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hms.scot

Manuscript Tune Index

by Aaron McGregor


All title fields
Key signature
Time signature
Bass
Source
KS (edited)
TS (edited)
Variations

Key note
Index 1 [starts with / is]
Index 2 [starts with / is]
How to use
Index 1 & Index 2

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Manuscript: MacFarlane Manuscript 2

Title (source) Title (standardised) Source Key note Key signature KS (edited) Time signature TS (edited) Strains Variations Bass Index 1 Index 2 Index 1 (long) Index 2 (long)
A Kiss for a ha’penny

- The Rake’s Rant, The Rake’s Rant (from Drummond Castle Manuscript 2 39) [1126; 1115]
- A kiss for a Half Pennie, A Kiss For a Ha’penny (from Young-Bodleian 18, f. 22) [1526; 1515]
 A Kiss For a Ha’penny
Title (alternative): The Rake’s Rant		 MacFarlane Manuscript 2 176, p. 230 G ♯ ♯ ₵ ₵ 2 no no 1126 1115 1126 111H5
A Ranting Highlandman
Reel tune.

- A Rantin Highland Man, A Ranting Highland Man (from Drummond Castle Manuscript 1 35) [1531; 4777]
 A Ranting Highland Man MacFarlane Manuscript 2 125, p. 187 A ♯♯ ♯♯ ₵ ₵ 2 no no 1535 2777 1535 27bL7b7bL
A Soger Lad or any Bodie

- Welcome to your foot again, Welcome to Your Foot Again (from Drummond Castle Manuscript 2 44) [1512; 1515]
- Shàill an theil do Raotan agad, Shàill An Theil Do Raotan Agad (from MacFarlane Manuscript 2 181, p. 231) [1512; 1515]
- You’re wellcome to your foot again, Welcome to Your Foot Again; Shàill An Theil Do Raotan Agad (from James Knox Manuscript 80, f. 25v) [1512; 1516]
- Stay & take your Breeches with you, Stay and Take Your Breeches With You (from James Knox Manuscript 88, f. 26) [1512; 1516]
 A Soldier Lad or Anybody
Title (alternative): Welcome to Your Foot Again; Shàill An Theil Do Raotan Agad; Stay and Take Your Breeches With You		 MacFarlane Manuscript 2 192, p. 237 C ₵ ₵ 2 no no 1512 1511 151H2 151H1H
A Wife of my own
2 strain tune + 3 variations

- A wife of my own, A Wife of My Own (from Drummond Castle Manuscript 1 13) [135; 134]
 A Wife of My Own MacFarlane Manuscript 2 28, p. 57 E ♯♯ ♯♯ 9/8 9/8 6 no no 135 134 13b5 13b4
Allan Water. D.Y.
Variation set by D[avid] Y[oung]. 2 strain tune + 1 variation.

- Alen Watter, Allan Water (from Bowie Manuscript 12, f. 9v) [1131; 5221]
- Allan water, Allan Water (from Gairdyn Manuscript 340, f. 46v) [None; None]
- Allin Water, Allan Water (from Thomson Manuscript 50, p. 35) [1331; 5221]
- Allan watter, Allan Water (from Sinkler Manuscript 11, f. 67) [1131; 5221]
- Allan Water, Allan Water (from Cuming Manuscript 21, p. 25) [1131; 5221]
 Allan Water MacFarlane Manuscript 2 103, p. 146 G ♯ ♯ C C 4 yes no 1131 5521 1131H 5521
An Caora cròm

- Ardkinglas’s Reel, Ardkinglas’s Reel (from Drummond Castle Manuscript 2 29) [5127; 5143]
 An Caora Cròm
Title (alternative): Ardkinglas's Reel		 MacFarlane Manuscript 2 199, p. 239 G ♭ ♭ ₵ ₵ 2 no no 5127 5143 5L127bL 5L143b
An thou were my own thing
2 strain tune + 1 variation

- If thou wert my own thing, An Thou Were My Ain Thing (from Guthrie Manuscript 49, p. 306) [5613; 2611]
- wert you but my oun thing, An Thou Were My Ain Thing (from Gairdyn Manuscript 97, f. 17v) [None; None]
- Gin thou was my Ain thing, An Thou Were My Ain Thing (from Robert Kelsall Manuscript 594, f. 122v) [5513; 2265]
 An Thou Were My Ain Thing MacFarlane Manuscript 2 17, p. 42 A ♯♯ ♯♯ C C 4 yes no 5513 2265 5L5L13 226L5L
Andrew Kerr

- Andrew Kerr, Andrew Kerr (from Robert Kelsall Manuscript 599, f. 123v) [355; 367]
 Andrew Kerr MacFarlane Manuscript 2 225, p. 272 D ♯♯ ♯♯ 9/8 9/8 2 no no 355 467 355 467
Royal Archers

- Archers March, Archer's March (from Gairdyn Manuscript 47, f. 6) [1112; 3331]
 Archer's March MacFarlane Manuscript 2 238, p. 281 D ♯♯ ♯♯ ₵ ₵ 2 no no 1111 3333 1H1H1H1H 3H3H3H3H
Arthur’s Seat
2 strain tune + 1 variation

- Arthur’s Seat, Arthur’s Seat (from Young-Bodleian 16, f. 20) [1563; 4362]
- Arthur's Seat, Arthur's Seat (from McGibbon Manuscript 197, p. 96) [1563; 4362]
 Arthur’s Seat MacFarlane Manuscript 2 89, p. 138 G ♯ ♯ ₵ ₵ 4 yes no 1563 4362 1563 436L2
Ay as she piss’d she padled it
Marked "Slow". 2 strain tune + 2 variations.

- wher will oure Good man ly, Where Shall Our Good Man Lie (from Bowie Manuscript 43, f. 25v) [1124; 3314]
- Where shall our Goodman Lay, Where Shall Our Good Man Lie (from Gairdyn Manuscript 63, f. 9v) [None; None]
- Where shall our Good-man Lye in the Cold nights in Winter, Where Shall Our Good Man Lie (from Thomson Manuscript 44, p. 32) [5615; 3312]
- Wher will our Good man ly, Where Shall Our Good Man Lie (from Cameron Manuscript 191, p. 47) [1117; 5533]
 As She Piss’d She Paddled It
Title (alternative): Where Shall Our Good Man Lie		 MacFarlane Manuscript 2 12, p. 32 G ₵ ₵ 6 yes no 1124 3314 1124 3314
Ata bidag ar MacThomais
Alternative title given above tune: "Ore Thomson had a Durk".
Ata Bidag Ar MacThomais
Title (alternative): Thomson had a Durk		 MacFarlane Manuscript 2 186, p. 233 A ♯♯ ♯♯ ₵ ₵ 2 no no 3331 2227 3331 2227bL
Athol Braes D.Y.
Variation set by D[avid] Y[oung]. 2 strain tune + 2 variations.

- Athol Braes, Athole Braes (from Drummond Castle Manuscript 1 4) [3236; 3122]
 Athole Braes MacFarlane Manuscript 2 187, p. 234 G ♯ ♯ ₵ ₵ 6 yes no 3235 3122 3235 3122
A’ body loo’s me

- Every body loves me, A’ Body Loo's Me (from Drummond Castle Manuscript 2 22) [1152; 1133]
- A’Body loo’s me, A’ Body Loo's Me (from Young-Bodleian 6, f. 10) [1162; 1133]
 A’ Body Loo's Me MacFarlane Manuscript 2 180, p. 231 D ♯♯ ♯♯ ₵ ₵ 2 no no 1161 1133 1H1H61H 1H1H3H3H
Barley Cakes
Same tune as that in McGibbon MS, but note values halved here.

- Barley Cakes, Barley Cakes (from McGibbon Manuscript 175, p. 90) [1122; 3551]
 Barley Cakes MacFarlane Manuscript 2 248, p. 287 G ♯ ♯ ₵ ₵ 2 no no 1235 5226 1235 5226L
Bath Medley
Bath Medley MacFarlane Manuscript 2 133, p. 191 G ♯ ♯ 6/8 6/8 2 no no 1765 6522 1765 6522
Baxter’s Rant

- Baxter’s Rant, Baxter’s Rant (from Drummond Castle Manuscript 2 27, ) [5542; 1135]
 Baxter’s Rant MacFarlane Manuscript 2 189, p. 235 A ♯♯ ♯♯ ₵ ₵ 2 no no 5542 1535 5L5L42 1535
Beau Maxwel
Minuet

- Menwett 89, Beau Maxwell Minuet (from Cameron Manuscript 89, p. 17) [513; 511]
 Beau Maxwell Minuet MacFarlane Manuscript 2 68, p. 120 B♭ ♭♭ ♭♭ 3/4 3/4 2 no no 513 511 513 511
Black Joack. McLean.
Variation set by Charles McLean. 2 strain tune + 8 variations

- A country dance, Black Jock (from Gairdyn Manuscript 86, f. 14v) [None; None]
- Black Jock, Black Jock (from Gairdyn Manuscript 387, f. 53v) [; ]
- Black Jock The Irish Sett, Black Jock (from McGibbon Manuscript 60, p. 38) [6122; 3322]
- Black Jock by Mr McLean, Black Jock by McLean (from McGibbon Manuscript 130, p. 74) [5122; 3522]
 Black Jock MacFarlane Manuscript 2 207, p. 246 A ♯♯♯ ♯♯♯ 6/8 6/8 18 yes no 5122 3522 5L122 3522
Blew Bonnets

- Blew bonnets, Blue Bonnets (from James Knox Manuscript 177, f. 45) [1225; 1664]
 Blue Bonnets MacFarlane Manuscript 2 105, p. 148 C ₵ ₵ 2 no no 1225 1664 1H2H2H5 1H664
Bob of Fettercairn
Long variation set. 1 strain tune + 7 variations.

- Fettercairn Reel, Fettercairn Reel (from Drummond Castle Manuscript 2 13) [5151; 5575]
 Bob of Fettercairn
Title (alternative): Fettercairn Reel		 MacFarlane Manuscript 2 204, p. 242 G ♯♯ ♯♯ ₵ ₵ 8 yes no 5151 5175 5151 5175
Bocchi’s Bass Minuet
Minuet by Lorenzo Bocchi.
Bocchi’s Bass Minuet MacFarlane Manuscript 2 56, p. 112 A 3/4 3/4 2 no no 122 334 122 3b3b4
Bog an nuadh. D.Y.
Setting by David Young.
Bog An Nuadh MacFarlane Manuscript 2 190, p. 236 A ₵ ₵ 2 no no 1354 5424 13b54 5424
Braes of Branksom
2 strain tune + 1 variation.
Braes of Branksom MacFarlane Manuscript 2 152, p. 208 G ₵ ₵ 4 yes no 6544 6132 6544 61H32
Braes of Marr

- Braes of Mar, Braes of Mar (from Drummond Castle Manuscript 1 41, ) [1111; 2666]
 Braes of Mar MacFarlane Manuscript 2 121, p. 183 D ♯♯ ♯♯ ₵ ₵ 2 no no 1111 2666 1H1H1H1H 2666
Brivio’s Solo Minuet

- Minuet, Brivio’s Solo Minuet (from Robert Kelsall Manuscript 452, f. 85v) [153; 113]
 Brivio’s Solo Minuet MacFarlane Manuscript 2 70, p. 120 C 3/4 3/4 2 no no 153 113 1H53 11H3H
Buff Coat

- Buff Coat, Buff Coat (from Robert Kelsall Manuscript 40, f. 10) [1327; 1331]
 Buff Coat MacFarlane Manuscript 2 149, p. 205 D ♯♯ ♯♯ 6/8 6/8 2 no no 1327 6331 1H327 6331
Caber-fei. D.Y.
Long variation set by D[avid] Y[oung]. 1 strain tune + 21 variations.

