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Manuscript Tune Index

by Aaron McGregor


All title fields
Key signature
Time signature
Bass
Source
KS (edited)
TS (edited)
Variations

Key note
Index 1 [starts with / is]
Index 2 [starts with / is]
How to use
Index 1 & Index 2

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Manuscript: MacFarlane Manuscript 3

Title (source) Title (standardised) Source Key note Key signature KS (edited) Time signature TS (edited) Strains Variations Bass Index 1 Index 2 Index 1 (long) Index 2 (long)
A Lass and a Lump o’ Land

- Lump of Land, A Lass and a Lump of Land (from Gairdyn Manuscript 28, f. 3v) [1772; 1753]
 A Lass and a Lump of Land MacFarlane Manuscript 3 11, p. 8 G ♯ ♯ 6/8 6/8 2 no no 1772 1744 1H772H 1H744
A Pretty Wench
A Pretty Wench MacFarlane Manuscript 3 180, p. 140 B ♯♯ ♯♯ ₵ ₵ 2 no no 5133 2243 513b3b 2243b
A Rock and a wee pickle Tow
2 strain tune + 2 variations. Last is a 6/8 jig.

- A Rock & a wee pickle tow, A Rock and a Wee Pickle Tow (from Gairdyn Manuscript 18, f. 3) [612; 335]
 A Rock and a Wee Pickle Tow MacFarlane Manuscript 3 230, p. 206 G ♯ ♯ 3/4 3/4 6 yes no 612 335 6L12 335
A Trip to the Laundry
A Trip to the Laundry MacFarlane Manuscript 3 256, p. 232 A ♯♯♯ ♯♯♯ 2/4 2/4 2 no no 1232 3742 1232 37L42
Joy to great Cesar
Variation sonata by William McGibbon, modelled on Corelli’s "La Folia", Op 5 no 12. Sections are "Slow" 3/4; "Fast" 3/4; 3/4 (triplets); "Slow" 12/8; "Fast" ₵; "Slow" 3/4 (double stops); (triplets); (semi-quavers).

- Haille great Sir, All Joy to Great Caesar (from Gairdyn Manuscript 19, f. 3) [112; 177]
- [La Folia], La Folia (from Gairdyn Manuscript 91, f. 15v) [111; 777]
- All Joy to great Caesar, All Joy to Great Caesar (from Robert Kelsall Manuscript 196, f. 30v) [111; 777]
 All Joy to Great Caesar
Title (alternative): La Folia		 MacFarlane Manuscript 3 195, p. 168 D ♭ ♭ 3/4 3/4 10 yes no 111 777 1H1H1H 777
Alloa House
Long variation set. Marked "Slow". 2 strain tune + 6 variations.
Alloa House MacFarlane Manuscript 3 189, p. 152 A 3/4 3/4 14 yes no 151 332 15L1 3b3b2
Am Bárron Dònn
Am Bárron Dònn MacFarlane Manuscript 3 10, p. 8 A ♯♯ ♯♯ ₵ ₵ 2 no no 3165 3525 3165 3525L
An Middleton be’ waking
An Middleton Be’ Waking MacFarlane Manuscript 3 170, p. 133 G ♯ ♯ ₵ ₵ 2 no no 5515 6626 5515 6626
Apsley house
Apsley House MacFarlane Manuscript 3 219, p. 196 G ♯ ♯ ₵ ₵ 2 no no 3135 6424 3135 6424
Archers March
Different tune to the other "Archer's March" in MacFarlane 2 and Gairdyn.
Archer's March MacFarlane Manuscript 3 110, p. 83 D ♯♯ ♯♯ ₵ ₵ 2 no no 5551 3333 5551H 3H3H3H3H
As I walk'd by my self
2 strain tune + 1 variation.
As I Walked By Myself MacFarlane Manuscript 3 31, p. 18 A ♯ ♯ C C 4 yes no 3333 4277 3b3b3b3b 427bL7bL
Ata mi mo chedail
2 strain tune + 3 variations. Lots of Italianate embellishment.

- Chami Ma Whatle, Chami Ma Chattle (from Gairdyn Manuscript 345, f. 47) [None; None]
- Ane Irish tune, Chami Ma Chattle (from Sinkler Manuscript 12, f. 67) [5126; 5321]
- Past one a clock, Past One o'clock (from Robert Kelsall Manuscript 572, f. 117v) [6126; 6321]
- The Cold Frosty Morning, The Cold Frosty Morning (from McGibbon Manuscript 145, p. 81) [511; 111]
 Ata Mi Mo Chedail
Title (alternative): Chami Ma Chattle		 MacFarlane Manuscript 3 269, p. 246 A ♯♯ ♯♯ 3/4 3/4 8 yes no 611
Alt. index 1: 6126 (Alt index as if TS is 6/4)		 111
Alt. index 2: 6321 (Alt index as if TS is 6/4)		 6L11
Alt. index 1: 6L126L (Alt index as if TS is 6/4)		 111
Alt. index 2: 6L321 (Alt index as if TS is 6/4)
Ata mo Thighearnsa Duinne Cheggan
Ata mo Thighearnsa Duinne Cheggan MacFarlane Manuscript 3 202, p. 183 F ♭ ♭ ₵ ₵ 2 no no 1115 7621 1115 7L6L21
Auld Rob Morris
2 strain tune + variation.

- Rob Morice, Auld Rob Moriss (from Gairdyn Manuscript 309, f. 43v) [None; None]
 Auld Rob Morris MacFarlane Manuscript 3 171, p. 134 G ♯ ♯ 3/4 3/4 4 yes no 115 611 115L 6L11H
Baby Allan
Variation set by D[avid] Y[oung]. 2 strain tune + 3 variations.
Baby Allan MacFarlane Manuscript 3 136, p. 102 E ♯ ♯ C C 8 yes no 1112 7223 1H1H1H2H 7b2H2H3bH
Bagpipe Minuet

- Menwett 11, Minuet 11 (from Cameron Manuscript 11, p. 3) [135; 175]
 Bagpipe Minuet MacFarlane Manuscript 3 95, p. 72 G ♯ ♯ 3/4 3/4 2 no no 135 175 135 1H75
Barbara Allan. McLean
Variation sonata by Charles McLean. Multiple metres: C; [minuet] 3/4; [jig] 6/8.
Barbara Allan MacFarlane Manuscript 3 222, p. 198 E ♯ ♯ C C 8 yes no 1132 7243 1H1H3bH2H 7b2H4H3bH
Bessie Bell
2 strain tune + 1 variation.

