Manuscript Tune Index
by Aaron McGregor
Loading data. Please wait.
Showing results for:
Manuscript: Cameron Manuscript
Title (source) | Title (standardised) | Source | Key note | Key signature | KS (edited) | Time signature | TS (edited) | Strains | Variations | Bass | Index 1 | Index 2 | Index 1 (long) | Index 2 (long) |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
A health to all Honest men
Concordances
- A song Tune, A Health to All Honest Men (from Robert Kelsall Manuscript 142, f. 23v) [3111; 5255]
|
A Health to All Honest Men | Cameron Manuscript 267, p. 63 | A | 6/8 | 6/8 | 2 | no | no | 3111 | 5255 | 3b11H1H | 5255 | ||
A tripe to the Campe or Elverton Grove
|
A Trip to the Camp Title (alternative): Elverton Grove |
Cameron Manuscript 261, p. 62 | B♭ | ♭♭ | ♭♭ | ₵ | ₵ | 2 | no | no | 1654 | 3322 | 1654 | 3322 |
A la mess de france
|
A la Mess de France | Cameron Manuscript 231, p. 56 | D | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 5345 | 3315 | 5H3H4H5H | 3H3H1H5H |
Allegro
|
Allegro | Cameron Manuscript 295, p. 74 | G | ♯ | ♯ | 4/8 | 2/4 | 2 | no | no | 5170 | 6543 | 51H70 | 6543 |
Allemande or Mourning in fasshion
|
Allemande Title (alternative): Mourning in Fashion |
Cameron Manuscript 230, p. 56 | D | ₵ | ₵ | 2 | no | no | 1535 | 1535 | 1H53b5 | 1H53b5 | ||
Alltogether affter on another
|
Altogether After On Another | Cameron Manuscript 247, p. 59 | F | ♭ | ♭ | 6/8 | 6/8 | 2 | no | no | 3677 | 6522 | 3677 | 6522 |
Amiable Vainceur
|
Amiable Vainceur | Cameron Manuscript 216, p. 52 | F | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 331 | 111 | 331 | 111 |
Menwett no: 8
Concordances
- Aria di Castruccio, Aria di Castruccio (from Robert Kelsall Manuscript 451, f. 85) [132; 123]
|
Aria di Castruccio | Cameron Manuscript 8, p. 2 | A | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 132 | 123 | 132 | 123 |
Auld Roger the neu way
|
Auld Roger the New Way | Cameron Manuscript 239, p. 57 | D | ♯♯ | ♯♯ | 6/8 | 6/8 | 4 | yes | no | 5152 | 6761 | 5L152 | 6L7L6L1 |
Bacanall +
|
Bacanall | Cameron Manuscript 181, p. 45 | G | ₵ | ₵ | 2 | no | no | 1556 | 1551 | 1H556 | 1H551H | ||
Menwett 89
Concordances
- Beau Maxwel, Beau Maxwell Minuet (from MacFarlane Manuscript 2 68, p. 120) [513; 511]
|
Beau Maxwell Minuet | Cameron Manuscript 89, p. 17 | A | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 513 | 511 | 513 | 511 |
Beauteux + +
|
Beauteux | Cameron Manuscript 172, p. 43 | D | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 132 | 111 | 1H3H2H | 1H1H1H |
Bana Stratagem
Concordances
- Beaux Stratagem, Beaux Stratagem (from Robert Kelsall Manuscript 112, f. 20) [1551; 7711]
|
Beaux Stratagem | Cameron Manuscript 255, p. 61 | A | ₵ | ₵ | 2 | no | no | 1551 | 7711 | 15L5L1 | 7L7L11 | ||
Bourough faire
|
Bourough Fair | Cameron Manuscript 184, p. 45 | F | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 5331 | 2666 | 5331 | 26L6L6 |
Bouree de palandine
|
Bourée de Palandine | Cameron Manuscript 210, p. 51 | D | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 1351 | 3355 | 1351H | 3H3H5H5H |
Cecillia
Comments
Looks like incorrect key signature - probably just in A minor.
|
Cecillia | Cameron Manuscript 223, p. 54 | A | ♭ | 6/8 | 6/8 | 2 | no | no | 1353 | 6455 | 13b53b | 6b455 | |
Charmant Vainceur
|
Charmant Vainceur | Cameron Manuscript 217, p. 52 | G | ♭♭ | ♭♭ | 3/4 | 3/4 | 2 | no | no | 331 | 511 | 3b3b1 | 51H1H |
Charming maide
|
Charming Made | Cameron Manuscript 241, p. 58 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1353 | 1171 | 1L3L5L3L | 1L17L1 |
Clerks Hornpipe
Comments
2 strain tune + 1 variation.
Concordances
- Geld him Lasses, Geld Him Lasses (from Thomson Manuscript 10, p. 8) [131; 357]
- Geld him lasses _ Geld him, Geld Him Lasses (from Robert Kelsall Manuscript 259, f. 44v) [161; 357] - Geld him lasses Geld him, Geld Him Lasses (from Robert Kelsall Manuscript 279, f. 48) [151; 357] - Geld him Lasses. D.Y., Geld Him Lasses (from MacFarlane Manuscript 2 142, p. 198) [151; 357] |
Clerk's Hornpipe Title (alternative): Geld Him Lasses |
Cameron Manuscript 258, p. 61 | D | ♯♯ | ♯♯ | 3/2 | 3/2 | 4 | yes | no | 151 | 357 | 1H51H | 357 |
Couterdance Juconne +
Concordances
- Wood Lark, Wood Lark (from Robert Kelsall Manuscript 444, f. 83v) [3127; 1551]
- Wood Lark, Wood Lark (from MacFarlane Manuscript 2 223, p. 271) [3127; 1551] |
Contredanse Juconne Title (alternative): Wood Lark |
Cameron Manuscript 170, p. 42 | F | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 3127 | 1551 | 3H1H2H7 | 1H551H |
Couterdanc[e] tout a fait
|
Contredanse Tout a Fait | Cameron Manuscript 206, p. 50 | A | ♯♯ | ♯♯ | 6/8 | 6/8 | 2 | no | no | 1545 | 4233 | 1H545 | 4233 |
[Giga]
Concordances
- Giga di Corelli, Correli Violin Sonata in G Minor Op 5 no 5, v. Giga (from Robert Kelsall Manuscript 406, f. 78) [1111; 7655]
- Giga, Corelli Violin sonata in G minor Op 5 No 5, v. Giga (from McGibbon Manuscript 38, p. 27) [1111; 7655] - Mr McGibbons Variations upon the Giga in Corelli's 5th Solo, Corelli Violin sonata in G minor Op 5 No 5 v. Giga (variation by McGibbon) (from McGibbon Manuscript 69, p. 44) [1713; 7653] - [McGibbon's variations on Corelli's Giga op 5 no 5], Corelli Violin sonata in G minor Op 5 No 5 v. Giga (variation by McGibbon) (from McGibbon Manuscript 70, ) [1213; 7655] - Variations on the Giga of Corelli's 5th Solo. By Mr McLean, Corelli Violin sonata in G minor Op 5 No 5. v Giga (variations by McLean) (from McGibbon Manuscript 135, p. 77) [1111; 7655] - Allegro, Corelli Violin Sonata in G minor op 5 no 5 v. Giga (from James Knox Manuscript 153, f. 39) [1111; 7655] - Variations on the Giga Allegro by Mr Johnston of Dublin, Corelli Violin Sonata in G minor op 5 no 5 v. Giga, with variations by Johnston (from James Knox Manuscript 155, f. 39v) [1211; 7753] |
Corelli Violin Sonata in G minor op 5 no 5, v. Giga | Cameron Manuscript 278, p. 67 | A | ♯ | ♯ | 12/8 | 12/8 | 2 | no | no | 1111 | 7655 | 1H1H1H1H | 7b6b55 |
Cottilion nouvaux or the tenth of June
Comments
Different tune from "Tenth of June" in MacFarlane 3.
