no no 113 551 113 551H
Leith wind
Uses a few three-note chords.

- Leith Wynd Disb., Leith Wynd (from MacFarlane Manuscript 2 8, p. 18) [5322; 5555]
Leith Wynd Robert Kelsall Manuscript 4, f. 3v D ♯♯ ♯♯ 2 no no 5326
Alt. index 1: 7541 (Alt index as if key note is B)
5557
Alt. index 2: 7772 (Alt index as if key note is B)
5326L
Alt. index 1: 7bL5L4L1L (Alt index as if key note is B)
5557
Alt. index 2: 7bL7bL7bL2 (Alt index as if key note is B)
Lashly march
Very good example of late 17th / early 18thC division. Simple division patterns, with new idea on each variation.

- The Earl of marr’s March, The Earl of Marr’s March (from Robert Kelsall Manuscript 190, f. 29v) [1115; 1542]
- Leslie's March, Leslie's March (from McGibbon Manuscript 127, p. 72) [1115; 1542]
Leslie's March Robert Kelsall Manuscript 167, f. 27 D ♯♯ ♯♯ 6/4 5 yes no 1116 1512 1H1H1H6 1H51H2
Let Ambition
Let Ambition Robert Kelsall Manuscript 522, f. 108v G 3/4 3/4 2 no no 112 335 112 335
Lincolns-Inn Jigg
3-bar phrases
Lincolns-Inn Jig Robert Kelsall Manuscript 96, f. 16v D ♯♯ ♯♯ 3 6/4 2 no no 3765 2232 3765 223H2H
London’s Glory
London’s Glory Robert Kelsall Manuscript 118, f. 20v D 2 no no 3312 5112 3bH3bH1H2H 51H1H2H
Lord Byron’s maggot
English country dance and ballad tune.

- Le apell, Le Apell (from Cameron Manuscript 194, p. 47) [5555; 1111]
- Cullys and Bullys, Cullies and Bullies (from MacFarlane Manuscript 3 57, p. 45) [5555; 1111]
Lord Byron’s Maggot
Title (alternative): Le Apell; Cullies and Bullies; Puss in a Corner
Robert Kelsall Manuscript 181, f. 28v D ♯♯ ♯♯ 6/4 6/4 2 no no 5555 1111 5555 1H1H1H1H
Minuet

- My Lord Cranston Minuet May 1735, Lord Cranston's Minuet (from Gairdyn Manuscript 377, f. 51) [None; None]
- Lord Cranston, Lord Cranston's Minuet (from MacFarlane Manuscript 2 72, p. 122) [133; 112]
Lord Cranston's Minuet Robert Kelsall Manuscript 412, f. 79 D ♯♯ ♯♯ 3/4 3/4 2 no no 133 112 1H33 1H1H2H
Lord Goar's Minuet
Lord Goar's Minuet Robert Kelsall Manuscript 349, f. 65 D ♯♯ ♯♯ 3/4 3/4 2 no no 135 642 135 642
Lord Lovet's march
Lord Lovat's March Robert Kelsall Manuscript 547, f. 112v D 6/8 6/8 2 no no 5714 1734 57b1H4H 1H7b3b4
Lord Mark Kerr's favourite Minuet
Lord Mark Kerr's Favourite Minuet Robert Kelsall Manuscript 624, f. 129v D ♯♯ ♯♯ 3/8 3/8 2 no no 113 234 113 234
Lord Mayor's march
Lord Mayor's march Robert Kelsall Manuscript 620, f. 129 D ♯♯ ♯♯ C C 1 no no 3322 1111 3H3H2H2H 1H1H1H1H
Lotharia

- Lothario, Lotharia (from James Knox Manuscript 56, f. 21v) [551; 211]
Lotharia Robert Kelsall Manuscript 562, f. 115v G 3/8 3/8 2 no no 551 211 551 211
Love & honour
Love & Honour Robert Kelsall Manuscript 184, f. 28v G 6/4 6/4 2 no no 1356 2575 13L5L6L 25L7L5L
Love & Folly
Time signature of 6/4 missing from strain 3.
Love and Folly Robert Kelsall Manuscript 293, f. 51v B♭ ♭♭ ♭♭ 3 no no 1355 7211 1355 7L211
Love is an Empty airy name
Song by John Eccles from Thomas Dilke's play "The City Lady", first performed in 1697. Concordances (other): "Love is an empty airy name", GB-Lbl Add. 22099. In two sections: 3/4 & ₵ [backwards].
Love is an Empty Airy Name Robert Kelsall Manuscript 8, f. 4v C ♭♭♭ ♭♭♭ 3/4 3/4 no no 113 223 1H1H3bH 2H2H3
Lumps of Pudding
1 strain theme + 2 variations

- Lumps of Puddings, Lumps of Puddings (from Gairdyn Manuscript 39, f. 4v) [3151; -]
- Sweet pudding, Sweet Pudding (from Sinkler Manuscript 27, f. 63v) [3151; 2747]
- Lumps of Pudding, Lumps of Pudding (from McGibbon Manuscript 61, p. 40) [1151; 2747]
Lumps of Pudding Robert Kelsall Manuscript 166, f. 27 G ♭♭ ♭♭ 6/4 6/4 3 yes no 3351 2247 3b3b51 2247bL
Lusinga del mio core
Aria "Lusinga del mio core" from the opera Hydaspes by Mancini (1710)

- [Lusinga del mio core], Lusinga del mio core (from Thomson Manuscript 139, p. 126) [0066; 5124]
Lusinga del mio core Robert Kelsall Manuscript 212, f. 34v A ♯♯♯ ♯♯♯ C C no no 0066 5124 0066 5124
Air in Alexandra
Aria "Lusinghe più care" from Handel's Alessandro (HWV 21).
Lusinghe più care Robert Kelsall Manuscript 449, f. 84v G no no 0013 2455 0013 2455
Madam Katherine
Hornpipe + variations
Madam Katherine Robert Kelsall Manuscript 33, f. 9 D 3/2 3/2 4 yes no 313 225 3H1H3 22H5H
Madam pray Excuse me &c. in ye opera of Tom: Thumb
Madam Pray Excuse Me Robert Kelsall Manuscript 605, f. 125v D ♯♯ ♯♯ 3/4 3/4 4 no no 155 671 1H55 671H
Maggy Lauder
Entire set very clearly based on Adam Craig, including all variations. The final strain strays most from Craig, keeping the same overall shape, but with differences in figuration. There is also an additional two bars at the end with the text "Ending varied".

- Maggie Lauder. Disb., Maggie Lauder (from MacFarlane Manuscript 2 45, p. 90) [1111; 2272]
- Maggie Lauder, Maggie Lauder (from MacFarlane Manuscript 3 73, p. 58) [1531; 2472]
- Miss Lauder, Maggie Lauder (from McGibbon Manuscript 76, p. 48) [1531; 2472]
Maggie Lauder Robert Kelsall Manuscript 97, f. 17 D ♯♯ ♯♯ 6 yes no 1111 2272 1H1H1H1H 2H2H72H
A march
Lots of confusion over bar lengths. Looks like first beat should be upbeat, and is actually in 2/4 throughout.
March Robert Kelsall Manuscript 191, f. 30 D 2/4 2 no no 1133 5555 1H1H3H3H 5H5H5H5H
A March
March Robert Kelsall Manuscript 249, f. 43v D ♯♯ ♯♯ 3/4 2 no no 111 321 1H1H1H 3H2H1H
A March
5 bar phrase lengths in A part (and variations on this strain). 2 strain tune + 2 variations.
March Robert Kelsall Manuscript 261, f. 45 C 6 yes no 1115 1111 1H1H1H5 1H1H1H1H
March

- [March], March (from Cameron Manuscript 282, p. 69) [1571; 5643]
March Robert Kelsall Manuscript 410, f. 79 D ♯♯ ♯♯ 2/4 2/4 2 no no 1571 5643 1571H 5643
March
March from Handel's Riccardo Primo (HWV 23).
March Robert Kelsall Manuscript 425, f. 80v D ♯♯ ♯♯ 2 no no 1111 1112 1H1H1H1H 1H1H1H2H
March
March Robert Kelsall Manuscript 608, f. 126 G C C 2 no no 5555 5551 5L5L5L5L 5L5L5L1
A March by Mr Schickard
Second line has been added in above the first.
March by Mr Schickard Robert Kelsall Manuscript 341, f. 63 D ♯♯ ♯♯ 2 no no 1122 3320 1H1H2H2H 3H3H2H0
March in Floridante
This is a march from Handel's opera Floridante, HWV 14 (1721), Act 1 scene 2.

- March, March from Floridante (from MacFarlane Manuscript 3 30, p. 17) [1155; 3311]
March from Floridante Robert Kelsall Manuscript 367, f. 68v D ♯♯ ♯♯ C C 2 no no 1155 3311 1H1H55 3311H
March in Julius Caser
March from Handel's Giulio Cesare, Act 3 Scene 10 (HWV 17, 42b).
March in Julius Caeser Robert Kelsall Manuscript 431, f. 81v D ♯♯ ♯♯ 2 no no 5512 3334 5H5H1H2H 3H3H3H4H
March in Richard
Possibly mislabelled. March on previous page (Kelsall 425) is the March from Handel's Riccardo Primo (HWV 23).
March in Richard Robert Kelsall Manuscript 427, f. 81 D ♯♯ ♯♯ 2 no no 1122 3153 1H1H2H2H 3H1H53
Marlborough’s Victory
Marlborough’s Victory Robert Kelsall Manuscript 159, f. 26 D ♯♯ ♯♯ 2 no no 1111 1117 1H1H1H1H 1H1H1H7
Mary Scot
Concordances (other): “Mary Scot”, Thumoth Scotch & Irish. “Mary Scot”, McGibbon Scots Tunes Vol II, p. 60. “Mary Scott”, Oswald CPC 1, p. 4.

- Mary Scot's the Flower of yearow, Mary Scott (from Gairdyn Manuscript 15, f. 2v) [113; 555]
- Mary Scott, Mary Scott (from Agnes Hume Manuscript 1, f. 1) [1555; 2111]
- Mary Scott, Mary Scott (from Agnes Hume Manuscript 4, f. 2) [1555; 2111]
- Mary Scott, Mary Scott (from Cuming Manuscript 8, p. 10) [113; 553]
- Mary Scott, Mary Scott (from Robert Kelsall Manuscript 580, f. 118v) [113; 556]
- Mary Scott, Mary Scott (from MacFarlane Manuscript 3 238, p. 214) [113; 556]
Mary Scott Robert Kelsall Manuscript 290, f. 50v D ♯♯ ♯♯ 3/4 3/4 2 no no 113 556 113 556
Mary Scott
Concordances (other): “Mary Scot”, Thumoth Scotch & Irish. “Mary Scot”, McGibbon Scots Tunes Vol II, p. 60. “Mary Scott”, Oswald CPC 1, p. 4.

- Mary Scot's the Flower of yearow, Mary Scott (from Gairdyn Manuscript 15, f. 2v) [113; 555]
- Mary Scott, Mary Scott (from Agnes Hume Manuscript 1, f. 1) [1555; 2111]
- Mary Scott, Mary Scott (from Agnes Hume Manuscript 4, f. 2) [1555; 2111]
- Mary Scott, Mary Scott (from Cuming Manuscript 8, p. 10) [113; 553]
- Mary Scot, Mary Scott (from Robert Kelsall Manuscript 290, f. 50v) [113; 556]
- Mary Scott, Mary Scott (from MacFarlane Manuscript 3 238, p. 214) [113; 556]
Mary Scott
Title (alternative): When the Cold Winter Nights Were Frozen; The Banks of Yaro; Sir John Fenwick’s the Flower Amang Them All
Robert Kelsall Manuscript 580, f. 118v D ♯♯ ♯♯ 3/4 3/4 2 no no 113 556 113 556
Masquerade minuet
Could be missing a key signature of one flat. The tune is more modal without, though still makes melodic sense.
Masquerade Minuet Robert Kelsall Manuscript 151, f. 25v D 3/4 2 no no 333 333 3bH3bH3bH 3bH3bH3bH
Mcnights march

