Manuscript Tune Index
by Aaron McGregor
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Manuscript: Drummond Castle Manuscript 2
Title (source) | Title (standardised) | Source | Key note | Key signature | KS (edited) | Time signature | TS (edited) | Strains | Variations | Bass | Index 1 | Index 2 | Index 1 (long) | Index 2 (long) |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Ardkinglas’s Reel
Concordances
- An Caora cròm, An Caora Cròm (from MacFarlane Manuscript 2 199, p. 239) [5127; 5143]
|
Ardkinglas’s Reel Title (alternative): An Caora Cròm |
Drummond Castle Manuscript 2 29 | G | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 5127 | 5143 | 5L127bL | 5L143b |
Every body loves me
Comments
Phrase lengths: 4+6 bars.
Concordances
- A’Body loo’s me, A’ Body Loo's Me (from Young-Bodleian 6, f. 10) [1162; 1133]
- A’ body loo’s me, A’ Body Loo's Me (from MacFarlane Manuscript 2 180, p. 231) [1161; 1133] |
A’ Body Loo's Me | Drummond Castle Manuscript 2 22 | D | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1152 | 1133 | 1H1H62H | 1H1H3H3H |
Balmoral’s Rant
|
Balmoral’s Rant | Drummond Castle Manuscript 2 6 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1326 | 1343 | 1326L | 1343 |
Baxter’s Rant
Concordances
- Baxter’s Rant, Baxter’s Rant (from MacFarlane Manuscript 2 189, p. 235) [5542; 1535]
|
Baxter’s Rant | Drummond Castle Manuscript 2 27 | A | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 5542 | 1135 | 5L5L42 | 1135 |
Beggar Reel
Concordances
- [The Drummer], The Drummer (from Gairdyn Manuscript 42, f. 4v) [1355; 7724]
- [The Drummer], The Drummer (from Gairdyn Manuscript 45, f. 5v) [1355; 7724] - [The Drummer], The Drummer (from Gairdyn Manuscript 51, f. 6v) [1355; 7724] - The Drummer, The Drummer (from Gairdyn Manuscript 411, f. 58) [None; None] - The Drummer, The Drummer (from Young-Bodleian 5, f. 9) [5455; 7724] - The Drummer, The Drummer (from McGibbon Manuscript 151, p. 82) [1355; 7724] - The Drummer, The Drummer (from McGibbon Manuscript 193, p. 95) [1355; 7724] |
Beggar Reel Title (alternative): The Drummer |
Drummond Castle Manuscript 2 34 | A | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 5455 | 7724 | 545L5L | 7bL7bL24 |
Bridge of Turk
Comments
2 strain tune + 7 variations.
|
Bridge of Turk | Drummond Castle Manuscript 2 15 | A | ♯♯ | ♯♯ | ₵ | ₵ | 16 | no | no | 5571 | 4422 | 557b1H | 4422 |
Caper fei
Comments
2 strain tune + 1 variation.
Concordances
- Caberfei, Caber Feidh (from Young-Bodleian 12, f. 16) [1115; 1531]
- Caber-fei. D.Y., Caber Feidh (from MacFarlane Manuscript 2 113, p. 162) [1115; 1531] - Caberfei, Caber Feidh (from McGibbon Manuscript 84, p. 54) [1115; 1531] - Caperfie, Caber Feidh (from James Knox Manuscript 27, f. 14) [1115; 1531] |
Caber Feidh | Drummond Castle Manuscript 2 16 | C | ♯ | ♯ | ₵ | ₵ | 4 | yes | no | 1115 Alt. index 1: 7774 (Alt index given as if key note is D) |
1531 Alt. index 2: 7427 (Alt index given as if key note is D) |
1H1H1H5 Alt. index 1: 7b7b7b4 (Alt index given as if key note is D) |
1H531 Alt. index 2: 7b427bL (Alt index given as if key note is D) |
Cadger of Crief
Concordances
- A Measure, Cadger of Crief (from Gairdyn Manuscript 49, f. 6v) [5526; 5511]