|
Cottilion Nouveux Title (alternative): The Tenth of June |
Cameron Manuscript 213, p. 51 | D | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 3455 | 5561 | 3455 | 5561H |
Cunt Leon
|
Count Leon | Cameron Manuscript 256, p. 61 | C | ₵ | ₵ | 2 | no | no | 1133 | 5515 | 113b3b | 551H5 | ||
Counterfaite
|
Counterfaite | Cameron Manuscript 202, p. 49 | G | ♭♭ | ♭♭ | ₵ | ₵ | 2 | no | no | 5112 | 3344 | 5112 | 3b3b44 |
Daniel Coupper
Concordances
- New donnald Cupper, Donald Coupar (from Newbattle Violin Manuscript 2 32, f. 15) [1111; 2222]
- Donald Couper, Donald Coupar (from Newbattle Violin Manuscript 2 42, f. 19v) [None; None] - Donald Couper, Donald Coupar (from Gairdyn Manuscript 6, f. 1v) [1245; 3356] - Daniel Cowper, Daniel Coupar (from Robert Kelsall Manuscript 172, f. 27v) [5116; 6225] - Donald Cooper. D.Y., Donald Coupar (from MacFarlane Manuscript 2 116, p. 176) [6162; 6531] |
Daniel Coupar | Cameron Manuscript 254, p. 61 | D | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 5116 | 6225 | 51H1H6 | 62H2H5 |
Dequon vour plargue vous
|
Dequon Vour Plargue Vous | Cameron Manuscript 229, p. 55 | D | ₵ | ₵ | 2 | no | no | 1712 | 3333 | 1H71H2H | 3bH3bH3bH3bH | ||
Devill in the Bush
|
Devil in the Bush | Cameron Manuscript 249, p. 60 | F | ₵ | ₵ | 2 | no | no | 1232 | 4275 | 1H2H3H2H | 4H2H75 | ||
the Devills Dusine or St Catherings
Concordances
- deells dozen, Devil’s Dozen (from Sinkler Manuscript 19, f. 65v) [5112; 3332]
- St Katherine, Saint Katherine (from Robert Kelsall Manuscript 353, f. 66) [5112; 3332] - Saint Katharine, Saint Katherine (from MacFarlane Manuscript 3 223, p. 200) [5133; 4272] |
Devil's Dozen Title (alternative): Saint Katherine |
Cameron Manuscript 182, p. 45 | G | ₵ | ₵ | 2 | no | no | 5112 | 3332 | 5112 | 3332 | ||
Diable Emport La guer
|
Diable Emport La Guerre | Cameron Manuscript 228, p. 55 | D | ₵ | ₵ | 2 | no | no | 1122 | 1553 | 1H1H2H2H | 1H553b | ||
Drive Monsieur from flanders
Comments
Strains 3-4 in 3/4.
|
Drive Monsieur From Flanders | Cameron Manuscript 245, p. 59 | G | ♭♭ | ♭♭ | ₵ | ₵ | 4 | no | no | 1113 | 5553 | 1H1H13b | 5553bH |
Dusty Miller
Concordances
- Dusty Miller, Dusty Miller (from MacFarlane Manuscript 2 165, p. 221) [354; 722]
- Dusty Miller, Dusty Miller (from James Knox Manuscript 66, f. 24) [354; 742] |
Dusty Miller | Cameron Manuscript 270, p. 64 | G | ♯ | ♯ | 3/2 | 3/2 | 2 | no | no | 352 | 722 | 352 | 7L22 |
Excuse me
Concordances
- Excuse me, Excuse me (from Robert Kelsall Manuscript 503, f. 104) [1175; 7427]
- Excuse me, Excuse me (from MacFarlane Manuscript 3 225, p. 201) [1175; 7427] |
Excuse Me | Cameron Manuscript 207, p. 50 | A | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 3375 | 7427 | 3b3b7b5 | 7b427bL |
fly boat
|
Fly Boat | Cameron Manuscript 246, p. 59 | B♭ | ♭♭ | ♭♭ | ₵ | ₵ | 2 | no | no | 1546 | 5425 | 1546 | 5425L |
freendshipe
|
Friendship | Cameron Manuscript 243, p. 58 | B♭ | ♭♭ | ♭♭ | ₵ | ₵ | 2 | no | no | 5171 | 2321 | 5L17L1 | 2321 |
Goodman of Balnagigh
|
Goodman of Balnagigh | Cameron Manuscript 233, p. 56 | F | ♭ | ♭ | 6/8 | 6/8 | 2 | no | no | 1121 | 6524 | 11H2H1H | 6524 |
Happy Clown
Concordances
- The happy clown, Happy Clown (from Robert Kelsall Manuscript 38, f. 9v) [1355; 7531]
- Happy Clown, Happy Clown (from MacFarlane Manuscript 2 158, p. 215) [1355; 7531] |
Happy Clown | Cameron Manuscript 266, p. 63 | G | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 1355 | 7531 | 1355 | 7531 |
Hellewayes maggot
|
Hellewaye's Maggot | Cameron Manuscript 264, p. 63 | F | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 1531 | 5175 | 1531 | 51H75 |
Hills Avarie
|
Hills Avarie | Cameron Manuscript 221, p. 53 | F | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 6615 | 1664 | 661H5 | 1H664 |
If all Conforts I’m miscaried or white Chappell Mount
|
If All Comforts I’m miscarried Title (alternative): Whitechapel Mount |
Cameron Manuscript 257, p. 61 | A | ₵ | ₵ | 2 | no | no | 1175 | 1233 | 1L17L5L | 123b3bL | ||
In the fields and the frost and Snow
|
In the Fields and the Frost and Snow | Cameron Manuscript 236, p. 57 | D | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 1232 | 7155 | 1H2H3bH2H | 71H55 |
Jalousie Couterdance +
|
Jalousie Contredanse | Cameron Manuscript 164, p. 41 | D | ₵ | ₵ | 2 | no | no | 3242 | 7512 | 3H2H4H2H | 751H2H | ||
Jockies Jigg
|
Jockie's Jig | Cameron Manuscript 199, p. 48 | G | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 1126 | 4275 | 1H1H26L | 427L5L |
jumping John or Jane plague
Concordances
- Jumping John, Jumping John (from Gairdyn Manuscript 361, f. 49) [; ]
- Jumping John, Jumping John (from Thomson Manuscript 45, p. 32) [3326; 3211] - Jumping John , Jumping John (from MacFarlane Manuscript 3 19, p. 11) [3322; 3211] |
Jumping John Title (alternative): Jane Plague |
Cameron Manuscript 192, p. 47 | G | ♭ | ♭ | 6/8 | 6/8 | 2 | no | no | 3322 | 3211 | 3b3b22 | 3b211 |
Menwett 59 king of frances
Concordances
- Trump: Minuet, Trumpet Minuet (from Gairdyn Manuscript 9, f. 2) [111; 333]
- Minuet, King of France (from Robert Kelsall Manuscript 337, f. 62) [111; 333] |
King of France | Cameron Manuscript 59, p. 11 | D | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 111 | 333 | 111 | 333 |
kings maggot or new york
Concordances
- New York, New York (from MacFarlane Manuscript 3 177, p. 138) [176; 467]
|
King's Maggot Title (alternative): New York |
Cameron Manuscript 260, p. 62 | B♭ | ♭♭ | ♭♭ | 3/2 | 3/2 | 2 | no | no | 543 | 226 | 5L4L3L | 2L26L |
L matelott + +
|
L matelott | Cameron Manuscript 179, p. 44 | G | ♭ | ♭ | 6/8 | 6/8 | 2 | no | no | 1534 | 6331 | 153b4 | 63b3b1 |
La babinett + +
|
La Babinett | Cameron Manuscript 178, p. 44 | D | ♯♯ | ♯♯ | 6/8 | 6/8 | 4 | no | no | 1525 | 2715 | 1H52H5 | 2H71H5 |
La badin + +
|
La Badin | Cameron Manuscript 177, p. 44 | D | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 1233 | 2755 | 1H2H3H3H | 2H755 |
La bou amitie ++
|
La Beay Amitie | Cameron Manuscript 167, p. 42 | F | ₵ | ₵ | 2 | no | no | 3355 | 1155 | 3355 | 1H1H55 | ||
La Bohemin Couterdance +
|
La Bohemin Contredanse | Cameron Manuscript 171, p. 43 | A | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 3355 | 3355 | 3b3b55 | 3b3b55 |
La Bretaigne
Comments
Changes metre (₵) at strain 3.