- Caper fei, Caber Feidh (from Drummond Castle Manuscript 2 16) [1115; 1531]
- Caberfei, Caber Feidh (from Young-Bodleian 12, f. 16) [1115; 1531]
- Caberfei, Caber Feidh (from McGibbon Manuscript 84, p. 54) [1115; 1531]
- Caperfie, Caber Feidh (from James Knox Manuscript 27, f. 14) [1115; 1531]
 Caber Feidh MacFarlane Manuscript 2 113, p. 162 C ₵ ₵ 22 yes no 1115
Alt. index 1: 7774 (Alt index given as if key note is D)		 1531
Alt. index 2: 7427 (Alt index given as if key note is D)		 1H1H1H5
Alt. index 1: 7b7b7b4 (Alt index given as if key note is D)		 1H531
Alt. index 2: 7b427bL (Alt index given as if key note is D)
Cadger of Crief

- A Measure, Cadger of Crief (from Gairdyn Manuscript 49, f. 6v) [5526; 5511]
- Y’ere the Lass that has the Geir & I am the Lad that Loes you &c., You're the Lass That Has the Gear (from George Skene Manuscript 23, f. 7v) [5526; 5511]
- Cadger of Crief, Cadger of Crief (from Drummond Castle Manuscript 2 35) [3126; 3355]
- The Cadger o’ Crief, Cadger of Crief (from Young-Bodleian 9, f. 13) [5526; 5511]
 Cadger of Crief
Title (alternative): You're the Lass That Has the Gear; Back of the Change House		 MacFarlane Manuscript 2 197, p. 239 D ♯♯ ♯♯ ₵ ₵ 2 no no 5526 5511 552H6 551H1H
Cailleach Ouir D.Y.
Set of variations by D[avid] Y[oung]. 2 strain tune + 5 variations.
Cailleach Ouir MacFarlane Manuscript 2 4, p. 8 D ♯ ♯ ₵ ₵ 12 yes no 1133 2277 1133 2277
Camstroddan’s Rant
2 strain tune + 1 variation.

- The Countrymans Dance, The Countryman's Dance (from Thomson Manuscript 55, p. 38) [113; 264]
- Camstronnan’s Rant, Camstraddan's Rant (from Drummond Castle Manuscript 1 19) [113; 264]
- Sword dance or Streun, Sword dance or Streun (from Cameron Manuscript 253, p. 60) [1131; 6411]
 Camstraddan’s Rant
Title (alternative): The Countryman's Dance; Sword Dance		 MacFarlane Manuscript 2 123, p. 186 D 9/8 9/8 4 no no 113 264 113b 264
Captain Deleny

- The Holly Bush, The Holly Bush (from Young-Bodleian 11, f. 15) [5122; 5111]
- The Holly Bush, The Holly Bush (from McGibbon Manuscript 196, p. 96) [5122; 5111]
 Captain Deleny
Title (alternative): The Holly Bush		 MacFarlane Manuscript 2 88, p. 138 D ♯♯ ♯♯ 6/8 6/8 2 no no 5122 5111 5L122 5L111
Captain Robertson
Captain Robertson MacFarlane Manuscript 2 242, p. 284 D ♯♯ ♯♯ ₵ ₵ 2 no no 1155 3313 1H1H55 3313
Captain Ross

- Captain Ross, Captain Ross (from Young-Bodleian 47, f. 51) [5526; 1353]
 Captain Ross MacFarlane Manuscript 2 100, p. 144 A ♯♯ ♯♯ ₵ ₵ 2 no no 5526 1353 5L5L26L 1353
Carnoucies Rant
2 strain tune + 1 variation. Alt title ("Boga 'n Lochan") given in MacFarlane 2 index, but very different to later tune named "Bogan Lochan".

- The Drunken Wives in Pearson’s Closs, The Drunken Wives in Pearson’s Close (from Young-Bodleian 7, f. 11) [5555; 4477]
 Carnoucie's Rant
Title (alternative): Boga 'n Lochan; Drunken Wives in Pearson’s Close		 MacFarlane Manuscript 2 118, p. 182 A ♯♯ ♯♯ ₵ ₵ 4 yes no 5555 4477 5L555 447bL7bL
Christmass Holyday
Christmas Holiday MacFarlane Manuscript 2 218, p. 268 G ♯ ♯ 3/4 3/4 2 no no 155 553 155 553
Clarinda
Minuet tune. 2 strain tune + 1 variation.
Clarinda MacFarlane Manuscript 2 104, p. 147 G ♭♭ ♭♭ 3/4 3/4 4 yes no 321 217 3b21 217L
Clout the Cauldron
Long variation set. Initial 2 strain structure breaks down somewhat in the variations.

- Clout the caldron, Clout the Cauldron (from Guthrie Manuscript 38, p. 303) [1112; 5427]
 Clout the Cauldron MacFarlane Manuscript 2 43, p. 86 C C C 11 yes no 6111 2776 61H1H1H 2H776
Confederacy

- Confederacy, Confederacy (from Drummond Castle Manuscript 1 25, ) [3266; 5322]
 Confederacy MacFarlane Manuscript 2 178, p. 230 D ♯♯ ♯♯ ₵ ₵ 2 no no 3266 5322 3266 5322
Saraband by Corelli
First violin part of the Sarabanda from Corelli’s Concerto Grosso, Op 6 No 11.
Corelli op 6 no 11, Sarabanda MacFarlane Manuscript 2 77, p. 125 B♭ ♭♭ ♭♭ 3/4 3/4 2 no no 131 257 131 25L7L
Countrey Farmer
Country Farmer MacFarlane Manuscript 2 157, p. 215 C 6/8 6/8 2 no no 6122 3261 61H22H 3H2H61H
Craig Ellachi
Craigellachie MacFarlane Manuscript 2 200, p. 240 G ♯ ♯ ₵ ₵ 2 no no 6522 6555 6522H 6555
Cromdail Hill

- Grant’s Rant, Grant’s Rant (from Drummond Castle Manuscript 2 38) [1122; 1113]
- Cromdel hill, Cromdale Hill (from Young-Bodleian 37, f. 41) [1132; 1113]
 Cromdale Hill
Title (alternative): Grant's Rant		 MacFarlane Manuscript 2 179, p. 231 G ♯ ♯ ₵ ₵ 2 no no 1122 1113 1122 1113
Cromlet’s Lilt
Cromlet’s Lilt MacFarlane Manuscript 2 95, p. 142 D ♯♯ ♯♯ 3/4 3/4 2 no no 115 663 1H1H5 663
Cuttie Spoon. D.Y.
Variation set by D[avid] Y[oung]. 2 strain tune + 1 variation. A version of the tune Gillie Callum [Kheellum Kallum], known primarily as the traditional tune for the sword dance in Highland dancing. Concordances (other): "Kheellum khallum taa fein", Bremner Scots Reels 2, 108.

- Giliecallum, Gillie Callum (from Drummond Castle Manuscript 2 10) [1332; 1333]
 Cuttie Spoon
Title (alternative): Gillie Callum		 MacFarlane Manuscript 2 191, p. 236 A ♯♯ ♯♯ ₵ ₵ 4 yes no 1342 1333 1342 1333
Czar of Muscovy
Czar of Muscovy MacFarlane Manuscript 2 243, p. 284 D ♯♯ ♯♯ ₵ ₵ 2 no no 1155 3315 1H1H55 3315
Dainty Davie
Marked "A Little Slow". 2 strain tune + 1 variation.

- Dainty Davie, Dainty Davy (from James Knox Manuscript 145, f. 37v) [5532; 2711]
- Dainty Davy, Dainty Davy (from Robert Kelsall Manuscript 182, f. 28v) [5532; 1711]
- Dainty Davy, Dainty Davy (from Robert Kelsall Manuscript 254, f. 44) [5532; 2711]
- Dainty Davie, Dainty Davy (from James Knox Manuscript 145, f. 37v) [5532; 2711]
 Dainty Davy MacFarlane Manuscript 2 1, p. 1 F ♭ ♭ ₵ ₵ 4 yes no 5532 1711 5532 17L11
Donald Cooper. D.Y.
Variation set by D[avid] Y[oung]. 2 strain tune + 4 variations.

- New donnald Cupper, Donald Coupar (from Newbattle Violin Manuscript 2 32, f. 15) [1111; 2222]
- Donald Couper, Donald Coupar (from Newbattle Violin Manuscript 2 42, f. 19v) [None; None]
- Donald Couper, Donald Coupar (from Gairdyn Manuscript 6, f. 1v) [1245; 3356]
- New donnald Cupper, Donald Coupar (from Newbattle Violin Manuscript 2 32, f. 15) [1111; 2222]
- Donald Couper, Donald Coupar (from Newbattle Violin Manuscript 2 42, f. 19v) [None; None]
- Donald Couper, Donald Coupar (from Gairdyn Manuscript 6, f. 1v) [1245; 3356]
- Daniel Cowper, Daniel Coupar (from Robert Kelsall Manuscript 172, f. 27v) [5116; 6225]
- Daniel Coupper, Daniel Coupar (from Cameron Manuscript 254, p. 61) [5116; 6225]
 Donald Coupar MacFarlane Manuscript 2 116, p. 176 C C C 10 yes no 6162 6531 61H62H 653H1H
Donald Òg
Variation set.
Donald Òg MacFarlane Manuscript 2 87, p. 137 A ♯ ♯ 6/8 6/8 5 yes no 2524 2521 2524 2521
Dribbles o’ Brandy

- Drops of Brandy, Drops of Brandy (from Drummond Castle Manuscript 1 9, ) [133; 135]
 Drops of Brandy MacFarlane Manuscript 2 97, p. 143 G ♯ ♯ 9/8 9/8 2 no no 133 135 133 135
Drunken Fyfie
Reel
Drunken Fyfie MacFarlane Manuscript 2 21, p. 47 A ♯♯ ♯♯ ₵ ₵ 2 no no 3547 3511 3547b 3511H
Drunken Sailor
1 strain tune + 3 variations. Strain 2 doesn’t quite match harmonic pattern.

- The drunken Sailor, Drunken Sailor (from McGibbon Manuscript 111, p. 67) [321; 472]
- The drunken Sailor, Drunken Sailor (from McGibbon Manuscript 111, p. 67) [321; 472]
 Drunken Sailor MacFarlane Manuscript 2 160, p. 216 D 3/2 3/2 4 yes no 321 472 3b21 47bL2
Duncan dipt in
Duncan Dipt In MacFarlane Manuscript 2 184, p. 232 G ♯ ♯ ₵ ₵ 2 no no 1513 4326 15L13 4326L
MacGibbon’s Scotch Measure

- Duncan McGibbon's Scotch Measure, Duncan McGibbon's Scotch Measure (from MacFarlane Manuscript 3 207, p. 186) [3212; 3354]
 Duncan McGibbon’s Scotch Measure MacFarlane Manuscript 2 92, p. 140 D ₵ ₵ 2 no no 3251 3254 3b251 3b254
Dusty Miller

- Dusty Miller, Dusty Miller (from Cameron Manuscript 270, p. 64) [352; 722]
- Dusty Miller, Dusty Miller (from James Knox Manuscript 66, f. 24) [354; 742]
 Dusty Miller MacFarlane Manuscript 2 165, p. 221 G ♯ ♯ 3/2 3/2 2 no no 354 722 354 7L22
Eccles’s Reel

- Mr Campbell;s Reell, Mr Campbell's Reel (from George Skene Manuscript 19, f. 6) [1155; 6547]
- Ochal Reel, Ochal Reel (from Drummond Castle Manuscript 2 20) [1155; 6547]
- Eccles’s Rant, Eccles’s Reel (from Young-Bodleian 46, f. 50) [1155; 6547]
 Eccles’s Reel
Title (alternative): Mr Campbell's Reel; Glen Lyon's Rant; Glen Lyon's Reel; Ochal Reel		 MacFarlane Manuscript 2 93, p. 141 D ♯♯ ♯♯ ₵ ₵ 2 no no 1155 6547 11H55 6547bL
Fairly shot of her
Long variation set. 2 strain tune + 5 variations.

- We'll me I'm fairly shot of her, Fairly Shot of Her (from Gairdyn Manuscript 397, f. 55) [; ]
- Fairly Shot of Her, Fairly Shot of Her (from Drummond Castle Manuscript 1 6) [3335; 3374]
 Fairly Shot of Her MacFarlane Manuscript 2 34, p. 70 E ♯ ♯ 6/8 6/8 12 yes no 3335 3374 3b3b3b5 3b3b7bL4
First troop of Guards
March tune. More ornamented version of "March" in Kelsall MS.

- March, First Troop of Guards (from Robert Kelsall Manuscript 429, f. 81v) [3335; 3335]
 First Troop of Guards MacFarlane Manuscript 2 240, p. 282 G ♯ ♯ ₵ ₵ 2 no no 3335 3335 3335 3335
For the Love of Jean
2 strain tune + 1 1/2 variations (last strain is variation on A part).

- Baggpipe tune, Bagpipe Tune (from Newbattle Violin Manuscript 1 32, f. 31v) [152; 727]
- the Baggpipe tune, Bagpipe Tune (from Panmure Violin Manuscript 1 28, f. 12v) [152; 727]
 For the Love of Jean
Title (alternative): Bagpipe Tune		 MacFarlane Manuscript 2 41, p. 82 D ♯♯ ♯♯ 3/2 3/2 5 yes no 152 727 15L2 7L27L
Four and twenty Highlandmen

- Four and twenty highlandmen, Four and Twenty Highlandmen (from Drummond Castle Manuscript 2 45, ) [5152; 5172]
- Killicrankie, Killiecrankie (from James Knox Manuscript 87, f. 26) [5152; 5172]
 Four and Twenty Highlandmen MacFarlane Manuscript 2 175, p. 229 A ♯ ♯ ₵ ₵ 2 no no 5152 5172 5152 517bL2
Gairntullie’s Rant
Concordances (other): "The Marquis of Lorn's Strathspey", Niel Gow 1st collection, 25. Clearly same tune, but strathspey version far more dotted rhythms, and uses C naturals (ie binary D-C tune).