- Bessie bell, Bessie Bell (from Guthrie Manuscript 32, p. 300) [3564; 3513]
- Bessie Bell & c, Bessie Bell (from Cuming Manuscript 23, p. 28) [3564; 3513]
- Bessie Bell, Bessie Bell (from James Knox Manuscript 130, f. 34) [3564; 3534]
 Bessie Bell MacFarlane Manuscript 3 158, p. 122 D ♯ ♯ 6/8 6/8 4 yes no 3564 3513 3564 351H3H
Blest be the time I was married
In pencil: The Vicar of Bray
Blest Be the Time I Was Married
Title (alternative): The Vicar of Bray		 MacFarlane Manuscript 3 184, p. 144 G ♯ ♯ ₵ ₵ 2 no no 1756 4533 1H756 4533
Blink o’er the burn Sweet Bettie
2 strain tune + 1 variation.

- Blink over the burn sweet Beatie, Blink O'er the Burn Sweet Betty (from Gairdyn Manuscript 62, f. 9) [333; 552]
- Blink o’er the burn Sweet Betty, Blink O’er the Burn Sweet Betty (from James Knox Manuscript 113, f. 30) [333; 552]
 Blink O’er the Burn Sweet Betty MacFarlane Manuscript 3 240, p. 216 D ♯ ♯ 3/4 3/4 4 yes no 333 553 3H3H3H 553H
Boddams Jigg
Three-bar phrases. Possibly composed by, or named for, the French / Scottish dancing master William Baddham (Bodham, Batham), fl 1695-1720, who worked variously in Edinburgh and Glasgow, and held a concert series at his home in Edinburgh in 1699-1700.
Bodham's Jigg MacFarlane Manuscript 3 86, p. 66 G ♯ ♯ 6/8 6/8 2 no no 1542 3141 1H542 3141
Bonny Christie
Variation sonata (by Alexander Munro): theme & variation ₵; [Corrente] 3/4; [jig] 6/8.

- bonnie Christan, Bonny Christy (from Guthrie Manuscript 58, p. 309) [5531; 6651]
- bone Cirste, Bonny Christy (from Bowie Manuscript 4, f. 3v) [5251; 3111]
- B Kirstie, Bonny Christy (from Gairdyn Manuscript 206, f. 24v) [None; None]
 Bonny Christy MacFarlane Manuscript 3 286, p. 270 G ♯ ♯ ₵ ₵ 6 yes no 5251 3214 525L1 3214
Bonny Dundee
Variation set by James Oswald. 2 strain tune + 1 variation.

- Bonny Dundie , Bonny Dundee (from Gairdyn Manuscript 273, f. 35) [; ]
 Bonny Dundee MacFarlane Manuscript 3 138, p. 104 A ♯ ♯ 3/4 3/4 4 yes no 511 117 5L11 117bL
Bonny Jean
Variation sonata (by Alexander Munro): theme & variations C; [sarabanda] 3/4; [corrente] 3/4; [gavotta] ₵; [jig] 12/8.

- Bony Jean of Aberdeen, Bonny Jean of Aberdeen (from Gairdyn Manuscript 313, f. 44) [1155; 1132]
- [Bonny Jean of Aberdeen], Bonny Jean of Aberdeen (from Cuming Manuscript 43, p. 62) [1155; 1132]
 Bonny Jean of Aberdeen MacFarlane Manuscript 3 260, p. 234 G ♯ ♯ C C 14 yes no 1155 1112 115L5L 1112
Bonny Jean of St Andrew’s
Bonny Jean of St Andrew’s MacFarlane Manuscript 3 292, p. 288 G ♭ ♭ ₵ ₵ 2 no no 5111 3354 5L111 3b3b54
Bonny Lad lay your pipes down
Bonny Lad Lay Your Pipes Down MacFarlane Manuscript 3 247, p. 221 D ♭ ♭ 3/4 3/4 2 no no 112 335 112 3b3b5
Bonny Mary
Bonny Mary MacFarlane Manuscript 3 245, p. 220 G ♯ ♯ C C 2 no no 3551 6531 3551H 6531H
Bonny Susie Johnston
Bonny Susie Johnston MacFarlane Manuscript 3 83, p. 65 D ♯ ♯ ₵ ₵ 2 no no 5551 5126 5551H 51H26
Bravo and Florimel
Bravo and Florimel MacFarlane Manuscript 3 263, p. 240 F ♭ ♭ 3/4 3/4 2 no no 111 152 1H1H1H 1H52
Brose and Butter
Brose and Butter MacFarlane Manuscript 3 49, p. 39 A ♯ ♯ 9/8 9/8 2 no no 311 314 3b11 3b14
Cailleach an dordon
Similar melodic shape to "Wattie Laing", but in compound time.

- Wattie Laing, Wattie Laing (from Drummond Castle Manuscript 1 31) [1324; 1313]
- Wattie Laing, Wattie Laing (from MacFarlane Manuscript 2 99, p. 144) [1324; 1313]
 Cailleach An Dùdain
Title (alternative): Wattie Laing		 MacFarlane Manuscript 3 33, p. 19 D ♯ ♯ 6/8 6/8 2 no no 1324 1313 1324 1313
Calypso and Telemachus
Calypso and Telemachus MacFarlane Manuscript 3 262, p. 239 B♭ ♭♭ ♭♭ 6/8 6/8 2 no no 1353 3175 1353 317L5L
Captain Mackean
Captain Mackean MacFarlane Manuscript 3 203, p. 183 A 6/8 6/8 2 no no 1347 3411 13b47bL 3b411
Carle an the King come
2 strain tune + 1 variation.
Carle an the King Come MacFarlane Manuscript 3 27, p. 16 G ♯ ♯ C C 4 yes no 3212 1151 3212 115L1
Carnwaths Minuet

- New minuet, Carnwath's Minuet (from Robert Kelsall Manuscript 202, f. 32) [111; 335]
 Carnwath's Minuet MacFarlane Manuscript 3 93, p. 71 D ♯♯ ♯♯ 3/4 3/4 2 no no 111 335 1H1H1H 3H3H5H
Cho dean sin Stà machra
Strathspey like - lots of dotted & back-dotted rhythms.
Cho Dean Sin Stà Machra MacFarlane Manuscript 3 46, p. 35 D ♯ ♯ ₵ ₵ 2 no no 5516 5515 551H6 551H5
Come Sweet Lass
English broadside / theatre tune, possibly written by Jeremiah Clarke. Concordances (other): D'Urfey Pilss; Beggar's Opera; Oswald CPC 2 p. 32.