|
La Bretaigne | Cameron Manuscript 219, p. 53 | A | ♯ | ♯ | 3/4 | 3/4 | 4 | no | no | 112 | 313 | 112 | 3b13b |
La Cabretieu + +
|
La Cabretieu | Cameron Manuscript 174, p. 43 | D | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 5345 | 5345 | 5H3H4H5H | 5H3H4H5H |
La faroune Couterdanc[e] +
|
La Faroune Contredanse | Cameron Manuscript 163, p. 41 | D | ₵ | ₵ | 2 | no | no | 2171 | 2223 | 2H1H7b1H | 2H2H2H3bH | ||
La fills du Chester
|
La Fills du Chester | Cameron Manuscript 197, p. 48 | D | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 3312 | 7751 | 3H3H1H2H | 7751H |
La fodishoue
|
La Fodishoue | Cameron Manuscript 208, p. 50 | D | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 2321 | 7554 | 2H3H2H1H | 7554H |
La Forlan
|
La Forlan | Cameron Manuscript 222, p. 54 | D | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 1125 | 1125 | 1H1H2H5 | 1H1H2H5 |
La Gasscoone
|
La Gasscoone | Cameron Manuscript 212, p. 51 | D | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1553 | 3113 | 1H553H | 3H1H1H3H |
La Grand Rigadoun
Concordances
- March, March (from MacFarlane Manuscript 3 276, p. 256) [3344; 5555]
|
La Grand Rigadoun Title (alternative): March |
Cameron Manuscript 183, p. 45 | C | ₵ | ₵ | 4 | no | no | 3344 | 5554 | 3H3H4H4H | 5H5H5H4H | ||
La guer or versheard Wertion
Comments
2nd strain changes metre (₵)
|
La Guerre Title (alternative): Versheard Wertion |
Cameron Manuscript 272, p. 64 | F | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 333 | 222 | 3H3H3H | 2H2H2H |
La mariee
Concordances
- La Maria, La Maria (from MacFarlane Manuscript 3 94, p. 72) [1131; 5155]
|
La Maria | Cameron Manuscript 220, p. 53 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1131 | 5155 | 1131 | 5155 |
La matelot Holandois
Comments
Strains 3-4 in 6/8
|
La Matelot Holandois | Cameron Manuscript 269, p. 64 | D | ♯♯ | ♯♯ | ₵ | ₵ | 4 | no | no | 1H1H77 | 6656 | 1H1H77 | 6656 |
La naturell +
|
La Naturell | Cameron Manuscript 173, p. 43 | A | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 3432 | 3134 | 3432 | 3134 |
La pettite Carnavall de venice
|
La Petite Carnavall de Venice | Cameron Manuscript 187, p. 46 | D | ♯♯ | ♯♯ | 6/8 | 6/8 | 2 | no | no | 5272 | 5271 | 5H2H72H | 5H2H71H |
La princess de nouvern
Comments
Key signature (♭♭) clearly missing. Stops 4 bars into 2nd strain - evidently to write in different key below.
Concordances
- [La princess de nouvern], La Princess de Nouvern (from Cameron Manuscript 190, p. 46) [3251; 1776]
|
La Princess de Nouvern | Cameron Manuscript 189, p. 46 | G | ♭♭ | ₵ | ₵ | 2 | no | no | 3251 | 1776 | 3b251H | 1H7b7b6 | |
[La princess de nouvern]
Concordances
- La princess de nouvern, La Princess de Nouvern (from Cameron Manuscript 189, p. 46) [3251; 1776]
|
La Princess de Nouvern | Cameron Manuscript 190, p. 46 | A | ₵ | ₵ | 2 | no | no | 3251 | 1776 | 3b251H | 1H7b7b6 | ||
La Revereux Englois
|
La Revereux Anglois | Cameron Manuscript 200, p. 49 | B♭ | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 1122 | 3353 | 1122 | 3353 |
La Suit
|
La Suit | Cameron Manuscript 218, p. 52 | G | ♭♭ | ♭♭ | ₵ | ₵ | 2 | no | no | 3134 | 5313 | 3b13b4 | 53b13bH |
La transsilvanie
|
La Transilvanie | Cameron Manuscript 227, p. 55 | D | ₵ | ₵ | 3 | no | no | 1725 | 1725 | 1H72H5 | 1H72H5 | ||
Menwett 33
Concordances
- Lady Jean Homes Min[uet], Lady Jean Home's Minuet (from James Knox Manuscript 12, f. 10v) [117; 156]
|
Lady Jean Home's Minuet | Cameron Manuscript 33, p. 7 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 117 | 156 | 11H7 | 1H56 |
Le apell
Comments
English country dance and ballad tune.
Concordances
- Lord Byron’s maggot, Lord Byron’s Maggot (from Robert Kelsall Manuscript 181, f. 28v) [5555; 1111]
- Cullys and Bullys, Cullies and Bullies (from MacFarlane Manuscript 3 57, p. 45) [5555; 1111] |
Le Apell Title (alternative): Lord Byron's Maggot; Cullies and Bullies; Puss in a Corner |
Cameron Manuscript 194, p. 47 | D | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 5555 | 1111 | 5555 | 1H1H1H1H |
Le Couplett + +
|
Le Couplett | Cameron Manuscript 166, p. 42 | D | 6/8 | 6/8 | 3 | no | no | 1443 | 2552 | 1H4H4H3bH | 2H5H5H2H | ||
Le Dordou Bleu + +
|
Le Dordou Bleu | Cameron Manuscript 176, p. 43 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 7127 | 5544 | 71H2H7 | 5544 |
Le rats + +
|
Le Rats | Cameron Manuscript 175, p. 43 | D | ₵ | ₵ | 2 | no | no | 5566 | 5551 | 5566 | 5551H | ||
Le Remoulier Couterdanc[e] +
|
Le Remoulier Contredanse | Cameron Manuscript 162, p. 41 | A | ♯♯♯ | ♯♯♯ | ₵ | ₵ | 2 | no | no | 1144 | 1644 | 1144 | 16L4L4L |
Menwett 122 Lochaber
Concordances
- King James March, King James’s March (from Sinkler Manuscript 21, f. 65) [5322; 3511]
- Limerick's Lament, Limerick's Lament (from George Skene Manuscript 17, f. 5v) [333; 333] - Lochaber, Lochaber (from McGibbon Manuscript 85, p. 55) [133; 333] - Lochaber no more, Lochaber (from James Knox Manuscript 112, f. 30) [333; 333] |
Lochaber Title (alternative): Limerick's Lament; King James's March |
Cameron Manuscript 122, p. 25 | A | ♯♯♯ | ♯♯♯ | 3/4 | 3/4 | 2 | no | no | 133 | 331 | 133 | 331 |
Love and honoure
|
Love and Honour | Cameron Manuscript 240, p. 58 | G | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 1356 | 2675 | 13L5L6L | 26L7L5L |
Madam Betty +
|
Madam Betty | Cameron Manuscript 165, p. 42 | A | ♯♯♯ | ♯♯♯ | ₵ | ₵ | 2 | no | no | 3135 | 5553 | 3135 | 55L5L3 |
March
|
March | Cameron Manuscript 273, p. 65 | C | ₵ | ₵ | 2 | no | no | 1111 | 1551 | 1H1H1H1H | 1H551H | ||
[March]
Concordances
- March, March (from Robert Kelsall Manuscript 410, f. 79) [1571; 5643]
|
March | Cameron Manuscript 282, p. 69 | F | ♭ | ♭ | 2/4 | 2/4 | 2 | no | no | 1571 | 5643 | 1571H | 5643 |
March
|
March | Cameron Manuscript 286, p. 70 | D | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 5556 | 1111 | 5556 | 1H111H |
March Prince George of Brandeburge
|