- March, McKnight's March (from MacFarlane Manuscript 3 91, p. 70) [5553; 1512]
McKnight's March Robert Kelsall Manuscript 289, f. 50v D ♯♯ ♯♯ 2 no no 5553 1512 5H5H5H3H 1H51H2H
Merry Conceit
Merry Conceit Robert Kelsall Manuscript 114, f. 20 F 4/6 6/4 2 no no 1231 6275 1H2H3H1H 62H75
Middle temple Jigg
3 bar phrases
Middle temple Jig Robert Kelsall Manuscript 108, f. 19 D ♯♯ ♯♯ 3 6/4 2 no no 3753 2237 3753 2H237
Minuet
Minuet Robert Kelsall Manuscript 2, f. 3 G ♭♭ ♭♭ 3/4 2 no no 112 334 1H12 3b3b4
Minuet
Minuet Robert Kelsall Manuscript 36, f. 9v D ♯♯ ♯♯ 3/4 3/4 2 no no 135 112 135 1H1H2H
Minuet
Minuet Robert Kelsall Manuscript 57, f. 12 E ♯♯♯♯ ♯♯♯♯ 3/4 3/4 2 no no 331 551 331 55L1
Minuet
G sharp clearly missing from key signature
Minuet Robert Kelsall Manuscript 58, f. 12 A ♯♯♯♯ ♯♯♯ 3/4 3/4 2 no no 117 175 1H1H7 1H75
Minuet
2nd strain has uneven phrase structure - 4 + 4 + 6 + 4
Minuet Robert Kelsall Manuscript 60, f. 12 A 3/4 3/4 2 no no 135 135 1L3bL5L 1L3bL5L
Minuet
Minuet Robert Kelsall Manuscript 61, f. 12 D ♯♯ ♯♯ 3/4 3/4 2 no no 353 151 3H5H3H 1H51H
A minuet
Minuet Robert Kelsall Manuscript 64, f. 12v D ♯♯ ♯♯ 3/4 3/4 2 no no 113 225 1H1H3H 2H2H5
A Minuet
Possibly missing key signature of one sharp.
Minuet Robert Kelsall Manuscript 88, f. 15v G 3/4 3/4 2 no no 131 555 131 55L5L
A minuet
Minuet Robert Kelsall Manuscript 130, f. 22 D ♯♯ ♯♯ 3/4 2 no no 166 153 1H66 1H53
A minuet
Probably missing key signature of one flat
Minuet Robert Kelsall Manuscript 131, f. 22 F 3/4 2 no no 131 775 1H3H1H 775
A minuet
Minuet Robert Kelsall Manuscript 133, f. 22v B♭ ♭♭ ♭♭ 3/4 2 no no 353 115 353 115L
A Minuet
Definitely wrong key signature given - 2 sharps instead of 1
Minuet Robert Kelsall Manuscript 135, f. 23 G 3/4 3/4 2 no no 113 135 113 135
A minuet
Minuet Robert Kelsall Manuscript 165, f. 26v C 3/4 3/4 2 no no 111 555 111 555
minuet
Clearly missing key signature and all accidentals - works in standard E minor, with key signature of one sharp, and D sharp accidentals added.
Minuet Robert Kelsall Manuscript 198, f. 31 E 3/4 3/4 2 no no 111 315 111 3b15
a minuet
Seems like a later style than the rest of the MS - ie classical era minuet style. Presumably added to the MS at a later date.
Minuet Robert Kelsall Manuscript 222, f. 37v C 3/4 3/4 2 no yes 111 172 1H1H1H 1H72H
Minuet
Minuet Robert Kelsall Manuscript 226, f. 40v D ♯♯ ♯♯ 3/4 2 no no 113 555 113 55L5
A minuet
Minuet Robert Kelsall Manuscript 227, f. 40v D ♯♯ ♯♯ 3/4 3/4 2 no no 115 334 1H1H5 3H3H4H
A minuet
Minuet Robert Kelsall Manuscript 228, f. 40v A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 555 113 555 113
minuet
Minuet Robert Kelsall Manuscript 229, f. 40v D ♯♯ ♯♯ 3/4 3/4 2 no no 554 354 5H5H4H 3H5H4H
minuet
Minuet Robert Kelsall Manuscript 230, f. 40v A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 135 155 135 155
Minuet
Minuet Robert Kelsall Manuscript 231, f. 41 D ♯♯ ♯♯ 3/4 3/4 2 no no 151 151 1H51H 1H51H
[Minuet]
Minuet Robert Kelsall Manuscript 232, f. 41 G 3/4 3/4 2 no no 351 777 351H 777
Minuet
Minuet Robert Kelsall Manuscript 233, f. 41 A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 134 556 134 556
Minuet
Minuet Robert Kelsall Manuscript 234, f. 41 G 3/4 3/4 2 no no 176 321 17L6L 3L2L1L
Minuet
Minuet Robert Kelsall Manuscript 236, f. 41v A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 135 135 1L3L5L 135
A minuet
Minuet Robert Kelsall Manuscript 237, f. 41v D ♯♯ ♯♯ 3/4 3/4 2 no no 155 255 1H55 2H55
Minuett
Minuet Robert Kelsall Manuscript 238, f. 41v D ♯♯ ♯♯ 3/4 3/4 2 no no 111 133 1H1H1H 1H3H3H
Minuet
Minuet Robert Kelsall Manuscript 256, f. 44 A ♯♯♯ ♯♯ 3/4 3/4 2 no no 131 252 13L1 25L2
Minuet
Minuet Robert Kelsall Manuscript 265, f. 46v G 3/4 3/4 2 no no 133 777 1H3H3H 777
Minuet
Minuet Robert Kelsall Manuscript 267, f. 46v D 3/4 3/4 2 no no 115 771 1H1H5H 771H
Minuett
Minuet Robert Kelsall Manuscript 268, f. 46v A 3/4 3/4 2 no no 112 325 112 3b25
Minuet

- Minueto, Minuet (from Cuming Manuscript 27, p. 32) [111; 132]
Minuet Robert Kelsall Manuscript 280, f. 48v A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 111 132 111L 132
Minuet
Minuet Robert Kelsall Manuscript 355, f. 66v C 3/4 2 no no 542 712 5H4H2H 71H2H
Minuet
Minuet Robert Kelsall Manuscript 358, f. 67 G ♭♭ ♭♭ 6/4 6/4 2 no no 1732
Alt. index 1: 151 (Alt index given as if ts is 3/4)
1161
Alt. index 2: 772 (Alt index given as if ts is 3/4)
17L3b2
Alt. index 1: 15L1 (Alt index given as if ts is 3/4)
116bL1
Alt. index 2: 7L7L2 (Alt index given as if ts is 3/4)
Minuet
Minuet Robert Kelsall Manuscript 370, f. 68v C 3 3/4 2 no no 135 321 1H3H5H 3H2H1H
Minuet
Minuet Robert Kelsall Manuscript 374, f. 69 D ♯♯ ♯♯ 3/4 3/4 2 no no 134 210 1H3H4H 2H1H0
Minuet
Minuet Robert Kelsall Manuscript 396, f. 76 D ♯♯ ♯♯ 3/8 3/8 2 no no 355 555 3H5H5H 5H5H5
Minuet
Minuet Robert Kelsall Manuscript 399, f. 76 B♭ ♭♭ ♭♭ 3/8 3/8 2 no no 134 511 134 511
Minuetto
Continued onto bottom of f. 79.
Minuet Robert Kelsall Manuscript 409, f. 78v G 3/8 3/8 2 no no 251 771 251 7L7L1
Minuet
Minuet Robert Kelsall Manuscript 413, f. 79v F 3/4 3/4 2 no no 175 335 1H75 335
Minuet
Minuet Robert Kelsall Manuscript 414, f. 79v B♭ ♭♭ ♭♭ 3/4 3/4 2 no no 122 313 122 313
Minuet
Minuet Robert Kelsall Manuscript 415, f. 79v F 3/4 3/4 2 no no 331 223 331H 2H2H3H
Minuet
Minuet Robert Kelsall Manuscript 416, f. 79v D ♯♯ ♯♯ 3/4 3/4 2 no no 317 133 3H1H7 1H3H3H
Minuet
Minuet Robert Kelsall Manuscript 417, f. 80 A 3/4 3/4 2 no no 135 551 13b5 551H
Minuet
Minuet Robert Kelsall Manuscript 419, f. 80 E 3/4 3/4 2 no no 531 113 5H3bH1H 1H13b
Minuet
Minuet Robert Kelsall Manuscript 430, f. 81v G 3/4 3/4 2 no no 551 665 551H 665
Minuetto
Minuet Robert Kelsall Manuscript 465, f. 88v D 3/4 3/4 2 no no 533 321 5H3bH3bH 3bH2H1H
Minuet
Minuet Robert Kelsall Manuscript 530, f. 109v D ♯♯ ♯♯ 3/4 3/4 2 no no 111 222 1H1H1H 2H2H2H
Minuet
Minuet Robert Kelsall Manuscript 535, f. 110v G 3/4 3/4 2 no no 112 334 112 334
Minuet
Minuet Robert Kelsall Manuscript 566, f. 116v G 3/4 3/4 2 no no 534 221 534 221
Minuet
Minuet Robert Kelsall Manuscript 567, f. 116v G 3/4 3/4 2 no no 334 513 334 51H3H
Minuet
Minuet Robert Kelsall Manuscript 568, f. 117 D ♯♯ ♯♯ 3/4 3/4 2 no no 111 175 11H1H 1H75
Minuet
Minuet Robert Kelsall Manuscript 577, f. 118 G ♭♭ ♭♭ 3/4 3/4 2 no no 111 555 1H1H1H 555
Minuet
Minuet Robert Kelsall Manuscript 589, f. 121v D ♯♯ ♯♯ 3/4 3/4 2 no no 555 333 5H5H5H 3H3H3H
minuet

- minuet, Minuet (from Robert Kelsall Manuscript 631, f. 131v) [111; 222]
Minuet Robert Kelsall Manuscript 629, f. 130 D ♯♯ ♯♯ 3/4 3/4 2 no no 111 222 1H1H1H 2H2H2H
minuet

- minuet, Minuet (from Robert Kelsall Manuscript 629, f. 130) [111; 222]
Minuet Robert Kelsall Manuscript 631, f. 131v D ♯♯ ♯♯ 3/4 3/4 2 no no 111 222 1H1H1H 2H2H2H
Minuet
Minuet Robert Kelsall Manuscript 651, f. 143 G 3/4 3/4 2 no no 131 255 131 255
Minuet France
Minuet France Robert Kelsall Manuscript 456, f. 86 G 3 3/4 2 no no 135 575 135 575
Minuet all a mode de France
Minuet a la Mode de France Robert Kelsall Manuscript 363, f. 67v D ♯♯ ♯♯ 3/4 3/4 2 yes no 112 342 112 342
Minuet by Festin

- Minuetto, Minuet by Festing (from Robert Kelsall Manuscript 623, f. 129v) [561; 443]
Minuet by Festing Robert Kelsall Manuscript 398, f. 76 G 3/4 3/4 2 no no 561 443 561H 443
Minuetto

- Minuet by Festin, Minuet by Festing (from Robert Kelsall Manuscript 398, f. 76) [561; 443]
Minuet by Festing Robert Kelsall Manuscript 623, f. 129v G 3/4 3/4 2 no no 561 443 561H 443
Minuet by Mr Handell
Minuet by Handel Robert Kelsall Manuscript 368, f. 68v G ♭♭ ♭♭ 3/4 3/4 2 no no 132 165 13b2 16b5
Minuet by Mr Handell
Handel Minuet (HWV 543)

- Handels Minuet, Minuet by Handel (from MacFarlane Manuscript 3 70, p. 56) [517; 132]
Minuet by Handel Robert Kelsall Manuscript 373, f. 69 ♭♭ ♭♭ 3/4 3/4 2 no no 517 132 517L 13b2
Minuet by Handell

- Bacchus one day Gayly Shining. a Favourite Minuet of Mr. Handel, Bacchus One Day Gaily Shining (from Robert Kelsall Manuscript 372, f. 69) [115; 315]
Minuet by Handel
Title (alternative): Bacchus One Day Gaily Shining
Robert Kelsall Manuscript 397, f. 76 G 3/4 3/4 2 no no 115 315 1H1H5 315L
Air in Rhodelinda
This is actually the Minuet from the Overture to Handel's Rodelinda (HWV 19).
Minuet by Handel Robert Kelsall Manuscript 432, f. 81v C 3/8 3/8 2 no no 332 115 3H3H2H 1H1H5H
Minuet by Mr Handell
Minuet by Handel Robert Kelsall Manuscript 447, f. 84 D 3 3/4 2 no no 177 155 1H77 1H55
A minuet by Lully
Attributed to Handel elsewhere

- Menwett 121 Handel's, Minuet by Handel (from Cameron Manuscript 121, p. 25) [517; 112]
- Minuet by Mr Handel, Minuet by Handel (from McGibbon Manuscript 200, p. 98) [517; 112]
Minuet by Lully
Title (alternative): Minuet by Handel
Robert Kelsall Manuscript 240, f. 42 G ♭♭ ♭♭ 3/4 3/4 3 no no 517 112 51H7 1H12
Minuet by Mr Def
Minuet by Mr Def Robert Kelsall Manuscript 625, f. 130 D ♯♯ ♯♯ 3/4 3/4 2 no no 113 557 113 557
Minuet by Mr Vencent
Minuet by Mr Vencent Robert Kelsall Manuscript 626, f. 130 D ♯♯ ♯♯ 3/4 3/4 2 no no 512 771 51H2H 771H
Minuet by Mr Weideman
Minuet by Mr Weideman Robert Kelsall Manuscript 627, f. 130 C 3/4 3/4 2 no no 172 551 1H72H 551H
Minuet by Mr Weideman
Minuet by Mr Weideman Robert Kelsall Manuscript 628, f. 130 D ♯♯ ♯♯ 3/4 3/4 2 no no 113 557 1H1H3H 5H57
A minuet in Cato