- Y’ere the Lass that has the Geir & I am the Lad that Loes you &c., You're the Lass That Has the Gear (from George Skene Manuscript 23, f. 7v) [5526; 5511] - The Cadger o’ Crief, Cadger of Crief (from Young-Bodleian 9, f. 13) [5526; 5511] - Cadger of Crief, Cadger of Crief (from MacFarlane Manuscript 2 197, p. 239) [5526; 5511] |
Cadger of Crief Title (alternative): You're the Lass That Has the Gear; Back of the Change House |
Drummond Castle Manuscript 2 35 | D | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 3126 | 3355 | 3H1H2H6 | 3H3H5H5H |
Cockabendie
Concordances
- Cecoll Hen, Cockabendie (from Bowie Manuscript 41, f. 24v) [1122; 1161]
- Cock a Bendie, Cockabendie (from Young-Bodleian 28, f. 32) [1122; 1161] |
Cockabendie | Drummond Castle Manuscript 2 24 | F | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 1122 | 1161 | 1122 | 1161H |
Collar Reel
|
Collar Reel | Drummond Castle Manuscript 2 33 | A | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 1177 | 6451 | 1H1H7b7b | 6451 |
Corby Reel
|
Corby Reel | Drummond Castle Manuscript 2 32 | E | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 1272 | 5571 | 127bL2 | 557b1H |
Edinglassie’s Rant
|
Edinglassie’s Rant | Drummond Castle Manuscript 2 25 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1522 | 1555 | 1522 | 1555 |
Fettercairn Reel
Concordances
- Bob of Fettercairn, Bob of Fettercairn (from MacFarlane Manuscript 2 204, p. 242) [5151; 5175]
|
Fettercairn Reel Title (alternative): Bob of Fettercairn |
Drummond Castle Manuscript 2 13 | G | ♯♯ | ♯♯ | ₵ | ₵ | 8 | yes | no | 5151 Alt. index 1: 4747 (Alt index given as if key note is A) |
5575 Alt. index 2: 4464 (Alt index given as if key note is A) |
5151 Alt. index 1: 47bL47bL (Alt index given as if key note is A) |
5575 Alt. index 2: 4464 (Alt index given as if key note is A) |
Fireside Reel
Comments
2 strain tune + 1 variation.
Concordances
- The Fireside Reel, Fireside Reel (from Young-Bodleian 42, f. 46) [5322; 5353]
|
Fireside Reel | Drummond Castle Manuscript 2 11 | C | ₵ | ₵ | 4 | yes | no | 1522 | 1513 | 1H522H | 1H51H3H | ||
Four and twenty highlandmen
Comments
"Finis" marked at bottom of page.
Concordances
- Four and twenty Highlandmen, Four and Twenty Highlandmen (from MacFarlane Manuscript 2 175, p. 229) [5152; 5172]
- Killicrankie, Killiecrankie (from James Knox Manuscript 87, f. 26) [5152; 5172] |
Four and Twenty Highlandmen | Drummond Castle Manuscript 2 45 | A | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 5152 | 5172 | 5152 | 517bL2 |
Gairntully’s Rant
Comments
Concordances (other): "The Marquis of Lorn's Strathspey", Niel Gow 1st collection, 25.
Concordances
- Gairntullie’s Rant, Gairntully’s Rant (from MacFarlane Manuscript 2 120, p. 183) [3211; 2744]
- Stewarts rant, Stewart’s Rant (from James Knox Manuscript 64, f. 23v) [3211; 4744] |
Gairntully's Rant | Drummond Castle Manuscript 2 2 | D | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 3211 | 4744 | 3H2H1H1 | 47L44 |
Giliecallum
Comments
Variations: 2 strain tune + 4 variations. This tune is known primarily as the traditional tune for the sword dance in Highland dancing. Concordances (other): "Kheellum khallum taa fein", Bremner Second Collection of Scots Reels, 108.