- Gairntully’s Rant, Gairntully's Rant (from Drummond Castle Manuscript 2 2) [3211; 4744]
- Stewarts rant, Stewart’s Rant (from James Knox Manuscript 64, f. 23v) [3211; 4744]
 Gairntully’s Rant
Title (alternative): The Marquis of Lorn's Strathspey		 MacFarlane Manuscript 2 120, p. 183 D ♯♯ ♯♯ ₵ ₵ 2 no no 3211 2744 3H2H1H1 27L44
Galloway’s Lament

- Gallways Lament, Galloway’s Lament (from Sinkler Manuscript 25, f. 64) [112; 115]
 Galloway’s Lament MacFarlane Manuscript 2 247, p. 287 A ♯ ♯ 3/4 3/4 2 no no 111 117 11H1H 1H1H7b
Geld him Lasses. D.Y.
Long variation set by D[avid] Y[oung]. 2 strain tune + 10 variations.

- Geld him Lasses, Geld Him Lasses (from Thomson Manuscript 10, p. 8) [131; 357]
- Geld him lasses _ Geld him, Geld Him Lasses (from Robert Kelsall Manuscript 259, f. 44v) [161; 357]
- Geld him lasses Geld him, Geld Him Lasses (from Robert Kelsall Manuscript 279, f. 48) [151; 357]
- Clerks Hornpipe, Clerk's Hornpipe (from Cameron Manuscript 258, p. 61) [151; 357]
 Geld Him Lasses
Title (alternative): Clerk's Hornpipe		 MacFarlane Manuscript 2 142, p. 198 D ♯♯ ♯♯ 3/2 3/2 22 yes no 151 357 1H51H 357
Giolla
Giolla MacFarlane Manuscript 2 226, p. 273 A C C 2 no no 1133 3443 113b3b 3b443b
Glenrinnes Cheer

- [Glenrinnes Cheer], Glenrinnes Cheer (from Bowie Manuscript 33, f. 20v) [1535; 7474]
- Highland tune, Glenrinnes Cheer (from Gairdyn Manuscript 93, f. 16) [1535; 7474]
 Glenrinnes Cheer
Title (alternative): Highland Tune		 MacFarlane Manuscript 2 201, p. 240 A ♯♯ ♯♯ ₵ ₵ 2 no no 1535 7474 1535 7b47bL4
Good Advice
Alt title given above tune: "Talk no more of Whig and Tory"
Good Advice
Title (alternative): Talk No More of Whig and Tory		 MacFarlane Manuscript 2 80, p. 129 C C C 2 no no 3135 6422 3H1H35 6422H
Gordonhall

- Ma Duncanson's Reel, Duncanson's Reel (from Martha Brown Manuscript 1, f. 36) [5155; 4746]
 Gordonhall
Title (alternative): Duncanson's Reel		 MacFarlane Manuscript 2 195, p. 238 A ♯♯ ♯♯ ₵ ₵ 2 no no 5155 4746 5155 47bL46
Gray horse’s March
Gray Horse’s March MacFarlane Manuscript 2 140, p. 197 G ♯ ♯ ₵ ₵ 2 no no 3551 1556 3551H 1H556
Gray Joack

- Gray Jock, Gray Jock (from McGibbon Manuscript 153, p. 83) [1375; 3627]
 Gray Jock MacFarlane Manuscript 2 233, p. 277 E ♯ ♯ 6/8 6/8 2 no no 1375 3627 1H3bH7b5 3b6b27L
Gray Steel. D.Y.
Long variation set by D[avid] Y[oung]. 1 strain tune + 19 variations.
Gray Steel MacFarlane Manuscript 2 112, p. 158 D ♯♯ ♯♯ ₵ ₵ 20 yes no 1611 1613 1H61H1 1H61H3
Green Sleeves
2 strain tune + 7 variations.

- Green slives, Greensleeves (from Thomson Manuscript 26, p. 18) [3347; 3175]
- Green sleivs and pudding pys, Greensleeves (from Sinkler Manuscript 39, f. 62) [3347; 3175]
- Greensleeves, Greensleeves (from Robert Kelsall Manuscript 148, f. 24v) [3547; 1425]
- The Bass to Green Sleeves, Greensleeves (bass) (from Robert Kelsall Manuscript 428, f. 81) [3355; 6633]
 Greensleeves MacFarlane Manuscript 2 212, p. 258 G ♭ ♭ 6/8 6/8 16 yes no 3347 3175 3b3b47bL 3b17bL5L
Had the Lass till I win at her

- Had the Lass till I win at her, Had the Lass Till I Win At Her (from James Knox Manuscript 22, f. 13v) [1565; 1522]
 Had the Lass Till I Win At Her MacFarlane Manuscript 2 23, p. 48 A ♯♯ ♯♯ ₵ ₵ 2 no no 1565 1542 1565 1542
Handels Hornpipe
2 strain tune + 1 variation. Double barline missing in variation.

- Handel's Hornpipe, Handel's Hornpipe (from James Knox Manuscript 55, f. 21v) [3215; 7211]
 Handel's Hornpipe MacFarlane Manuscript 2 86, p. 136 G ♯ ♯ C C 4 yes no 3215 7211 3215L 7211
Happy Clown

- The happy clown, Happy Clown (from Robert Kelsall Manuscript 38, f. 9v) [1355; 7531]
- Happy Clown, Happy Clown (from Cameron Manuscript 266, p. 63) [1355; 7531]
 Happy Clown MacFarlane Manuscript 2 158, p. 215 G 6/8 6/8 2 no no 1355 7531 1355 7b531
Harlequin’s Reel

- Harlequin Reel, Harlequin's Reel (from Drummond Castle Manuscript 2 37) [1151; 1372]
 Harlequin’s Reel MacFarlane Manuscript 2 193, p. 237 F ♭ ♭ ₵ ₵ 2 no no 1151 1372 1151H 137L2
Hatton Reel

- Hatton Reel, Hatton Reel (from Drummond Castle Manuscript 2 41, ) [1557; 4644]
 Hatton Reel MacFarlane Manuscript 2 50, p. 99 G ₵ ₵ 2 no no 1557 4445 1557b 4445
Heatherley
2 strain tune + 1 variation.
Heatherley MacFarlane Manuscript 2 224, p. 272 A ♯♯ ♯♯ 6/8 6/8 4 yes no 3736 3715 3736 3715
Heckle-Birny
Heckle Birny MacFarlane Manuscript 2 134, p. 192 A ♯♯ ♯♯ ₵ ₵ 2 no no 1513 2472 151H3 247b2
Here am I where are ye?
Here Am I Where Are Ye? MacFarlane Manuscript 2 222, p. 271 F ♭ ♭ 6/8 6/8 2 no no 1351 6527 1351H 6527L
Hey Jenny come down to Jock
Different to tune of the same name in Knox f. 53v.
Hey Jenny Come Down to Jock MacFarlane Manuscript 2 206, p. 245 G ♯ ♯ 6/8 6/8 2 no no 1176 6231 11H76 6231
Hey Tramudle

- [Glenbrissels Jigg], Glenbristle’s Jig (from Panmure Violin Manuscript 1 54, f. 26v) [155; 227]
- Glenbrissels Jigg, Glenbristle's Jig (from Agnes Hume Manuscript 3, f. 1v) [1552; 2715]
 Hey Tramudle
Title (alternative): Glenbristle’s Jig		 MacFarlane Manuscript 2 146, p. 203 D ♯♯ ♯♯ 9/8 9/8 2 no no 155 227 1H55 22H7
Hey to the Camp

- Hay to ye Camp, Hey to the Camp (from Robert Kelsall Manuscript 544, f. 112v) [1262; 3512]
- Hey to the Camp, Hey to the Camp (from MacFarlane Manuscript 3 140, p. 106) [111; 216]
 Hey to the Camp MacFarlane Manuscript 2 91, p. 140 C 6/8 6/8 2 no no 1262 3632 1H2H62 3H63H2H
His Grandfather
2 strain tune (no double barline) + 1 variation. Looks like missing B♭ in ks.
His Grandfather MacFarlane Manuscript 2 144, p. 202 F ♭ C C 4 yes no 1355 5233 1355 523H3H
How can I keep my Maidenhead

- Lennox love to Blanter, Lennox Love to Blantyre (from Sinkler Manuscript 44, f. 61) [1131; 2266]
- Lennox Love, Lennox Love to Blantyre (from Drummond Castle Manuscript 1 30) [1131; 2366]
- How can I keep my Maidenhead, How Can I Keep My Maidenhead (from James Knox Manuscript 75, f. 25v) [1131; 2266]
 How Can I Keep My Maidenhead
Title (alternative): Lennox Love to Blantyre		 MacFarlane Manuscript 2 188, p. 235 F ♭ ♭ ₵ ₵ 2 no no 1131 2266 1131H 2266
I love my Love in Secret
Long variation set. 1 strain tune +13 variations.

- I Love my Love in secret, I Love My Love in Secret (from Guthrie Manuscript 39, p. 303) [3155; 6225]
- I Love my Love in secret, I Love My Love in Secret (from Guthrie Manuscript 52, p. 306) [3155; 5555]
- I Love my Love in secret, I Love My Love In Secret (from Bowie Manuscript 52, f. 33v) [3111; 6223]
- I Love my Love in Secret, I Love my Love in Secret (from Gairdyn Manuscript 4, f. 1v) [3215; 6226]
- I Love my Love in Secret, I Love My Love In Secret (from Thomson Manuscript 3, p. 2) [3215; 5226]
- I Love My Love In Secret , I Love My Love In Secret (from Agnes Hume Manuscript 16, f. 5v) [3111; 6226]
- I love my Love in Secret by Mr McLean, I Love My Love In Secret (from McGibbon Manuscript 3, p. 2) [3211; 6226]
- I Love my Love in Secret, I Love my Love in Secret (from McGibbon Manuscript 156, p. 84) [3211; 6226]
- I love my love in secret, I Love My Love in Secret (from James Knox Manuscript 109, f. 29v) [3211; 6225]
 I Love My Love in Secret MacFarlane Manuscript 2 155, p. 210 B♭ ♭♭ ♭♭ C C 14 yes no 3211 6226 3211 6L226L
I wish my love were in a mire
2 strain tune + 2 variations

- I wish My Love wer in a mire, I Wish My Love Were in a Mire (from Gairdyn Manuscript 293, f. 40) [; ]
- I wish my love were in a mire, I Wish My Love Were in a Mire (from Gairdyn Manuscript 344, f. 47) [None; None]
- I wish my Love were in a Mire, I Wish My Love Were in a Mire (from McGibbon Manuscript 204, p. 100) [1111; 2261]
 I Wish My Love Were in a Mire MacFarlane Manuscript 2 53, p. 108 D ♯♯ ♯♯ C C 6 yes no 1111 2265 1H1H1H1H 2265
I woul’d ha’e my Gown made
2 strain tune + 1 variation.

- The gown made, The Gown Made (from Guthrie Manuscript 5, p. 294) [1665; 6665]
- I would halv my gown made, I Would Have My Gown Made (from Gairdyn Manuscript 374, f. 50v) [; ]
 I Would Have My Gown Made MacFarlane Manuscript 2 150, p. 206 D C C 4 yes no 3215 1137 3b215 1H1H3bH7b
I’ll ne’er leave him

- I’ll ne’er leave Thee, I'll Never Leave Thee (from Young-Bodleian 23, f. 27) [1334; 1346]
- I'll never leave thee, I'll Never Leave Thee (from McGibbon Manuscript 174, p. 90) [1334; 1346]
 I'll Never Leave Thee MacFarlane Manuscript 2 183, p. 232 D ♯♯ ♯♯ ₵ ₵ 2 no no 1334 1346 1H3H3H4H 1H3H4H6
If e’er I change a Single Life
If Ever I Change a Single Life MacFarlane Manuscript 2 49, p. 98 E ♭♭ ♭♭ 3/4 3/4 4 no no 351 765 351H 765
In her Cape she wore a feather

- In her Cape She wore a feather, In Her Cap She Wore a Feather (from McGibbon Manuscript 150, p. 82) [1111; 1132]
 In Her Cap She Wore a Feather MacFarlane Manuscript 2 250, p. 288 G ♯ ♯ ₵ ₵ 2 no no 1111 1132 111H1H 1132
Inverara Rant
Inverara Rant MacFarlane Manuscript 2 174, p. 229 A ♯ ♯ ₵ ₵ 2 no no 1533 4272 15L3b3b 427bL2
[Irish Trott]
Title missing on tune - taken from MacFarlane 2 index. Pipe style variation set. 1 strain tune + 17 variations.
Irish Trott MacFarlane Manuscript 2 162, p. 218 A ♯♯ ♯♯ 6/8 6/8 18 yes no 6161 6561 61H61H 6561H
I’ve fixt my fancy on thee
2 strain tune + 1 variation. Concordances (other): Playford OST; Thomson OC2, II.