March Prince George of Brandenburg | Cameron Manuscript 285, p. 70 | D | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 5111 | 3223 | 51H1H1H | 3H2H2H3H |
Vanderdoijn
|
March Vanderdoijn | Cameron Manuscript 289, p. 71 | F | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 1117 | 1751 | 1H1H1H7 | 1H751H |
De mr marchand souv: son: 1 Sarabande - Gracieusment
|
Marchand Sonata 1, i. Sarabande | Cameron Manuscript 290, p. 72 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 344 | 772 | 344 | 7L7L2 |
Legerment
|
Marchand Sonata 1, ii. Legerement | Cameron Manuscript 291, p. 72 | G | ♯ | ♯ | 2/4 | 2/4 | 2 | no | no | 1525 | 3170 | 1H52H5 | 3H1H70 |
Son 10 Allemanda - Legerment
|
Marchand Sonata 10, i Allemanda - Legerment | Cameron Manuscript 293, p. 73 | A | ♯♯♯ | ♯♯♯ | ₵ | ₵ | 2 | no | no | 6642 | 7723 | 6L6L42 | 7L7L23 |
Rondeau
|
Marchand Sonata 10, ii. Rondeau | Cameron Manuscript 294, p. 73 | A | ♯♯♯ | ♯♯♯ | 3/8 | 3/8 | 4 | no | no | 312 | 312 | 312 | 312 |
Son: 2 Gracieusment
|
Marchand Sonata 2, i. Gracieusment | Cameron Manuscript 292, p. 72 | D | ₵ | ₵ | 2 | no | no | 1315 | 3106 | 1H3bH1H5 | 3b106 | ||
Marche
|
Marche | Cameron Manuscript 288, p. 71 | D | ♯♯ | ♯♯ | ₵ | 2 | no | no | 1135 | 1112 | 1H135 | 1H1H1H2H | |
Marche du Studente
|
Marche du Studente | Cameron Manuscript 287, p. 71 | D | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 5556 | 5311 | 5556 | 5311H |
Masquerad Royall
|
Masquerade Royale | Cameron Manuscript 215, p. 52 | G | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 3134 | 5554 | 3b13b4 | 5554 |
Menwett no: 1
|
Minuet 1 | Cameron Manuscript 1, p. 1 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 466 | 164 | 4L6L6L | 16L4L |
Menwett no 10
|
Minuet 10 | Cameron Manuscript 10, p. 2 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 517 | 112 | 51H7 | 1H1H2H |
Menwett 100
|
Minuet 100 | Cameron Manuscript 100, p. 20 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 111 | 131 | 1H11 | 131 |
Menwett 101
|
Minuet 101 | Cameron Manuscript 101, p. 20 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 111 | 133 | 1H1H1H | 1H3H3H |
Menwett 102
|
Minuet 102 | Cameron Manuscript 102, p. 20 | E | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 154 | 321 | 1H54 | 3b21 |
Menwett 103
|
Minuet 103 | Cameron Manuscript 103, p. 20 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 112 | 321 | 1H1H2H | 3H2H1H |
Menwett 104
|
Minuet 104 | Cameron Manuscript 104, p. 21 | G | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 517 | 112 | 51H7 | 1H1H2H |
Menwett 105
|
Minuet 105 | Cameron Manuscript 105, p. 21 | F | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 135 | 321 | 135 | 321 |
Menwett 106
|
Minuet 106 | Cameron Manuscript 106, p. 21 | D | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 111 | 133 | 1H1H1H | 1H3H3H |
Menwett 107 Mr andre
|
Minuet 107 Mr Andre | Cameron Manuscript 107, p. 21 | F | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 155 | 222 | 1H55 | 2H2H2H |
Menwett 108
|
Minuet 108 | Cameron Manuscript 108, p. 21 | B♭ | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 111 | 127 | 11H1 | 127L |
Menwett 109
|
Minuet 109 | Cameron Manuscript 109, p. 22 | G | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 111 | 111 | 11H1 | 11H1 |
Menwett 11
Concordances
- Bagpipe Minuet, Bagpipe Minuet (from MacFarlane Manuscript 3 95, p. 72) [135; 175]
|
Minuet 11 Title (alternative): Bagpipe Minuet |
Cameron Manuscript 11, p. 3 | A | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 135 | 175 | 135 | 1H75 |
Menwett 110
|
Minuet 110 | Cameron Manuscript 110, p. 22 | A | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 175 | 344 | 1H7b5 | 344 |
Menwett 111
|
Minuet 111 | Cameron Manuscript 111, p. 22 | A | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 535 | 111 | 5L3L5L | 111 |
Menwett 112
|
Minuet 112 | Cameron Manuscript 112, p. 22 | G | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 513 | 544 | 51H3H | 544 |
Menwett 113
|
Minuet 113 | Cameron Manuscript 113, p. 23 | C | 3/4 | 3/4 | 2 | no | no | 113 | 113 | 1H1H3H | 1H1H3 | ||
Menwett 114 Belfaillies
|
Minuet 114 Belfaillies | Cameron Manuscript 114, p. 23 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 112 | 335 | 112 | 335 |
Menwett 115 mocke
|
Minuet 115 mocke | Cameron Manuscript 115, p. 23 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 112 | 315 | 112 | 315 |
Menwett 116
|
Minuet 116 | Cameron Manuscript 116, p. 23 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 115 | 336 | 115 | 336 |
Menwett 117
|
Minuet 117 | Cameron Manuscript 117, p. 24 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 117 | 175 | 1H1H7 | 1H75 |
Menwett 118
|
Minuet 118 | Cameron Manuscript 118, p. 24 | E | ♯♯♯ | ♯♯♯ | 3/4 | 3/4 | 2 | no | no | 111 | 115 | 111 | 115L |
Menwett 119
|
Minuet 119 | Cameron Manuscript 119, p. 24 | G | 3/4 | 3/4 | 2 | no | no | 516 | 776 | 516 | 776 | ||
Menwett 12
|
Minuet 12 | Cameron Manuscript 12, p. 3 | G | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 131 | 155 | 1H3bH1H | 1H55 |
Menwett 120
|
Minuet 120 | Cameron Manuscript 120, p. 24 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 112 | 321 | 112 | 321 |
Menwett 123
|
Minuet 123 | Cameron Manuscript 123, p. 26 | A | ♯♯♯ | ♯♯♯ | 3/4 | 3/4 | 2 | no | no | 135 | 175 | 135 | 1H75 |
Menwett 124
|
Minuet 124 | Cameron Manuscript 124, p. 26 | E | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 317 | 152 | 3bH1H7 | 1H52H |
Menwett 125
|
Minuet 125 | Cameron Manuscript 125, p. 26 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 155 | 665 | 1H55 | 665 |
Menwett 126
|
Minuet 126 | Cameron Manuscript 126, p. 26 | C | 3/4 | 3/4 | 2 | no | no | 151 | 252 | 1H51H | 2H52H | ||
Menwett 127
|
Minuet 127 | Cameron Manuscript 127, p. 26 | G | 3/4 | 3/4 | 2 | no | no | 112 | 335 | 112 | 335 | ||
Menwett 128
Comments
Similar to, but not quite concordant with "Miss Stuart", MacFarlane 3, no 63, p. 49.