- Menwett 35, Minuet from Cato (from Cameron Manuscript 35, p. 7) [111; 135]
Minuet from Cato Robert Kelsall Manuscript 74, f. 14 D ♯♯ ♯♯ 3/4 3/4 2 no no 111 135 111 135
Minuet in Julius Cesar
This is a version of the aria "Venere Bella" from Handel's Giulio Cesare (HWV 17).
Minuet in Julius Cesar
Title (alternative): Venere Bella
Robert Kelsall Manuscript 403, f. 77v G 3/8 3/8 2 no no 131 165 131 165
A minuet in Mucio Scevola
Presumably from Alessandro's Scarlatti's Mutio Scevola (R.346.34).
Minuet in Mutio Scevola Robert Kelsall Manuscript 411, f. 79 G ♭♭ ♭♭ 3/8 3/8 2 no no 137 154 1H3bH7 1H54
Minuet. French
Minuet. French Robert Kelsall Manuscript 407, f. 78 D ♯♯ ♯♯ 3 3/4 2 no no 351 535 351H 535
Minuet Phyllis ye Lovely
Minuet.
Minuet: Phyllis the Lovely Robert Kelsall Manuscript 39, f. 10 D ♯♯ ♯♯ 3/4 3/4 2 no no 155 542 1H55 542
Minuetto
Minuetto Robert Kelsall Manuscript 379, f. 69v ♭♭ ♭♭ 3/4 3/4 2 no no 155 321 1H55 3b21
Minuetto al' Irlandoise
2 strain tune + 1 variation.
Minuetto al' Irlandoise Robert Kelsall Manuscript 472, f. 90v D ♯♯ ♯♯ 3/4 3/4 4 yes no 115 643 1H1H5 64H3H
Miss Bowle's minuet
Miss Bowle's Minuet Robert Kelsall Manuscript 569, f. 117 D ♯♯ ♯♯ 3/4 3/4 2 no no 112 322 1H1H2H 3H2H2H
Miss Hogden
Cadences on G at the end of each strain
Miss Hogden Robert Kelsall Manuscript 186, f. 29 C 2 no no 1176 1156 1H1H76 1H1H56
Mock Nightingale
Mock Nightingale Robert Kelsall Manuscript 123, f. 21 F 2 no no 3135 6712 3135 671H2H
Molly mog
Molly Mog Robert Kelsall Manuscript 369, f. 68v G C C 2 no no 3442 5115 3442 51H1H5
Mishe crudel che sui in Hydaspes
Aria "Mostro crudel che fui" from the opera Hydaspes by Mancini (1710)
Mostro crudel che fui Robert Kelsall Manuscript 301, f. 54 D ♯♯ ♯♯ C C no no 1132 5555 1H1H3H2H 5H5H55
Mr. Drake’s March
Mr. Drake’s March Robert Kelsall Manuscript 164, f. 26v D 2 no no 3551 3332 3551H 3H3H3H2H
Mrs Scooling's minuet
Mrs Scooling's Minuet Robert Kelsall Manuscript 269, f. 47 G 3/4 3/4 2 no no 343 216 343 216L
much Ado about Nothing
Much Ado About Nothing Robert Kelsall Manuscript 556, f. 114 G 6/8 6/8 3 no no 1114 1112 1114 1112
[untitled]
With words
My Cruel Fair One Has the Art Robert Kelsall Manuscript 502, f. 102v A no no 0132 4354 013b2 43b54
My Joe Jennet
My Joe Janet Robert Kelsall Manuscript 214, f. 35 D ♯♯ ♯♯ 2 no no 6115 7723 61H1H5 772H3H
My Lord Strange’s Hornpipe
Hornpipe + variations. Definitely some harmonic shifting in the latter variations

- L’Estrange Hornpipe, L’Estrange Hornpipe (from James Knox Manuscript 120, f. 32) [351; 354]
My Lord Strange’s Hornpipe Robert Kelsall Manuscript 67, f. 13 D 3/2 5 yes no 351 354 351H 354
Nancy’s to the green wood gone
Key signature missing - should almost definitely be ##.

- Nancy’s to the greenwood gane, Nancy’s to the Greenwood Gone (from James Knox Manuscript 206, f. 53v) [5554; 4266]
Nancy’s to the Greenwood Gone Robert Kelsall Manuscript 83, f. 15 D ♯♯ 2 no no 5553 3266 5553 3266
Ne're torment me Symphony in Thomyris
First violin part for a song from the pasticcio opera Thomyris (1707), with music by Bononcini and others.
Ne're Torment Me Robert Kelsall Manuscript 333, f. 61 B♭ C C no no 1111 5410 1H1H1H1H 5410
Nell Peatly
Nell Peatly Robert Kelsall Manuscript 49, f. 11 D 3 6/4 2 no no 1356 1321 1H3bH56 1H3bH2H1H
No_body's Jigg

- La nouvell parsans or nobody’s Jigg, Nobody’s Jig (from Cameron Manuscript 169, p. 42) [7556; 1111]
Nobody's Jig Robert Kelsall Manuscript 500, f. 101 G 2 no no 7556 1111 7556 1H111H
Lidia sung by Mrs Anastasia Robinson in the opera of Numitor
With words. This is the aria "non posso dirdi" from Giovanni Porta's opera Numitore. In its London premiere (1720), Anastasia Robinson played the part of Lidia. Concordances (other): "Lidia. Sung by Mrs Anaststia Robinson in ye Opera of Numitor", Giovanni Porta, Song in the Opera Call'd numitor (London: Walsh, 1720).
Non Posso Dirdi Robert Kelsall Manuscript 295, f. 52 C C C no no 1110 4270 1H1H1H0 4H2H70
Noncessaro d'amar
Noncessaro d'Amar Robert Kelsall Manuscript 311, f. 56v F 3/4 3/4 no no 1155 3320 1H1H5H5H 3H3H2H0
None Such A Country Dance
English country dance tune
None Such Robert Kelsall Manuscript 87, f. 15v D ♯♯ ♯♯ 6/4 2 no no 1351 1231 1H351 1H2H3H1H
Non non temesio bella in Otho
Aria "Nò, non temere, oh bella" from Handel's Ottone (HWV 15).
Nò, non temere, oh bella Robert Kelsall Manuscript 395, f. 75v E 6/8 6/8 no no 3742 3211 3bH742H 3b21H1
O Cupid gentle boy
An aria from Galliard's opera Calypso and Telemachus (1712)
O Cupid Gentle Boy Robert Kelsall Manuscript 203, f. 32v B♭ ♭♭ ♭♭ 6/4 6/8 no no 3510 3523 35L1L0 3523
O're Bogie
2 strain tune + 1 variations.

- O’er Bogie, O’er Bogie (from Drummond Castle Manuscript 1 45) [1115; 1251]
- O’er Bogie, O’er Bogie (from MacFarlane Manuscript 3 4, p. 5) [1115; 1151]
O'er Bogie Robert Kelsall Manuscript 284, f. 49 G 4 yes no 1111 1556 1111 15L5L6L
Over the hill’s & far awar

- Ow'r the hills and far away, O'er the Hills and Far Away (from Gairdyn Manuscript 275, f. 35v) [None; None]
- My plaid away, My Plaid Away (from Sinkler Manuscript 18, f. 65v) [1113; 1165]
- O’er the hills & far awa, O’er the Hills and Far Away (from MacFarlane Manuscript 3 13, p. 9) [1113; 1665]
O'er the Hills and Far Away
Title (alternative): My Plaid Away
Robert Kelsall Manuscript 89, f. 16 C 4 yes no 1113 1666 1H1H1H3H 1H666
Over ye muir to Maggie
2 strain tune + 1 variation.

- over the moor to magie, O'er the Moor to Maggie (from Bowie Manuscript 50, f. 32v) [5113; 2227]
- ore the muir to Maggie, O'er the Moor to Maggie (from Sinkler Manuscript 38, f. 62) [5122; 5155]
- O’er the muir to Maggie, O’er the Moor to Maggie (from Cuming Manuscript 26, p. 31) [5122; 5155]
- O'er the Muir to Maggie, O'er the Moor to Maggie (from McGibbon Manuscript 94, p. 60) [5122; 5155]
O'er the Moor to Maggie Robert Kelsall Manuscript 247, f. 43 G 4 yes no 5311 2221 531H1H 22H2H1H
Old Hob or the mouse trap

- The mouse trap, The Mouse Trap (from Robert Kelsall Manuscript 140, f. 23v) [1357; 6211]
Old Hob
Title (alternative): The Mouse Trap
Robert Kelsall Manuscript 156, f. 26 D ♯♯ ♯♯ 6/4 6/4 2 no no 1357 6251 1357 62H51H
For old long syne
2 strain tune + 2 variations.

- Old Long Signe, Old Lang Syne (from Bowie Manuscript 49, f. 31v) [1113; 5554]
- [Old Lang Syne], Old Lang Syne (from Sinkler Manuscript 51, f. 59v) [1113; 5554]
- For old long Syne, Old Lang Syne (from Robert Kelsall Manuscript 278, f. 48) [1113; 5554]
Old Lang Syne Robert Kelsall Manuscript 258, f. 44v F 6 yes no 1113 5554 1H1H1H3H 5554
For old long Syne

- Old Long Signe, Old Lang Syne (from Bowie Manuscript 49, f. 31v) [1113; 5554]
- [Old Lang Syne], Old Lang Syne (from Sinkler Manuscript 51, f. 59v) [1113; 5554]
- For old long syne, Old Lang Syne (from Robert Kelsall Manuscript 258, f. 44v) [1113; 5554]
Old Lang Syne Robert Kelsall Manuscript 278, f. 48 F 6 yes no 1113 5554 1H1H1H3H 5554
Old Mackentosh’s march
Alternate version of John Come Kiss Me Now. Variations don’t follow the harmonic pattern - rather than the passemezzo moderno outlined in the opening strain (I IV I V I IV I-V I), they follow I I IV-I V I I I-V I.

- [John come kiss me now], John Come Kiss Me Now (from Clerk of Penicuik Papers 39, GD18/4538/5/13) [1132; 4443]
- John Come Kiss Me Now, John Come Kiss Me Now (from Cuming Manuscript 31, p. 40) [1112; 4443]
- Old Mackintosh's march, Old Mackintosh's March (from Robert Kelsall Manuscript 596, f. 123) [1132; 4443]
- John come kiss me now, John Come Kiss Me Now (from MacFarlane Manuscript 3 43, p. 26) [1112; 4643]
- John come kiss me now, John Come Kiss Me Now (from MacFarlane Manuscript 3 193, p. 164) [1132; 4443]
- King of Swedens March, The King of Sweden’s March (from James Knox Manuscript 71, f. 24v) [3313; 4444]
Old Mackintosh's March
Title (alternative): John Come Kiss Me Now; The King of Sweden’s March; The Buffins
Robert Kelsall Manuscript 53, f. 11v G 3 yes no 1132 4443 1132 4443
Old Mackintosh's march
1 strain tune + 7 variations (all on Passamezzo Moderno). Related to Davis Mell / Division Violin (1684) set of John Come Kiss Me Now, but doesn't go into compound time.

- [John come kiss me now], John Come Kiss Me Now (from Clerk of Penicuik Papers 39, GD18/4538/5/13) [1132; 4443]
- John Come Kiss Me Now, John Come Kiss Me Now (from Cuming Manuscript 31, p. 40) [1112; 4443]
- Old Mackentosh’s march, Old Mackintosh's March (from Robert Kelsall Manuscript 53, f. 11v) [1132; 4443]
- John come kiss me now, John Come Kiss Me Now (from MacFarlane Manuscript 3 43, p. 26) [1112; 4643]
- John come kiss me now, John Come Kiss Me Now (from MacFarlane Manuscript 3 193, p. 164) [1132; 4443]
- King of Swedens March, The King of Sweden’s March (from James Knox Manuscript 71, f. 24v) [3313; 4444]
Old Mackintosh's March
Title (alternative): John Come Kiss Me Now; The King of Sweden’s March; The Buffins
Robert Kelsall Manuscript 596, f. 123 G 8 no no 1132 4443 1132 4443
Old Spold’s Hornpipe
Old Spold's Hornpipe Robert Kelsall Manuscript 41, f. 10 G 3/2 5 yes no 165 776 16L5L 7bL7bL6L
An Overture in the Opera of Hydespa
Overture from the opera Hydaspes by Mancini (1710).

- Overture in Hydaspes by Mr Handel, Overture in Hydaspes, i: Presto (from James Knox Manuscript 50, f. 20v) [1133; 5544]
Overture in Hydaspes Robert Kelsall Manuscript 585, f. 120v D ♯♯ ♯♯ no no 1133 5544 1H1H3H3H 5H5H4H4H
Panthea all the senses treats. Set by Mr Weldon & Sung by Mr Champion
With words. Song by John Weldon. "Panthea. A song" RISM A/I W 675.
Panthea All The Senses Treats Robert Kelsall Manuscript 30, f. 8 G C C no no 0131 5554 0131 5554
A Paspy
ie a "passepied", a form of quick minuet.
Passepied
Title (alternative): Passepied
Robert Kelsall Manuscript 266, f. 46v D ♯♯ ♯♯ 3/4 3/4 2 no no 171 252 1H71H 2H52H
Past one a clock

- Chami Ma Whatle, Chami Ma Chattle (from Gairdyn Manuscript 345, f. 47) [None; None]
- Ane Irish tune, Chami Ma Chattle (from Sinkler Manuscript 12, f. 67) [5126; 5321]
- Ata mi mo chedail, Ata Mi Mo Chedail (from MacFarlane Manuscript 3 269, p. 246) [611; 111]
- The Cold Frosty Morning, The Cold Frosty Morning (from McGibbon Manuscript 145, p. 81) [511; 111]
Past One o'clock
Title (alternative): Chami Ma Chattle
Robert Kelsall Manuscript 572, f. 117v G 6/4 6/4 2 no no 6126
Alt. index 1: 611 (Alt index as if TS is 3/4)
6321
Alt. index 2: 113 (Alt index as if TS is 3/4)
6L126L
Alt. index 1: 6L11 (Alt index as if TS is 3/4)
6L321
Alt. index 2: 113 (Alt index as if TS is 3/4)
A Country Dance