- Come sweet lass, Come Sweet Lass (from Thomson Manuscript 6, p. 5) [1155; 3336]
 Come Sweet Lass
Title (alternative): Greenwich Park		 MacFarlane Manuscript 3 137, p. 103 G ♯ ♯ C C 2 no no 1533 5227 1533 5227L
Coming thro’ the Broom
Strathspey like - lots of dotted & back-dotted rhythms.
Coming Thro’ the Broom MacFarlane Manuscript 3 50, p. 39 A ♯ ♯ ₵ ₵ 2 no no 1225 4715 1225 47bL15L
Conforza ascosi
Aria from the opera Il Vespasian (1724) by Attilio Ariosti.

- Conforzia in Vespasian, Con Forza Ascosa (from Robert Kelsall Manuscript 434, f. 82v) [123; 311]
 Con Forza Ascosa MacFarlane Manuscript 3 71, p. 56 G ♯ ♯ 3/4 3/4 3 no no 123 211 123 211
Corn Riggs
Variation sonata: theme & variations C; [Minuetto] 3/8; [Presto] ₵; [Allegro]₵; [Corrente] 3; [Adagio] C; [Giga] 12/8.

- New Corn Rigs, Corn Riggs (from Newbattle Violin Manuscript 2 31, f. 14v) [1132; 7725]
- New Corn riggs, Corn Riggs (from Panmure Violin Manuscript 1 56, f. 27) [1332; 7221]
- Corn riggs, Corn Riggs (from Gairdyn Manuscript 31, f. 4) [1132; 7725]
- [Corn Riggs], Corn Riggs (from Cuming Manuscript 32, p. 45) [1342; 7725]
- Corn Riggs or Sawney was tall, Corn Riggs (from Robert Kelsall Manuscript 647, f. 138v) [1112; 7775]
 Corn Riggs MacFarlane Manuscript 3 288, p. 274 D ♯♯ ♯♯ C C 21 yes no 1342 7775 1H3H4H2H 7775
Coryden and Phyllis
Coryden and Phyllis MacFarlane Manuscript 3 253, p. 225 D ♯♯ ♯♯ 6/8 6/8 2 no no 1651 3213 1H651H 3H2H1H3
Countrey Johny
1 strain tune + variation.
Country Johnny MacFarlane Manuscript 3 174, p. 136 D ♯♯ ♯♯ 6/8 6/8 2 yes no 1333 5757 1H3H3H3H 57b57b
Countrey Kate

- Ketty, Country Kate (from George Skene Manuscript 26, f. 8) [133; 637]
- Countrey Kate, Country Kate (from Drummond Castle Manuscript 1 36, ) [133; 636]
 Country Kate MacFarlane Manuscript 3 40, p. 24 D ♯♯ ♯♯ 9/8 9/8 2 no no 133 637 1H33 637
Cullys and Bullys
English country dance and ballad tune. "Cullies and Bullies" is the first lyrics of the Thomas D'Urfey song "Puss in a Corner", set to the same tune.

- Lord Byron’s maggot, Lord Byron’s Maggot (from Robert Kelsall Manuscript 181, f. 28v) [5555; 1111]
- Le apell, Le Apell (from Cameron Manuscript 194, p. 47) [5555; 1111]
 Cullies and Bullies
Title (alternative): Le Apell; Lord Byron's Maggot; Puss in a Corner		 MacFarlane Manuscript 3 57, p. 45 D ♯♯ ♯♯ 6/8 6/8 2 no no 5555 1111 5555 1H1H1H1H
Cumh’ Mhic o Arrisaig / O Hara’s Lament
Fiddle pibroch.
Cumh’ Mhic o Arrisaig
Title (alternative): O Hara’s Lament		 MacFarlane Manuscript 3 285, p. 262 A ♯♯ ♯♯ 3/4 3/4 8 yes no 333 321 333 321
Càr Duaill òg
1 strain tune + variation.
Càr Duaill òg MacFarlane Manuscript 3 165, p. 129 D ♯ ♯ 6/8 6/8 2 yes no 1115 6526 1H1H1H5 6526L
Còg na Scàlan

- Down on yon bank, Down on Yon Bank (from Young-Bodleian 10, f. 14) [5333; 5322]
 Còg Na Scàlan
Title (alternative): Down On Yon Bank		 MacFarlane Manuscript 3 273, p. 255 G ♯ ♯ ₵ ₵ 2 no no 5333 5322 5333 5322
Cùmh Easpuic Earra-ghaoidheal
Fiddle pibroch. Goes through multiple metres: 6/4; 9/8; ₵
Cùmh Easpuic Earra-Ghaoidheal
Title (alternative): Lament for the Bishop of Argyll		 MacFarlane Manuscript 3 34, p. 20 G ♯ ♯ 6/4 6/4 4 yes no 1613 1663 16L13 16L6L3
Da mihi manum
No double barlines, though looks like theme + 2 variations.
Da Mihi Manum MacFarlane Manuscript 3 182, p. 142 G 3/4 3/4 yes no 611 115 6L11 115L
Day Dawn
2 strain tune + 1 variation.
Day Dawn MacFarlane Manuscript 3 87, p. 67 D ♯♯ ♯♯ ₵ ₵ 4 yes no 1715 1726 1H71H5 1H72H6
Dear Colin prevent my warm blushes
Dear Colin Prevent My Warm Blushes MacFarlane Manuscript 3 126, p. 93 D ♯♯ ♯♯ 3/8 3/8 2 no no 1231 1231 1231 1231
Domhnuil balloch
Domhnuil Balloch MacFarlane Manuscript 3 12, p. 8 E ♯ ♯ ₵ ₵ 2 no no 1135 1171 113b5 117b1
Donald Butcher
1 strain tune + 4 variations. Dense ornamentation in variations.
Donald Butcher MacFarlane Manuscript 3 199, p. 180 D ♯♯ ♯♯ ₵ ₵ 5 yes no 1211 5132 1211 51H32
Down Drouth

- Drouth, Down Drouth (from Drummond Castle Manuscript 1 22) [3133; 4231]
 Down Drouth MacFarlane Manuscript 3 107, p. 80 B♭ ♭♭ ♭♭ 6/8 6/8 2 no no 3133 4231 31H33 4231H
Down the burn Davie

- Down the Burn Devie, Down the Burn Davie (from Panmure Violin Manuscript 1 74, f. 37) [3611; 3311]
- down the bowrn dewe:, Down the Burn Davie (from Bowie Manuscript 5, f. 4v) [3151; 3111]
 Down the Burn Davie MacFarlane Manuscript 3 67, p. 53 G ♯ ♯ C C 2 no no 1161 3513 116L1 3513
Rigadoon
Concordances (other): "Downie’s Rigadon" McGlashan Scots Measures, p. 23. Presumably composed by the Edinburgh dancing master John Downie (fl. 1718, d. 1771).