- I have fixed my fancie on her, I’ve Fixed My Fancy On Thee (from Thomson Manuscript 29, p. 21) [3235; 2666]
- I’ve fixt my fancy on thee, I’ve Fixed My Fancy On Thee (from MacFarlane Manuscript 3 134, p. 98) [3235; 2666]
 I’ve Fixed My Fancy On Thee MacFarlane Manuscript 2 151, p. 207 F ♭ ♭ ₵ ₵ 4 yes no 3235 2666 3235 2666
Janizarie’s March
Janizarie’s March MacFarlane Manuscript 2 203, p. 241 C ₵ ₵ 2 no no 1111 1177 1H1H1H1H 1H1H77
Jannet drinks no Water

- Jannet drinks no water, Janet Drinks No Water (from Newbattle Violin Manuscript 2 29, f. 13v) [1611; 2226]
 Jannet Drinks No Water MacFarlane Manuscript 2 106, p. 149 C ₵ ₵ 2 no no 1611 2223 1H61H1H 2H223
Jealousy and Love
Jealousy and Love MacFarlane Manuscript 2 161, p. 217 D ♭ ♭ ₵ ₵ 2 no no 1132 1276 1H1H3bH2H 1H2H76
Jean’s the best of any

- Scotch measure, Scots Measure (from Robert Kelsall Manuscript 251, f. 43v) [1111; 3551]
 Jean’s the Best of Any MacFarlane Manuscript 2 145, p. 203 C ₵ ₵ 2 no no 1111 3551 1H111 3551H
Jenny Jo!
Long variation set. Opening marked "A Little Slow". 2 strain tune + 5 variations. Last variation is a 12/8 jig marked "Quick".
Jenny Jo MacFarlane Manuscript 2 10, p. 26 D ♯♯ ♯♯ ₵ ₵ 12 yes no 6127 3135 61H72H 3H1H35
Joack above all Joacks
Jock Above All Jocks MacFarlane Manuscript 2 16, p. 41 D ♯♯ ♯♯ 6/8 6/8 2 no no 1372 1535 1H3H72H 1H535
Jock and Tam
2 strain tune + variation

- A Hornpipe, A Hornpipe (from Robert Kelsall Manuscript 122, f. 21) [155; 722]
- Lady Susan Montgomery’s Hornpipe, Lady Susan Montgomery’s Hornpipe (from Drummond Castle Manuscript 1 17) [155; 722]
 Jock and Tam
Title (alternative): Lady Susan Montgomery's Hornpipe		 MacFarlane Manuscript 2 163, p. 220 G ♯ ♯ 3/2 3/2 4 yes no 155 722 155 7L22
Jockie was his name
Jockie Was His Name MacFarlane Manuscript 2 148, p. 205 G ♯ ♯ 3/4 3/4 2 no no 346 775 346 775
Jockie’s fow and Jenny’s fain
2 strain tune + 1 variation. Italianate run in strain 1.
Jockie’s Fow and Jenny’s Fain MacFarlane Manuscript 2 35, p. 72 D ♯♯ ♯♯ C C 4 yes no 1332 1365 1332 1365
John Hay’s bonnie Lassie
2 strain tune + 1 variation.

- [John Hay's Bonnie Lassie], John Hay's Bonnie Lassie (from Cuming Manuscript 35, p. 51) [511; 112]
 John Hay’s Bonnie Lassie MacFarlane Manuscript 2 235, p. 278 D ♯ ♯ 3/4 3/4 4 yes no 511 112 5L11 112
John Ochiltree
Variation sonata: Slow (6/8) 1 strain tune + 4 variations; Brisk (2/4); Somewhat slow (3/8); Quick (6/8).
John Ochiltree MacFarlane Manuscript 2 9, p. 22 D ♯♯ ♯♯ 6/8 6/8 11 yes no 1327 1215 1H3H2H7 1H2H1H5
Katharine Ogie. Disb.
Long variation set by Disb[lair]. 2 strain tune + 7 variations. Last four variations are in 6/8.

- Kathren Oggie, Katherine Oggie (from Panmure Violin Manuscript 1 73, f. 36) [5117; 2111]
- Ketron Ogie, Katherine Oggie (from Guthrie Manuscript 27, p. 299) [5111; 2111]
- Catharin Logie, Katherine Oggie (from Bowie Manuscript 30, f. 19v) [5111; 3217]
- Cathrin Ogie, Katherine Oggie (from Gairdyn Manuscript 396, f. 54v) [; ]
- Catherne Logie, Katherine Oggie (from Leyden Lyra-viol and Violin Manuscript 20, f. 58) [3325; 4443]
- Katherine Ogie, Katherine Oggie (from Robert Kelsall Manuscript 303, f. 54v) [5111; 3217]
- Katherine Ogie, Katherine Oggie (from Robert Kelsall Manuscript 310, f. 56) [5117; 2112]
- Katharine Ogie, Katherine Oggie (from James Knox Manuscript 144, f. 37) [5111; 3217]
 Katherine Oggie MacFarlane Manuscript 2 29, p. 58 A ₵ ₵ 16 yes no 5111 3211 5L111 3b211
Key of the Cellar
2 strain tune + 1 variation

- The Key of the Cellar, Key of the Cellar (from Young-Bodleian 26, f. 30) [311; 312]
 Key of the Cellar MacFarlane Manuscript 2 90, p. 139 G 3/2 3/2 4 yes no 311 312 311 312
Kick the World before you

- Kick the world before you, Kick the World Before You (from Gairdyn Manuscript 370, f. 50) [; ]
- Kick the World Before you, Kick the World Before You (from Drummond Castle Manuscript 1 46, ) [327; 321]
 Kick the World Before You MacFarlane Manuscript 2 19, p. 45 A 9/8 9/8 2 no no 327 321 3b27bL 3b21
Gillecrankie
1 strain tune + 1 variation

- Gillecrankie, Killiecrankie (from Gairdyn Manuscript 181, f. 23) [; ]
- Killie Krankie, Killiecrankie (from Thomson Manuscript 27, p. 20) [5555; 5555]
- Killie Krankie, Killiecrankie (from Thomson Manuscript 58, p. 40) [1111; 1116]
- Killicrancky, Killiecrankie (from MacFarlane Manuscript 3 114, p. 85) [3344; 3435]
 Killiecrankie MacFarlane Manuscript 2 159, p. 216 C ₵ ₵ 2 yes no 5555 2255 5555 2255
King of Damascus
Reel tune. DC at end.

- King of Damascus, King of Damascus (from Drummond Castle Manuscript 1 43, ) [1362; 1353]
 King of Damascus MacFarlane Manuscript 2 168, p. 224 G ♯ ♯ ₵ ₵ 2 no no 1362 1353 1362 1353
King of Prussia
King of Prussia MacFarlane Manuscript 2 239, p. 282 D ♯♯ ♯♯ ₵ ₵ 2 no no 5553 1112 5H5H5H3H 1H1H1H2H
The Kingdom of Fife

- The Kingdom of Fife, Kingdom of Fife (from Young-Bodleian 22, f. 26) [135; 274]
 Kingdom of Fife MacFarlane Manuscript 2 25, p. 49 G 9/8 9/8 2 no no 135 274 135 27b4
Kirkcudbright

- Haelle and Sound to Company or The Bone Wives of Aberden, Hail and Sound to Company or The Bonny Wives of Aberdeen (from Bowie Manuscript 20, f. 13v) [1126; 1151]
- Chisholm’s Rant, Chisholm's Rant (from George Skene Manuscript 4, f. 1v) [1125; 1111]
- Kirkcudbright, Kirkcudbright (from Drummond Castle Manuscript 1 26) [1126; 1111]
 Kirkcudbright
Title (alternative): Chisholm’s Rant; Lady Grant of Monymusk’s Reell; Lochgery’s Rant; Duke of Athole's Delight		 MacFarlane Manuscript 2 182, p. 232 G ♯ ♯ ₵ ₵ 2 no no 1121 1111 1121 1111
Kiss’d yest’re’en

- Kiss’d Yestereven, Kiss’d Yestereven (from Drummond Castle Manuscript 1 27, ) [1151; 2727]
 Kiss’d Yestereven MacFarlane Manuscript 2 98, p. 143 A ♯ ♯ 6/8 6/8 2 no no 2151 2727 2151 2727
Lady Blank
Reel tune.

- The Lady Blank O, Lady Blank (from Thomson Manuscript 19, p. 14) [5555; 5552]
- You’ll ay be welcome back again, You’ll Aye Be Welcome Back Again (from Drummond Castle Manuscript 1 32) [1555; 1152]
 Lady Blank
Title (alternative): You’ll Aye Be Welcome Back Again; Duncan Davidson		 MacFarlane Manuscript 2 167, p. 224 G ♯ ♯ ₵ ₵ 2 no no 1555 1152 1555 11H52
Lamotte’s N° 3
Minuet, presumably by the Edinburgh dancing master Pierre de Lamotte.
Lamotte’s Minuet No 3 MacFarlane Manuscript 2 69, p. 120 F ♭ ♭ 3/4 3/4 2 no no 135 131 135 1H3H1H
Lang Strumpony
Set of variations on a binary ground, but these shift through the variations: 1111,1100; 1011,1000; 1111,1000; 1111,1100. Bars 15-16 probably written out in crotchets instead of quavers by mistake.

- Lang Strumpony, Lang Strumpony (from MacFarlane Manuscript 3 79, p. 62) [6535; 6524]
 Lang Strumpony
Title (alternative): Langstrom Pony		 MacFarlane Manuscript 2 46, p. 95 A ♯♯ ♯♯ 6/8 6/8 4 yes no 6535 6524 6535 6524
Laodh mo chroidh Alastir
Quite similar to "I mett her in the medowe" in John Skene MS.

- Allastor, Laodh Mo Chroidh Alastir (from Drummond Castle Manuscript 1 7) [1174; 3773]
- Allaster, Laodh Mo Chroidh Alastir (from James Knox Manuscript 98, f. 28) [1174; 3773]
 Laodh Mo Chroidh Alastir
Title (alternative): Lochness; Sandy is My Darling		 MacFarlane Manuscript 2 124, p. 186 A ₵ ₵ 2 no no 1174 3773 11H7b4 3b7bL7bL3b
Leith Wynd Disb.
Long variation set by Disb[lair]. 2 strain tune + 5 variations. Last variation is a 12/8 jig.

- Leith wind, Leith Wynd (from Robert Kelsall Manuscript 4, f. 3v) [5326; 5557]
 Leith Wynd MacFarlane Manuscript 2 8, p. 18 D ♯♯ ♯♯ C C 12 yes no 5322 5555 5322 5555
Loch Sloy
Strain 3 is variation on strain 1. Concordances (other): "Jock's Lodge", Bremner Reels 1; "Cut and Dry", Stewart Reels.