- Peggie in devotion bred From tender years, Peggie In Devotion (from Gairdyn Manuscript 403, f. 56) [; ]
- [Peggie in Devotion], Peggie in Devotion (from Thomson Manuscript 63, p. 43) [1351; 5533]
- Peggie in Devotion, Peggie in Devotion (from MacFarlane Manuscript 3 213, p. 193) [1351; 5533]
Peggie in Devotion Robert Kelsall Manuscript 72, f. 13v D ♯♯ ♯♯ 2 no no 1351 5533 1351H 5533
Pensa ad Amare in Otho
Aria from Handel's opera Ottone, re di Germania (HWV 15), first published 1723. Different key from the original (G instead of E), and with extra decoration, including a huge flourish near the end of the A section.
Pensa ad Amare in Otho Robert Kelsall Manuscript 426, f. 81 G C C no no 5175 6540 5175 6540
Sonata by Mr Pepusch Violino Solo Adagio
Pepusch Violin Sonata in D Major op 2 no 9, i. Adagio.
Pepusch Violin Sonata in D Major, i. Adagio Robert Kelsall Manuscript 314, f. 57v D ♯♯ ♯♯ C C no no 1135 5162 1H1H3H5H 5H1H6H2H
Allegro
Pepusch Violin Sonata in D Major op 2 no 9, ii. Allegro
Pepusch Violin Sonata in D Major, ii. Allegro Robert Kelsall Manuscript 315, f. 57v D ♯♯ ♯♯ C C 2 no no 1370 1370 1H37L0 1H37L0
Adagio
Pepusch Violin Sonata in D Major op 2 no 9, iii. Adagio
Pepusch Violin Sonata in D Major, iii. Adagio Robert Kelsall Manuscript 316, f. 57v D ♯♯ ♯♯ 3/2 3/2 no no 016 333 01H6 3H3H3H
Allegro
Pepusch Violin Sonata in D Major op 2 no 9, iv. Allegro
Pepusch Violin Sonata in D Major, iv. Allegro Robert Kelsall Manuscript 317, f. 57v D ♯♯ ♯♯ 6/8 6/8 2 no no 1175 1177 1H1H75 1H1H77
Sonata IIda Largo
Pepusch Violin Sonata in E Major op 2 no 10, i. Largo
Pepusch Violin Sonata in E Major, i. Largo Robert Kelsall Manuscript 318, f. 58 E ♯♯♯ ♯♯♯ C C no no 1210 1212 1H2H1H0 1H2H1H2H
Adagio
Pepusch Violin Sonata in E Major op 2 no 10, iii. Adagio
Pepusch Violin Sonata in E Major, iii. Adagio Robert Kelsall Manuscript 320, f. 58 E ♯♯♯ ♯♯♯ 3/2 3/2 no no 065 633 065 633
Allegro
Pepusch Violin Sonata in E Major op 2 no 10, iv. Allegro
Pepusch Violin Sonata in E Major, iv. Allegro Robert Kelsall Manuscript 321, f. 58v E ♯♯♯ ♯♯♯ 6/8 6/8 2 no no 1237 1230 1H2H3H7 1H2H3H0
Allegro
Pepusch Violin Sonata in E Major op 2 no 10, ii. Allegro
Pepusch Violin Sonata in E Majorr, ii. Allegro Robert Kelsall Manuscript 319, f. 58 E ♯♯♯ ♯♯♯ C C 2 no no 1122 3344 1H1H2H2H 3H3H4H4H
Adagio
Pepusch Violin Sonata in G major (23 solos, c. 1707, no. 8), i. Adagio
Pepusch Violin Sonata in G Major, i. Adagio Robert Kelsall Manuscript 326, f. 59v G C C 2 no no 1355 6425 1355 6425
Allegro
Pepusch Violin Sonata in G major (23 solos, c. 1707, no. 8), ii. Allegro
Pepusch Violin Sonata in G Major, ii. Allegro Robert Kelsall Manuscript 327, f. 59v G 2 no no 3654 3225 3654 3225
Largo Allemanda
Pepusch Violin Sonata in G major (23 solos, c. 1707, no. 8), iii. Largo Allemanda
Pepusch Violin Sonata in G Major, iii. Largo Allemanda Robert Kelsall Manuscript 328, f. 59v G C C 2 no no 5565 4323 5565 4323
Allegro
Pepusch Violin Sonata in G major (23 solos, c. 1707, no. 8), iv. Allegro
Pepusch Violin Sonata in G Major, iv. Allegro Robert Kelsall Manuscript 329, f. 59v G 6/8 6/8 2 no no 5555 6633 5555 6633
Sonata III Adagio
Violin Sonata in E Major, i. Adagio, possibly by Pepusch [NB not listed in Cook thematic index]
Pepusch? Violin Sonata in E Major, i. Adagio Robert Kelsall Manuscript 322, f. 58v E ♯♯♯ ♯♯♯ no no 1115 2031 1H1H1H5 2H03H1H
Allegro
Violin Sonata in E Major, possibly by Pepusch [NB not listed in Cook thematic index]
Pepusch? Violin Sonata in E Major, ii. Allegro Robert Kelsall Manuscript 323, f. 58v E ♯♯♯ ♯♯♯ 2 no no 1122 3520 1H1H2H2H 3H5H2H0
Largo
Violin Sonata in E Major, possibly by Pepusch [NB not listed in Cook thematic index]
Pepusch? Violin Sonata in E Major, iii. Largo Robert Kelsall Manuscript 324, f. 59 C♯ ♯♯♯ ♯♯♯ 6/4 3/4 2 no no 1324 1371 1H3bH2H4H 1H3bH71H
Allegro
Violin Sonata in E Major, possibly by Pepusch [NB not listed in Cook thematic index]
Pepusch? Violin Sonata in E Major, iv. Allegro Robert Kelsall Manuscript 325, f. 59 E ♯♯♯ ♯♯♯ 3/8 3/8 2 no no 111 151 1H1H1H 1H51H
Per la gloria in Griselda
Aria "Per la gloria d'adorarvi" from Bononcini's opera Griselda (1722). Vocal version here with words.
Per la gloria d'adorarvi Robert Kelsall Manuscript 443, f. 83v G 3/4 3/4 3 no no 553 454 553 454
Phillis
Phillis Robert Kelsall Manuscript 534, f. 110v G no no 1123 4530 1123 4530
Piu Benigne
2 strain tune + 1 variation. Tune resembles Madam Violante's Minuet by William McGibbon
Piu Benigne Robert Kelsall Manuscript 442, f. 83 G 3/4 3/4 4 yes no 357 123 357L 123
Pleasure call's fond heart's Recover in Thomyris
First violin part for a song from the pasticcio opera Thomyris (1707), with music by Bononcini and others.
Pleasure Calls Fond Hearts Recover Robert Kelsall Manuscript 335, f. 61v D ♯♯ ♯♯ no no 5120 1230 51H2H0 1H2H3H0
Prelude
Violin prelude. Lots of high writing and bariolage figures.
Prelude Robert Kelsall Manuscript 512, f. 106v A ♯♯♯ ♯♯♯ 2 no no 1510 2430 15L10 2430
Prelude
Prelude Robert Kelsall Manuscript 640, f. 134 D ♯♯ ♯♯ 1 no no 5565 6543 5565 6543
Prelude
Prelude for the violin by Thomas Dean. Concordances (other): Bennet MS; The Complete tutor, to the violin […] by Mr. [Thomas] Dean (London, 1713).

- Are naturall, Prelude in A Minor (from Thomson Manuscript 74, p. 53) [1231; 7252]
Prelude in A Minor Robert Kelsall Manuscript 420, f. 80 A 1 no no 1231 7252 123b1 7L252
Prelude
Prelude by Thomas Dean. Concordances (other): Bennet MS; The Complete tutor, to the violin […] by Mr. [Thomas] Dean (London, 1713).

- Gamut sharp, Prelude in G Major (from Thomson Manuscript 73, p. 52) [1353; 1564]
Prelude in G Major Robert Kelsall Manuscript 422, f. 80v G 1 no no 1353 1563 1353 1H563
Prelude
Prelude by Thomas Dean. Concordances (other): Bennet MS; The Complete tutor, to the violin […] by Mr. [Thomas] Dean (London, 1713).

- Florishes in all Keys By mr Tho Dean Gamut flat, Prelude in G Minor (from Thomson Manuscript 72, p. 52) [1352; 3115]
Prelude in G Minor Robert Kelsall Manuscript 421, f. 80v G ♭♭ ♭♭ 1 no no 1352 3115 13b52 3b11H5
Prince George - A Country dance
Prince George Robert Kelsall Manuscript 136, f. 23 G ♭♭ ♭♭ 2 no no 1325 3276 13b25 3b27L6
Princess Royall
Princess Royall Robert Kelsall Manuscript 446, f. 83v G ♭♭ ♭♭ 2 no no 3215 3215 3b215 3b215
Punchanallors Hornpipe
Hornpipe + variations. Concordances (other): "Flat-Capp, an Old Hornpipe", Marsden, Lancashire Hornpipes. "Flat Cap", Wright, Walsh Third Book of the Most Celebrated Jiggs.

- Horne Pipe, Flat Cap (from Thomson Manuscript 56, p. 39) [155; 742]
- A horn pyp, Flat Cap (from Sinkler Manuscript 48, f. 60) [155; 742]
- [Flat Cap], Flat Cap (from Cuming Manuscript 7, p. 10) [535; 742]
- Hornpipe, Flat Cap (from Robert Kelsall Manuscript 273, f. 47v) [155; 742]
Punchanallor's Hornpipe
Title (alternative): Flat Cap
Robert Kelsall Manuscript 84, f. 15v D 3/2 4 yes no 155 742 155 7b42
Queen Ann’s Coronation Day
Queen Anne’s Coronation Day Robert Kelsall Manuscript 117, f. 20v D ♯♯ ♯♯ 6/4 6/4 2 no no 5321 1117 5H3H2H1H 1H11H7
Queensbury’s Scotch measure
Concordances (other): Neal CST p. 16 "Scotch Measure".

- Queensberry’s Scots measure, Queensberry’s Scots Measure (from Cuming Manuscript 25, p. 30) [1113; 5132]
- Scotch Measure, Queensberry’s Scots Measure (from MacFarlane Manuscript 3 106, p. 79) [1113; 5132]
Queensberry’s Scots Measure Robert Kelsall Manuscript 235, f. 41 G 2 no no 1113 5132 1113 51H32
Ernesto A Song. Sung by Signr: Benedetti & Sra Salvai in Griselda
Two vocal parts later in the piece.
Quel Timoroso Robert Kelsall Manuscript 509, f. 105v G no yes 1315 3531 1315L 3531
Questo non lelante A Song
Questo Non Lelante Robert Kelsall Manuscript 294, f. 51v D ♯♯ ♯♯ 3/4 2 no no 335 114 3H3H5 1H1H4
Ranting roring Willie

- Ranting roaring willie, Ranting Roaring Willie (from Gairdyn Manuscript 33, f. 4) [None; None]
- Ratling roaring Willie, Ranting Roaring Willie (from Gairdyn Manuscript 38, f. 4) [513; 776]
- Rattling Roaring Willy, Ranting Roaring Willie (from MacFarlane Manuscript 2 2, p. 2) [313; 744]
Ranting Roaring Willie Robert Kelsall Manuscript 146, f. 24 D 9/4 4 yes no 513 714 513 7b7b4
The Recruiting Officer

- Recruting officer, Recruiting Officer (from Cameron Manuscript 237, p. 57) [1215; 4525]
- Recruiting Officer, Recruiting Officer (from MacFarlane Manuscript 2 220, p. 269) [1215; 1252]
Recruiting Officer Robert Kelsall Manuscript 52, f. 11 D ♯♯ ♯♯ 6/8 6/8 2 no no 1215 4525 1H2H1H5 4525L
A Rigadoon
Rigadon Robert Kelsall Manuscript 141, f. 23v D 6/8 2 no no 1236 5155 123b6b 51H55L
Rigadoon
Rigadon Robert Kelsall Manuscript 437, f. 82v G 4 no no 1565 5511 1H565 551H1H
Rivo chi Tumido
Aria from Vivaldi's opera Orlando furioso (RV 819) Act 1 Scene 4.

- Rivo che tumido, Rivo Che Tumido (from MacFarlane Manuscript 2 82, p. 130) [125; 135]
Rivo Che Tumido Robert Kelsall Manuscript 216, f. 36 B♭ ♭♭ ♭♭ 3/8 3/8 no no 125 135 125L 135
Rodger
1 strain tune plus variations. Ground bass given at end. Should have scordatura tuning of ADAE

- A Scots-measure, Scots Measure (from Gairdyn Manuscript 64, f. 9v) [None; None]
- The maltman or Roger the Cavalier, The Maltman Comes On Monday (from Cuming Manuscript 24, p. 29) [615; 627]
- Roger de Coverley, Roger de Coverley (from Robert Kelsall Manuscript 645, f. 137) [615; 227]
- The Maltman, The Maltman Comes On Monday (from Drummond Castle Manuscript 1 11) [615; 727]
- The Maltman comes on monday. Dis, The Maltman Comes On Monday (from MacFarlane Manuscript 2 40, p. 76) [635; 727]
- The Maltman, The Maltman Comes On Monday (from James Knox Manuscript 67, f. 24) [615; 327]
Roger de Coverley
Title (alternative): The Maltman Comes On Monday
Robert Kelsall Manuscript 287, f. 49v D ♯♯ ♯♯ 9/4 9/4 18 yes yes 615 726 6L15 726L
Roger de Coverley

- A Scots-measure, Scots Measure (from Gairdyn Manuscript 64, f. 9v) [None; None]
- The maltman or Roger the Cavalier, The Maltman Comes On Monday (from Cuming Manuscript 24, p. 29) [615; 627]
- Rodger, Roger de Coverley (from Robert Kelsall Manuscript 287, f. 49v) [615; 726]
- The Maltman, The Maltman Comes On Monday (from Drummond Castle Manuscript 1 11) [615; 727]
- The Maltman comes on monday. Dis, The Maltman Comes On Monday (from MacFarlane Manuscript 2 40, p. 76) [635; 727]
- The Maltman, The Maltman Comes On Monday (from James Knox Manuscript 67, f. 24) [615; 327]
Roger de Coverley
Title (alternative): The Maltman Comes On Monday
Robert Kelsall Manuscript 645, f. 137 D ♯♯ ♯♯ 9/6 9/8 3 yes no 615 227 6L15 227L
Roger in ye North

- neu Rogger, Roger in the North (from Cameron Manuscript 238, p. 57) [3512; 2435]
Roger in the North Robert Kelsall Manuscript 505, f. 104 D 6/4 6/4 2 no no 3512 2435 351H2H 2435
Room for Cuck-olds
Room for Cuckolds Robert Kelsall Manuscript 283, f. 48v F 6/4 6/4 2 no no 1332 1361 1H33H2H 1H361
Room for Rumbles
2 strain tune + 1 variation.
Room for Rumbles Robert Kelsall Manuscript 250, f. 43v D ♯♯ ♯♯ 6/8 6/8 4 yes no 3544 3321 3H5H4H4H 3H3H2H1H
Rosie morning Primo
Setting for two trebles. Second treble on f. 74.
Rosie Morning Robert Kelsall Manuscript 390, f. 73v D ♯♯ ♯♯ 2 no no 5130 1350 51H3H0 1H3H5H0
Rural Lover
Rural Lover Robert Kelsall Manuscript 334, f. 61 C 3/4 3/4 2 no no 153 223 1H53H 2H2H3H
St Katherine

