Manuscript Tune Index
by Aaron McGregor
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Manuscript: Newbattle Violin Manuscript 2
Title (source) | Title (standardised) | Source | Key note | Key signature | KS (edited) | Time signature | TS (edited) | Strains | Variations | Bass | Index 1 | Index 2 | Index 1 (long) | Index 2 (long) |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
A health to Beattie
Comments
English broadside tune. Seems to be a variation on the passamezzo antico - possible chord sequence: g F | g F | Bflat F | B flat | B flat | F | g F | g F |
|
A Health to Beattie | Newbattle Violin Manuscript 2 28, f. 13 | G | ♭ | ♭ | 3 | 6/4 | 1 | no | no | 1732 | 3475 | 17L32 | 3475 |
[A theatre dance]
Comments
Incomplete copy of the following piece.
Concordances
- A theatre dance, A Theatre Dance (from Newbattle Violin Manuscript 2 14, f. 5) [1613; 5421]
|
A Theatre Dance | Newbattle Violin Manuscript 2 13, f. 4v | B♭ | ♭♭ | ♭♭ | 3 | 6/4 | 2 | no | no | 1613 | 5421 | 16L13 | 5421 |
A theatre dance
Concordances
- [A theatre dance], A Theatre Dance (from Newbattle Violin Manuscript 2 13, f. 4v) [1613; 5421]
|
A Theatre Dance | Newbattle Violin Manuscript 2 14, f. 5 | B♭ | ♭♭ | ♭♭ | 3 | 6/4 | 2 | no | no | 1613 | 5421 | 16L13 | 5421 |
A theatre dance
|
A Theatre Dance | Newbattle Violin Manuscript 2 15, f. 6 | D | ♭ | ♭ | 3 | 6/4 | 2 | no | no | 3257 | 6455 | 3bH2H5H7 | 6b455 |
Black J[ack]
Comments
Page cut off, but doesn’t look much like "Black Jock" tune of 18th century. Index2 not possible (part of page cut off).
|
Black Jack | Newbattle Violin Manuscript 2 40, f. 19 | F | ♭ | ♭ | 6/4 | 1 | no | no | 5142 | 5142 | |||
Borie
|
Bourée | Newbattle Violin Manuscript 2 5, f. 1v | D | ₵ | ₵ | 2 | no | no | 3455 | 3455 | 3bH4H5H5H | 3bH4H5H5H | ||
Boree ffountainBleau
Concordances
- Borrie ffountaine Blowe, Bourée Fountainbleau (from Panmure Violin Manuscript 1 26, f. 12) [5511; 3343]
|
Bourée Fountainbleau | Newbattle Violin Manuscript 2 19, f. 8 | F | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 1133 | 4321 | 1H1H3H3H | 4H3H2H1H |
Bore Versail
Comments
Concordances (other): “Bore Versale”, Apollo’s Banquet, II, no 9.
|
Bourée Versailles | Newbattle Violin Manuscript 2 12, f. 4 | D | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 1234 | 5644 | 1H2H3bH4H | 5H6bH4H4H |
New Corn Rigs
Concordances
- New Corn riggs, Corn Riggs (from Panmure Violin Manuscript 1 56, f. 27) [1332; 7221]
- Corn riggs, Corn Riggs (from Gairdyn Manuscript 31, f. 4) [1132; 7725] - [Corn Riggs], Corn Riggs (from Cuming Manuscript 32, p. 45) [1342; 7725] - Corn Riggs or Sawney was tall, Corn Riggs (from Robert Kelsall Manuscript 647, f. 138v) [1112; 7775] - Corn Riggs, Corn Riggs (from MacFarlane Manuscript 3 288, p. 274) [1342; 7775] |
Corn Riggs Title (alternative): Corn Riggs Are Bonny; Sandie Shall Never Be My Love Again; Sawney Was Tall and of Noble Race |
Newbattle Violin Manuscript 2 31, f. 14v | C | ₵ [backwards] | ₵ | 2 | no | no | 1132 | 7725 | 1H1H3H2H | 772H5 | ||
New donnald Cupper
Comments
2 strain tune + 1 variation. Concordances (other): “The Duke of Bucclugh’s Tune”, Playford Apollo's Banquet (1687), I, 114. “Daniel Cowper”, Playford DM (9/1695), p. 169. “Donald Coupar by mr Beck”, Balcarres pp. 66-67.