- A New Reill, A New Reel (from George Skene Manuscript 1, f. 1) [3135; 2472]
 Loch Sloy
Title (alternative): Jock's Lodge; Cut and Dry.		 MacFarlane Manuscript 2 173, p. 228 A ♯♯ ♯♯ ₵ ₵ 3 yes no 3135 2472 3135 247bL2
Logan Water
2 strain tune + 1 variation

- Logan water, Logan Water (from Gairdyn Manuscript 339, f. 46v) [; ]
 Logan Water MacFarlane Manuscript 2 20, p. 46 B ♯♯ ♯♯ C C 4 yes no 3212 7477 3b212 7bL4L7bL7bL
Lord Cranston
Minuet

- My Lord Cranston Minuet May 1735, Lord Cranston's Minuet (from Gairdyn Manuscript 377, f. 51) [None; None]
- Minuet, Lord Cranston's Minuet (from Robert Kelsall Manuscript 412, f. 79) [133; 112]
 Lord Cranston's Minuet MacFarlane Manuscript 2 72, p. 122 D ♯♯ ♯♯ 3/4 3/4 2 no no 133 112 1H33 1H1H2H
Lord Craford
Minuet
Lord Crauford's Minuet MacFarlane Manuscript 2 75, p. 123 C 3/4 3/4 2 no no 511 713 5H1H1H 71H3H
Lord Drummore’s Reel
2 strain tune + variation

- Drummores Rant, Drummore's Rant (from Drummond Castle Manuscript 1 3) [3565; 3574]
 Lord Drummore’s Reel
Title (alternative): Drummore's Rant		 MacFarlane Manuscript 2 128, p. 188 A ♯♯ ♯♯ ₵ ₵ 4 yes no 3565 3574 3565 357bL4
Lord Forbes’s March
Pipe style variations - 8 bar sections, but variation figures blur into each, and there are no double barlines.
Lord Forbes’s March MacFarlane Manuscript 2 7, p. 16 A ♯♯ ♯♯ 6/8 6/8 8 yes no 5452 5453 5452 5453
Love for ever

- Love for ever, Love Forever (from McGibbon Manuscript 148, p. 82) [5132; 6261]
 Love Forever MacFarlane Manuscript 2 246, p. 286 G ♯ ♯ 6/8 6/8 2 no no 5132 6261 5L132 626L1
Love is the Cause of my mourning

- Love is the Caues of My mornen, Love is the Cause of my Mourning (from Bowie Manuscript 7, f. 6v) [1313; 4312]
- Love is the cause of my Mourning, Love is the Cause of My Mourning (from Gairdyn Manuscript 385, f. 53v) [; ]
- Love is the caus of my mourning , Love is the Cause of My Mourning  (from Leyden Lyra-viol and Violin Manuscript 3, f. 50v) [133; 331]
- Love is the Cause of my mourning, Love is the Cause of my Mourning (from MacFarlane Manuscript 3 237, p. 213) [133; 333]
- Love is the Cause of my mourning, Love is the Cause of my mourning (from McGibbon Manuscript 113, p. 67) [133; 333]
 Love is the Cause of My Mourning MacFarlane Manuscript 2 129, p. 189 F ♭ ♭ 3/4 3/4 2 no no 133 333 133 333
MacFarlane’s Reel

- Macfarlane’s Reel, MacFarlane’s Reel (from Drummond Castle Manuscript 2 36, ) [3526; 3521]
 MacFarlane’s Reel MacFarlane Manuscript 2 172, p. 228 D ♯♯ ♯♯ ₵ ₵ 2 no no 3526 3521 3H52H6 3H52H1H
Maggie Lauder. Disb.
Long variation set by Disb[lair]. 1 strain tune + 9 variations. Last is a 12/8 jig.

- Maggy Lauder, Maggie Lauder (from Robert Kelsall Manuscript 97, f. 17) [1111; 2272]
- Maggie Lauder, Maggie Lauder (from MacFarlane Manuscript 3 73, p. 58) [1531; 2472]
- Miss Lauder, Maggie Lauder (from McGibbon Manuscript 76, p. 48) [1531; 2472]
 Maggie Lauder MacFarlane Manuscript 2 45, p. 90 D ♯♯ ♯♯ C C 10 yes no 1111 2272 1H1H1H1H 2H2H72H
Marquis of Tweed dale

- Marquis of Tweeddale, Marquis of Tweeddale (from McGibbon Manuscript 163, p. 87) [132; 115]
 Marquis of Tweeddale MacFarlane Manuscript 2 79, p. 128 D ♯♯ ♯♯ 3/4 3/4 4 no no 132 116 1H3H2H 1H1H6H
Maxwel’s Rant
Maxwell’s Rant MacFarlane Manuscript 2 198, p. 239 F ♭ ♭ ₵ ₵ 2 no no 5372 1311 537L2 1H31H1H
MacLean’s Scotch Measure

- Markhams Scots Meassor, Markham's Scots Measure (from Agnes Hume Manuscript 13, f. 4v) [1122; 5223]
 McLean's Scots Measure
Title (alternative): Markham's Scots Measure		 MacFarlane Manuscript 2 236, p. 280 D ♯♯ ♯♯ ₵ ₵ 2 no no 1122 5223 1122 5223
Miller of Dron

- The Miller of Drone, Miller of Dron (from Young-Bodleian 21, f. 25) [1555; 4327]
- The Miller of Dron, Miller of Dron (from McGibbon Manuscript 187, p. 93) [1555; 4327]
 Miller of Dron MacFarlane Manuscript 2 230, p. 275 F ♭ ♭ 6/8 6/8 2 no no 1555 4327 1555 4327L
Minuet by Mr Handel
Minuet
Minuet by Handel MacFarlane Manuscript 2 63, p. 116 B♭ ♭♭ ♭♭ 3/4 3/4 2 no no 512 312 5L12 312
Minuet by Mr McLean
Minuet by Charles McLean.
Minuet by McLean MacFarlane Manuscript 2 48, p. 97 D ♯♯ ♯♯ 3/4 3/4 2 no no 554 332 554 332
Miss Bannerman
Minuet.
Miss Bannerman's Minuet MacFarlane Manuscript 2 62, p. 116 E ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 111 111 1H1H1H 1H1H1
Miss Cochran
Minuet tune. Different to both the "Miss Cochran's Minuet" in McGibbon MS, 120, and tune of the same name in Knox, 14v.
Miss Cochran's Minuet MacFarlane Manuscript 2 54, p. 110 A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 517 153 5L17L 153
Miss Cuthbert
Minuet
Miss Cuthbert's Minuet MacFarlane Manuscript 2 64, p. 117 B♭ ♭♭ ♭♭ 3/4 3/4 2 no no 132 321 132 321
Miss Durham
Minuet
Miss Durham's Minuet MacFarlane Manuscript 2 71, p. 121 G ♯ ♯ 3/4 3/4 2 no no 542 431 542 431
Miss Elphingston
Minuet
Miss Elphinstone's Minuet MacFarlane Manuscript 2 58, p. 113 G ♯ ♯ 3/4 3/4 2 no no 123 216 123 216L
Miss Hamilton
Minuet tune. Strains 3-4 go into A Major [###].
Miss Hamilton's Minuet MacFarlane Manuscript 2 57, p. 112 A 3/4 3/4 4 no no 171 554 1H71H 554
Miss Jenny Forbes
Minuet
Miss Jenny Forbes's Minuet MacFarlane Manuscript 2 61, p. 115 E ♯♯ ♯♯ 3/4 3/4 2 no no 157 151 1H57 1H51H
Miss Johnston
Minuet tune - different to the "Miss Johnston's" in Knox, f. 14v.

- Menwett 141 Scots, Scots Minuet (from Cameron Manuscript 141, p. 30) [111; 135]
 Miss Johnston's Minuet
Title (alternative): Scots Minuet		 MacFarlane Manuscript 2 73, p. 122 E ♯ ♯ 3/4 3/4 2 no no 111 135 111H 13b5
Miss McPherson
Minuet.
Miss MacPherson's Minuet MacFarlane Manuscript 2 67, p. 119 G ♭♭ ♭♭ 3/4 3/4 2 no no 135 321 13b5 3b21
Miss Macleod
Minuet
Miss Macleod's Minuet MacFarlane Manuscript 2 59, p. 114 A ♯♯ ♯♯ 3/4 3/4 2 no no 554 332 554 332
Miss Maul
Minuet.
Miss Maule's Minuet MacFarlane Manuscript 2 65, p. 118 B♭ ♭♭ ♭♭ 3/4 3/4 2 no no 111 133 111 133
Miss Ogilvy
Minuet tune. Lots of similarities with "Minuet", McGibbon MS no. 9, p. 15.
Miss Ogilvy's Minuet MacFarlane Manuscript 2 55, p. 111 G ♯ ♯ 3/4 3/4 2 no no 113 557 113 557
Miss Peggie Gordon
Minuet
Miss Peggie Gordon's Minuet MacFarlane Manuscript 2 74, p. 123 D ♯♯ ♯♯ 3/4 3/4 2 no no 127 155 1H2H7 1H55
Miss Rachie Farquharson
Minuet.
Miss Rachie Farquharson's Minuet MacFarlane Manuscript 2 66, p. 118 G ♭♭ ♭♭ 3/4 3/4 2 no no 517 113 517L 113b
Miss Selkirk
Minuet. Seems to have quite a Scottish feel in st 2, with sequences and string-crossing pattern in bars 17-19.
Miss Selkirk's Minuet MacFarlane Manuscript 2 60, p. 115 D ♯♯ ♯♯ 3/4 3/4 2 no no 113 255 1H1H3H 2H55
Mumping Nelly
2 strain tune + 1 variation.

- Mumping Nelly, Mumping Nelly (from Young-Bodleian 17, f. 21) [1131; 1127]
- Mumping Nelly, Mumping Nelly (from McGibbon Manuscript 173, p. 89) [1131; 1127]
 Mumping Nelly MacFarlane Manuscript 2 127, p. 188 G ♯ ♯ ₵ ₵ 4 yes no 1131 1127 1H131 1H127bL
My Cummer & I
My Cummer & I MacFarlane Manuscript 2 214, p. 263 B ♯♯ ♯♯ 6/8 6/8 2 no no 3214 3254 3b214 3b254
My Dearie an thou die. Disblair
Long variation set by Disblair. 2 strain tune + 4 variations

- My Derrie and thou die, My Dearie an Thou Die (from Newbattle Violin Manuscript 2 27, f. 12v) [1555; 5553]
- My dirie an't thou die, My Dearie An Thou Die (from Gairdyn Manuscript 394, f. 54v) [; ]
 My Dearie an Thou Die MacFarlane Manuscript 2 78, p. 126 G ♭♭ ♭♭ C C 10 yes no 3777 5311 3b7bL7bL7bL 53b11
My Minnie forbid me

- Ap: 14 1700 My Miny forbade me when I was young, My Miny Forbade Me (from Gairdyn Manuscript 223, f. 25v) [None; None]
 My Miny Forbade Me MacFarlane Manuscript 2 164, p. 221 A ♯ ♯ 6/8 6/8 2 no no 1127 1531 1127bL 1H53b1
My Nanny-o. Disb.
Variation set by Disb[lair]. 2 strain tune + 2 variations. Last variation is a 6/8 jig.

- my Nanny O, My Nanny O (from George Skene Manuscript 43, f. 16v) [5554; 3117]
- My Nanny-o, My Nanny O (from McGibbon Manuscript 201, p. 98) [3155; 3217]
 My Nanny O MacFarlane Manuscript 2 108, p. 150 E ♯ ♯ C C 6 no no 3155 3217 3b155 3b217bL
My useless Scrip
My Useless Scrip MacFarlane Manuscript 2 141, p. 197 F ♭ ♭ ₵ ₵ 2 no no 5555 1115 5555 1H1H1H5
New Bigging

- New Bigging, New Bigging (from Drummond Castle Manuscript 1 8, ) [1174; 1165]
 New Bigging MacFarlane Manuscript 2 132, p. 191 A ♯♯ ♯♯ 6/8 6/8 2 no no 1174 1165 11H7b4 11H65
New Claret
Variation set - 1 strain tune + 6 variations. Very similar to sections of the variation set on "Old Simon the King", as first published in Playford's The Division Violin (1684).
New Claret MacFarlane Manuscript 2 5, p. 12 G ♯ ♯ 9/8 9/8 7 yes no 133 137 133 137
No Charms above her
Marked "Slow"

- I often for my Jenny Strove, I often for my Jenny Strove (from Robert Kelsall Manuscript 173, f. 27v) [5225; 6367]
- No Charms above her, No Charms Above Her (from McGibbon Manuscript 25, p. 19) [5226; 6752]
 No Charms Above Her MacFarlane Manuscript 2 114, p. 169 G ♯ ♯ 6/8 6/8 2 no no 5226 6267 5226L 6L367
O dear Mother what shall I do
2 strain tune + 1 variation. Some Italianate runs / embellishments.

- O Minie, O Dear Mother What Shall I Do (from Sinkler Manuscript 50, f. 59v) [1312; 1652]
- O Dear Mother, O Dear Mother What Shall I Do (from MacFarlane Manuscript 3 135, p. 100) [112; 356]
- O Dear Mother what Shall I do, O Dear Mother What Shall I Do (from James Knox Manuscript 146, f. 37v) [111; 356]
 O Dear Mother What Shall I Do MacFarlane Manuscript 2 213, p. 262 C 3/4 3/4 4 yes no 113 356 113 356
Old Age and young
2 strain tune + 2 variations. "Shire of Air" is a 9/8 version of this tune.