- deells dozen, Devil’s Dozen (from Sinkler Manuscript 19, f. 65v) [5112; 3332]
- the Devills Dusine or St Catherings, Devil's Dozen (from Cameron Manuscript 182, p. 45) [5112; 3332]
- Saint Katharine, Saint Katherine (from MacFarlane Manuscript 3 223, p. 200) [5133; 4272]
Saint Katherine Robert Kelsall Manuscript 353, f. 66 G 2 no no 5112 3332 5112 3332
Sawny was tall
Continued on bottom of f. 112
Sawney was tall
Title (alternative): Corn Riggs
Robert Kelsall Manuscript 540, f. 111v G 2 no no 1132 7725 1132 7L7L25L
Sawnie Farewell
Similar melodic shape to "MacPherson's Lament".
Sawnie's Farewell Robert Kelsall Manuscript 527, f. 109 G 3 no no 1112 2222 1112 2222
Adagio Say must I then despair. In Thomyris
First violin part for a song from the pasticcio opera Thomyris (1707), with music by Bononcini and others.
Say Must I Then Despair Robert Kelsall Manuscript 336, f. 61v C ♭♭ ♭♭ C C no no 1120 2230 1H1H2H0 2H2H3bH0
Scherzando sul tuo
Duet from Handel's opera Rinaldo (HWV 7).
Scherzando Sul Tuo Robert Kelsall Manuscript 209, f. 33v A ♯♯♯ ♯♯♯ C C no no 5555 5030 5555 5030
Sonata by Mr Christian Schickard Adagio
Schickard Sonata in E Minor, i. Adagio Robert Kelsall Manuscript 467, f. 89v E C C no no 3570 4430 3b570 4H4H3bH0
Largo Allemanda
Schickard Sonata in E Minor, ii. Largo Allemanda Robert Kelsall Manuscript 468, f. 89v E C C 2 no no 1270 6250 1H2H70 6b250
Vivace
Schickard Sonata in E Minor, iii. Vivace Robert Kelsall Manuscript 469, f. 89v E 3/4 3/4 2 no no 512 342 51H2H 3b42
Giga Vivace
Schickard Sonata in E Minor, iv. Giga Vivace Robert Kelsall Manuscript 470, f. 90 E 6/8 6/8 2 no no 1131 1375 1H1H3b1 1H3bH7b5
Scotch Bonnet
Scotch Bonnet Robert Kelsall Manuscript 553, f. 114 G 2/4 2/4 2 no no 1354 2466 1354 2466
Scotch Minuet. Round O.
Scotch Minuet Round O. Robert Kelsall Manuscript 342, f. 63 D ♯♯ ♯♯ 3/4 2 no no 133 355 1H3H3H 3H5H5H
Scotch portion; 4 bare legg’s in a bed
Scotch Portion
Title (alternative): Four Bare Legs in a Bed
Robert Kelsall Manuscript 160, f. 26 G 9/4 9/4 2 no no 243 727 243b 727
Scotch Tune
Probably a London theatre Scotch Tune
Scotch Tune Robert Kelsall Manuscript 132, f. 22 D ♯♯ ♯♯ C 2 no no 1351 1322 1H3H5H1H 1H3H2H2H
Scoth chacon
Composer: [John McLachlan?]. Variations: not really a chaconne, but rather variation set with variable harmonic pattern.

- the Scots Chaconne, Scots Chaconne (from Bowie Manuscript 22, f. 14v) [3342; 1155]
- highland air or A Scots chacune, Scots Chaconne (from Gairdyn Manuscript 257, f. 28) [None; None]
- The Scots Shochone, Scots Chaconne (from Leyden Lyra-viol and Violin Manuscript 43, f. 68v) [3342; 1155]
Scots Chaconne Robert Kelsall Manuscript 586, f. 121 C 6 yes no 1H1H2H7
Alt. index 1: 3342 (Alt index given as if key note is A)
663H3H
Alt. index 2: 1155 (Alt index given as if key note is A)
1H1H2H7
Alt. index 1: 3b3b42 (Alt index given as if key note is A)
663H3H
Alt. index 2: 1155 (Alt index given as if key note is A)
Scotch measure

- Jean’s the best of any, Jean’s the Best of Any (from MacFarlane Manuscript 2 145, p. 203) [1111; 3551]
Scots Measure
Title (alternative): Jean's the Best of Any
Robert Kelsall Manuscript 251, f. 43v C 2 no no 1111 3551 1H111 3551H
Se l'arco in Admetus Primo
Aria "Se l'arco in Admetus" from Handel's Admeto (HWV 22). Setting for two trebles. Second treble on f. 72
Se L'arco Avessi e i Strali Robert Kelsall Manuscript 383, f. 71v D ♯♯ ♯♯ 3/4 3/4 no no 112 312 1H1H2H 3H1H2H
See your Faithful Lover
A song from Handel's opera Teseo (HWV 9): Act V Scene 4: Air: Si t'amo, oh caro, quanto un di t'amai.
See Your Faithful Lover
Title (alternative): Si t'amo, oh caro, quanto un di t'amai
Robert Kelsall Manuscript 200, f. 31v G ♭♭ ♭♭ 6/8 6/8 no no 1536 5177 153b6b 517b7b
[See the Insect Proud and Vain]
With words. Set for voice and unfigured bass.
See the Insect Proud and Vain Robert Kelsall Manuscript 602, f. 124v A ♯♯♯ ♯♯♯ 3/4 3/4 2 no yes 112 315 112 315L
Minuet in Siroe
Version of the aria "Sgomba dell' anima tutto il timor" from Handel's Siroe (HWV 24).
Sgomba dell' anima tutto il timor Robert Kelsall Manuscript 404, f. 77v A 3/8 3/8 no no 122 126 122 126b
Shepherd’s Daughter
Hornpipe
Shepherd’s Daughter Robert Kelsall Manuscript 127, f. 21v G 3/2 2 no no 515 154 515L 154
Shores trumpet tune

- Trumpet Tune, Shore's Trumpet Tune (from Thomson Manuscript 13, p. 10) [3353; 1132]
Shore's Trumpet Tune Robert Kelsall Manuscript 86, f. 15v D ♯♯ ♯♯ 2 no no 3352 1132 3352 1H1H3H2H
Short Aire
Short Air Robert Kelsall Manuscript 163, f. 26v D ♯♯♯ ♯♯♯ 6/4 1 no no 1152 1145 1H1H5H2H 1H1H4#H5H
Should ever the fair disdain you
Should Ever the Fair Disdain You Robert Kelsall Manuscript 343, f. 63v A 12/8 12/8 2 no no 1111 6350 1H11H1 6b3b50
Minuet in Admetus
Version of the aria "Si Caro, si, ti stringo al fin cosi" from Handel's Admeto (HWV 22).
Si Caro, si, ti stringo al fin cosi Robert Kelsall Manuscript 402, f. 77v G 3/8 3/8 2 no no 330 231 330 231
A Cebell
Sibell Robert Kelsall Manuscript 124, f. 21v D ♯♯ ♯♯ 2 no no 1325 2431 1H3H2H5 2H4H3H1H
Cibel

- Sibell, Sibell (from McGibbon Manuscript 103, p. 63) [6644; 5533]
Sibell Robert Kelsall Manuscript 210, f. 34 G ♭♭ ♭♭ C C 1 no no 6644 5533 6b6b44 553b3b
Old Cibell A Cibell

- Sibell, Sibell (from McGibbon Manuscript 100, p. 62) [4444; 5543]
Sibell Robert Kelsall Manuscript 241, f. 42 A 1 no no 4444 5543 4444 5543
Siona gioia
Siona Gioia Robert Kelsall Manuscript 225, f. 40 G 2/4 2/4 no no 1535 1535 1H535 1H535
Sleep Sleep Crimonda in ye opera of Aesinor by Mr Clayton
Aria, with words.
Sleep Sleep Crimonda Robert Kelsall Manuscript 364, f. 68 A no no 0054 3054 0054 3b054
A Song tune
Song Tune Robert Kelsall Manuscript 537, f. 111 G 3/4 3/4 1 no no 615 654 61H5 654
Song Tune
Song Tune Robert Kelsall Manuscript 543, f. 112 G 3/4 3/4 2 no no 516 511 516 511H
Song by Mrs Clive
Song by Mrs Clive Robert Kelsall Manuscript 541, f. 112 G 2/4 2/4 no no 0214 3664 0214 3664
Sospira il core
Sospira Il Core Robert Kelsall Manuscript 219, f. 37 F C C no no 3111 3211 3H1H1H1H 3H2H1H1H
Soutton Jigg
Soutton Jigg Robert Kelsall Manuscript 100, f. 17v G 6/4 6/4 2 no no 1112 3627 1H1H1H2 362H7
Spanish Jigg
Spanish Jig Robert Kelsall Manuscript 75, f. 14 C 4/6 6/4 4 yes no 5544 3321 5H5H4H4H 3H3H2H1
St David’s Day
St David’s Day Robert Kelsall Manuscript 102, f. 17v D ♯♯ ♯♯ 6/4 6/4 2 no no 1231 7275 1231 72H75
St James's Bason
St James's Bason Robert Kelsall Manuscript 581, f. 118v C 6/4 6/4 no no 1257 6735 1257 673H5xH
St Martin's Lane

- St Martins Lane or La Merchaut Mariee, St Martin's Lane (from Cameron Manuscript 201, p. 49) [5555; 6644]
St Martin's Lane Robert Kelsall Manuscript 271, f. 47 G ♭♭ ♭♭ 2 no no 5554 6654 5554 6b6b54
Standley for Ever
Very similar to the tune in Playford etc., but the G Sharp accidentals in the 1st and 5th bars give a slightly unusual, exotic flavour.

- Richmond Ball, Richmond Ball (from Thomson Manuscript 5, p. 4) [5544; 3422]
- Richmond Ball, Richmond Ball (from MacFarlane Manuscript 3 289, p. 281) [5544; 3425]
Standley For Ever
Title (alternative): Richmond Ball; Mr Lane's Maggot
Robert Kelsall Manuscript 54, f. 11v D 2 no no 5544 3225 5H5H4xH4xH 3bH2H2H5
Sung by Mr Beard
With words.
Sung by Mr Beard Robert Kelsall Manuscript 606, f. 125v G C C 2 no no 3254 6771 3254 6771H
Suo lamin smakki
Marked "Allegro"
Suo lamin smakki Robert Kelsall Manuscript 408, f. 78v A ♯♯♯ ♯♯♯ C C no no 1130 4325 1130 4325L
T'amo tanto in Artaxerxes First Trebble
Setting for two trebles of the aria "T'amo Tanto" from the opera Artaxerxes (1724) by Ariosti. Second treble on f. 70.

- Tamo tanto, T'amo Tanto (from Robert Kelsall Manuscript 574, f. 117v) [321; 432]
T'amo Tanto Robert Kelsall Manuscript 376, f. 69v D ♯♯ ♯♯ 3/4 3/4 2 no yes 321 432 3H2H1H 4H3H2H
Tamo tanto
Setting of the aria "T'amo Tanto" from the opera Artaxerxes (1724) by Ariosti.

- T'amo tanto in Artaxerxes First Trebble, T'amo Tanto (from Robert Kelsall Manuscript 376, f. 69v) [321; 432]
T'amo Tanto Robert Kelsall Manuscript 574, f. 117v G 3/4 3/4 2 no no 321 432 321 432
Auld ga teaver Set by mr McGibbon in Glasgow
Long variation set of 1 strain tune + 12 variations. Presumably an early work by William McGibbon, or perhaps by his father, the violer Duncan McGibbon (who lived in Glasgow). Certainly a pipe-influenced set (related to those in McFarlane and Gairdyn), but here very violinistic, with 2 octave range and Corellian double-stops of three notes at once, which also give suggestion of perfect cadences and moves to subdominant harmony.

- The gum ga’d aver, The Gum Ga’d Aver (from Gairdyn Manuscript 286, f. 38v) [None; None]
- The ald ga’d Aver, The Ald Ga’d Aver (from MacFarlane Manuscript 3 268, p. 242) [3327; 3331]
The Ald Ga’d Aver
Title (alternative): The Gum Ga'd Aver
Robert Kelsall Manuscript 339, f. 62v A ♯♯ ♯♯ 13 yes no 3135 2277 3135 227bL7bL
The Banks of Fourth

- The Banks of Forth, The Banks of Forth (from MacFarlane Manuscript 3 248, p. 222) [1351; 3366]
- The Banks of Forth, The Banks of Forth (from McGibbon Manuscript 192, p. 95) [1351; 3366]
The Banks of Forth Robert Kelsall Manuscript 528, f. 109 D ♯♯ ♯♯ 2 no no 1351 3366 1351H 3H3H66
The Beggar wench of Hull
The Beggar Wench of Hull Robert Kelsall Manuscript 571, f. 117v D ♯♯ ♯♯ 2 no no 1751 3121 1H751H 3H1H2H1H
The Birks of Endermay

- Birks of Invermay, The Birks of Invermay (from Gairdyn Manuscript 412, f. 58) [None; None]
- Birks of Invermay. MacLean., The Birks of Invermay (from MacFarlane Manuscript 2 210, p. 254) [5552; 2266]
- The Birks of Invermay, The Birks of Invermay (from McGibbon Manuscript 78, p. 50) [5552; 2266]
The Birks of Invermay Robert Kelsall Manuscript 517, f. 107 G 2 no no 5552 2266 5552 226L6L
The Bonny Boatman
2 strain tune + 2 variations. Last is a [6/4] jig, marked "The jigg to the Boatman", with the last section written at the top of the page.