|
Minuet 128 | Cameron Manuscript 128, p. 27 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 111 | 113 | 1H1H1H | 1H1H3H |
Menwett 129
|
Minuet 129 | Cameron Manuscript 129, p. 27 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 556 | 561 | 556 | 561H |
Menwett 13
|
Minuet 13 | Cameron Manuscript 13, p. 3 | G | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 517 | 115 | 51H7 | 1H1H5 |
Menwett 130 Bavier
|
Minuet 130 Bavier | Cameron Manuscript 130, p. 27 | C | 3/4 | 3/4 | 2 | no | no | 111 | 155 | 1H1H1H | 1H55 | ||
Menwett 131
|
Minuet 131 | Cameron Manuscript 131, p. 27 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 355 | 555 | 355 | 555 |
Menwett 132
|
Minuet 132 | Cameron Manuscript 132, p. 28 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 165 | 664 | 1H65 | 664 |
Menwett 133
|
Minuet 133 | Cameron Manuscript 133, p. 28 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 123 | 432 | 1H2H3H | 4H3H2H |
Menwett 134
|
Minuet 134 | Cameron Manuscript 134, p. 28 | A | 3/4 | 3/4 | 2 | no | no | 115 | 275 | 115L | 27L5 | ||
Menwett 135
|
Minuet 135 | Cameron Manuscript 135, p. 28 | A | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 511 | 213 | 511 | 213 |
Menwett 136 Mrs Bettie Schepers Minuet
|
Minuet 136 Mrs Bettie Schepers Minuet | Cameron Manuscript 136, p. 29 | A | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 356 | 542 | 356 | 542 |
Menwett 137
|
Minuet 137 | Cameron Manuscript 137, p. 29 | A | 3/4 | 3/4 | 2 | no | no | 135 | 771 | 135 | 7L7L1 | ||
Menwett 138
|
Minuet 138 | Cameron Manuscript 138, p. 29 | C | 3/4 | 3/4 | 2 | no | no | 115 | 135 | 115L | 135 | ||
Menwett 139
|
Minuet 139 | Cameron Manuscript 139, p. 29 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 113 | 133 | 113 | 133 |
Menwett 14
|
Minuet 14 | Cameron Manuscript 14, p. 3 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 151 | 336 | 1H51H | 336 |
Menwett 140 My Lady garlisses
|
Minuet 140 My Lady Carlisle's | Cameron Manuscript 140, p. 30 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 135 | 333 | 1H3H5H | 3H3H3H |
Menwett 142 bridges
|
Minuet 142 Bridges | Cameron Manuscript 142, p. 30 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 111 | 115 | 1H1H1H | 1H1H5 |
Menwett 143
|
Minuet 143 | Cameron Manuscript 143, p. 30 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 542 | 675 | 542 | 675 |
Menwett 144
|
Minuet 144 | Cameron Manuscript 144, p. 31 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 132 | 354 | 1L32L | 3L54L |
Menwett 145
|
Minuet 145 | Cameron Manuscript 145, p. 31 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 135 | 315 | 135 | 315L |
Menwett 146
|
Minuet 146 | Cameron Manuscript 146, p. 31 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 117 | 135 | 1H1H7 | 1H3H5 |
Menwett 147 Capt Hulls
|
Minuet 147 Captain Hull's | Cameron Manuscript 147, p. 32 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 111 | 333 | 111 | 333 |
Menwett 148
|
Minuet 148 | Cameron Manuscript 148, p. 32 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 167 | 111 | 1H67 | 1H1H1H |
Menwett 149
|
Minuet 149 | Cameron Manuscript 149, p. 32 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 132 | 132 | 1H3H2H | 1H32 |
Menwett 15
|
Minuet 15 | Cameron Manuscript 15, p. 3 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 511 | 172 | 51H1H | 1H72H |
Menwett 150
|
Minuet 150 | Cameron Manuscript 150, p. 33 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 332 | 176 | 332 | 17L6L |
Menwett 151
|
Minuet 151 | Cameron Manuscript 151, p. 33 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 111 | 157 | 111 | 15L7L |
Menwett Vallentine 152
|
Minuet 152 Valentine | Cameron Manuscript 152, p. 33 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 122 | 335 | 1H2H2H | 3H3H5H |
Menwett 153
|
Minuet 153 | Cameron Manuscript 153, p. 34 | A | ♯♯♯ | ♯♯♯ | 3/4 | 3/4 | 2 | no | no | 176 | 513 | 1H76 | 513 |
Menwett 154
|
Minuet 154 | Cameron Manuscript 154, p. 34 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 115 | 112 | 1H1H5 | 1H1H2H |
Menwett 157
|
Minuet 157 | Cameron Manuscript 157, p. 39 | G | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 151 | 771 | 151H | 771H |
Menwett 16
|
Minuet 16 | Cameron Manuscript 16, p. 3 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 132 | 115 | 1H3H2H | 1H1H5 |
Menwett 17
Comments
Likely should have key sig of ♯
|
Minuet 17 | Cameron Manuscript 17, p. 3 | G | ♯♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 121 | 564 | 1H2H1H | 564 |
Menwett 18
|
Minuet 18 | Cameron Manuscript 18, p. 4 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 142 | 552 | 1H4H2H | 5H5H2H |
Menwett 19
|
Minuet 19 | Cameron Manuscript 19, p. 4 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 127 | 175 | 1H2H7 | 1H75 |
Menwett no: 2
|
Minuet 2 | Cameron Manuscript 2, p. 1 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 175 | 321 | 1H75 | 321 |
Menwett 20
|
Minuet 20 | Cameron Manuscript 20, p. 4 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 112 | 321 | 112 | 321 |
Menwett 21
|
Minuet 21 | Cameron Manuscript 21, p. 4 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 513 | 275 | 51H3H | 2H75 |
Menwett 22
|
Minuet 22 | Cameron Manuscript 22, p. 4 | A | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 115 | 315 | 1H1H5 | 315 |
Menwett 23
|
Minuet 23 | Cameron Manuscript 23, p. 5 | G | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 113 | 545 | 113b | 54x5 |
Menwett 24
|
Minuet 24 | Cameron Manuscript 24, p. 5 | G | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 111 | 321 | 111 | 3b21 |
Menwett 25
|
Minuet 25 | Cameron Manuscript 25, p. 5 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 155 | 321 | 1H5H5H | 3H2H1H |
Menwett 26 Vander deijn
|
Minuet 26 Vander deijn | Cameron Manuscript 26, p. 5 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 113 | 511 | 113b | 51H1H |
Menwett 27
|
Minuet 27 | Cameron Manuscript 27, p. 5 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 113 | 557 | 1L1L3L | 557 |
Menwett 28
|
Minuet 28 | Cameron Manuscript 28, p. 5 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 135 | 153 | 135 | 1H53 |
Menwett 29
|
Minuet 29 | Cameron Manuscript 29, p. 6 | A | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 115 | 336 | 1H1H5 | 336 |
Menwett no: 3
|
Minuet 3 | Cameron Manuscript 3, p. 1 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 111 | 175 | 1H1H1H | 1H75 |
Menwett 30
|
Minuet 30 | Cameron Manuscript 30, p. 6 | G | ♯ | ♯ | 3/4 | 3/4 | 5 | no | no | 332 | 321 | 332 | 321 |
Menwett 31
|
Minuet 31 | Cameron Manuscript 31, p. 6 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 111 | 757 | 1H1H1H | 757 |
Menwett 32
|
Minuet 32 | Cameron Manuscript 32, p. 6 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 135 | 117 | 135 | 1H1H7 |
Menwett 34
|
Minuet 34 | Cameron Manuscript 34, p. 7 | A | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 217 | 113 | 217L | 113 |
Menwett 36
|
Minuet 36 | Cameron Manuscript 36, p. 7 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 135 | 335 | 1H3H5H | 3H3H5H |
Menwett 37
|
Minuet 37 | Cameron Manuscript 37, p. 7 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 144 | 155 | 144 | 155 |
Menwett 38
|
Minuet 38 | Cameron Manuscript 38, p. 8 | C | 3/4 | 3/4 | 2 | no | no | 115 | 131 | 1H1H5 | 1H3H1H | ||
Menwett 39
|
Minuet 39 | Cameron Manuscript 39, p. 8 | C | 3/4 | 3/4 | 2 | no | no | 112 | 315 | 112 | 315 | ||
Menwett no: 4
|
Minuet 4 | Cameron Manuscript 4, p. 1 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 353 | 115 | 3H5H3H | 1H1H5 |
Menwett 40
|
Minuet 40 | Cameron Manuscript 40, p. 8 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 127 | 132 | 127L | 132 |
Menwett 41
|
Minuet 41 | Cameron Manuscript 41, p. 8 | C | 3/4 | 3/4 | 2 | no | no | 131 | 151 | 1H3H1H | 1H51H | ||
Menwett 42
|
Minuet 42 | Cameron Manuscript 42, p. 8 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 533 | 557 | 533 | 557 |
Menwett 43
|
Minuet 43 | Cameron Manuscript 43, p. 8 | A | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 131 | 516 | 131 | 516 |
Menwett 44
|
Minuet 44 | Cameron Manuscript 44, p. 9 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 117 | 153 | 1H1H7 | 1H53 |
Menwett 45
|
Minuet 45 | Cameron Manuscript 45, p. 9 | G | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 112 | 321 | 112 | 3b21 |
Menwett 46
|