- [Downie’s Rigadon], Downie’s Rigadon (from Cuming Manuscript 52, p. 71) [1125; 4231]
 Downie's Rigadon MacFarlane Manuscript 3 84, p. 65 G ♯ ♯ 6/8 6/8 2 no no 1125 4231 1H1H2H5 4231
Duetta
2 treble parts given in score format.
Duetta MacFarlane Manuscript 3 90, p. 69 D ♯♯ ♯♯ 6/8 6/8 2 no yes 1175 3331 1H1H75 3H3H3H1H
Duke Gordons Minuet
Duke Gordon's Minuet MacFarlane Manuscript 3 206, p. 185 G ♯ ♯ 3/4 3/4 2 no no 132 343 132 343
Duke of Bavaria’s March
Duke of Bavaria’s March MacFarlane Manuscript 3 157, p. 121 G ♯ ♯ ₵ ₵ 2 no no 1111 5535 1H1H1H1H 5535
Dumbarton Reel
Dumbarton Reel MacFarlane Manuscript 3 161, p. 125 D ♯♯ ♯♯ ₵ ₵ 2 no no 1122 3366 1H1H2H2H 3H3H66
Duncan McGibbon's Scotch Measure
2 strain tune + 2 variations.

- MacGibbon’s Scotch Measure, Duncan McGibbon’s Scotch Measure (from MacFarlane Manuscript 2 92, p. 140) [3251; 3254]
 Duncan McGibbon's Scotch Measure MacFarlane Manuscript 3 207, p. 186 A ₵ ₵ 6 yes no 3212 3354 3b212 3b3b54
Ettrick Banks

- Etrick Banks, Ettrick Banks (from Gairdyn Manuscript 360, f. 49) [; ]
 Ettrick Banks MacFarlane Manuscript 3 37, p. 23 D ♭ ♭ C C 2 no no 3317 1513 3b3b17b 1H51H3bH
Excuse me

- Excuse me, Excuse me (from Robert Kelsall Manuscript 503, f. 104) [1175; 7427]
- Excuse me, Excuse Me (from Cameron Manuscript 207, p. 50) [3375; 7427]
 Excuse me MacFarlane Manuscript 3 225, p. 201 G ♭♭ ♭♭ 6/8 6/8 2 no no 1175 7427 117b5 7b427bL
Failte Dhomhnuill ghuirm
Failte Dhomhnuill Ghuirm MacFarlane Manuscript 3 200, p. 182 D ♯♯ ♯♯ ₵ ₵ 2 no no 3155 4266 3155 4266
Failte mhic Gillebin
Fiddle pibroch.
Failte Mhic Gillebin MacFarlane Manuscript 3 271, p. 250 A ♯♯ ♯♯ 6/8 6/8 8 yes no 6322 6333 6322 6333
Failte na miosg
2 strain tune + 1 variation.

- Failte na Miosq, Failte na Miosg (from James Knox Manuscript 59, f. 22) [112; 661]
 Failte Na Miosg MacFarlane Manuscript 3 108, p. 80 D ♯♯ ♯♯ 3/4 3/4 4 yes no 112 666 1H1H2H 666
Failte Uislain Oig
No double barlines or obvious strains.
Failte Uislain Oig MacFarlane Manuscript 3 201, p. 182 G 6/8 6/8 no no 1172 1125 117b2 1125L
Failte ni’ Guisinich
No double barlines or obvious strains.
Failte ni’ Guisinich MacFarlane Manuscript 3 204, p. 184 A ♯ ♯ ₵ ₵ no no 5171 1133 5L17bL1 113b3b
Fairfield’s Rant
Fairfield’s Rant MacFarlane Manuscript 3 205, p. 184 D ♯ ♯ 6/8 6/8 2 no no 5542 5515 5542 551H5
Fife and a’ the Lands about it

- Fife and all the lands about it, Fife and All the Lands About It (from James Knox Manuscript 200, f. 52) [6111; 5551]
 Fife and All the Lands About It MacFarlane Manuscript 3 239, p. 215 G ♯ ♯ C C 2 no no 6111 5551 6L111H 5551
Fy gar rub her o'er wi Strae
Variation sonata (by Alexander Munro): [Allegro] C; Very slow C; [Corrente] 3/4; [Gavotta] ₵; [Minuetto] 3/4.

- Fy gar rubher, Fy Gar Rub Her O'er Wi Strae (from Gairdyn Manuscript 32, f. 4) [3215; 4321]
- Fye gar rub her ore with straw, Fy Gar Rub Her O'er With Strae (from Robert Kelsall Manuscript 94, f. 16v) [3315; 4321]
- Fy gar rub her oer wt straw, Fy Gar Rub Her O'er With Strae (from Robert Kelsall Manuscript 276, f. 47v) [3315; 4421]
 Fy Gar Rub Her O'er Wi Strae MacFarlane Manuscript 3 290, p. 282 B ♯♯ ♯♯ C C 20 yes no 3315 4321 3b3b15 43b21
Gallowshiels
Variation sonata: theme & variations C; [gavotta] ₵; [minuet] 3/4; [jig] 12/8.

- Gallasheills, Galashiels (from Gairdyn Manuscript 409, f. 58) [; ]
- Gallow sheils, Galashiels (from McGibbon Manuscript 114, p. 68) [1533; 5222]
 Galashiels MacFarlane Manuscript 3 255, p. 226 G ♯ ♯ C C 14 yes no 3331 5222 3331H 5222
Gallant Montrose
Gallant Montrose MacFarlane Manuscript 3 267, p. 241 G 3/4 3/4 1 no no 321 216 321 216L
Gavott
Gavotte MacFarlane Manuscript 3 28, p. 17 D ♯♯ ♯♯ ₵ ₵ 2 no no 1575 3275 1H575 3H2H75
Glenurchy Reel
Glenorchy Reel MacFarlane Manuscript 3 35, p. 21 D ♯ ♯ ₵ ₵ 2 no no 5353 5155 5353 51H55
Gray Breeks
Gray Breeks MacFarlane Manuscript 3 287, p. 273 C ₵ ₵ 2 no no 1261 3115 1H2H61H 311H5
Green grow the Rashes
1 strain tune + 5 variations.