Concordances
- Donald Couper, Donald Coupar (from Newbattle Violin Manuscript 2 42, f. 19v) [None; None]
- Donald Couper, Donald Coupar (from Gairdyn Manuscript 6, f. 1v) [1245; 3356] - Donald Cooper. D.Y., Donald Coupar (from MacFarlane Manuscript 2 116, p. 176) [6162; 6531] - Donald Couper, Donald Coupar (from Newbattle Violin Manuscript 2 42, f. 19v) [None; None] - Donald Couper, Donald Coupar (from Gairdyn Manuscript 6, f. 1v) [1245; 3356] - Daniel Cowper, Daniel Coupar (from Robert Kelsall Manuscript 172, f. 27v) [5116; 6225] - Daniel Coupper, Daniel Coupar (from Cameron Manuscript 254, p. 61) [5116; 6225] - Donald Cooper. D.Y., Donald Coupar (from MacFarlane Manuscript 2 116, p. 176) [6162; 6531] |
Donald Coupar Title (alternative): The Duke of Buccleuch's Tune |
Newbattle Violin Manuscript 2 32, f. 15 | G | ₵ [backwards] | ₵ | 4 | yes | no | 1111 | 2222 | 1111 | 2222 | ||
Donald Couper
Comments
Front of page cut off. Index not possible.
Concordances
- New donnald Cupper, Donald Coupar (from Newbattle Violin Manuscript 2 32, f. 15) [1111; 2222]
- Donald Couper, Donald Coupar (from Gairdyn Manuscript 6, f. 1v) [1245; 3356] - Donald Cooper. D.Y., Donald Coupar (from MacFarlane Manuscript 2 116, p. 176) [6162; 6531] - New donnald Cupper, Donald Coupar (from Newbattle Violin Manuscript 2 32, f. 15) [1111; 2222] - Donald Couper, Donald Coupar (from Gairdyn Manuscript 6, f. 1v) [1245; 3356] - Daniel Cowper, Daniel Coupar (from Robert Kelsall Manuscript 172, f. 27v) [5116; 6225] - Daniel Coupper, Daniel Coupar (from Cameron Manuscript 254, p. 61) [5116; 6225] - Donald Cooper. D.Y., Donald Coupar (from MacFarlane Manuscript 2 116, p. 176) [6162; 6531] |
Donald Coupar | Newbattle Violin Manuscript 2 42, f. 19v | ₵ | 2 | no | no | ||||||||
[untitled]
|
Exercise | Newbattle Violin Manuscript 2 6, f. 1v | no | no | ||||||||||
Jannet drinks no water
Comments
Concordances (other): “Iennet drinks no water”, John Skene lute-book, pp. 61-2. “Janet drinks no water, Jean mores way, by mr beck”, Balcarres, p. 126; “Janet Drinks no water”, Crockat MS, f.12.
Concordances
- Jannet drinks no Water, Jannet Drinks No Water (from MacFarlane Manuscript 2 106, p. 149) [1611; 2223]
|
Janet Drinks No Water | Newbattle Violin Manuscript 2 29, f. 13v | C | ₵ | ₵ | 2 | yes | no | 1611 | 2226 | 1H61H1H | 2H226 | ||
Jigg
|
Jig | Newbattle Violin Manuscript 2 30, f. 14 | G | ♭♭ | ♭♭ | 3 | 6/4 | 2 | no | no | 1177 | 2465 | 1H1H7b7b | 2465 |
The Galleard
Comments
Tune begins on last system of f. 6v, then are continues at the bottom of f. 7, below "Menuet Dolphin". According to Matthew Spring, this was composed by Artus Leborgne (d. 1668) one of the 24 violons du Roi (see Spring, Balcarres, II, 282). Concordances (other): “La galliardo”, Playford AB, no 193 (vn). “la Galliard, mr gallots way”, Balcarres, p. 37.