Minuet 46 | Cameron Manuscript 46, p. 9 | G | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 311 | 752 | 3b11H | 752 |
Menwett 47
|
Minuet 47 | Cameron Manuscript 47, p. 9 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 333 | 561 | 3H3H3H | 561H |
Menwett 48
|
Minuet 48 | Cameron Manuscript 48, p. 9 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 112 | 164 | 1H1H2H | 1H64 |
Menwett 49
|
Minuet 49 | Cameron Manuscript 49, p. 10 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 175 | 336 | 1H75 | 336 |
Menwett no: 5
|
Minuet 5 | Cameron Manuscript 5, p. 1 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 542 | 776 | 5H4H2H | 776 |
Menwett 50
|
Minuet 50 | Cameron Manuscript 50, p. 10 | D | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 135 | 512 | 1H3bH5H | 51H2H |
Menwett 51
|
Minuet 51 | Cameron Manuscript 51, p. 10 | A | ♯♯♯ | ♯♯♯ | 3/4 | 3/4 | 2 | no | no | 111 | 331 | 111L | 3L3L1L |
Menwett 52
|
Minuet 52 | Cameron Manuscript 52, p. 10 | A | ♯♯♯ | ♯♯♯ | 3/4 | 3/4 | 2 | no | no | 135 | 113 | 1H35L | 1L1L3L |
Menwett 53
|
Minuet 53 | Cameron Manuscript 53, p. 10 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 563 | 765 | 5H6H3H | 765 |
Menwett 54
|
Minuet 54 | Cameron Manuscript 54, p. 11 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 355 | 113 | 355L | 113 |
Menwett 55
|
Minuet 55 | Cameron Manuscript 55, p. 11 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 542 | 727 | 542 | 7L27L |
Menwett 56
|
Minuet 56 | Cameron Manuscript 56, p. 11 | G | 3/4 | 3/4 | 2 | no | no | 115 | 311 | 115 | 311 | ||
Menwett 57
Concordances
- Minuet, Minuet (from MacFarlane Manuscript 3 88, p. 68) [556; 513]
|
Minuet 57 | Cameron Manuscript 57, p. 11 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 556 | 513 | 556 | 513 |
Menwett 58
|
Minuet 58 | Cameron Manuscript 58, p. 11 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 551 | 334 | 5L5L1 | 3L3L4L |
Menwett no: 6
|
Minuet 6 | Cameron Manuscript 6, p. 2 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 153 | 255 | 153H | 2H55 |
Menwett 60
|
Minuet 60 | Cameron Manuscript 60, p. 12 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 151 | 254 | 151 | 254 |
Menwett 61
|
Minuet 61 | Cameron Manuscript 61, p. 12 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 151 | 377 | 151 | 37L7L |
Menwett 62
|
Minuet 62 | Cameron Manuscript 62, p. 12 | E | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 513 | 275 | 51H3bH | 2H7b5 |
Menwett 63
|
Minuet 63 | Cameron Manuscript 63, p. 12 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 535 | 151 | 5H3H5H | 1H51H |
Menwett 64
|
Minuet 64 | Cameron Manuscript 64, p. 12 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 155 | 557 | 1H55 | 557 |
Menwett 65
|
Minuet 65 | Cameron Manuscript 65, p. 13 | G | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 153 | 112 | 1H53b | 11H2H |
Menwett 66
|
Minuet 66 | Cameron Manuscript 66, p. 13 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 113 | 535 | 113b | 535 |
Menwett 67
|
Minuet 67 | Cameron Manuscript 67, p. 13 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 112 | 313 | 112 | 313 |
Menwett 68 Storme
|
Minuet 68 Storm | Cameron Manuscript 68, p. 13 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 111 | 111 | 111 | 111 |
Menwett 69
|
Minuet 69 | Cameron Manuscript 69, p. 13 | G | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 511 | 775 | 51H1H | 775 |
Menwett no 7
|
Minuet 7 | Cameron Manuscript 7, p. 2 | G | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 135 | 325 | 13b5 | 3b25 |
Menwett 70
|
Minuet 70 | Cameron Manuscript 70, p. 14 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 511 | 172 | 51H1H | 1H72H |
Menwett 71
|
Minuet 71 | Cameron Manuscript 71, p. 14 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 517 | 111 | 51H7 | 1H1H1H |
Menwett 72
|
Minuet 72 | Cameron Manuscript 72, p. 14 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 332 | 155 | 3H3H2H | 1H55 |
Menwett 73
|
Minuet 73 | Cameron Manuscript 73, p. 14 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 543 | 213 | 5H4H3H | 2H1H3H |
Menwett 74
|
Minuet 74 | Cameron Manuscript 74, p. 14 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 332 | 155 | 3H3H2H | 1H55 |
Menwett 75
|
Minuet 75 | Cameron Manuscript 75, p. 14 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 335 | 321 | 335 | 321 |
Menwett 76
|
Minuet 76 | Cameron Manuscript 76, p. 15 | A | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 135 | 555 | 13b5 | 555 |
Menwett 78
|
Minuet 78 | Cameron Manuscript 78, p. 15 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 171 | 554 | 1H71H | 554 |
Menwett 79
|
Minuet 79 | Cameron Manuscript 79, p. 15 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 133 | 666 | 133 | 6L6L6L |
Menwett 80
|
Minuet 80 | Cameron Manuscript 80, p. 15 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 112 | 315 | 112 | 315L |
Menwett 81
Comments
Closely related to, though not quite concordant with "Miss Lockhart", MacFarlane 3, no. 69, p. 56.
|
Minuet 81 | Cameron Manuscript 81, p. 16 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 135 | 315 | 1H3H5H | 3H1H5 |
Menwett 82
|
Minuet 82 | Cameron Manuscript 82, p. 16 | G | ♯♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 111 | 135 | 111 | 135 |
Menwett 83
|
Minuet 83 | Cameron Manuscript 83, p. 16 | F | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 511 | 222 | 51H1H | 2H2H2H |
Menwett 84
|
Minuet 84 | Cameron Manuscript 84, p. 16 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 111 | 771 | 1H1H1H | 771H |
Menwett 85
|
Minuet 85 | Cameron Manuscript 85, p. 17 | E | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 117 | 135 | 1H1H7b | 1H3b5 |
Menwett 86
|
Minuet 86 | Cameron Manuscript 86, p. 17 | E | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 117 | 132 | 1H1H7b | 1H3b2H |
Menwett 87
|
Minuet 87 | Cameron Manuscript 87, p. 17 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 113 | 534 | 1H1H3H | 5H3H4H |
Menwett 88
|
Minuet 88 | Cameron Manuscript 88, p. 17 | A | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 115 | 115 | 115L | 115 |
Menwett no 9
|
Minuet 9 | Cameron Manuscript 9, p. 2 | A | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 351 | 774 | 351H | 7b7b4 |
Menwett 90
|
Minuet 90 | Cameron Manuscript 90, p. 17 | F | ♭ | ♭ | 3/4 | 3/4 | 2 | no | no | 317 | 155 | 3H1H7 | 1H55 |
Menwett 91
|
Minuet 91 | Cameron Manuscript 91, p. 18 | A | 3/4 | 3/4 | 2 | no | no | 153 | 123 | 1H53b | 123b | ||
Menwett 92
|
Minuet 92 | Cameron Manuscript 92, p. 18 | A | 3/4 | 3/4 | 2 | no | no | 131 | 151 | 13b1 | 15L1L | ||
Menwett 93 pretty fallies
|
Minuet 93 Pretty Follies | Cameron Manuscript 93, p. 18 | D | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 161 | 757 | 1H61H | 7b57b |
Menwett 94
|
Minuet 94 | Cameron Manuscript 94, p. 18 | G | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 111 | 111 | 111 | 11H1H |
Menwett 95
|
Minuet 95 | Cameron Manuscript 95, p. 19 | D | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 342 | 555 | 3h4H2H | 5H5H5H |
Menwett 96
|
Minuet 96 | Cameron Manuscript 96, p. 19 | D | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 134 | 536 | 134 | 536 |
Menwett 97 whitehall
|
Minuet 97 Whitehall | Cameron Manuscript 97, p. 19 | D | 3/4 | 3/4 | 2 | no | no | 154 | 332 | 1H54 | 3b3b2 | ||
Menwett 98
|
Minuet 98 | Cameron Manuscript 98, p. 19 | A | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 516 | 223 | 51H6 | 2H2H3H |
Menwett 99
|
Minuet 99 | Cameron Manuscript 99, p. 19 | D | 3/4 | 3/4 | 2 | no | no | 117 | 132 | 1H1H7b | 1H3b2H | ||
Menwett 121 Handel's
Concordances
- A minuet by Lully, Minuet by Lully (from Robert Kelsall Manuscript 240, f. 42) [517; 112]
- Minuet by Mr Handel, Minuet by Handel (from McGibbon Manuscript 200, p. 98) [517; 112] |
Minuet by Handel | Cameron Manuscript 121, p. 25 | A | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 517 | 112 | 51H7 | 1H12 |
Menwett de Survin 155
Comments
"Trio" written above strain 3.
|
Minuet de Survin 155 | Cameron Manuscript 155, p. 34 | B♭ | ♭ | ♭ | 3/4 | 3/4 | 4 | no | no | 155 | 556 | 155 | 556 |
Menwett de Survin 158
Comments
"Trio" written above strain 3.
|
Minuet de Survin 158 | Cameron Manuscript 158, p. 40 | B♭ | ♭ | ♭ | 3/4 | 3/4 | 4 | no | no | 132 | 111 | 132 | 11L1L |
Menwett de Survin 159
Comments
"Trio" written above strain 3.