- Green grows the Rushes, Green Grow the Rashes (from Panmure Violin Manuscript 1 75, f. 38) [1113; 5333]
- Green grows the rashes, Green Grow the Rashes (from Guthrie Manuscript 6, p. 294) [1111; 5311]
- Green grows the Rashes, Green Grow the Rashes (from George Skene Manuscript 16, f. 4v) [1113; 3433]
- another way of Green grows the Rashes, Green Grow the Rashes (from George Skene Manuscript 20, f. 6v) [3573; 4614]
- Green grow the Rushes, Green Grow the Rashes (from McGibbon Manuscript 1, p. 1) [6651; 1211]
 Green Grow the Rashes MacFarlane Manuscript 3 228, p. 204 D ♯ ♯ C C 6 yes no 6651 1211 6651H 1H2H1H1H
Hang Sorrow
Hang Sorrow MacFarlane Manuscript 3 224, p. 200 D ♭ ♭ ₵ ₵ 2 no no 5542 3277 5H5H4H2H 3bH2H77
Hardy-Cnute
Hardy Knut MacFarlane Manuscript 3 266, p. 241 C 3/4 3/4 1 no no 176 326 1H76 3H2H6
Scotch Measure

- A Scotts misur, Helen Hume's Scots Measure (from Bowie Manuscript 27, f. 17v) [3111; 3332]
- [Helen Hume's Scots Measure], Helen Hume's Scots Measure (from Cuming Manuscript 34, p. 50) [3111; 3332]
- Scotch measure, Helen Hume's Scots Measure (from Robert Kelsall Manuscript 274, f. 47v) [1111; 3332]
 Helen Hume's Scots Measure MacFarlane Manuscript 3 102, p. 76 G ♯ ♯ ₵ ₵ 2 no no 1111 3332 11H11 3332
Hey to the Camp
Variation set by James Oswald. 2 strain tune + 1 variation, a 6/8 jig. Opens with a slow 3/4 air version (by Oswald), before going into the standard jig.

- Hay to ye Camp, Hey to the Camp (from Robert Kelsall Manuscript 544, f. 112v) [1262; 3512]
- Hey to the Camp, Hey to the Camp (from MacFarlane Manuscript 2 91, p. 140) [1262; 3632]
 Hey to the Camp MacFarlane Manuscript 3 140, p. 106 D ♯♯ ♯♯ 3/4 3/4 4 yes no 111 216 1H1H1H 2H1H6
Hornpipe
Hornpipe MacFarlane Manuscript 3 66, p. 52 C 3/2 3/2 2 no no 555 163 555 1H63
Hornpipe
2 strain tune + 3 variations.
Hornpipe MacFarlane Manuscript 3 151, p. 114 D ♯♯ ♯♯ 3/2 3/2 8 yes no 151 727 1H51H 72H7
How can I be sad on my Wedding day
1 strain tune + 3 variations
How Can I Be Sad On My Wedding Day MacFarlane Manuscript 3 154, p. 118 G ♯ ♯ 6/8 6/8 4 yes no 5537 6641 5537 664x1H
I canno’ win at her for her big Belly
2 strain tune + 1 variation.
I Cannot Win At Her For Her Big Belly MacFarlane Manuscript 3 148, p. 112 D ♯♯ ♯♯ 6/8 6/8 4 yes no 1623 1636 1H62H3H 1H636
I was no’ kist sin’ Martinmass. D.Y.
Variation set by D[avid] Y[oung]. 1 strain tune + 5 variations

- Jobsons Jigg, Jobson's Jig (from George Skene Manuscript 31, f. 9v) [1527; 1551]
 I Was No Kissed Since Martinmas
Title (alternative): Jobson's Jig		 MacFarlane Manuscript 3 153, p. 116 D ♯ ♯ ₵ ₵ 6 yes no 1527 1551 1527bL 1551
If e’er I do well ’tis a wonder
If e’er I do Well ’tis a Wonder MacFarlane Manuscript 3 42, p. 25 G ♯ ♯ 3/8 3/8 2 no no 113 556 113b 556
Innernyties Reel
Innernytie's Reel MacFarlane Manuscript 3 6, p. 6 D ♯ ♯ ₵ ₵ 2 no no 6535 5424 6535 5424
Irish Air

- Irish Air, Irish Air (from McGibbon Manuscript 97, p. 61) [511; 317]
 Irish Air MacFarlane Manuscript 3 127, p. 93 E ♯ ♯ 3/4 3/4 2 no no 511 317 51H1H 3bH1H7b
I’ll make thee be fain to follow me

- II mak you be fain to follow me, I'll Make You Be Fain To Follow Me (from Thomson Manuscript 37, p. 28) [3142; 3171]
- [I'll Make You Be Fain to Follow Me], I'll Make You Be Fain to Follow Me (from Sinkler Manuscript 49, f. 59v) [3572; 3533]
- [I'll Make You Be Fain to Follow Me], I'll Make You Be Fain to Follow Me (from Sinkler Manuscript 55, f. 58v) [3572; 3533]
 I’ll Make You Be Fain To Follow Me MacFarlane Manuscript 3 14, p. 9 C 6/8 6/8 2 no no 3122 3171 31H2H2 31H71H
I’ve fixt my fancy on thee
Variation set by James Oswald. 2 strain tune + 3 variations. Final variation is a 6/8 jig.

- I have fixed my fancie on her, I’ve Fixed My Fancy On Thee (from Thomson Manuscript 29, p. 21) [3235; 2666]
- I’ve fixt my fancy on thee, I’ve Fixed My Fancy On Thee (from MacFarlane Manuscript 2 151, p. 207) [3235; 2666]
 I’ve Fixed My Fancy On Thee MacFarlane Manuscript 3 134, p. 98 F ♭ ♭ C C 8 yes no 3235 2666 3235 2666
Jack’s Health
Jack’s Health MacFarlane Manuscript 3 226, p. 201 G ♯ ♯ 6/8 6/8 2 no no 3566 5422 3566 5422
Jenny Nettles
The version in Panmure 2 matches strains 3 & 2 of the version here.

- Janie Nettle, Jenny Nettles (from Panmure Violin Manuscript 2 22, f. 16v) [3577; 4722]
- Jenne Nettles, Jenny Nettles (from Gairdyn Manuscript 281, f. 36) [; ]
 Jenny Nettles MacFarlane Manuscript 3 7, p. 7 A ₵ ₵ 2 no no 3211 7747 3b211H 7b7b47bL
Jenny and I
Jenny and I MacFarlane Manuscript 3 139, p. 105 G ♯ ♯ 3/4 3/4 2 no no 365 642 365 642
Jigg
Jig MacFarlane Manuscript 3 53, p. 40 G ♯ ♯ 12/8 12/8 2 no no 1234 5643 1234 5643
Jigg
Jig MacFarlane Manuscript 3 103, p. 77 D ♯♯ ♯♯ 6/8 6/8 2 no no 1725 3232 1H72H5 3H2H3H2H
Jigg
Jig MacFarlane Manuscript 3 105, p. 78 D ♯♯ ♯♯ 6/8 6/8 2 no no 3155 1133 3H1H55 1H1H3H3H
Jockie blyth and gay
2 strain tune + 3 variations.
Jockie Blyth and Gay MacFarlane Manuscript 3 232, p. 208 D ♯♯ ♯♯ 3/4 3/4 8 yes no 342 666 342 666
Jockie was the bravest Lad. &c.
Variation sonata. Tune is strathspey-like, with back-dotted rhythms. 2 strain tune; 3/4 [minuet]; 12/8 [giga].