Concordances
- La galliard, La Galliard (from Panmure Ensemble Part Books 60, f. 42) [1177; 1133]
|
La Galliard | Newbattle Violin Manuscript 2 16, f. 6v | G | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 1177 | 1133 | 1H1H77 | 1H1H3bH3bH |
Menneways
|
Minuet | Newbattle Violin Manuscript 2 18, f. 7v | D | ♯♯ | ♯♯ | 3 | 3/4 | 2 | no | no | 313 | 543 | 3H1H3H | 5H4H3H |
Menneways
|
Minuet | Newbattle Violin Manuscript 2 20, f. 8v | C | 3 | 6/4 | 2 | no | no | 5321 Alt. index 1: 544 (Alt index given as if ks is 3/4) |
2321 Alt. index 2: 331 (Alt index given as if ks is 3/4) |
5H3H2H1H Alt. index 1: 5H4H4H (Alt index given as if ks is 3/4) |
2H3H2H1H Alt. index 2: 3H3H1H (Alt index given as if ks is 3/4) |
||
Menneways
|
Minuet | Newbattle Violin Manuscript 2 21, f. 9 | C | 3 | 6/4 | 2 | no | no | 1563 Alt. index 1: 131 (Alt index given as if ks is 3/4) |
5467 Alt. index 2: 555 (Alt index given as if ks is 3/4) |
1H5H6H3H Alt. index 1: 1H3H1H (Alt index given as if ks is 3/4) |
5H4H67 Alt. index 2: 5H5H5H (Alt index given as if ks is 3/4) |
||
Menneways
|
Minuet | Newbattle Violin Manuscript 2 22, f. 9v | C | 3 | 6/4 | 2 | no | no | 3215 Alt. index 1: 331 (Alt index given as if ks is 3/4) |
3334 Alt. index 2: 277 (Alt index given as if ks is 3/4) |
3H2H1H5H Alt. index 1: 3H3H1H (Alt index given as if ks is 3/4) |
3H3H3H4H Alt. index 2: 2H77 (Alt index given as if ks is 3/4) |
||
Menneways
|
Minuet | Newbattle Violin Manuscript 2 23, f. 10 | C | 3 | 3/4 | 2 | no | no | 113 | 552 | 1H1H3H | 5H5H2H | ||
Meneut Dolphin
Comments
Concordances (other): "Menuet Dolphin”, Apollo’s Banquet II, no 8.
Concordances
- Minuet Dolfin, Minuet Dolphin (from Gairdyn Manuscript 182, f. 23) [; ]
- Minuet Dolfine, Minuet Dolphin (from Gairdyn Manuscript 184, f. 23) [; ] |
Minuet Dolphin | Newbattle Violin Manuscript 2 17, f. 7 | D | ♭ | ♭ | 3 | 6/4 | 2 | no | no | 1355 Alt. index 1: 122 (Alt index given as if ks is 3/4) |
1355 Alt. index 2: 331 (Alt index given as if ks is 3/4) |
1H3bH5H5H Alt. index 1: 1H2H2H (Alt index given as if ks is 3/4) |
1H3bH5H5H Alt. index 2: 3bH3bH1H (Alt index given as if ks is 3/4) |
My Derrie and thou die
Comments
Variations: 1 strain tune + 2 variations. Concordances (other): “My Dearie an Thou Dye, Jean More's Way, by Mr Beck”, Balcarres 68, p. 36.. “My dearie, an thou dye, John morisons way, by mr Beck”, Balcarres 69, p. 36. “My Dearie and thou die”, Craig Scots Tunes (1730).
Concordances
- My dirie an't thou die, My Dearie An Thou Die (from Gairdyn Manuscript 394, f. 54v) [; ]
- My Dearie an thou die. Disblair, My Dearie an Thou Die (from MacFarlane Manuscript 2 78, p. 126) [3777; 5311] |
My Dearie an Thou Die | Newbattle Violin Manuscript 2 27, f. 12v | C | ₵ | ₵ | 3 | yes | no | 1555 | 5553 | 1H555 | 5553H | ||
Preludem
Comments
Composer: [Davis Mell].