|
Minuet de Survin 159 | Cameron Manuscript 159, p. 40 | G | ♯ | ♯ | 3/4 | 3/4 | 4 | no | no | 132 | 155 | 1H3H2H | 1H55 |
Menwett de Survin 156
Comments
"Trio" written above strain 3.
|
Minuet de Survin 156 | Cameron Manuscript 156, p. 39 | B♭ | ♭ | ♭ | 3/4 | 3/4 | 4 | no | no | 511 | 311 | 5L11 | 311 |
Menuet in the opra of Ariedne
Concordances
- The Submissive Admirer Ariadne, The Submissive Admirer (from McGibbon Manuscript 42, p. 29) [556; 324]
|
Minuet from Ariadne Title (alternative): The Submissive Admirer |
Cameron Manuscript 280, p. 68 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | no | no | 556 | 424 | 556 | 424 | |
Menwett 35
Concordances
- A minuet in Cato, Minuet from Cato (from Robert Kelsall Manuscript 74, f. 14) [111; 135]
|
Minuet from Cato | Cameron Manuscript 35, p. 7 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 111 | 135 | 111 | 135 |
La nouvell parsans or nobody’s Jigg
Concordances
- No_body's Jigg, Nobody's Jig (from Robert Kelsall Manuscript 500, f. 101) [7556; 1111]
|
Nobody’s Jig Title (alternative): La Nouvell Parsans |
Cameron Manuscript 169, p. 42 | G | ₵ | ₵ | 2 | no | no | 7556 | 1111 | 7b556 | 1H111H | ||
palaids march
|
Palaids March | Cameron Manuscript 274, p. 65 | C | ₵ | ₵ | 2 | no | no | 1111 | 1111 | 1H1H1H1H | 1H1H1H1H | ||
peap John
|
Peep John | Cameron Manuscript 251, p. 60 | G | ♭♭ | ♭♭ | ₵ | ₵ | 4 | no | no | 3313 | 2272 | 3b3b13b | 227L2 |
pettit Jane
|
Petite Jane | Cameron Manuscript 193, p. 47 | D | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 1322 | 1325 | 1H3H2H2H | 1H3H2H5 |
pettite Rigadoun
|
Petite Rigadoun | Cameron Manuscript 211, p. 51 | D | ♯♯ | ♯♯ | 6/8 | 6/8 | 2 | no | no | 1755 | 6713 | 1H755 | 671H3 |
pistolet
|
Pistolet | Cameron Manuscript 203, p. 49 | D | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 1353 | 6421 | 1353 | 6421 |
pretenders Slipe
|
Pretender's Slip | Cameron Manuscript 188, p. 46 | D | ₵ | ₵ | 2 | no | no | 5112 | 3333 | 5H1H1H2H | 3bH3bH3bH3bH | ||
pretty Poll
|
Pretty Poll | Cameron Manuscript 235, p. 57 | A | ₵ | ₵ | 2 | no | no | 1551 | 3342 | 15L5L1 | 3b3b42 | ||
Prety Sallies +
|
Prety Sallies | Cameron Manuscript 180, p. 44 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 161 | 757 | 1H61H | 757 |
Menwett 77
Concordances
- Prince Eugens Minuet, Prince Eugene's Minuet (from McGibbon Manuscript 72, p. 45) [112; 321]
|
Prince Eugene's Minuet | Cameron Manuscript 77, p. 15 | D | ♯♯ | ♯♯ | 3/4 | 3/4 | 2 | no | no | 112 | 321 | 112 | 321 |
Prince Georg Couterdance +
|
Prince George | Cameron Manuscript 160, p. 41 | D | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 2542 | 7512 | 2H5H4H2H | 751H2H |
pudings and pyes
Concordances
- Pudding pyes, Pudding Pies (from Gairdyn Manuscript 12, f. 2v) [6715; 2267]
- Pudding Pyes, Pudding Pies (from MacFarlane Manuscript 3 17, p. 11) [6765; 2267] |
Pudding Pies | Cameron Manuscript 242, p. 58 | D | ♯♯ | ♯♯ | 6/8 | 6/8 | 2 | no | no | 6765 | 2267 | 6765 | 2267 |
pump Roome
|
Pump Room | Cameron Manuscript 281, p. 69 | F | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 1111 | 5311 | 1111 | 531H1H |
quin bessies dame of Honoure
|
Queen Bessie's Dame of Honour | Cameron Manuscript 234, p. 56 | D | ♯♯ | ♯♯ | 6/8 | 6/8 | 2 | no | no | 3111 | 6331 | 31H1H1H | 6331 |
Quens Jigg
|
Queen's Jig | Cameron Manuscript 268, p. 63 | D | ♯♯ | ♯♯ | 6/8 | 6/8 | 2 | no | no | 1235 | 3725 | 1H2H3H5H | 3H72H5 |
Recruting officer
Concordances
- The Recruiting Officer, Recruiting Officer (from Robert Kelsall Manuscript 52, f. 11) [1215; 4525]
- Recruiting Officer, Recruiting Officer (from MacFarlane Manuscript 2 220, p. 269) [1215; 1252] |
Recruiting Officer | Cameron Manuscript 237, p. 57 | D | ♯♯ | ♯♯ | 6/8 | 6/8 | 2 | no | no | 1215 | 4525 | 1H2H1H5 | 4525L |
Rigadoun de thomas
|
Rigadoun de Thomas | Cameron Manuscript 209, p. 51 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1155 | 3211 | 1H1H55 | 3211H |
neu Rogger
Concordances
- Roger in ye North, Roger in the North (from Robert Kelsall Manuscript 505, f. 104) [3512; 2435]
|
Roger in the North | Cameron Manuscript 238, p. 57 | D | ♯♯ | ♯♯ | 6/8 | 6/8 | 2 | no | no | 3512 | 2435 | 351H2H | 2435 |
Rumer
Concordances
- Rumour, Rumour (from MacFarlane Manuscript 2 229, p. 274) [3345; 7711]
|
Rumour | Cameron Manuscript 250, p. 60 | F | 6/8 | 6/8 | 2 | no | no | 3345 | 7711 | 3345 | 771H1 | ||
Scots Jamie
|
Scots Jamie | Cameron Manuscript 225, p. 54 | G | ♯ | ♯ | 2/4 | 2/4 | 2 | no | no | 3516 | 4266 | 351H6 | 426L6L |
Menwett 141 Scots
Concordances
- Miss Johnston, Miss Johnston's Minuet (from MacFarlane Manuscript 2 73, p. 122) [111; 135]
|
Scots Minuet Title (alternative): Miss Johnston's Minuet |
Cameron Manuscript 141, p. 30 | E | ♯ | ♯ | 3/4 | 3/4 | 2 | no | no | 111 | 135 | 111H | 13b5 |
Shoemakers dance
Comments
1 strain tune + 1 variation
|
Shoemaker's Dance | Cameron Manuscript 271, p. 64 | D | 6/8 | 6/8 | 2 | yes | no | 1175 | 3375 | 1H1H7b5 | 3bH3bH75 | ||
Silvia
|
Silvia | Cameron Manuscript 196, p. 48 | G | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 3151 | 7512 | 3151H | 7b51H2H |
St Martins Lane or La Merchaut Mariee
Concordances
- St Martin's Lane, St Martin's Lane (from Robert Kelsall Manuscript 271, f. 47) [5554; 6654]
|
St Martin's Lane Title (alternative): La Merchaut Mariée |
Cameron Manuscript 201, p. 49 | G | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 5555 | 6644 | 5555 | 6b6b44 |
Sword dance or Streun
Comments
Misbarred in 6/8 - should be 9/8 (see alt index)
Concordances
- The Countrymans Dance, The Countryman's Dance (from Thomson Manuscript 55, p. 38) [113; 264]
- Camstronnan’s Rant, Camstraddan's Rant (from Drummond Castle Manuscript 1 19) [113; 264] - Camstroddan’s Rant, Camstraddan’s Rant (from MacFarlane Manuscript 2 123, p. 186) [113; 264] |
Sword dance or Streun Title (alternative): Carmstraddan's Rant; The Countryman's Dance |
Cameron Manuscript 253, p. 60 | D | ♭ | ♭ | 6/8 | 6/8 | 2 | no | no | 1131 Alt. index 1: 113 (Alt index given as if ts is 9/8) |
6411 Alt. index 2: 164 (Alt index given as if ts is 9/8) |
113b1 Alt. index 1: 113b (Alt index given as if ts is 9/8) |
6b411 Alt. index 2: 16b4 (Alt index given as if ts is 9/8) |
The bony lass
|
The Bonny Lass | Cameron Manuscript 244, p. 58 | D | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 3657 | 1556 | 3657 | 1H556 |
The Charmer
|
The Charmer | Cameron Manuscript 232, p. 56 | A | ₵ | ₵ | 2 | no | no | 1111 | 7757 | 1H111H | 7757b | ||
The Claperman ++
|
The Clapperman | Cameron Manuscript 168, p. 42 | D | ₵ | ₵ | 2 | no | no | 1712 | 3335 | 1H71H2H | 3bH3bH3bH5H | ||
The Irish March
|
The Irish March | Cameron Manuscript 276, p. 66 | D | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 1177 | 1555 | 1H1H77 | 1H555 |
The knott
|
The Knott | Cameron Manuscript 226, p. 55 | C | ₵ | ₵ | 3 | no | no | 4433 | 3511 | 4433 | 3511 | ||
The Ladies triumph
Comments
This is the tune for the song "On a Bank of Flowers", which first appeared in the opera The Lady's Triumph (1718), with music by Galliard.