- Johnie is the blythest lad, Johnny is the Blythest Lad (from Leyden Lyra-viol and Violin Manuscript 34, f. 63v) [1126; 6633]
 Jockie Was the Bravest Lad
Title (alternative): Johnny is the Blythest Lad		 MacFarlane Manuscript 3 36, p. 22 D ♯♯ ♯♯ C C 6 yes no 1126 6633 1H1H2H6 6633
John come kiss me now
Long variation set. Opens with 2 strain feel, but this breaks down through the variations. Really 1 strain tune, plus 19 variations (passamezzo moderno). This variation is based on Davis Mell's setting, as printed in Playford's The Division Violin (1684). Like this setting, goes through metre changes: C; 12/8; C. Also see the set by William McGibbon later in the manuscript.

- [John come kiss me now], John Come Kiss Me Now (from Clerk of Penicuik Papers 39, GD18/4538/5/13) [1132; 4443]
- John Come Kiss Me Now, John Come Kiss Me Now (from Cuming Manuscript 31, p. 40) [1112; 4443]
- Old Mackentosh’s march, Old Mackintosh's March (from Robert Kelsall Manuscript 53, f. 11v) [1132; 4443]
- Old Mackintosh's march, Old Mackintosh's March (from Robert Kelsall Manuscript 596, f. 123) [1132; 4443]
- John come kiss me now, John Come Kiss Me Now (from MacFarlane Manuscript 3 193, p. 164) [1132; 4443]
- King of Swedens March, The King of Sweden’s March (from James Knox Manuscript 71, f. 24v) [3313; 4444]
 John Come Kiss Me Now
Title (alternative): The King of Sweden’s March; The Buffins; Old Mackintosh's March		 MacFarlane Manuscript 3 43, p. 26 G ♯ ♯ C C 20 yes no 1112 4643 1112 46L43
John come kiss me now
Variation sonata by William McGibbon. In multiple metres: (C); 12/8; ₵. Related to Davis Mell set from Playford’s The Division Violin (1684), but more original than the other version in this manuscript.

- [John come kiss me now], John Come Kiss Me Now (from Clerk of Penicuik Papers 39, GD18/4538/5/13) [1132; 4443]
- John Come Kiss Me Now, John Come Kiss Me Now (from Cuming Manuscript 31, p. 40) [1112; 4443]
- Old Mackentosh’s march, Old Mackintosh's March (from Robert Kelsall Manuscript 53, f. 11v) [1132; 4443]
- Old Mackintosh's march, Old Mackintosh's March (from Robert Kelsall Manuscript 596, f. 123) [1132; 4443]
- John come kiss me now, John Come Kiss Me Now (from MacFarlane Manuscript 3 43, p. 26) [1112; 4643]
- King of Swedens March, The King of Sweden’s March (from James Knox Manuscript 71, f. 24v) [3313; 4444]
 John Come Kiss Me Now
Title (alternative): The King of Sweden’s March; The Buffins; Old Mackintosh's March		 MacFarlane Manuscript 3 193, p. 164 G ♯ ♯ C C 8 yes no 1132 4443 1132 4443
Johny cock up your Beaver
1 strain tune + 11 variations. Closely related to version in Playford's The Division Violin (1684).

- Jockey cock the beaver. Horse to new market, Johnny Cock Thy Beaver (from Robert Kelsall Manuscript 292, f. 51) [5324; 5313]
- New market or Jockey Cock thy Bever, Johnny Cock Thy Beaver (from Robert Kelsall Manuscript 433, f. 82) [5324; 5313]
- Johnny cock up your Beaver, Johnny Cock Thy Beaver (from McGibbon Manuscript 191, p. 94) [5324; 5313]
 Johnny Cock Thy Beaver
Title (alternative): Horse to New Market		 MacFarlane Manuscript 3 55, p. 42 F ♭ ♭ 6/8 6/8 12 yes no 5324 5313 5324 5313
Jolly Bacchus
Jolly Bacchus MacFarlane Manuscript 3 101, p. 76 D ♯♯ ♯♯ ₵ ₵ 2 no no 5535 6655 5535 6655
Joy go wi’ my Love
Joy Go With My Love MacFarlane Manuscript 3 62, p. 48 B ♯♯ ♯♯ 6/8 6/8 2 no no 5127 5431 5127bL 543b1
Jumping John

- Jumping John, Jumping John (from Gairdyn Manuscript 361, f. 49) [; ]
- Jumping John, Jumping John (from Thomson Manuscript 45, p. 32) [3326; 3211]
- jumping John or Jane plague, Jumping John (from Cameron Manuscript 192, p. 47) [3322; 3211]
 Jumping John MacFarlane Manuscript 3 19, p. 11 G ♯ ♯ 6/8 6/8 2 no no 3322 3211 3322 3211
Jupiter and Juno
3/2 hornpipe. Looks more like 4 distinct sections than any sense of variations.
Jupiter and Juno MacFarlane Manuscript 3 192, p. 163 C 3/2 3/2 4 no no 153 727 1H5H3H 72H7
Killicrancky

- Gillecrankie, Killiecrankie (from Gairdyn Manuscript 181, f. 23) [; ]
- Killie Krankie, Killiecrankie (from Thomson Manuscript 27, p. 20) [5555; 5555]
- Killie Krankie, Killiecrankie (from Thomson Manuscript 58, p. 40) [1111; 1116]
- Gillecrankie, Killiecrankie (from MacFarlane Manuscript 2 159, p. 216) [5555; 2255]
 Killiecrankie MacFarlane Manuscript 3 114, p. 85 D ♯ ♯ ₵ ₵ 2 no no 3344 3435 3H3H4H4H 3H4H3H5H
Kind Robin loo’s me
2 strain tune + 1 variation
Kind Robin Loo’s me MacFarlane Manuscript 3 81, p. 64 G ♯ ♯ ₵ ₵ 4 yes no 1125 1125 1125L 1125
Kinsail
Strathspey-like, including both dotted and back-dotted rhythms. 2 strain tune + 2 variations. Sections 3 & 4 are twice as long, and each is a variation of the entire tune.
Kinsail MacFarlane Manuscript 3 167, p. 130 D C C 4 yes no 7774 3455 7b7b7b4 3b455
La Maria