- The Boatman, The Boatman (from Gairdyn Manuscript 301, f. 43) [; ]
The Boatman Robert Kelsall Manuscript 330, f. 60 D ♯♯ ♯♯ 6 yes no 5555 4255 5555 4255
The boniest lass in all the World

- The bonnyest lass in a the warld, The Bonniest Lass in a the World (from Gairdyn Manuscript 312, f. 43v) [None; None]
- The bonniest Lass in a’ the world, The Bonniest Lass in a’ the World (from MacFarlane Manuscript 2 102, p. 145) [3361; 2265]
The Bonniest Lass in All the World Robert Kelsall Manuscript 302, f. 54 G 2 no no 3561 2265 35L6L1 226L5L
The boney Christ church bells
The Bonny Christ Church Bells Robert Kelsall Manuscript 144, f. 23v C 3 no no 1111 1113 1H1H1H1H 1H1H1H3H
The Bonny gray-Ey'd morning

- Bonny Gray head morn, The Bonny Gray Eyed Morn (from Gairdyn Manuscript 134, f. 19v) [None; None]
- The Gray Eyed Morning, The Bonny Gray Eyed Morn (from Leyden Lyra-viol and Violin Manuscript 13, f. 55v) [1132; 3555]
- The Gray Eyed Morn, The Bonny Gray Eyed Morn (from Thomson Manuscript 32, p. 24) [1132; 3555]
- Gray Morning, The Bonny Gray Eyed Morn (from Sinkler Manuscript 13, f. 67) [1132; 3555]
- Bonny gray eyed Morning, The Bonny Gray Eyed Morn (from MacFarlane Manuscript 3 15, p. 10) [1112; 3555]
The Bonny Gray Eyed Morn Robert Kelsall Manuscript 360, f. 115v C 2 no no 1132 3555 1H1H3H2H 3H5H5H5H
The braes of Braksom
Similar to the theme of a set of variations in the Clerk papers
The Braes of Braksom Robert Kelsall Manuscript 587, f. 121 D ♯♯ ♯♯ 2 no no 3211
Alt. index 1: 5434 (Alt index given as if key note is B)
3577
Alt. index 2: 5722 (Alt index given as if key note is B)
3H2H1H2H
Alt. index 1: 543b4 (Alt index given as if key note is B)
3H5H77
Alt. index 2: 57b22 (Alt index given as if key note is B)
The cackling of ye Hen's
The Cackling of the Hens
Title (alternative): The Hen's March
Robert Kelsall Manuscript 621, f. 129 D ♯♯ ♯♯ 2 no no 1513 5421 1H51H3H 5H4H2H1H
The Chopin dance
Possibly missing B flat in key signature.
The Chopin Dance Robert Kelsall Manuscript 66, f. 12v D 2 no no 1175 3225 1H1H7b5 3bH2H2H5
The Complaint
The Complaint Robert Kelsall Manuscript 538, f. 111 G 3/4 3/4 2 no no 335 677 335 6L7L7L
The Complaint to An Air of Correlli
With words. This is a song set to the Gavotta from Corelli's Trio Sonata in G Major, op 2 no 1. The tune was also known as "Mr Cosgill's Delight".
The Complaint to An Air of Correlli
Title (alternative): Mr Cosgill's Delight
Robert Kelsall Manuscript 487, f. 95 G C C 2 no no 3511 4321 351H1 4321
The Constant Lover
The Constant Lover Robert Kelsall Manuscript 113, f. 20 A 2 no no 1331 6666 13b3b1 6bL6bL6bL6b
The D__ls maggot A Country Dance
The Devil’s Maggot Robert Kelsall Manuscript 145, f. 24 B♭ ♭♭ ♭♭ 9/4 2 no no 117 523 1L17L 5L23
The Duchess of Bolton’s minuet
Doesn't seem like a minuet. Three bar phrases, and more of a 9/8 jig feel.
The Duchess of Bolton's Minuet Robert Kelsall Manuscript 46, 10v G 3/4 3/4 2 no no 321 321 3b21 3b21
The Duke of Lunemberg's March
The Duke of Lunemberg's March Robert Kelsall Manuscript 542, f. 112 G 2 no no 1115 1133 1115L 1133
The Duke of Munmouth’s Jigg
Possibly some missing accidental F#s, or key signature of one sharp
The Duke of Munmouth’s Jig Robert Kelsall Manuscript 78, f. 14 G 6/4 2 no no 1317 5474 131H7b 547b4
The Earl of marr’s March
Interesting style - not a standard military march, but more like a set of bagpipe variations on a binary ground. Range of a 9th. Wouldn’t look out of place in the Dixon MS.

- Lashly march, Leslie's March (from Robert Kelsall Manuscript 167, f. 27) [1116; 1512]
- Leslie's March, Leslie's March (from McGibbon Manuscript 127, p. 72) [1115; 1542]
The Earl of Marr’s March
Title (alternative): Leslie's March
Robert Kelsall Manuscript 190, f. 29v D ♯♯ ♯♯ 6/4 6/4 4 yes no 1115 1542 1H1H1H5 1H542
The Early Horn
The Early Horn Robert Kelsall Manuscript 600, f. 124 G 6/8 6/8 2 no no 3535 1520 3535 1H520
East neuk of Fife
2 strain tune + 1 variation.

- The East Neuk of Fife, The East Neuk of Fife (from McGibbon Manuscript 86, p. 56) [1155; 2266]
The East Neuk of Fife Robert Kelsall Manuscript 244, f. 42v G 4 yes no 1111 5151 1111 5151
The Entrance to the Dutch Skipper
The Entrance to the Dutch Skipper Robert Kelsall Manuscript 286, f. 49 D ♯♯ ♯♯ C C 2 no no 1177 6656 1H1H77 6656
The fair Aurelia’s gone astray
Song by Richard Leveridge. Two sections: ₵ and 3/4.
The Fair Aurelia's Gone Astray Robert Kelsall Manuscript 5, f. 4 F no no 1131 3520 1131 3520
The farr away Wedding
Likely should have a ks of ♯♯.

- Far away Wedding, The Far Away Wedding (from MacFarlane Manuscript 3 155, p. 119) [363; 367]
The Far Away Wedding Robert Kelsall Manuscript 252, f. 43v A ♯♯♯ ♯♯ 9/8 9/8 3 yes no 363 367 363 367b
The Fluze
The Fluze Robert Kelsall Manuscript 352, f. 66 A 3 no no 1355 4233 13b55 423b3b
The French Ground
With bass - above the variations is "The Bass to the French Ground". 1 strain theme + 5 variations.
The French Ground Robert Kelsall Manuscript 462, f. 88 D 6 yes yes 3322 4277 3bH3bH2H2H 4H2H7b7b
The Gaberluniman

- The Gaberlungy Man, The Gaberlunzie Man (from Gairdyn Manuscript 314, f. 44) [511; 117]
The Gaberlunzie Man Robert Kelsall Manuscript 93, f. 16v A 3/4 3/4 2 no no 511 117 5L11 117bL
E good fike my Mother comes
The Good Fike My Mother Comes Robert Kelsall Manuscript 43, f. 10v A ♯♯♯ ♯♯♯ 3 6/4 4 no no 2177 2111 217L7L 2111
The hay makers
The Hay Makers Robert Kelsall Manuscript 158, f. 26 C 2 no no 5553 1112 5H5H5H3H 1H1H1H2H
The horsemans Sport
Only first part, normally longer set of variations. Concordances (other): Balcarres, pp. 40, 44, 94; Bremner Curious Collection; Oswald CPC.

- The horsmans port, The Horseman’s Port (from Sinkler Manuscript 17, f. 66) [3131; 3131]
The Horseman's Port
Title (alternative): The Black and the Brown
Robert Kelsall Manuscript 592, f. 122 D ♯♯ ♯♯ 6/8 6/8 2 yes no 3131 3131 31H31H 31H31
The hounds are all out

- The Hounds are all Out, The Hounds Are All Out (from James Knox Manuscript 47, f. 18v) [1315; 3522]
The Hounds Are All Out Robert Kelsall Manuscript 564, f. 116 C 6/8 6/8 2 no no 1315 4352 1H3H1H5 4H3H5H2H
The Indian Queen
The Indian Queen Robert Kelsall Manuscript 65, f. 12v D ♯♯ ♯♯ 2 no no 5313 2255 5H3H1H3H 2H2H55
Lady’s Triumph
This is the tune for the song "On a Bank of Flowers", which first appeared in the opera The Lady's Triumph (1718), with music by Galliard.

- The Ladies triumph, The Lady's Triumph (from Cameron Manuscript 265, p. 63) [3556; 1553]
- On a Bank of flowers, On a Bank of Flowers (from MacFarlane Manuscript 2 245, p. 286) [3556; 1553]
The Lady's Triumph
Title (alternative): On a Bank of Flowers
Robert Kelsall Manuscript 99, f. 17v D 2 no no 3556 1553 3b556 1H553bH
The Lass of ye Hill
Seems to only be part of the tune. At bottom of page is written "v: other side", but no sign of the tune on next page.
The Lass of the Hill Robert Kelsall Manuscript 513, f. 106v A ♯♯♯ ♯♯♯ 3/4 3/4 1 no no 542 772 542 7L7L2
The lasses pisses brandy
Third strain has common division / cliche from McLachlan variations

- Lasses drink at Brandy. D.Y., The Lasses Drink at Brandy (from MacFarlane Manuscript 2 117, p. 178) [5333; 4747]
The Lasses Pisses Brandy
Title (alternative): The Lasses Drink at Brandy
Robert Kelsall Manuscript 95, f. 16v A ♯♯ ♯♯ 3 yes no 5135 5135 5135 5135
The last time I came ore ye muir

- Last time I came over the Mure, The Last Time I Came O'er the Moor (from Panmure Violin Manuscript 1 76, f. 39) [1111; 2777]
- [The Last time I Came O'er the moor] J: McL, The Last Time I Came O’er the Moor (from Bowie Manuscript 35, f. 21v) [3211; 2216]
- The last time I came ou’r the Muir , The Last Time I Came O'er the Moor (from Gairdyn Manuscript 311, f. 43v) [; ]
- Last Time I came o’er the Muir, The Last Time I Came O’er the Moor (from MacFarlane Manuscript 2 15, p. 40) [3211; 2776]
The Last Time I Came O'er the Moor Robert Kelsall Manuscript 277, f. 47v D ♯♯ ♯♯ 2 no no 4211
Alt. index 1: 6433 (Alt index given as if key note is B)
3276
Alt. index 2: 5421 (Alt index given as if key note is B)
421H1H
Alt. index 1: 6bL4L3b3b (Alt index given as if key note is B)
3H2H76
Alt. index 2: 5421 (Alt index given as if key note is B)
The Louvre
Minuet tune

- [The Louver], The Louvre (from Cuming Manuscript 41, p. 60) [331; 112]
- The Louver, The Louvre (from Robert Kelsall Manuscript 603, f. 125) [331; 112]
- Amiable Vanqueur:, Aimable Vainqueur (from McGibbon Manuscript 129, p. 73) [331; 112]
The Louvre Robert Kelsall Manuscript 576, f. 118 D ♯♯ ♯♯ 3/4 3/4 2 no no 331 112 331 112
The Louver
Presumably written out in French violin clef, and missing ks of ♯♯ (see earlier version in this MS).

- [The Louver], The Louvre (from Cuming Manuscript 41, p. 60) [331; 112]
- The Louvre, The Louvre (from Robert Kelsall Manuscript 576, f. 118) [331; 112]
- Amiable Vanqueur:, Aimable Vainqueur (from McGibbon Manuscript 129, p. 73) [331; 112]
The Louvre Robert Kelsall Manuscript 603, f. 125 D ♯♯ 3/4 3/4 2 no no 331 112 331 112
The Lovely Cruel fair
The Lovely Cruel Fair Robert Kelsall Manuscript 103, f. 18 D ♯♯ ♯♯ no no 0011 1051 001H1H 1H05H1H
The merry Meeting

- Mirry Meeting, The Merry Meeting (from Gairdyn Manuscript 280, f. 36) [None; None]
- [The Merry Meeting], The Merry Meeting (from Cuming Manuscript 49, p. 68) [5331; 3175]
- Merry Meeting, The Merry Meeting (from MacFarlane Manuscript 2 211, p. 257) [5331; 3725]
The Merry Meeting Robert Kelsall Manuscript 183, f. 28v D ♯♯ ♯♯ 6/4 6/4 2 no no 5331 3175 5331 3H1H75
The merry Scott
The Merry Scot Robert Kelsall Manuscript 598, f. 123v D ♯♯ ♯♯ 2 no no 1132 5117 1132 51H1H7
The mouse trap

- Old Hob or the mouse trap, Old Hob (from Robert Kelsall Manuscript 156, f. 26) [1357; 6251]
The Mouse Trap
Title (alternative): Old Hob
Robert Kelsall Manuscript 140, f. 23v D ♯♯ ♯♯ 6/4 6/4 2 no no 1357 6211 1357 62H1H1H
The mucking of Geordie's byre
The Mucking of Geordie's Byre Robert Kelsall Manuscript 275, f. 47v C 9/8 9/8 2 no no 166 315 1H66 3H1H5
The Old Canaries
Each strain is only two bars long.
The Old Canaries Robert Kelsall Manuscript 104, f. 18 D 6/8 6/8 10 yes no 3143 1312 3H1H4H2H 1H3H1H2H
The pans Parade
The Pan's Parade Robert Kelsall Manuscript 554, f. 114 D ♯♯ ♯♯ 6/8 6/8 2 no no 1524 3215 1H5H2H4H 3H2H1H5
Parson upon Dorothy
Some notational errors - missing barline after upbeat, and probably missing Bflat in key signature.