Concordances
- Lady’s Triumph, The Lady's Triumph (from Robert Kelsall Manuscript 99, f. 17v) [3556; 1553]
- On a Bank of flowers, On a Bank of Flowers (from MacFarlane Manuscript 2 245, p. 286) [3556; 1553] |
The Lady's Triumph Title (alternative): On a Bank of Flowers |
Cameron Manuscript 265, p. 63 | D | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 3556 | 1553 | 3b556b | 1H553bH |
The next oars or the Sheep Shearers
|
The Next Oars Title (alternative): The Sheep Shearers |
Cameron Manuscript 263, p. 63 | D | ♯♯ | ♯♯ | 6/8 | 6/8 | 2 | no | no | 1357 | 7613 | 1H357 | 761H3 |
The phenix
|
The Phoenix | Cameron Manuscript 262, p. 62 | F | ♭ | ♭ | 6/8 | 6/8 | 3 | no | no | 1351 | 3527 | 1351H | 3527L |
the Shephard and Sheep
|
The Shepherd and Sheep | Cameron Manuscript 185, p. 46 | C | 6/8 | 6/8 | 2 | no | no | 3175 | 1622 | 3175 | 1H62H2H | ||
The Spanhim
Concordances
- A Spanhette, A Spanhette (from Thomson Manuscript 98, p. 74) [5451; 3422]
|
The Spanhim | Cameron Manuscript 204, p. 50 | A | ♯ | ♯ | 6/8 | 6/8 | 4 | no | no | 5451 | 4242 | 5451 | 4242 |
the twenty nynth of may
|
The Twenty-Ninth of May | Cameron Manuscript 214, p. 51 | D | ♯♯ | ♯♯ | ₵ | ₵ | 2 | no | no | 5343 | 2753 | 5H3H4H3H | 2H753H |
Tipeling John on the Riote night
|
Tippling John on the Riot Night | Cameron Manuscript 259, p. 62 | C | ₵ | ₵ | 2 | no | no | 1111 | 7754 | 1H111H | 7754 | ||
It was within a forlong of Edinbrough toun
Concordances
- two furlongs from Edr toun, Twas Within a Furlong of Edinburgh Town (from Leyden Lyra-viol and Violin Manuscript 7, f. 53) [1354; 4511]
- within a furlong of Edenburgh, Twas Within a Furlong of Edinburgh Town (from Sinkler Manuscript 22, f. 65) [1354; 4511] - Twas within a furlong of Edinborough town, Twas Within a Furlong of Edinburgh Town (from Robert Kelsall Manuscript 178, f. 28) [3354; 4511] - Edinburgh Town MacLean, Twas Within a Furlong of Edinburgh Town (from MacFarlane Manuscript 3 215, p. 194) [1354; 4511] |
Twas Within a Furlong of Edinburgh Town | Cameron Manuscript 248, p. 59 | G | ♭♭ | ♭♭ | ₵ | ₵ | 2 | no | no | 1354 | 4511 | 13b54 | 4511 |
Tuopenny Cakes and Alle
|
Twopenny Cakes and Ale | Cameron Manuscript 252, p. 60 | D | ♯♯ | ♯♯ | 6/8 | 6/8 | 2 | no | no | 174 | 1217 | 177b4 | 1217 |
[untitled]
|
Untitled | Cameron Manuscript 224, p. 54 | G | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 1353 | 6615 | 1353 | 661H5 |
[untitled]
|
Untitled | Cameron Manuscript 275, p. 65 | C | 2/4 | 2/4 | 2 | no | no | 5321 | 1543 | 53H2H1H | 1H5H4H3H | ||
[untitled]
|
Untitled | Cameron Manuscript 279, p. 67 | C | ♭♭ | ♭♭ | 3/4 | 3/4 | 2 | no | no | 135 | 135 | 1H3b5L | 1H3b5L |
[untitled]
|
Untitled | Cameron Manuscript 277, p. 66 | G | ♭ | ♭ | ₵ | ₵ | 2 | no | no | 3243 | 2156 | 3b243b | 2156 |
[untitled]
Comments
Probably missing ks of ♯. Lots of misbarring
|
Untitled | Cameron Manuscript 283, p. 69 | G | ♯ | ₵ | ₵ | 2 | no | no | 5111 | 1175 | 51H1H1H | 1H1H75 | |
[untitled]
|
Untitled | Cameron Manuscript 284, p. 69 | G | ♯ | ♯ | ₵ | ₵ | 2 | no | no | 1765 | 1115 | 1H765 | 1115L |
[untitled]
|
Untitled | Cameron Manuscript 296, p. 74 | C | ₵ | ₵ | 2 | no | no | 5555 | 5511 | 5555 | 551H1H | ||
[untitled]
|
Untitled | Cameron Manuscript 297, p. 74 | D | ♯♯ | ♯♯ | C | C | 2 | no | no | 1113 | 1555 | 1H1H1H3H | 1H555 |
Vallentine Couterdanc[e] +
Concordances
- Valentine’s Een, Valentine’s Eve (from MacFarlane Manuscript 3 16, p. 10) [5342; 5321]
|
Valentine's Eve | Cameron Manuscript 161, p. 41 | G | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 5342 | 5321 | 5342 | 5321 |
Wher will our Good man ly
Comments
Different version of the tune than that in the Bowie MS.
Concordances
- wher will oure Good man ly, Where Shall Our Good Man Lie (from Bowie Manuscript 43, f. 25v) [1124; 3314]
- Where shall our Goodman Lay, Where Shall Our Good Man Lie (from Gairdyn Manuscript 63, f. 9v) [None; None] - Where shall our Good-man Lye in the Cold nights in Winter, Where Shall Our Good Man Lie (from Thomson Manuscript 44, p. 32) [5615; 3312] - Ay as she piss’d she padled it, As She Piss’d She Paddled It (from MacFarlane Manuscript 2 12, p. 32) [1124; 3314] |
Where Shall Our Good Man Lie Title (alternative): As She Piss’d She Paddled It |
Cameron Manuscript 191, p. 47 | A | ♯♯ | ♯♯ | ₵ | ₵ | 3 | no | no | 1117 | 5533 | 11H1H7b | 5533 |
White heart cabages or Easter teusday
|
White Heart Cabbages Title (alternative): Easter Tuesday |
Cameron Manuscript 205, p. 50 | G | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 1131 | 6422 | 1H1H31 | 6422 |
Whitehall Menuett
|
Whitehall Minuet | Cameron Manuscript 186, p. 46 | D | 3/4 | 3/4 | 2 | no | no | 154 | 332 | 1H54 | 3b3b2 | ||
Woodstock parke
|
Woodstock Park | Cameron Manuscript 198, p. 48 | D | ♯♯ | ♯♯ | 6/8 | 6/8 | 2 | no | no | 1231 | 6370 | 1H2H3H1H | 637L0 |
wou’d you have a young virgin of fifteen years
|
Would You Have a Young Virgin of Fifteen Years | Cameron Manuscript 195, p. 47 | D | ♯ | ♯ | 6/8 | 6/8 | 2 | no | no | 3515 | 3522 | 351H5 | 352H2 |