- La mariee, La Maria (from Cameron Manuscript 220, p. 53) [1131; 5155]
 La Maria MacFarlane Manuscript 3 94, p. 72 G ♯ ♯ ₵ ₵ 2 no no 1131 5155 1131 5155
[Lads of Air]
Missing Leaf

- The Lads of Air, Lads of Ayr (from Young-Bodleian 25, f. 29) [3111; 3733]
- The Lads of Air, Lads of Ayr (from McGibbon Manuscript 91, p. 59) [3111; 3733]
 Lads of Ayr MacFarlane Manuscript 3 23, p. 13 no no
Lads of Duns

- The Lads of duns 1729, Lads of Duns (from Gairdyn Manuscript 1, f. 1) [5116; 6572]
 Lads of Duns MacFarlane Manuscript 3 22, p. 12 D ♯♯ ♯♯ 12/8 12/8 2 no no 5116 6562 5116 6562
The Lads of Leith

- The Lads of Leith, Lads of Leith (from Young-Bodleian 13, f. 17) [5427; 1411]
 Lads of Leith MacFarlane Manuscript 3 275, p. 256 A 6/8 6/8 2 no no 5427 1411 5427L 1411
Lady Anne Hume's Reel
1 strain tune + 2 variations
Lady Anne Hume's Reel MacFarlane Manuscript 3 32, p. 19 G ♯ ♯ 6/8 6/8 3 yes no 1115 1112 11H1H5 11H1H2
Lady Betty Maitland
Minuet
Lady Betty Maitland MacFarlane Manuscript 3 75, p. 60 D ♯♯ ♯♯ 3/4 3/4 2 no no 111 132 1H1H1H 1H3H2H
Lady Fannie Erskine
Minuet
Lady Fanny Erskine MacFarlane Manuscript 3 76, p. 60 A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 132 151 132 15L1
Lady Mary Menzie’s Reel
2 strain tune + 1 variation. Pipe style variation patterns. Strain 3 is twice the length.
Lady Mary Menzie’s Reel MacFarlane Manuscript 3 129, p. 94 A ♯♯ ♯♯ ₵ ₵ 4 yes no 1111 7272 1H111H 7b27bL2
Lady Susan Montgomery’s Hornpipe
1 strain tune + 4 variations.

- Lady Christian Montgomerys Hornpipe, Lady Christian Montgomery’s Hornpipe (from Drummond Castle Manuscript 1 18, ) [321; 323]
 Lady Susan Montgomery's Hornpipe MacFarlane Manuscript 3 122, p. 90 D ♯♯ ♯♯ 3/2 3/2 5 yes no 321 323 3H2H1H 3H2H3H
Lang Strumpony
2 strain tune + 4 variations.

- Lang Strumpony, Lang Strumpony (from MacFarlane Manuscript 2 46, p. 95) [6535; 6524]
 Lang Strumpony
Title (alternative): Langstrom Pony		 MacFarlane Manuscript 3 79, p. 62 A ♯♯ ♯♯ 6/8 6/8 10 yes no 6535 6524 3H2H72H 3H2H61H
Larig Ghrògan
Larig Ghrògan MacFarlane Manuscript 3 38, p. 24 A ♯♯ ♯♯ 6/8 6/8 2 no no 3322 3221 3322 3221
Ly still good Man and take another Nap or Tri chosan Cäorach
Lie Still Good Man and Take Another Nap
Title (alternative): Tri Chosan Cäorach		 MacFarlane Manuscript 3 74, p. 59 D ♯ ♯ ₵ ₵ 2 no no 3551 2266 3H551H 2266
Lillibullero

- Lillye Bur lerro, Lillibullero (from Agnes Hume Manuscript 6, f. 2v) [1324; 3421]
 Lillibullero MacFarlane Manuscript 3 259, p. 233 G ♯ ♯ 6/8 6/8 2 no no 1324 3521 1324 3521
Lord Henry
Lord Henry MacFarlane Manuscript 3 241, p. 217 G ♭♭ ♭♭ 3/4 3/4 2 no no 545 575 545 57b5
Love is the Cause of my mourning
1 strain tune [long] + variation. Written in pencil at the bottom of the page: "This is Oswald's version except the concluding bar".

- Love is the Caues of My mornen, Love is the Cause of my Mourning (from Bowie Manuscript 7, f. 6v) [1313; 4312]
- Love is the cause of my Mourning, Love is the Cause of My Mourning (from Gairdyn Manuscript 385, f. 53v) [; ]
- Love is the caus of my mourning , Love is the Cause of My Mourning  (from Leyden Lyra-viol and Violin Manuscript 3, f. 50v) [133; 331]
- Love is the Cause of my mourning, Love is the Cause of My Mourning (from MacFarlane Manuscript 2 129, p. 189) [133; 333]
- Love is the Cause of my mourning, Love is the Cause of my mourning (from McGibbon Manuscript 113, p. 67) [133; 333]
 Love is the Cause of my Mourning MacFarlane Manuscript 3 237, p. 213 G ♯ ♯ 3/4 3/4 2 yes no 133 333 133 333
Lucky Currie
Lucky Currie MacFarlane Manuscript 3 178, p. 139 G ♯ ♯ ₵ ₵ 2 no no 5532 1232 5532 1232
Macphersons Rant
2 strain tune + 1 variation.

- Mcpherson's Rant , MacPherson's Rant (from Gairdyn Manuscript 46, f. 5v) [1122; 1766]
- Mcfarsances tesment, MacPherson’s Rant (from Sinkler Manuscript 14, f. 66v) [1122; 1165]
- Mcpherson’s Rant, MacPherson’s Rant (from Young-Bodleian 30, f. 34) [1122; 1766]
 MacPherson's Rant
Title (alternative): MacPherson's Testament; MacPherson's Lament		 MacFarlane Manuscript 3 291, p. 287 F ♭ ♭ ₵ ₵ 4 yes no 1122 1766 1122 17L6L6L
Maggie Lauder
1 strain tune + 3 variations.