- Old Age and Young, Old Age and Young (from Drummond Castle Manuscript 1 40) [135; 272]
- The Shire of Air, Shire of Ayr (from Young-Bodleian 35, f. 39) [1352; 272]
- Old Age and young, Old Age and Young (from McGibbon Manuscript 181, p. 91) [135; 272]
 Old Age and Young
Title (alternative): Shire of Air		 MacFarlane Manuscript 2 232, p. 276 G ♭ ♭ 3/2 3/2 6 yes no 135 275 13b5 27bL5
Old Ireland rejoice!
Long variation set. 1 strain tune +13 variations.
Old Ireland Rejoice MacFarlane Manuscript 2 52, p. 102 A ♯♯ ♯♯ 3/4 3/4 14 yes no 554 554 554 554
Old Sir Simon the King
Long variation set. Although the opening has a 2 strain feel, really this is a 1 strain tune and 20 variations (or 21 variations over a ground). Closely related to a set first published by Playford in The Division Violin (1684-5).
Old Sir Simon the King MacFarlane Manuscript 2 26, p. 50 C 9/8 9/8 21 yes no 611 614 61H1H 61H4H
On a Bank of flowers
This is the tune for the song "On a Bank of Flowers", which first appeared in the opera The Lady's Triumph (1718), with music by Galliard.

- Lady’s Triumph, The Lady's Triumph (from Robert Kelsall Manuscript 99, f. 17v) [3556; 1553]
- The Ladies triumph, The Lady's Triumph (from Cameron Manuscript 265, p. 63) [3556; 1553]
 On a Bank of Flowers
Title (alternative): The Lady's Triumph		 MacFarlane Manuscript 2 245, p. 286 D ₵ ₵ 2 no no 3556 1553 3b556 1H553bH
One Evening as I lay
One Evening as I Lay MacFarlane Manuscript 2 153, p. 208 G ♯ ♯ 6/8 6/8 2 no no 3665 4433 3665 4433
Open the Door to three
Open the Door to Three MacFarlane Manuscript 2 96, p. 142 G ♯ ♯ 9/8 9/8 2 no no 132 134 132 134
Oswald’s Fancy
Oswald’s Fancy MacFarlane Manuscript 2 107, p. 149 G ♯ ♯ 6/8 6/8 2 no no 5526 6521 5L5L26L 6521
O’er the muir to Katie
O’er the Moor to Katy MacFarlane Manuscript 2 143, p. 201 D ♯♯ ♯♯ ₵ ₵ 2 no no 1155 5111 1155 51H1H1H
An I had thee ’mong the heather

- O’er the muir among the Heather, O’er the Muir Among the Heather (from Young-Bodleian 39, f. 43) [5111; 6222]
 O’er the Muir Among the Heather MacFarlane Manuscript 2 196, p. 238 G ♯ ♯ ₵ ₵ 2 no no 5111 6222 5L111 6L222
Pease Strae
Variation set - 2 strain tune + 3 variations.

- Pease strae, Pease Strae (from Gairdyn Manuscript 5, f. 1v) [1343; 2577]
 Pease Strae MacFarlane Manuscript 2 6, p. 14 D ♯♯ ♯♯ ₵ ₵ 8 yes no 1343 2577 1H3H4H3H 2H577
Peggie I must love thee
2 strain tune + 2 variations. Related to earlier McLachland setting (Bowie, Balcarres, Sinkler), but with mid 18th-century style ornaments.

- pege I most Love the, Peggy I Must Love Thee (from Bowie Manuscript 24, f. 16v) [6111; 2266]
- Pegy I mosst love thee Capt: Campbell his marsh, Peggy I Must Love Thee (from Bowie Manuscript 48, f. 30v) [6111; 2266]
- As I went down yon burn so Clear, As I Went Down Yon Burn So Clear (from Gairdyn Manuscript 54, f. 7v) [6111; 2266]
- Magie I most love thee, Peggy I Must Love Thee (from Sinkler Manuscript 32, f. 63) [6111; 2266]
 Peggy I Must Love Thee MacFarlane Manuscript 2 18, p. 44 G C C 6 yes no 5111 2266 5L111 226L6L
Pinkie house. MacLean.
Variation sonata by Charles McLean. Air+variations (C); [minuet] (3/4); [jig] (6/8).

- Pinkie house, Pinkie House (from Gairdyn Manuscript 400, f. 55) [; ]
- Pinkie House by Mr McLean, Pinkie House (from McGibbon Manuscript 73, p. 46) [3332; 5555]
 Pinkie House MacFarlane Manuscript 2 110, p. 154 G ♯ ♯ C C 10 yes no 3332 5551 3332 5551H
Polwarth on the Green. Craig.
Variation set by [Adam] Craig. 2 strain tune + 2 variations. Last is a 6/8 jig.

- Polwarth on the greene, Polwarth on the Green (from Gairdyn Manuscript 288, f. 40) [None; None]
 Polwarth on the Green MacFarlane Manuscript 2 13, p. 34 D ♯♯ ♯♯ C C 6 yes no 3254 5511 3254 551H1H
Prince Eugen
Prince Eugene MacFarlane Manuscript 2 244, p. 285 D ♯♯ ♯♯ ₵ ₵ 2 no no 3355 1113 3355 1H1H1H3H
Prince of Orange
Prince of Orange MacFarlane Manuscript 2 227, p. 273 G ♯ ♯ ₵ ₵ 2 no no 3114 2755 3114 27L5L5
Princess Sobieski
Princess Sobieski's Minuet MacFarlane Manuscript 2 84, p. 133 D ♯♯ ♯♯ 3/4 3/4 2 no no 111 111 1H1H1H 1H1H1H
Rattling Roaring Willy
Long set of variations. Begins with 2 strain feel, but variations don't always follow this pattern.

- Ranting roaring willie, Ranting Roaring Willie (from Gairdyn Manuscript 33, f. 4) [None; None]
- Ratling roaring Willie, Ranting Roaring Willie (from Gairdyn Manuscript 38, f. 4) [513; 776]
- Ranting roring Willie, Ranting Roaring Willie (from Robert Kelsall Manuscript 146, f. 24) [513; 714]
 Ranting Roaring Willie MacFarlane Manuscript 2 2, p. 2 A ♯♯ ♯♯ 9/8 9/8 11 yes no 313 744 313 7b44
Recruiting Officer

- The Recruiting Officer, Recruiting Officer (from Robert Kelsall Manuscript 52, f. 11) [1215; 4525]
- Recruting officer, Recruiting Officer (from Cameron Manuscript 237, p. 57) [1215; 4525]
 Recruiting Officer MacFarlane Manuscript 2 220, p. 269 D ♯♯ ♯♯ 6/8 6/8 2 no no 1215 1252 1H2H1H5 125L2L
Reel of Tullich. D.Y.
Long variation set by D[avid] Y[oung]. 1 strain tune + 20 variations. Opening 2 strains are only 4 bars each, but many others are 8 bars long. After the initial 4 strains, the set moves further and further from the initial melodic material.

- Tullich Reel, Reel of Tulloch (from Drummond Castle Manuscript 2 9) [5151; 5147]
 Reel of Tulloch MacFarlane Manuscript 2 115, p. 170 A ♯♯ ♯♯ ₵ ₵ 21 yes no 5151 5147 5151 5147bL
Rivo che tumido
Aria from Vivaldi's opera Orlando furioso (RV 819) Act 1 Scene 4.

- Rivo chi Tumido, Rivo Che Tumido (from Robert Kelsall Manuscript 216, f. 36) [125; 135]
 Rivo Che Tumido MacFarlane Manuscript 2 82, p. 130 D ♯♯ ♯♯ 3/8 3/8 2 no no 125 135 1H2H5 1H3H5H
Roger came taping at Dolly’s Window
Roger Came Tapping at Dolly’s Window MacFarlane Manuscript 2 136, p. 193 D ♯♯ ♯♯ 6/8 6/8 2 no no 3215 3230 321H5 3230
Rumour

- Rumer, Rumour (from Cameron Manuscript 250, p. 60) [3345; 7711]
 Rumour MacFarlane Manuscript 2 229, p. 274 F ♭ ♭ 6/8 6/8 2 no no 3345 7711 3345 771H1
Sailor bold
Sailor Bold MacFarlane Manuscript 2 241, p. 283 G ♯ ♯ ₵ ₵ 2 no no 3355 1111 3355 1H1H1H1
Senesino
Senesino MacFarlane Manuscript 2 156, p. 214 G ♯ ♯ 3/4 3/4 2 no no 314 511 314 511H
Shady Bower’s
Shady Bowers MacFarlane Manuscript 2 31, p. 63 D ♯♯ ♯♯ ₵ ₵ 2 no no 1112 2751 1H1H1H2H 2H751H
Shuffle and Cut
2 strain tune + 2 variations. Ambiguous tonality between D & G.
Shuffle and Cut MacFarlane Manuscript 2 37, p. 74 D ♯♯ ♯♯ 9/8 9/8 6 yes no 154
Alt. index 1: 521 (Alt index given as if key note is G)		 625
Alt. index 2: 362 (Alt index given as if key note is G)		 1H54
Alt. index 1: 521 (Alt index given as if key note is G)		 625
Alt. index 2: 36L2 (Alt index given as if key note is G)
Shàill an theil do Raotan agad

- Welcome to your foot again, Welcome to Your Foot Again (from Drummond Castle Manuscript 2 44) [1512; 1515]
- A Soger Lad or any Bodie, A Soldier Lad or Anybody (from MacFarlane Manuscript 2 192, p. 237) [1512; 1511]
- You’re wellcome to your foot again, Welcome to Your Foot Again; Shàill An Theil Do Raotan Agad (from James Knox Manuscript 80, f. 25v) [1512; 1516]
- Stay & take your Breeches with you, Stay and Take Your Breeches With You (from James Knox Manuscript 88, f. 26) [1512; 1516]
 Shàill An Theil Do Raotan Agad
Title (alternative): A Soldier Lad or Anybody; Welcome to Your Foot Again; Stay and Take Your Breeches With You		 MacFarlane Manuscript 2 181, p. 231 G ♯ ♯ ₵ ₵ 2 no no 1512 1515 151H2 151H5
Sibell
Sibell MacFarlane Manuscript 2 205, p. 244 C ₵ ₵ no no 5433 4214 5H4H3H3H 4H2H1H4H
Sir Alexr Macdonalds Reel
2 strain tune + 1 variation.

- Mcdonalds Rant, MacDonald's Rant (from Gairdyn Manuscript 43, f. 5) [3513; 4266]
- Macdonald’s Rant, MacDonald's Rant (from Young-Bodleian 43, f. 47) [3552; 4266]
 Sir Alexander MacDonald's Reel
Title (alternative): MacDonald's Rant		 MacFarlane Manuscript 2 169, p. 224 D ♯ ♯ ₵ ₵ 4 yes no 3532 4266 353H2H 4H2H66
Sleepy Maggie. D.Y.
Long variation set by D[avid] Y[oung]. 1 strain tune + 11 variations

- Jolly Robin, Jolly Robin (from Drummond Castle Manuscript 2 17) [5153; 5142]
- Sleepy Maggy, Sleepy Maggie (from James Knox Manuscript 96, f. 27v) [5113; 5172]
 Sleepy Maggie
Title (alternative): Jolly Robin		 MacFarlane Manuscript 2 27, p. 54 B ♯♯ ♯♯ ₵ ₵ 13 yes no 5153 5142 5153b 5142
So merry as we have been
2 strain tune + 2 variations. Ornate written-out embellishments in strain 2.

- So Mirry as whe have been, So Merry As We Have Been (from Gairdyn Manuscript 2, f. 1) [135; 131]
 So Merry As We Have Been MacFarlane Manuscript 2 109, p. 152 D ♯♯ ♯♯ 3/4 3/4 6 yes no 121 553 1H2H1H 553
Steer her up and had her gaing
2 strain tune + 1 variation.

- Hold her going, Steer Her Up and Had Her Gaun (from Guthrie Manuscript 25, p. 299) [1533; 2277]
- Steer her up, Steer Her Up and Had Her Gaun (from Gairdyn Manuscript 171, f. 22v) [None; None]
- Steer Her Up and Had Her Gaun, Steer Her Up and Had Her Gaun (from Cuming Manuscript 3, p. 4) [1133; 1355]
 Steer Her Up and Had Her Gaun MacFarlane Manuscript 2 216, p. 266 D ♯♯ ♯♯ ₵ ₵ 4 yes no 1133 1355 1H1H3H3H 1H3H5H5
Stella darling of the Muses
2 strain tune + 1 variation. This variation attributed to Charles McLean in McGibbon MS. This is the name of a song set to the aria "Semplicetta Tortona" from the opera Demetrius by Giovanni Battista Pescetti. Here presented with a single variation by Charles McLean. Concordances (other): Pescetti, The Favourite Songs in the Opera Call'd Demetrius (1737); "The Charmer To a Celebrated Air in Demtrius" (words begin "Stella Darling of the Muses"), Calliope or English Harmony, vol 1 (1737), p. 31.