Concordances
- prelud Mr Mell, Prelude by Davis Mell (from Panmure Violin Manuscript 1 8, f. 3v) [1512; 3355]
|
Prelude by Davis Mell | Newbattle Violin Manuscript 2 26, f. 12 | B♭ | ♭♭ | ♭♭ | ₵ | ₵ | 1 | no | no | 1512 | 3355 | 15L12 | 3355 |
[untitled]
|
Scale | Newbattle Violin Manuscript 2 1, f. 1 | no | no | ||||||||||
[untitled]
|
Scale | Newbattle Violin Manuscript 2 2, f. 1 | no | no | ||||||||||
[untitled]
|
Scale | Newbattle Violin Manuscript 2 3, f. 1v | no | no | ||||||||||
[untitled]
|
Scale | Newbattle Violin Manuscript 2 4, f. 1v | no | no | ||||||||||
[untitled]
Comments
short technical exercise - broken scale on G.
|
Scale | Newbattle Violin Manuscript 2 8, f. 2v | no | no | ||||||||||
The Chacelors delight
Comments
Front of page cut off, but clearly matches tune of other concordances. Concordances (other): "The Chanchlers Ayre”, Cockburn MS, no 41 (lyra-viol); “Rothes Rant, John Morisons Way, by mr Beck”, Balcarres 65; “Rothes Rant, My daughters way, by mr Beck”, Balcarres 66.
|
The Chancellor's Delight Title (alternative): Chancellor's Air; My Rothes Air; Rothes Rant |
Newbattle Violin Manuscript 2 41, f. 19v | 6/4 | 2 | no | no | ||||||||
The Duck of Orleans March
Comments
Petite-Reprise marked in with :s: sign for last 4 bars. Ornaments written by trem marks on stem of notes
|
The Duke of Orleans' March | Newbattle Violin Manuscript 2 7, f. 2 | D | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 3332 | 2211 | 3H3H3H2H | 2H2H1H1H |
The Duck of Richmonds March
|
The Duke of Richmond's March | Newbattle Violin Manuscript 2 11, f. 3v | D | ♯♯ | ♯♯ | ₵ [backwards] | ₵ | 2 | no | no | 3342 | 3511 | 3H3H4H2H | 3H5H1H1H |
[The Glory Islington]
Comments
Concordances (other): “A Theater Jigg”, Apollo’s Banquet I, no 31.
Concordances
- The Glory Isslington, The Glory Islington (from Newbattle Violin Manuscript 2 10, f. 3) [3211; 3244]
|
The Glory Islington | Newbattle Violin Manuscript 2 9, f. 2v | B♭ | ♭♭ | ♭♭ | 3 | 6/4 | 2 | no | no | 3211 | 3244 | 3211 | 3244 |
The Glory Isslington
Comments
A copy of the previous tune, in a different hand, but fixing some mistakes. There is lots of bleed from ink on following page, making it very difficult to read. Concordances (other): “A Theater Jigg”, Apollo’s Banquet I, no 31.
Concordances
- [The Glory Islington], The Glory Islington (from Newbattle Violin Manuscript 2 9, f. 2v) [3211; 3244]
|
The Glory Islington | Newbattle Violin Manuscript 2 10, f. 3 | B♭ | ♭♭ | ♭♭ | 3 | 6/4 | 2 | no | no | 3211 | 3244 | 3211 | 3244 |
The Gowone
|
The Gowone | Newbattle Violin Manuscript 2 24, f. 10v | F | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 3317 Alt. index 1: 2776 (Alt index given as if key note is G) |
1111 Alt. index 2: 7777 (Alt index given as if key note is G) |
3117L Alt. index 1: 27L7L6L (Alt index given as if key note is G) |
1111 Alt. index 2: 7L7L7L7L (Alt index given as if key note is G) |
[untitled]
Comments
Some of the page is missing. Top part of the first of the "Short and Easie Ayres Designed For Learners" (treble & bass) in Christopher Simpson's The Principles of Practical Musick (1665), p. 45.
Concordances
- [untitled], Untitled (1) (from Panmure Ensemble Part Books 1, f. 1v) [3322; 3332]
|
Untitled | Newbattle Violin Manuscript 2 33, f. 16 | G | ₵ | ₵ | 2 | no | no | 3322 | 3332 | 3322 | 3332 | ||
[untitled]
Comments
Half of page cut off. This is the top treble part of the three-part arrangement in the Panmure Ensemble part books of Air number 3 in the "Short and Easie Ayres Designed For Learners" (treble & bass only) in Christopher Simpson's The Principles of Practical Musick (1665), p. 47. In the Panmure arrangement, the second treble part-book contains the original from Simpson's piece, and the first treble book has a new voice.