- The Parson upon Dorothy, The Parson upon Dorothy (from MacFarlane Manuscript 3 187, p. 145) [1127; 3335]
The Parson Upon Dorothy Robert Kelsall Manuscript 45, f. 10v G 3 no no 1127 3335 1127L 3335
The play of Love
The Play of Love Robert Kelsall Manuscript 454, f. 85v G 3/4 3/4 2 no no 132 436 132 436
The Porterfield March
The Porterfield March Robert Kelsall Manuscript 262, f. 45v D ♯♯ ♯♯ 2 no no 1514 1460 1H51H4 1H4H60
The prince of Wales march
The Prince of Wales March Robert Kelsall Manuscript 189, f. 29v C 2 no no 1712 3234 1H71H2H 3H2H3H4#H
The Prince of wales minuet
The Prince of Wales' Minuet Robert Kelsall Manuscript 359, f. 67 G 3/4 3/4 2 no no 124 551 124 551H
The Princess of wales minuet
The Prince of Wales' Minuet Robert Kelsall Manuscript 360, f. 67 G 3/4 3/4 2 no no 115 332 115 332
The Prince of Wale’s minuet
The Prince of Wale’s Minuet Robert Kelsall Manuscript 150, f. 25 G 3/4 3/4 2 no no 111 111 111H 111H
The Quaker’s Dance
The Quaker’s Dance Robert Kelsall Manuscript 120, f. 21 G ♭♭ ♭♭ 2 no no 1154 3131 1H1H54 3b13b1
The Queen of Denmarks minuet
The Queen of Denmark's Minuet Robert Kelsall Manuscript 25, f. 7 G ♭♭ ♭♭ 3/4 3/4 2 no no 135 115 13b5 115
The Rake of Mallow
The Rakes of Mallow Robert Kelsall Manuscript 545, f. 112v G 2 no no 1115 7774 1115 7L7L7L4
The rakish Husband & Scolding wife
The Rakish Husband & Scolding Wife Robert Kelsall Manuscript 92, f. 16 A ♯♯♯ ♯♯♯ 6/4 6/4 2 no no 1531 4562 15L3L1L 4L5L6L2
The Reasonable Lover
The Reasonable Lover Robert Kelsall Manuscript 548, f. 113 C 3/8 3/8 2 no no 131 175 1H3H1H 175
The Rose
The Rose Robert Kelsall Manuscript 565, f. 116v D ♯♯ ♯♯ 3/4 3/4 3 no no 513 443 51H3H 443
The Rummer
The Rummer Robert Kelsall Manuscript 504, f. 104 F 6/4 6/4 2 no no 3345 1711 3345 1H71H1
The Valiant Dragoon trooper
Has quite a Scots feel - binary patterns, division into groups of quavers in sequences, leaps of a seventh. Possibly a rant or Scots measure.
The Valiant Dragoon Trooper Robert Kelsall Manuscript 63, f. 12v G 2 no no 1133 2277 113b3b 227b7b
The Wakeful nightingale by Mr John Weldon
Song by John Weldon. Concordances (other): "A Song set by Mr John Weldon" (London: Tho: Cross); "The Wakeful Nightingale", Calliope, vol 1 (1739).
The Wakeful Nightingale by Mr John Weldon Robert Kelsall Manuscript 24, f. 7 A no no 0000 1234 0000 123b4
The Welch whim
Last section continued on bottom of f. 20
The Welsh Whim Robert Kelsall Manuscript 110, f. 19v A ♯♯♯ ♯♯♯ 6/4 6/4 2 no no 5555 6531 5555 6531
The Whitehall Jig
Three bar phrases. It's likely that each third bar should be 2 dotted crotchets, not minim-crotchet.
The Whitehall Jig Robert Kelsall Manuscript 474, f. 90v F 6/8 6/8 2 no no 3165 2561 31H65 25L6L1H
The worst is past
The Worst is Past Robert Kelsall Manuscript 91, f. 16 A 6/4 2 no no 1135 7777 1H1H3b5 7b7b7b7b
The young Gentleman's retreat
Strains 3-4 are in different ts: ₵.
The Young Gentleman's Retreat Robert Kelsall Manuscript 551, f. 113v D ♯♯ ♯♯ 6/8 6/8 4 no no 1452 4331 1452 4331
The nonpariel
The nonpariel Robert Kelsall Manuscript 550, f. 113v G 2/4 2/4 no no 1430 6410 1430 6410
There neer will be peace till J_y come home
2 strain tune + 2 variations.

- There’ll ne’er be peace till Jamie come hame, There’ll Ne’er Be Peace Till Jamie Come Hame (from MacFarlane Manuscript 2 83, p. 132) [331; 217]
There’ll Ne’er Be Peace Till Jamie Come Hame Robert Kelsall Manuscript 245, f. 43 A 3/4 3/4 6 yes no 342 231 3b42 23b1
Thly from Olinda
Looks like an aria from an opera or other stage piece. “symphony” is written before several sections. Concordances (other): "The Opening of the New Playhouse: Aria", GB-Ob MS. Mus. c.8, f. 21.
Thly from Olinda Robert Kelsall Manuscript 1, f. 3 A ♯♯♯ ♯♯♯ 3/8 3/8 no no 113 543 113 543
Tho Over all mankind
Song by Richard Leveridge from his music for the play Caligula. Two sections: ₵ and 2. RISM A/I L 2278; LL 2278
Though Over All Mankind Beside Robert Kelsall Manuscript 28, f. 7v A no no 1215 4533 1215 453b3b
Three sheep skins
Really short - 2 strains, each only 4 bars long

- The thri ships skings, Three Sheep Skins (from Panmure Violin Manuscript 1 70, f. 34v) [1355; 4352]
- The Three Sheeps Skinns, Three Sheep Skins (from Thomson Manuscript 53, p. 38) [1133; 5564]
- Three Sheepskins, Three Sheep Skins (from MacFarlane Manuscript 2 33, p. 69) [1334; 4332]
Three Sheep Skins Robert Kelsall Manuscript 139, f. 23 G 2 no no 1133 5533 1133 5533
Tis not your wealth my Dear
Song from Pyrrhus and Demetrius by Allessandro Scarlatti and Nicola Francesco Haym, but based on an aria by Handel, "Hò un nun sò che nel cor", which appeared in both La Resurrezione (HWV 47) and Il Pastor Fido (HWV 8).

- [Tis Not Your Wealth My Dear], Tis Not Your Wealth My Dear (from Thomson Manuscript 141, p. 134) [0015; 2033]
- Tis not your Wealth my Dear, Tis Not Your Wealth My Dear (from MacFarlane Manuscript 3 59, p. 46) [0015; 2033]
Tis Not Your Wealth My Dear
Title (alternative): Hò un nun sò che nel cor
Robert Kelsall Manuscript 634, f. 132 D ♯♯ ♯♯ C C no no 0015 2233 001H5 2H2H3H3H
To ye cock Sparrow. An Air in ye Opera of Tom: Thumb
To the Cock Sparrow Robert Kelsall Manuscript 607, f. 126 G 6/8 6/8 no no 1526 6531 1526 6531
Tom of Bedlam by Mr Henry Purcell
Words
Tom of Bedlam by Mr Henry Purcell Robert Kelsall Manuscript 484, f. 94v C C C no no 1134 5555 1H1H3H4H 5H555
[Trio Sonata in D Major ii. Adagio
Allegro
Trio Sonata in D Major ii. Adagio Robert Kelsall Manuscript 221, f. 37v D ♯♯ ♯♯ C C no yes 0005 3332 0005 3H3H3H2H
[Trio Sonata in D Major i. Allegro]
Largo
Trio Sonata in D Major i. Allegro Robert Kelsall Manuscript 220, f. 37v D ♯♯ ♯♯ C C no yes 1025 3047 1H02H5 3H04H7
[Sonata in D Major iii. Allegro]
Allegro
Trio Sonata in D Major iii. Allegro Robert Kelsall Manuscript 223, f. 39 D ♯♯ ♯♯ 6/8 6/8 2 no yes 1122 3325 1H1H2H2H 3H3H2H5
Trumpet Air.
Trumpet Air Robert Kelsall Manuscript 17, f. 6v C 3/4 2 no no 333 531 3H3H3H 5H3H1H
Trumpet Air.
Trumpet Air Robert Kelsall Manuscript 20, f. 6v C C 2 no no 1131 3353 1H1H3H1H 3H3H5H3H
Trumpet Air.
Trumpet Air Robert Kelsall Manuscript 23, f. 6v C 6/4 2 no no 1333 1342 1H3H3H3H 1H3H4H2H
Trumpet Air.
Trumpet Air Robert Kelsall Manuscript 27, f. 7 C 3/4 2 no no 515 333 51H5H 3H3H3H
Trumpet Minuet.
Trumpet Minuet Robert Kelsall Manuscript 14, f. 6v C 3/4 2 no no 535 112 5H3H5H 1H1H2H
Trumpet minuet.
Trumpet Minuet Robert Kelsall Manuscript 19, f. 6v C 3/4 2 no no 555 222 5H5H5H 2H2H2H
Trumpet Minuet.
Trumpet Minuet Robert Kelsall Manuscript 22, f. 6v C 3 3/4 2 no no 151 335 1H51H 3H3H5H
Trumpet Minuet
Trumpet Minuet Robert Kelsall Manuscript 272, f. 47 C 3/4 2 no no 151 313 1H51H 3H1H3H
Trumpet Minuet
Trumpet Minuet Robert Kelsall Manuscript 632, f. 131v D ♯♯ ♯♯ 3/4 3/4 2 no no 333 515 3H3H3H 5H1H5H
Trumpet Minuet by Mr Fairbank
Trumpet Minuet by Mr Fairbank Robert Kelsall Manuscript 98, f. 17 D ♯♯ ♯♯ 3/4 3/4 2 no no 555 554 5H5H5H 5H5H4H
Trumpet tune.

- [Trumpet Tune], Trumpet Tune (from Sinkler Manuscript 1, f. 68v) [355; 553]
Trumpet Tune Robert Kelsall Manuscript 15, f. 6v C 3/4 2 no no 355 553 3H5H5H 5H5H3H
Trumpet tune.
Trumpet Tune Robert Kelsall Manuscript 16, f. 6v C 3/4 2 no no 111 313 1H1H1H 3H1H3H
Trumpet tune
Trumpet Tune Robert Kelsall Manuscript 109, f. 19v D ♯♯ ♯♯ 3/4 no no 111 111 111 111
A Trumpet tune
Trumpet Tune Robert Kelsall Manuscript 248, f. 43v D ♯♯ ♯♯ 6/4 2 no no 5513 5525 551H3H 5H5H2H5
Trumpet Tune

- Minuet, Minuet (from MacFarlane Manuscript 3 104, p. 78) [111; 315]
Trumpet Tune Robert Kelsall Manuscript 361, f. 67 D ♯♯ ♯♯ 3/4 3/4 2 no no 111 315 111 315
Trumpet tune round O.
Trumpet Tune Round O Robert Kelsall Manuscript 18, f. 6v C 3/4 2 no no 555 331 5H5H5H 3H3H1H
Trumpet tune.

- Trumpet Mr Shors, Trumpet Tune by Mr Shore (from Thomson Manuscript 14, p. 10) [1122; 3332]
Trumpet Tune by Jeremiah Clarke Robert Kelsall Manuscript 21, f. 6v C 2 no no 1122 3332 1H1H2H2H 3H3H3H2H
Twas within a furlong of Edinborough town

- two furlongs from Edr toun, Twas Within a Furlong of Edinburgh Town (from Leyden Lyra-viol and Violin Manuscript 7, f. 53) [1354; 4511]
- within a furlong of Edenburgh, Twas Within a Furlong of Edinburgh Town (from Sinkler Manuscript 22, f. 65) [1354; 4511]
- It was within a forlong of Edinbrough toun, Twas Within a Furlong of Edinburgh Town (from Cameron Manuscript 248, p. 59) [1354; 4511]
- Edinburgh Town MacLean, Twas Within a Furlong of Edinburgh Town (from MacFarlane Manuscript 3 215, p. 194) [1354; 4511]
Twas Within a Furlong of Edinburgh Town Robert Kelsall Manuscript 178, f. 28 G ♭♭ ♭♭ 2 no no 3354 4511 3b3b54 4511
Tweed Side

- Down tweedsead, Down Tweed Side (from Gairdyn Manuscript 81, f. 13) [None; None]
- Tweedside, Tweed Side (from Cuming Manuscript 33, p. 48) [156; 113]
- Tweed-side, Tweed Side (from Robert Kelsall Manuscript 494, f. 98) [356; 113]
- Tweed Side. MacLean., Tweed Side (from MacFarlane Manuscript 2 209, p. 252) [156; 113]
- Preludio to Tweedside by A. Monro, Preludio to Tweed Side (from McGibbon Manuscript 65, p. 42) [1122; 3321]
- Tweedside by Mr McLean, Tweed Side by McLean (from McGibbon Manuscript 83, p. 53) [156; 113]
- Tweed Syde, Tweed Side (from James Knox Manuscript 111, f. 30) [15L6L; 113]
- Tweedsyde, Tweed Side (from James Knox Manuscript 217, f. 56) [156; 113]
Tweed Side Robert Kelsall Manuscript 246, f. 43 C 3/4 3/4 2 no no 156 113 1H56 1H1H3H
Tweed-side