- Stella darling of the Muses, with McLean’s Variation on it, Stella, Darling of the Muses (from McGibbon Manuscript 2, p. 1) [134; 567]
- Stella darling of the Muses, Stella, Darling of the Muses (from McGibbon Manuscript 66, p. 42) [1517; 6543]
 Stella, Darling of the Muses
Title (alternative): Semplicetta Tortona		 MacFarlane Manuscript 2 208, p. 250 G ♯ ♯ 3/8 3/8 4 yes no 134 567 134 567
Struan Robertson’s Rant
Reel tune. 2 strain tune + 1 variation.
Struan Robertson’s Rant MacFarlane Manuscript 2 170, p. 225 D ♯ ♯ ₵ ₵ 4 yes no 3153 3322 315H3H 3H3H2H2
Sweet like Sugar Candie
1 strain tune + 4 variations.

- Sugar Candie, Sugarcandy (from Gairdyn Manuscript 183, f. 23) [; ]
- Shes sweet like sugarcandie, Sweet Like Sugar Candie (from Agnes Hume Manuscript 18, f. 10v) [3571; 4472]
- Sweet as Sugar Candie, Sweet Like Sugar Candie (from McGibbon Manuscript 128, p. 73) [3571; 4472]
 Sweet Like Sugar Candie MacFarlane Manuscript 2 44, p. 88 G C C 5 yes no 3571 4472 357b1H 447bL2
Tòm na mhuiln
Gaelic "Tamnavulin", meaning "Mill on the Hill"

- Tamavuiln, Tamnavulin (from Drummond Castle Manuscript 2 28) [1515; 1522]
 Tamnavulin MacFarlane Manuscript 2 202, p. 240 F ♭ ♭ ₵ ₵ 2 no no 1515 1522 15L15L 15L22
Birks of Invermay. MacLean.
Variation set by Charles McLean. 2 strain tune + 4 variations. Last variation in 3/4.

- Birks of Invermay, The Birks of Invermay (from Gairdyn Manuscript 412, f. 58) [None; None]
- The Birks of Endermay, The Birks of Invermay (from Robert Kelsall Manuscript 517, f. 107) [5552; 2266]
- The Birks of Invermay, The Birks of Invermay (from McGibbon Manuscript 78, p. 50) [5552; 2266]
 The Birks of Invermay MacFarlane Manuscript 2 210, p. 254 B♭ ♭♭ ♭♭ C C 10 yes no 5552 2266 5552 226L6L
The black man is the bravest
2 strain tune + 1 variation.
The Black Man is the Bravest MacFarlane Manuscript 2 217, p. 267 D ♯♯ ♯♯ ₵ ₵ 4 yes no 5232 7656 5232 7L6L5L6
The bonniest Lass in a’ the world

- The bonnyest lass in a the warld, The Bonniest Lass in a the World (from Gairdyn Manuscript 312, f. 43v) [None; None]
- The boniest lass in all the World, The Bonniest Lass in All the World (from Robert Kelsall Manuscript 302, f. 54) [3561; 2265]
 The Bonniest Lass in a’ the World MacFarlane Manuscript 2 102, p. 145 G ♯ ♯ ₵ ₵ 2 no no 3361 2265 35L6L1 226L5L
The Bride has a bonny thing
2 strain tune + 3 variations. 2 strain pattern breaks down later in variations.

- The Bride has a bonny thing, The Bride has a Bonny Thing (from McGibbon Manuscript 96, p. 61) [5531; 6532]
 The Bride has a Bonny Thing MacFarlane Manuscript 2 215, p. 264 G ♯ ♯ 6/8 6/8 8 yes no 6531 6532 6531 6532
The Caping Trade
Tune + 1 variation. No double barlines separating strains 1-2 or strains 3-4.

- The Capin Trade, The Caping Trade (from Leyden Lyra-viol and Violin Manuscript 36, f. 64) [1111; 5255]
 The Caping Trade MacFarlane Manuscript 2 139, p. 196 C ₵ ₵ 4 yes no 1111 5255 1H1H11 5225
The Carle he came o'er the Croft & c.
Long variation set. Opening marked "A Little Slow". 2 strain tune + 3 variations. Last variation is a 12/8 jig marked "Quick".

- [The Carle he came over the Croft], The Carle He Came O'er the Croft (from Cuming Manuscript 51, p. 70) [1115; 3135]
 The Carle He Came O'er the Croft MacFarlane Manuscript 2 11, p. 30 A ♯♯ ♯♯ ₵ ₵ 8 yes no 1133 7433 1133 7b433
The Coronet

- The Coronet, The Coronet (from Young-Bodleian 4, f. 8) [1523; 1513]
 The Coronet MacFarlane Manuscript 2 135, p. 192 D ♯♯ ♯♯ ₵ ₵ 2 no no 1523 1513 1H523 1H51H3H
The Fiddlers
1 strain tune + 3 variations
The Fiddlers MacFarlane Manuscript 2 30, p. 62 D ♯ ♯ ₵ ₵ 4 yes no 1155 3214 1H1H5H5H 3H2H1H4H
The flaughter Spade
The Flaughter Spade MacFarlane Manuscript 2 24, p. 49 G 6/8 6/8 2 no no 3666 3515 3566 351H5
The Lass of Livingston
Marked "A Little Slow". 2 strain tune + 1 variation.
The Lass of Livingston MacFarlane Manuscript 2 3, p. 6 F ♭ ♭ ₵ ₵ 4 yes no 1131 5554 1131H 5554
The Lass of Patys Mill
Variation sonata: 2 strain tune + 3 variations. In several sections: C; 6/8 jig; 2/4.

- [The Lass of Patie’s Mill], The Lass of Patie's Mill (from Clerk of Penicuik Papers 23, GD18/4538/5/8/1) [3235; 1155]
- The Lass of Patie’s Mill, The Lass of Patie’s Mill (from MacFarlane Manuscript 3 188, p. 146) [3235; 1155]
- Peaties Mill, The Lass of Patie's Mill (from MMC 491 10, p. 54) [3235; 1130]
- Lass of Paties Mill, The Lass of Patie's Mill (from James Knox Manuscript 57, f. 21v) [3235; 1155]
 The Lass of Patie's Mill MacFarlane Manuscript 2 14, p. 36 D ♯♯ ♯♯ C C 12 yes no 3235 1155 3235 1H1H55
Lasses drink at Brandy. D.Y.
Variation set by D[avid] Y[oung]. 2 strain tune + 5 variations.

- The lasses pisses brandy, The Lasses Pisses Brandy (from Robert Kelsall Manuscript 95, f. 16v) [5135; 5135]
 The Lasses Drink at Brandy
Title (alternative): The Lasses Pisses Brandy		 MacFarlane Manuscript 2 117, p. 178 A ♯♯ ♯♯ ₵ ₵ 12 yes no 5333 4747 5333 47bL47b
Last Time I came o’er the Muir
1 strain tune + 4 variations

- Last time I came over the Mure, The Last Time I Came O'er the Moor (from Panmure Violin Manuscript 1 76, f. 39) [1111; 2777]
- [The Last time I Came O'er the moor] J: McL, The Last Time I Came O’er the Moor (from Bowie Manuscript 35, f. 21v) [3211; 2216]
- The last time I came ou’r the Muir , The Last Time I Came O'er the Moor (from Gairdyn Manuscript 311, f. 43v) [; ]
- The last time I came ore ye muir, The Last Time I Came O'er the Moor (from Robert Kelsall Manuscript 277, f. 47v) [4211; 3276]
 The Last Time I Came O’er the Moor MacFarlane Manuscript 2 15, p. 40 F ♭ ♭ C C 5 yes no 3211 2776 321H1H 2H776
The Maltman comes on monday. Dis
Long variation set by Dis[blair]. 1 strain tune + 31 variations. Some feeling of 2 strain grouping at tune and couple of variations (low pitch - high pitch), but breaks down later on.

- A Scots-measure, Scots Measure (from Gairdyn Manuscript 64, f. 9v) [None; None]
- The maltman or Roger the Cavalier, The Maltman Comes On Monday (from Cuming Manuscript 24, p. 29) [615; 627]
- Rodger, Roger de Coverley (from Robert Kelsall Manuscript 287, f. 49v) [615; 726]
- Roger de Coverley, Roger de Coverley (from Robert Kelsall Manuscript 645, f. 137) [615; 227]
- The Maltman, The Maltman Comes On Monday (from Drummond Castle Manuscript 1 11) [615; 727]
- The Maltman, The Maltman Comes On Monday (from James Knox Manuscript 67, f. 24) [615; 327]
 The Maltman Comes On Monday MacFarlane Manuscript 2 40, p. 76 D ♯♯ ♯♯ 9/8 9/8 32 yes no 635 727 6L35 7L27L
Merry Meeting

- Mirry Meeting, The Merry Meeting (from Gairdyn Manuscript 280, f. 36) [None; None]
- [The Merry Meeting], The Merry Meeting (from Cuming Manuscript 49, p. 68) [5331; 3175]
- The merry Meeting, The Merry Meeting (from Robert Kelsall Manuscript 183, f. 28v) [5331; 3175]
 The Merry Meeting MacFarlane Manuscript 2 211, p. 257 D ♯ ♯ 6/8 6/8 2 no no 5331 3725 5331 3H72H5
Millmill-o
2 strain tune + 2 variations.

- The Mill mill o, The Mill Mill O (from Gairdyn Manuscript 355, f. 48) [; ]
 The Mill Mill O MacFarlane Manuscript 2 76, p. 124 A ♯♯♯ ♯♯♯ C C 6 yes no 1551 6611 15L5L1 6L6L11
The Millers Jigg

- Hey my Nanny, Hey My Nanny (from Drummond Castle Manuscript 1 23) [633; 632]
 The Miller’s Jig
Title (alternative): Hey My Nanny		 MacFarlane Manuscript 2 137, p. 193 D ♯♯ ♯♯ 9/8 9/8 2 no no 633 632 633 632
The ald wife ayond the fire

- The Old Wife beyond the Fire, The Old Wife Beyond the Fire (from Drummond Castle Manuscript 1 44, ) [3274; 3211]
 The Old Wife Beyond the Fire MacFarlane Manuscript 2 185, p. 233 G ₵ ₵ 2 no no 3274 3211 327bL4 3211H
Parson among the Pease
English country dance tune. Used by Lorenzo Bocchi in one of his viola da gamba sonatas.

- [The Parson Among the Peas], The Parson Among the Peas (from Thomson Manuscript 108, p. 88) [5653; 1172]
 The Parson Among the Peas MacFarlane Manuscript 2 219, p. 268 G ♯ ♯ 6/8 6/8 2 no no 5653 1172 5653 117L2
The Ragged Sailor
2 strain tune + 1 variation

- The Ruged sailor, The Ragged Sailor (from Gairdyn Manuscript 268, f. 33v) [1152; 6211]
- The Ragged Sailor, The Ragged Sailor (from Young-Bodleian 8, f. 12) [1152; 6211]
- The Merry jolly Sailor, The Merry Jolly Sailor (from McGibbon Manuscript 95, p. 60) [1152; 6211]
 The Ragged Sailor MacFarlane Manuscript 2 111, p. 156 G ♯ ♯ 6/8 6/8 4 yes no 1152 6211 11H52 6211H
Stumpie

- Stumpie, The Reel of Stumpie (from Drummond Castle Manuscript 2 31) [3121; 3122]
 The Reel of Stumpie MacFarlane Manuscript 2 177, p. 230 G ♯ ♯ ₵ ₵ 2 no no 3121 3122 31H2H1H 31H2H2
The Way to Warrington
No double barlines, but looks like 2 strain tune + 1 variation.
The Way to Warrington MacFarlane Manuscript 2 147, p. 204 G 9/8 9/8 4 yes no 777 472 7bL7b7b 47bL2
The western Walks
The Western Walks MacFarlane Manuscript 2 101, p. 145 G ♯ ♯ 6/8 6/8 3 yes no 6752 1625 6752 1H62H5
There’ll ne’er be peace till Jamie come hame
1 strain tune + 1 variation

- There neer will be peace till J_y come home, There’ll Ne’er Be Peace Till Jamie Come Hame (from Robert Kelsall Manuscript 245, f. 43) [342; 231]
 There’ll Ne’er Be Peace Till Jamie Come Hame MacFarlane Manuscript 2 83, p. 132 A 3/4 3/4 2 yes no 331 217 3b3b1 217bL
Three good Fellows. Disb.
Long variation set by Disb[lair]. 2 strain tune at opening, but somewhat breaks down later on. More like variations on ground bass [passamezzo antico].
Three Good Fellows MacFarlane Manuscript 2 42, p. 84 G ♭ ♭ 9/8 9/8 11 yes no 153 755 15L3b 7bL5L5
Three Sheepskins

- The thri ships skings, Three Sheep Skins (from Panmure Violin Manuscript 1 70, f. 34v) [1355; 4352]
- The Three Sheeps Skinns, Three Sheep Skins (from Thomson Manuscript 53, p. 38) [1133; 5564]
- Three sheep skins, Three Sheep Skins (from Robert Kelsall Manuscript 139, f. 23) [1133; 5533]
 Three Sheep Skins MacFarlane Manuscript 2 33, p. 69 C ₵ ₵ 2 no no 1334 4332 1H3H3H4H 4H3H3H2H
Tibbie Fowler. D.Y.
Variation set by D[avid] Y[oung]. 2 strain tune + 4 variations.