Concordances
- [untitled], Untitled (from Panmure Ensemble Part Books 2, f. 1v) [555; 666]
|
Untitled | Newbattle Violin Manuscript 2 34, f. 16 | G | Ͼ/3 | 3/2 | 2 | no | no | 555 | 666 | 555 | 666 | ||
[untitled]
Comments
Half of page cut off. Index reconstructed from Panmure Ensemble MS. Matches the top part of the Panmure arranement of no. 2 of the "Short and Easie Ayres Designed For Learners" (treble & bass only) in Christopher Simpson's The Principles of Practical Musick (1665), p. 46.
Concordances
- [untitled], Untitled (from Panmure Ensemble Part Books 3, f. 1v) [5555; 3355]
- [untitled], Untitled (from Panmure Ensemble Part Books 3, f. 1v) [5555; 3355] |
Untitled | Newbattle Violin Manuscript 2 35, f. 16v | G | ₵ | ₵ | 2 | no | no | 5555 | 3355 | 5555 | 3355 | ||
[untitled]
Comments
This matches the top part of the three part arrangement in the Panmure Ensemble part books of no. 6 of the "Short and Easie Ayres Designed For Learners" (treble & bass only) in Christopher Simpson's The Principles of Practical Musick (1665), p. 50. Simpson printed version is a tone lower.
Concordances
- [untitled], Untitled (from Panmure Ensemble Part Books 4, f. 2) [1117; 6651]
|
Untitled | Newbattle Violin Manuscript 2 36, f. 16v | C | ₵ | 2 | no | no | 1117 | 6651 | 1H1H1H7 | 6651H | |||
[untitled]
Comments
Half of page cut off. "5" below the top stave, under the clef. Top part of three part air in the Panmure Ensemble part books, in the style of the other three part arrangements of the "Short and Easie Ayres Designed For Learners" in Christopher Simpson's The Principles of Practical Musick (1665).
Concordances
- [untitled], Untitled (from Panmure Ensemble Part Books 5, f. 2) [3332; 3333]
|
Untitled | Newbattle Violin Manuscript 2 37, f. 17 | C | ₵ | 2 | no | no | 3332 | 3333 | 3H3H3H2H | 3H3H3H3H | |||
[untitled]
Comments
Half of page cut off. Top part of three part air in the Panmure Ensemble part books, in the style of the other three part arrangements of the "Short and Easie Ayres Designed For Learners" in Christopher Simpson's The Principles of Practical Musick (1665).
Concordances
- [untitled], Untitled (from Panmure Ensemble Part Books 6, f. 2v) [0011; 3333]
|
Untitled | Newbattle Violin Manuscript 2 38, f. 18 | C | ₵ | ₵ | 2 | no | no | 0011 | 3333 | 001H1H | 3H3H3H3H | ||
[untitled]
Comments
Index2 not possible (some of page is cut off).
|
Untitled | Newbattle Violin Manuscript 2 39, f. 19 | D | 6/4 | 2 | no | no | 3435 | 3b435 | |||||
Willie Winkie
Comments
1 strain tune + 2 variations.
Concordances
- Willie Winkie’s Testament, Willie Winkie’s Testament (from Cuming Manuscript 4, p. 6) [5332; 2266]
- Willie Winkie’s Testmt, Willie Winkie’s Testament (from MacFarlane Manuscript 3 60, p. 47) [5326; 5651] - Willie Winkie’s Testament, Willie Winkie’s Testament (from Cuming Manuscript 4, p. 6) [5332; 2266] - Willie Winkie’s Testmt, Willie Winkie’s Testament (from MacFarlane Manuscript 3 60, p. 47) [5326; 5651] |
Willie Winkie's Testament | Newbattle Violin Manuscript 2 25, f. 11 | F | ♭ | ♭ | ₵ | 3 | yes | no | 5131 | 2266 | 5131 | 226L6L |