Concordances
- Cuttie Spoon. D.Y., Cuttie Spoon (from MacFarlane Manuscript 2 191, p. 236) [1342; 1333]
|
Gillie Callum Title (alternative): Cuttie Spoon |
Drummond Castle Manuscript 2 10 | A | ♯♯ | ♯♯ | ₵ | ₵ | 10 | yes | no | 1332 | 1333 | 1332 | 1333 |
Glenbuchet’s Reel
|
Glenbuchet’s Reel | Drummond Castle Manuscript 2 5 | D | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1535 | 5424 | 1H535 | 5424 |
Grant’s Rant
Concordances
- Cromdel hill, Cromdale Hill (from Young-Bodleian 37, f. 41) [1132; 1113]
- Cromdail Hill, Cromdale Hill (from MacFarlane Manuscript 2 179, p. 231) [1122; 1113] |
Grant’s Rant Title (alternative): Cromdale Hill |
Drummond Castle Manuscript 2 38 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1122 | 1113 | 1122 | 1113 |
Harlequin Reel
Concordances
- Harlequin’s Reel, Harlequin’s Reel (from MacFarlane Manuscript 2 193, p. 237) [1151; 1372]
|
Harlequin's Reel | Drummond Castle Manuscript 2 37 | F | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 1151 | 1372 | 1151H | 137L2 |
Hatton Reel
Concordances
- Hatton Reel, Hatton Reel (from MacFarlane Manuscript 2 50, p. 99) [1557; 4445]
|
Hatton Reel | Drummond Castle Manuscript 2 41 | G | ₵ | ₵ | 2 | no | no | 1557 | 4644 | 1557b | 4644 | ||
Inverara Reel
|
Inverara Reel | Drummond Castle Manuscript 2 40 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1322 | 1313 | 1H322H | 1H31H3 |
Invercald’s Reel
|
Invercald’s Reel | Drummond Castle Manuscript 2 8 | D | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 5351 | 5355 | 5351 | 5355 |
Jolly Robin
Comments
2 strain tune + 4 variations. Very pibroch like, in that the main melodic skeleton is present throughout variations, but with different figuration.
Concordances
- Sleepy Maggie. D.Y., Sleepy Maggie (from MacFarlane Manuscript 2 27, p. 54) [5153; 5142]
- Sleepy Maggy, Sleepy Maggie (from James Knox Manuscript 96, f. 27v) [5113; 5172] |
Jolly Robin Title (alternative): Sleepy Maggie |
Drummond Castle Manuscript 2 17 | B | ♯♯ | ♯♯ | ₵ | ₵ | 10 | yes | no | 5153 | 5142 | 5153b | 5142 |
Kilmarnoch’s Reel
Comments
Possibly named for William Boyd, 3rd Earl of Kilmarnock. Interestingly, Kilmarnock fought on the Hannoverian side during the 1715 rebellion, including at the Battle of Sherriffmuir. This tune's alternate title celebrates the Jacobite victory at that battle. Concordances (other): "Will You Go To Sherriff Moor", Bremner Reels1, p. 49.
Concordances
- The Bonny lass beyond the Burn / Canity are ye there there, The Bonny Lass Beyond the Burn (from James Knox Manuscript 103, f. 28) [5122; 5144]
|
Kilmarnock’s Reel Title (alternative): Will You Go To Sherriffmuir; The Bonny Lass Beyond the Burn; Canity Are Ye There |
Drummond Castle Manuscript 2 19 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 5122 | 5144 | 5L122 | 5L144 |
Macfarlane’s Reel
Concordances
- MacFarlane’s Reel, MacFarlane’s Reel (from MacFarlane Manuscript 2 172, p. 228) [3526; 3521]
|
MacFarlane’s Reel | Drummond Castle Manuscript 2 36 | D | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 3526 | 3521 | 3H52H6 | 3H52H1H |
Merry Annie
Comments
6 bar phrases. 2 strain tune + 3 variations. Combination of pipe-inspired repeated notes and violinistic figures.
|
Merry Annie | Drummond Castle Manuscript 2 12 | E | ♯♯♯ | ♯♯♯ | ₵ | ₵ | 8 | yes | no | 1524 | 1516 | 1524 | 151H6 |
Ochal Reel
Comments
Phrase lengths: 4+6 bars.