- Tibie fouller in the glen, Tibbie Fowler (from Bowie Manuscript 47, f. 29v) [1111; 2744]
- Mary Harvey att the Gaurd, Mary Harvey at the Guard (from Thomson Manuscript 52, p. 37) [1111; 2744]
- Owing at her, Owing At Her (from Sinkler Manuscript 36, f. 62v) [1112; 7742]
- Tibbie Fouller in the Glen, Tibbie Fowler (from George Skene Manuscript 14, f. 4) [1112; 7233]
- Tibbie fowler in the Glen, Tibbie Fowler (from Drummond Castle Manuscript 1 38) [5172; 3175]
 Tibbie Fowler
Title (alternative): Mary Harvey at the Guard; Owing at Her		 MacFarlane Manuscript 2 171, p. 226 G ₵ ₵ 10 yes no 1172 3175 117L2 317L5L
Tinkler Tam
Long variation set. 1 strain tune + 11 variations.
Tinkler Tam MacFarlane Manuscript 2 138, p. 194 F ♭ ♭ 3/2 3/2 12 yes no 355 464 355 464
Tom come tickle me
Tom Come Tickle Me MacFarlane Manuscript 2 22, p. 48 E ♯♯ ♯♯ 6/8 6/8 4 no no 3524 1541 3b524 1541
Tubal-Cain

- Tubal=Cain, Tubal Cain (from McGibbon Manuscript 147, p. 82) [1315; 7272]
 Tubal Cain MacFarlane Manuscript 2 130, p. 190 G ♯ ♯ 6/8 6/8 2 no no 1315 7272 1315 7L27L2
Tweed Side. MacLean.
Variation set by Charles McLean. 2 strain tune + 2 variations.

- Down tweedsead, Down Tweed Side (from Gairdyn Manuscript 81, f. 13) [None; None]
- Tweedside, Tweed Side (from Cuming Manuscript 33, p. 48) [156; 113]
- Tweed Side, Tweed Side (from Robert Kelsall Manuscript 246, f. 43) [156; 113]
- Tweed-side, Tweed Side (from Robert Kelsall Manuscript 494, f. 98) [356; 113]
- Preludio to Tweedside by A. Monro, Preludio to Tweed Side (from McGibbon Manuscript 65, p. 42) [1122; 3321]
- Tweedside by Mr McLean, Tweed Side by McLean (from McGibbon Manuscript 83, p. 53) [156; 113]
- Tweed Syde, Tweed Side (from James Knox Manuscript 111, f. 30) [15L6L; 113]
- Tweedsyde, Tweed Side (from James Knox Manuscript 217, f. 56) [156; 113]
 Tweed Side MacFarlane Manuscript 2 209, p. 252 A ♯♯♯ ♯♯♯ 3/4 3/4 6 yes no 156 113 15L6L 113
Tóm breccich
2 strain tune + 1 variation.
Tóm Breccich MacFarlane Manuscript 2 221, p. 270 F ♭ ♭ ₵ ₵ 4 yes no 1353 5622 1353 5622
Unfortunate Jock

- Unfortunate Jock , Unfortunate Jock (from Drummond Castle Manuscript 1 47, ) [1113; 7267]
 Unfortunate Jock MacFarlane Manuscript 2 131, p. 190 D ♯♯ ♯♯ 6/8 6/8 2 no no 1113 7267 1H1H1H3H 7267
Up and war them a’ Willie

- Up and worst them all Willy, Up and War Them a’ Willie (from Drummond Castle Manuscript 1 33) [1344; 1322]
 Up and War Them a’ Willie MacFarlane Manuscript 2 126, p. 187 A ♯♯ ♯♯ ₵ ₵ 2 no no 1344 1347 1344 1347bL
Up in the morning early
2 strain tune + 3 variations

- Up in the Morning earlie, Up in the Morning Early (from George Skene Manuscript 39, f. 13v) [5357; 1515]
- Cold & Raw, Cold & Raw (from Robert Kelsall Manuscript 62, f. 12v) [1357; 1513]
- Up in the morning Early, Up in the Morning Early (from Young-Bodleian 38, f. 42) [1357; 1515]
 Up in the Morning Early
Title (alternative): Cold & Raw		 MacFarlane Manuscript 2 51, p. 100 A 6/8 6/8 8 yes no 1374 1315 13b7bL4 13b15
Wap at the Widow
1 strain tune + 6 variations. Feeling of 2 strain tune at opening, but breaks down in variations. Similar to variations in the Bowie MS.

- the: widos: Lade, The Widow’s Laddie (from Bowie Manuscript 2, f. 1v) [3162; 3131]
- Wap at the Widow my Lady, The Widow's Laddie (from Bowie Manuscript 14, f. 10v) [3122; 3131]
 Wap at the Widow MacFarlane Manuscript 2 85, p. 134 G ♯ ♯ 6/8 6/8 7 yes no 3122 3131 3122 3131H
Was you at the Bridal

- Stewart’s Rant, Stewart’s Rant (from Drummond Castle Manuscript 2 21) [3654; 4747]
- Stewarts rant, Stewart’s Rant (from James Knox Manuscript 85, f. 26) [3655; 4747]
 Was You At the Bridal
Title (alternative): Stewart's Rant		 MacFarlane Manuscript 2 194, p. 238 A ♯♯ ♯♯ ₵ ₵ 2 no no 3654 4747 3654 47b47b
Was she no kind to me
Was she No Kind to Me MacFarlane Manuscript 2 81, p. 129 G 9/8 9/8 2 no no 571 577 57b1H 57b7b
Wattie Laing
2 strain tune + 1 variation. "Cailleach An Dùdain" has a similar melodic shape, in compound time.

- Wattie Laing, Wattie Laing (from Drummond Castle Manuscript 1 31) [1324; 1313]
- Cailleach an dordon, Cailleach An Dùdain (from MacFarlane Manuscript 3 33, p. 19) [1324; 1313]
 Wattie Laing
Title (alternative): Cailleach An Dùdain		 MacFarlane Manuscript 2 99, p. 144 G ♯ ♯ ₵ ₵ 4 yes no 1324 1313 1324 1313
Waking of the Falds
Wawking of the Faulds MacFarlane Manuscript 2 47, p. 96 A ♯ ♯ ₵ ₵ 2 no no 5117 4154 5117b 415L4L
Welsh Fusilleer’s

- Welsh Fusileers, Welsh Fusileers (from Young-Bodleian 14, f. 18) [1233; 1616]
- The Welsh Fusiliers, Welsh Fusileers (from McGibbon Manuscript 149, p. 82) [1233; 1616]
 Welsh Fusileers MacFarlane Manuscript 2 231, p. 275 D ♯♯ ♯♯ 6/8 6/8 2 no no 1233 1616 1H2H3H3H 1H61H6
Wet and weary
Wet and Weary MacFarlane Manuscript 2 36, p. 73 F ♭ ♭ 9/8 9/8 2 no no 173 172 1H73 1H72H
We’re a’ forsaken for want o’ Siller

- Wee’re all forsaken for want of Silver, We’re All Forsaken For Want of Silver (from Drummond Castle Manuscript 1 12) [521; 352]
 We’re All Forsaken For Want of Silver MacFarlane Manuscript 2 94, p. 141 A 9/8 9/8 2 no no 521
Alt. index 1: 376 (Alt index given as if key note is C)		 352
Alt. index 2: 137 (Alt index given as if key note is C)		 521
Alt. index 1: 3H76 (Alt index given as if key note is C)		 3b52
Alt. index 2: 1H3H7 (Alt index given as if key note is C)
Wee’re a’ kiss’d sleeping
We’re a’ Kiss’d Sleeping MacFarlane Manuscript 2 154, p. 209 G ₵ ₵ 2 no no 1155 7233 115L5L 7bL223
What meikle Sorrow ails you
Meckle (Meikeil) ie Mikil, Scots word meaning "large, great".

- What meikle sorrow ails you, What Meikle Sorrow Ails You (from Drummond Castle Manuscript 2 43, ) [3115; 4675]
- What meikel sorrow Ails You?, What Meikle Sorrow Ails You (from Young-Bodleian 41, f. 45) [3115; 6475]
 What Meikle Sorrow Ails You MacFarlane Manuscript 2 119, p. 182 A ♯♯ ♯♯ ₵ ₵ 2 no no 3115 4675 3b11H5 46b7b5
What shall I do to show how much I love her?
Song by Henry Purcell from his music for Dioclesian (Z.627).

- What shall I doe to show, What Shall I Do to Show How Much I Love Her (from Gairdyn Manuscript 84, f. 14) [None; None]
- What shall I do to show, What Shall I Do to Show How Much I Love Her (from Thomson Manuscript 17, p. 12) [312; 771]
- What Shall I do to Shew how Much I love her, What Shall I Do to Show How Much I Love Her (from Robert Kelsall Manuscript 436, f. 82v) [5742; 5311]
- What shall I do to show how much I love her, What Shall I Do to Show How Much I Love Her (from McGibbon Manuscript 20, p. 15) [312; 771]
 What Shall I Do to Show How Much I Love Her MacFarlane Manuscript 2 249, p. 288 A 3/4 3/4 2 no no 312 771 3b12 7L7L1
When you please &c
When you please &c MacFarlane Manuscript 2 237, p. 280 A ♯ ♯ ₵ ₵ 2 no no 1513 2724 15L13b 27b24
White Joack
White Joack MacFarlane Manuscript 2 234, p. 277 D ♯♯ ♯♯ 6/8 6/8 2 no no 1315 6651 1H3H1H5 6651
Why shou’dn’t I love

- Why shou'd not I love my Love, Why Shouldn't I Love My Love (from McGibbon Manuscript 123, p. 71) [133; 774]
 Why Shoudn’t I Love My Love MacFarlane Manuscript 2 39, p. 75 G ♭ ♭ 9/8 9/8 2 no no 133 774 13b3b 7bL7b4
Widow are thou 'waking. Monro.
Variation set by [Alexander] Munro. 2 strain tune + 2 variations (last is a 6/8 jig). Italianate embellishments.

- Widow art thou' waking, Widow Are Thou Waking (from McGibbon Manuscript 206, p. 101) [1133; 6221]
 Widow Are Thou Waking MacFarlane Manuscript 2 166, p. 222 G ♯ ♯ C C 6 yes yes 1133 6221 1133 6221
Willy was a wanton Wag. Disb.
Long variation set by Disb[lair]. 2 strain tune + 10 variations. Last 4 variations are in 9/8.
Willy Was a Wanton Wag MacFarlane Manuscript 2 32, p. 64 D ♯♯ ♯♯ C C 22 yes no 3111 3136 311H1H 31H3H6
Willy winna hae her. D.Y.
Variation set by D[avid] Y[oung]. 1 strain tune + 9 variations.
Willy Winna Hae Her MacFarlane Manuscript 2 122, p. 184 A ♯♯ ♯♯ ₵ ₵ 10 yes no 3322 1715 3322 171H5
Wood Lark

- Wood Lark, Wood Lark (from Robert Kelsall Manuscript 444, f. 83v) [3127; 1551]
- Couterdance Juconne +, Contredanse Juconne (from Cameron Manuscript 170, p. 42) [3127; 1551]
 Wood Lark
Title (alternative): Contredanse Juconne		 MacFarlane Manuscript 2 223, p. 271 F ♭ ♭ ₵ ₵ 2 no no 3127 1551 3H1H2H7 1H551H
Wright’s Rant

- Border Reel, Border Reel (from Drummond Castle Manuscript 1 24) [3535; 4646]
 Wright’s Rant
Title (alternative): Border Reel		 MacFarlane Manuscript 2 228, p. 274 A ♯♯ ♯♯ 6/8 6/8 2 no no 3535 4646 3535 4646
Ye Gods ye gave to me a Wife
2 strain tune + 1 variation
Ye Gods Ye Gave to Me a Wife MacFarlane Manuscript 2 38, p. 75 G ♭♭ ♭♭ ₵ ₵ 4 yes no 1531 3355 1H53b1 3b3b55