- Down tweedsead, Down Tweed Side (from Gairdyn Manuscript 81, f. 13) [None; None]
- Tweedside, Tweed Side (from Cuming Manuscript 33, p. 48) [156; 113]
- Tweed Side, Tweed Side (from Robert Kelsall Manuscript 246, f. 43) [156; 113]
- Tweed Side. MacLean., Tweed Side (from MacFarlane Manuscript 2 209, p. 252) [156; 113]
- Preludio to Tweedside by A. Monro, Preludio to Tweed Side (from McGibbon Manuscript 65, p. 42) [1122; 3321]
- Tweedside by Mr McLean, Tweed Side by McLean (from McGibbon Manuscript 83, p. 53) [156; 113]
- Tweed Syde, Tweed Side (from James Knox Manuscript 111, f. 30) [15L6L; 113]
- Tweedsyde, Tweed Side (from James Knox Manuscript 217, f. 56) [156; 113]
Tweed Side Robert Kelsall Manuscript 494, f. 98 G 3/4 3/4 2 no no 356 113 35L6L 113
[untitiled]
Could be 2nd part of Kelsall 10.
Untitled Robert Kelsall Manuscript 11, f. 5v F 6/4 6/8 no no 1543 5164 1543 51H64
[Untitled]
Untitled Robert Kelsall Manuscript 137, f. 23 D ♯♯ ♯♯ 2 no no 1234 5312 1H2H3H4H 5H3H1H2H
[Untitled]
Untitled Robert Kelsall Manuscript 138, f. 23 D 6/4 6/4 2 no no 3527 3527 3bH5H2H7 3bH5H2H7
Up wt Aily A Country dance
Up with Aily Robert Kelsall Manuscript 77, f. 14 D ♯♯ ♯♯ 9/4 9/4 2 no no 155 154 155 154
Va tacito in Julius Cesar Primo
Aria from Handel's Giulio Cesare (HWV 17). Setting for two trebles. Second treble on f. 71
Va Tacito Robert Kelsall Manuscript 381, f. 70v D ♯♯ ♯♯ no yes 2231 4443 2H2H3H1H 4H4H4H3H
Vain Belinda
Vain Belinda Robert Kelsall Manuscript 423, f. 80v G 2/4 2/4 2 no no 1531 5433 1531 5433
Veni Puer
Veni Puer Robert Kelsall Manuscript 207, f. 33v D ♯♯ ♯♯ 2/4 2/4 no no 1510 1231 1510 1231
Vicar of Taunton Dean
Vicar of Taunton Dean Robert Kelsall Manuscript 157, f. 26 G ♭♭ ♭♭ 6/4 6/4 2 no no 1324 1315 13b24 13b15
Vinto l'amor by Mr Handel
Aria "Vinto è l'Amor" from Handel's Ottone (HWV 15).
Vinto è l'Amor Robert Kelsall Manuscript 401, f. 77 G C C no no 1271 3520 1H2H71 3520
Violin Solo
Marked "Lentement" Title from index. Chaconne-like variations, rather than divided into clear strains.
Violin Solo Robert Kelsall Manuscript 224, f. 39v A ♯♯♯ ♯♯♯ 3/4 3/4 yes no 511 775 51H1 775
Signr Nicholas's Famous Trumpet tune
Nicholas Matteis, "Violino Solo, ad imitatione della Trombetta", Ayres for the Violin, Vol 2, 66.
Violino Solo, ad imitatione della Trombetta Robert Kelsall Manuscript 630, f. 130v D ♯♯ ♯♯ Ͼ 12/8 12/8 10 no no 0111 1111 0111 1111
Sonata Violino Solo Preludio Andante
Vivaldi Sonata in G Minor Op 2 no 2 (RV 27) i. Preludio
Vivaldi Sonata in G Minor Op 2 no 2 i. Preludio Robert Kelsall Manuscript 296, f. 52v G C C 2 no no 1234 5277 123b4 527L7L
Allegro
Vivaldi Sonata in G Minor Op 2 no 2 (RV 27) ii. Giga
Vivaldi Sonata in G Minor Op 2 no 2 ii. Giga Robert Kelsall Manuscript 297, f. 52v G 6/8 6/8 2 no no 1231 3453 1H2H3bH1H 3bH4H5H3bH
Largo Sarabanda
Vivaldi Sonata in G Minor Op 2 no 2 (RV 27) iii. Sarabanda
Vivaldi Sonata in G Minor Op 2 no 2 iii. Sarabanda Robert Kelsall Manuscript 298, f. 53 G 3/4 3/4 2 no no 111 711 11H1H 71H1H
Allegro Corrente
Vivaldi Sonata in G Minor Op 2 no 2 (RV 27) iv. Corrente
Vivaldi Sonata in G Minor Op 2 no 2 iv. Corrente Robert Kelsall Manuscript 299, f.53 G 3/8 3/8 2 no no 33 255 03b3b 255L
Violino Primo Allegro Concerto di Antonio Vivaldi
Solo part of Antonio Vivaldi, Violin Concerto in A Major, i. Allegro (RV 519).

- Concerto. Vivaldi Violino primo del Concertino. IV. Allegro, Vivaldi, Violin Concerto in A Major, i. Allegro (from McGibbon Manuscript 15, p. 12) [1110; 1111]
Vivaldi, Violin Concerto in A Major, i. Allegro Robert Kelsall Manuscript 648, f. 139v A ♯♯♯ ♯♯♯ C C no no 1110 1111 1110 11L11L
Largo Solo - Cantabile
Solo part of Antonio Vivaldi, Violin Concerto in A Major, ii. Solo é Cantabile Largo (RV 519).

- Solo é cantabile, Vivaldi, Violin Concerto in A Major, ii. Solo é Cantabile Largo (from McGibbon Manuscript 16, p. 13) [0055; 4430]
Vivaldi, Violin Concerto in A Major, ii. Solo é Cantabile Largo Robert Kelsall Manuscript 649, f. 141 A ♯♯♯ ♯♯♯ C C no no 0055 4430 0055 4430
Allegro
Solo part of Antonio Vivaldi, Violin Concerto in A Major, iii. Allegro (RV 519).

- Allegro, Vivaldi, Violin Concerto in A Major, iii. Allegro (from McGibbon Manuscript 17, p. 14) [031; 275]
Vivaldi, Violin Concerto in A Major, iii. Allegro Robert Kelsall Manuscript 650, f. 142 A ♯♯♯ ♯♯♯ 3/4 3/4 no no 031 275 031 27L5
Weavers Hornpipe
1 strain tune + 3 variations.
Weaver's Hornpipe Robert Kelsall Manuscript 516, f. 107 D ♯♯ ♯♯ 3/2 3/2 4 no no 155 241 155 24H1H
[Weydiman's Minuet]
This tune is notated twice - this version is likely for violin, with lots of string crossing and low writing on G string.

- Minuet, Weideman’s Minuet (from Robert Kelsall Manuscript 418, f. 80) [564; 211]
- Weydiman's Minuet, Weideman's Minuet (from Robert Kelsall Manuscript 524, f. 108v) [564; 211]
- [Weydiman’s Minuet], Weideman's Minuet (from James Knox Manuscript 222, f. 57) [564; 211]
Weideman's Minuet Robert Kelsall Manuscript 523, f. 108v G 3/4 3/4 2 no no 564 211 564 211
Weydiman's Minuet
This tune is notated twice - this version is likely for flute or recorder. Removes violinistic writing and transposes low notes up an octave.

- Minuet, Weideman’s Minuet (from Robert Kelsall Manuscript 418, f. 80) [564; 211]
- [Weydiman's Minuet], Weideman's Minuet (from Robert Kelsall Manuscript 523, f. 108v) [564; 211]
- [Weydiman’s Minuet], Weideman's Minuet (from James Knox Manuscript 222, f. 57) [564; 211]
Weideman's Minuet Robert Kelsall Manuscript 524, f. 108v G 3/4 3/4 2 no no 564 211 564 211
Minuet

- [Weydiman's Minuet], Weideman's Minuet (from Robert Kelsall Manuscript 523, f. 108v) [564; 211]
- Weydiman's Minuet, Weideman's Minuet (from Robert Kelsall Manuscript 524, f. 108v) [564; 211]
- [Weydiman’s Minuet], Weideman's Minuet (from James Knox Manuscript 222, f. 57) [564; 211]
Weideman’s Minuet Robert Kelsall Manuscript 418, f. 80 D ♯♯ ♯♯ 3/4 3/4 2 no no 564 211 5H6H4H 2H1H1H
march
Missing key signature. Almost exactly concordant with MacFarlane version - but only one double barline here (essentially also has 5 strains).

- Welsh Sibell, Welsh Sibell (from MacFarlane Manuscript 3 172, p. 135) [1122; 3313]
Welsh Sibell Robert Kelsall Manuscript 590, f. 121v D ♯♯ 2 no no 1122 3313 1H1H2H2H 3H3H1H3H
What Shall he have yt kill's ye Deer Primo
Setting for two trebles. Second treble on f. 75.
What Shall He Have That Kill's the Deer Robert Kelsall Manuscript 394, f. 74v D ♯♯ ♯♯ 3/4 3/4 2 no no 543 432 5H4H3H 4H3H2H
What Shall I do to Shew how Much I love her
Song by Henry Purcell from his music for Dioclesian (Z.627). Bar 1 is notated incorrectly - index and alt index reconstructed from original tune.

- What shall I doe to show, What Shall I Do to Show How Much I Love Her (from Gairdyn Manuscript 84, f. 14) [None; None]
- What shall I do to show, What Shall I Do to Show How Much I Love Her (from Thomson Manuscript 17, p. 12) [312; 771]
- What shall I do to show how much I love her?, What Shall I Do to Show How Much I Love Her (from MacFarlane Manuscript 2 249, p. 288) [312; 771]
- What shall I do to show how much I love her, What Shall I Do to Show How Much I Love Her (from McGibbon Manuscript 20, p. 15) [312; 771]
What Shall I Do to Show How Much I Love Her Robert Kelsall Manuscript 436, f. 82v D 6/4 2 no no 5742
Alt. index 1: 512 (Alt index given as if ts is 3/4)
5311
Alt. index 2: 512 (Alt index given as if ts is 3/4)
5H74H2H
Alt. index 1: 5H1H2H (Alt index given as if ts is 3/4)
5H3bH1H1H
Alt. index 2: 771 (Alt index given as if ts is 3/4)
When first I saw her charming face.
In two sections: 6/4 & C [backwards]. Song by John Eccles, from the play "The Surpriz'd Lovers". Concordances (other): "A Song in the Surpriz'd Lovers Set by Mr John Eccles Sung by Mr Bowman and exactly engrav'd by Tho: Cross" (1700). RISM A/I E 305; EE 305.
When First I Saw Her Charming Face Robert Kelsall Manuscript 12, f. 6 F 6/4 6/4 no no 1362 1423 1H362 1423
When Thirsis did Dorinda woe
Probably "When Thirsis did Dorinda woe. A song" by George Martin [RISM A/I M 772]
When Thirsis Did Dorinda Woe Robert Kelsall Manuscript 7, f. 4v C ♭♭♭ ♭♭♭ C C no no 1511 3322 1H51H1H 3bH3bH2H2H
When ye whole world amazed on our leadin heroe gaz’d
Trumpet like writing at the beginning. Looks like another piece from opera or stage, possibly early 18th century. Lots of changes of metre.
When the Whole World Amazed On Our Leading Hero Gazed Robert Kelsall Manuscript 3, f. 3v D ♯♯♯ ♯♯♯ 3/4 3/4 no no 111 110 111 110
A Song
With words.
While I'm a Pleading Your Beauty Robert Kelsall Manuscript 478, f. 92 A 3 3/4 no no 331 531 3b3b1 53b1
White heart hornpipe
White Heart Hornpipe Robert Kelsall Manuscript 633, f. 131v A ♯♯♯ ♯♯♯ 3/2 3/2 4 yes no 114 727 114 7L27L
[untitled]
With words.
Why Does My Heart Robert Kelsall Manuscript 479, f. 92v B♭ ♭♭ ♭♭ 3/4 3/4 no no 112 334 112 334
A Song
Song beginning "Why, why must I feel ye dart & you despise me". With words.
Why, why must I feel the dart Robert Kelsall Manuscript 380, f. 70 C 3/4 3/4 2 no no 555 565 5H5H5H 5H6H5H
Wiggans Lane
Hornpipe + variations
Wigan's Lane Robert Kelsall Manuscript 37, f. 9v D 3/2 3/2 6 yes no 152 723 1H52 7b2H3
Wood Lark

- Couterdance Juconne +, Contredanse Juconne (from Cameron Manuscript 170, p. 42) [3127; 1551]
- Wood Lark, Wood Lark (from MacFarlane Manuscript 2 223, p. 271) [3127; 1551]
Wood Lark
Title (alternative): Contredanse Juconne
Robert Kelsall Manuscript 444, f. 83v F 2 no no 3127 1551 3H1H2H7 1H551H
Symphony in Thomyris Would you charm us
First violin part for a song from the pasticcio opera Thomyris (1707), with music by Bononcini and others.
Would You Charm Us Robert Kelsall Manuscript 331, f. 60v G no no 0055 3155 0055 3155
Ye Gentle gales
Probably a song by John Eccles. Concordances (other): "Ye gentle gentle gentle gales. A song" (London: Tho: Cross). RIS A/I E 334; EE334.
Ye Gentle Gales Robert Kelsall Manuscript 13, f. 6 C 3/4 3/4 no no 176 543 1H76 543
young Jemmy
Young Jemmy Robert Kelsall Manuscript 526, f. 109 D 2 no no 3235 1133 3b23b5 1H1H3bH3bH
A Song. loords by Mr Wilks. Set by Mr Carey
Concordances (other): "Young Philocet and Celia Met. The Words by Mr. Wilks. Set by Mr Carey", The Musical Miscellany, vol 3, 68.
Young Philocet and Celia Met Robert Kelsall Manuscript 489, f. 96 D 3/4 3/4 2 no no 516 516 51H6b 51H6b
[untitled]
[untitled] Robert Kelsall Manuscript 435, f. 82v A 6/4 6/4 2 no no 1435 3751 143b5 3b7L5L1
[untitled]
[untitled] Robert Kelsall Manuscript 499, f. 101 G 2 no no 5122 1344 5L122 1344
[untitled]
[untitled] Robert Kelsall Manuscript 557, f. 114 G C C 1 no no 3112 4351 3112 4351H
[untitled]
untitled Robert Kelsall Manuscript 438, f. 82v D 2 no no 5112 7755 5H1H1H2H 7755
[untitled]
untitled Robert Kelsall Manuscript 440, f. 83 D 3/4 2 no no 517 112 51H7 1H1H2H