Concordances
- Mr Campbell;s Reell, Mr Campbell's Reel (from George Skene Manuscript 19, f. 6) [1155; 6547]
- Eccles’s Rant, Eccles’s Reel (from Young-Bodleian 46, f. 50) [1155; 6547] - Eccles’s Reel, Eccles’s Reel (from MacFarlane Manuscript 2 93, p. 141) [1155; 6547] |
Ochal Reel Title (alternative): Mr Campbell's Reel; Glen Lyon's Rant; Glen Lyon's Reel; Eccles’s Reel |
Drummond Castle Manuscript 2 20 | D | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1155 | 6547 | 11H55 | 6547bL |
Pharo’s Reel
Concordances
- Kippoch’s rant, Keppoch’s Rant (from James Knox Manuscript 62, f. 23) [5155; 4522]
|
Pharo’s Reel Title (alternative): Keppoch’s Rant |
Drummond Castle Manuscript 2 7 | A | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 5155 | 4522 | 5155 | 4522 |
Tullich Reel
Comments
Long set of variations. Strains are numbered, but listed incorrectly (lists 20 strains instead of 21). Irregular phrase lengths: 4, 4, 8, 8, 8, 8, 8, 4, 4, 4, 16, 4, 8, 4, 4, 8, 8, 8, 4, 4, 4. Huge variety of variation patterns used, including lots of clearly pipe and pibroch-influenced material.
Concordances
- Reel of Tullich. D.Y., Reel of Tulloch (from MacFarlane Manuscript 2 115, p. 170) [5151; 5147]
|
Reel of Tulloch | Drummond Castle Manuscript 2 9 | A | ♯♯ | ♯♯ | ₵ | ₵ | 21 | yes | no | 5151 | 5147 | 5151 | 5147bL |
Sir Alexr McDonald’s Reel
Comments
2 strains tune + 1 variation.
|
Sir Alexander McDonald’s Reel | Drummond Castle Manuscript 2 4 | D | ♯ | ♯ | ₵ | ₵ | 4 | yes | no | 3552 | 4266 | 355H2H | 4H2H66 |
Stay and take your breeches with you
Comments
Phrase length: 6+8 bars. Appears to be a different tune to that of the same name in Knox, f. 26.
|
Stay and Take Your Breeches With You | Drummond Castle Manuscript 2 18 | D | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 3152 | 3151 | 3152 | 3151 |
Stewart’s Rant
Comments
Quite a high range for the manuscript, going into 3rd position, up to d'''.
Concordances
- Was you at the Bridal, Was You At the Bridal (from MacFarlane Manuscript 2 194, p. 238) [3654; 4747]
- Stewarts rant, Stewart’s Rant (from James Knox Manuscript 85, f. 26) [3655; 4747] |
Stewart’s Rant Title (alternative): Was You At the Bridal |
Drummond Castle Manuscript 2 21 | A | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 3654 | 4747 | 3654 | 47b47b |
Strathmore’s Reel
|
Strathmore’s Reel | Drummond Castle Manuscript 2 26 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 5513 | 6624 | 5513 | 6624 |
Tail Todle
Comments
2 strain tune + 3 variations.
Concordances
- Lasses Gar your Tales todell, Tail Toddle (from Gairdyn Manuscript 350, f. 47v) [None; None]
- Taill todle, Tail Toddle (from Gairdyn Manuscript 378, f. 51v) [1343; 1327] - [Tail Toddle], Tail Toddle (from Sinkler Manuscript 52, f. 59) [1131; 4427] - Lasses gar your Tails Todle, Tail Toddle (from George Skene Manuscript 37, f. 12) [1344; 1327] |
Tail Toddle | Drummond Castle Manuscript 2 14 | D | ♯♯ | ♯♯ | ₵ | ₵ | 8 | yes | no | 1341 | 1327 | 1H3H4H1H | 1H3H2H7 |
Tamavuiln
Comments
Gaelic "Tamnavulin", meaning "Mill on the Hill"
Concordances
- Tòm na mhuiln, Tamnavulin (from MacFarlane Manuscript 2 202, p. 240) [1515; 1522]
|
Tamnavulin | Drummond Castle Manuscript 2 28 | F | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 1515 | 1522 | 15L15L | 15L22 |
Tarnivah Reel
Concordances
- Castle Stuart, Castle Stuart (from Young-Bodleian 32, f. 36) [1566; 5122]
|
Tarnivah Reel Title (alternative): Castle Stuart |
Drummond Castle Manuscript 2 30 | F | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 1566 | 5122 | 1566 | 5122 |
Duke of Perth’s Reel
Comments
Different hand - not David Young. Much rougher, amateur hand, but seems to be trying to copy the style of DY. Given the title, possibly someone from the household of the Duke of Perth (manuscript dedicatee / owner). Concordances (other): "Duke of Perth’s Reel" Bremner Scots Reels 1, 8.
Concordances
- Duke of Perth’s Reel, The Duke of Perth’s Reel (from James Knox Manuscript 29, f. 14) [1515; 1522]
|
The Duke of Perth's Reel | Drummond Castle Manuscript 2 1 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1315 | 1522 | 131H5 | 1H52H2 |
The Rake’s Rant
Concordances
- A kiss for a Half Pennie, A Kiss For a Ha’penny (from Young-Bodleian 18, f. 22) [1526; 1515]
- A Kiss for a ha’penny, A Kiss For a Ha’penny (from MacFarlane Manuscript 2 176, p. 230) [1126; 1115] |
The Rake’s Rant Title (alternative): A Kiss For a Ha’penny |
Drummond Castle Manuscript 2 39 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1126 | 1115 | 1126 | 111H5 |
Stumpie
Concordances
- Stumpie, The Reel of Stumpie (from MacFarlane Manuscript 2 177, p. 230) [3121; 3122]
|
The Reel of Stumpie | Drummond Castle Manuscript 2 31 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 3121 | 3122 | 31H2H1H | 31H2H2 |
The Wood of Fyvie
Concordances
- The Wood of Fyvie, The Wood of Fyvie (from Young-Bodleian 40, f. 44) [5324; 5353]
- The Wood of Fyvie, The Wood of Fyvie (from MacFarlane Manuscript 3 47, p. 36) [5324; 5353] |
The Wood of Fyvie | Drummond Castle Manuscript 2 42 | A | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 5324 | 5353 | 5324 | 5353 |
Tres ace
|
Tres Ace | Drummond Castle Manuscript 2 23 | C | ₵ | ₵ | 2 | no | no | 3251 | 3434 | 3H2H51H | 3H4H3H4H | ||
Tullochgorum
Comments
Long set of variations. Opens with a clear 2 strain tune with phrase lengths of 4 & 6 bars, but through the variations structure breaks down: strains 1-6 alternate 4+6 bars; but strains 7-10 are all 4 bars long.
Concordances
- Corn bunting, Corn Bunting (from Guthrie Manuscript 14, p. 296) [5133; 4722]
- The Corn Bunting Tullochgorum, Tullochgorum (from McGibbon Manuscript 143, p. 80) [3542; 3535] |
Tullochgorum Title (alternative): The Corn Bunting |
Drummond Castle Manuscript 2 3 | G | ₵ | ₵ | 10 | yes | no | 3542 | 3535 | 3542 | 3535 | ||
Welcome to your foot again
Concordances
- Shàill an theil do Raotan agad, Shàill An Theil Do Raotan Agad (from MacFarlane Manuscript 2 181, p. 231) [1512; 1515]
- A Soger Lad or any Bodie, A Soldier Lad or Anybody (from MacFarlane Manuscript 2 192, p. 237) [1512; 1511] - You’re wellcome to your foot again, Welcome to Your Foot Again; Shàill An Theil Do Raotan Agad (from James Knox Manuscript 80, f. 25v) [1512; 1516] - Stay & take your Breeches with you, Stay and Take Your Breeches With You (from James Knox Manuscript 88, f. 26) [1512; 1516] |
Welcome to Your Foot Again Title (alternative): Shàill An Theil Do Raotan Agad; Stay and Take Your Breeches With You; A Soldier Lad or Anybody |
Drummond Castle Manuscript 2 44 | C | ₵ | ₵ | 2 | no | no | 1512 | 1515 | 151H2 | 151H5 | ||
What meikle sorrow ails you
Comments
NB the first note has been scrubbed out but appears to be c♮.
Concordances
- What meikel sorrow Ails You?, What Meikle Sorrow Ails You (from Young-Bodleian 41, f. 45) [3115; 6475]
- What meikle Sorrow ails you, What Meikle Sorrow Ails You (from MacFarlane Manuscript 2 119, p. 182) [3115; 4675] |
What Meikle Sorrow Ails You | Drummond Castle Manuscript 2 43 | A | ₵ | ₵ | 2 | no | no | 3115 | 4675 | 3b11H5 | 46b7b5 |