- Maggy Lauder, Maggie Lauder (from Robert Kelsall Manuscript 97, f. 17) [1111; 2272]
- Maggie Lauder. Disb., Maggie Lauder (from MacFarlane Manuscript 2 45, p. 90) [1111; 2272]
- Miss Lauder, Maggie Lauder (from McGibbon Manuscript 76, p. 48) [1531; 2472]
 Maggie Lauder MacFarlane Manuscript 3 73, p. 58 D ♯♯ ♯♯ C C 4 yes no 1531 2472 1H53H1 2H4H72H
March
March MacFarlane Manuscript 3 54, p. 41 G ♯ ♯ ₵ ₵ 2 no no 1155 1111 1H1H55 1H1H1H1
March
March MacFarlane Manuscript 3 100, p. 75 D ♯♯ ♯♯ ₵ ₵ 2 no no 1317 1552 1H3H1H7 1H552H
March

- Country Dance, Country Dance (from Robert Kelsall Manuscript 281, f. 48v) [5171; 2222]
 March
Title (alternative): Country Dance		 MacFarlane Manuscript 3 116, p. 86 D ♯♯ ♯♯ ₵ ₵ 2 no no 5171 2222 51H71H 2H2H2H2H
March
March MacFarlane Manuscript 3 117, p. 87 C ₵ ₵ 2 no no 5564 4566 5H5H6H4H 4H5H6H6H
March

- Ariet by Mr Schickard, Ariet by Schickard (from Robert Kelsall Manuscript 340, f. 63) [5555; 5311]
 March
Title (alternative): Ariet by Schickard		 MacFarlane Manuscript 3 272, p. 254 D ♯♯ ♯♯ ₵ ₵ 2 no no 5555 5311 5555 5311H
March
March MacFarlane Manuscript 3 274, p. 256 C C C 2 no no 5553 1155 5H5H5H3H 1H1H55
March
2 strain tune + 1 variation.

- La Grand Rigadoun, La Grand Rigadoun (from Cameron Manuscript 183, p. 45) [3344; 5554]
 March
Title (alternative): La Grand Rigadoun		 MacFarlane Manuscript 3 276, p. 256 C ₵ ₵ 4 no no 3344 5555 3H3H4H4H 5H5H5H5H
March
March MacFarlane Manuscript 3 277, p. 257 C ₵ ₵ 2 no no 5555 5553 5H5H5H5H 5H5H5H3H
March
March MacFarlane Manuscript 3 278, p. 258 C ₵ ₵ 2 no no 1132 5554 1H1H3H2H 5H5H5H4H
March
March MacFarlane Manuscript 3 279, p. 258 D ♯♯ ♯♯ ₵ ₵ 2 no no 1111 1112 1H1H1H1H 1H1H1H2H
March
March MacFarlane Manuscript 3 280, p. 259 D ♯♯ ♯♯ 2/4 2/4 2 no no 7125 7125 71H2H5 71H2H5H
March
March MacFarlane Manuscript 3 281, p. 260 D ♯♯ ♯♯ ₵ ₵ 2 no no 1117 1115 1H1H1H7 1H1H1H5H
March
March MacFarlane Manuscript 3 282, p. 260 D ♯♯ ♯♯ 2/4 2/4 2 no no 5176 6655 51H76 6655
March
March MacFarlane Manuscript 3 283, p. 261 G ♭♭ ♭♭ ₵ ₵ 2 no no 1325 5225 13b25 5225L
March
This is a march from Handel's opera Floridante, HWV 14 (1721), Act 1 scene 2. Lots of extra written out ornamentation, and slightly different melodic shape in places.

- March in Floridante, March from Floridante (from Robert Kelsall Manuscript 367, f. 68v) [1155; 3311]
 March from Floridante MacFarlane Manuscript 3 30, p. 17 D ♯♯ ♯♯ ₵ ₵ 2 no no 1155 3311 1H1H55 3311H
Marriage and Money
This variation set also appears in the McGibbon MS (also in David Young's hand) as "Matrimony". It was later known as "The Dandling o' the Bairns". This is likely a border air, here presented as a long variation set, but without double barlines. Difficult to pull out specific strains. Clearly there is a four-bar recurring phrase, but unlike the later Riddell setting the structure here is far more fluid. Nevertheless, there are large passages in the variations concordant with Riddell's setting. It is likely that this version is intended for scordatura tuning of ADAE. Concordances (other): "The Dandling o' the Bairns", Robert Riddell, A Collection of Scotch, Galwegian and Border Tunes (1794), p. 8.

- Dunnigalls Rant, Donegal’s Rant (from Sinkler Manuscript 43, f. 61) [5211; 1213]
- Matrimony, Matrimony (from McGibbon Manuscript 4, p. 3) [553; 262]
 Marriage and Money
Title (alternative): Matrimony; The Dandling O' The Bairns; Donegal’s Rant		 MacFarlane Manuscript 3 68, p. 54 D ♯♯ ♯♯ 3/8 3/8 yes no 5211
Alt. index 1: 5211 (Alt index given as if ts is 6/8)		 1213
Alt. index 2: 1213 (Alt index given as if ts is 6/8)		 5211
Alt. index 1: 5211 (Alt index given as if ts is 6/8)		 1213
Alt. index 2: 1213 (Alt index given as if ts is 6/8)
Mary Scott
2 strain tune + 1 variation. Concordances (other): “Mary Scot”, Thumoth Scotch & Irish. “Mary Scot”, McGibbon Scots Tunes Vol II, p. 60. “Mary Scott”, Oswald CPC 1, p. 4.

- Mary Scot's the Flower of yearow, Mary Scott (from Gairdyn Manuscript 15, f. 2v) [113; 555]
- Mary Scott, Mary Scott (from Agnes Hume Manuscript 1, f. 1) [1555; 2111]
- Mary Scott, Mary Scott (from Agnes Hume Manuscript 4, f. 2) [1555; 2111]
- Mary Scott, Mary Scott (from Cuming Manuscript 8, p. 10) [113; 553]
- Mary Scot, Mary Scott (from Robert Kelsall Manuscript 290, f. 50v) [113; 556]
- Mary Scott, Mary Scott (from Robert Kelsall Manuscript 580, f. 118v) [113; 556]
 Mary Scott
Title (alternative): When the Cold Winter Nights Were Frozen; The Banks of Yaro; Sir John Fenwick’s the Flower Amang Them All		 MacFarlane Manuscript 3 238, p. 214 D ♯♯ ♯♯ 3/4 3/4 4 yes no 113 556 113 556
March

- Mcnights march, McKnight's March (from Robert Kelsall Manuscript 289, f. 50v) [5553; 1512]
 McKnight's March MacFarlane Manuscript 3 91, p. 70 D ♯♯ ♯♯ ₵ ₵ 2 no no 5553 1512 5H5H5H3H 1H51H2H
Milton Brodie
2 strain tune + 2 & 1/2 variations.

- Old Simon Brodie, Simon Brodie (from Bowie Manuscript 44, f. 26v) [3133; 2724]
- Simon Brody, Simon Brodie (from Young-Bodleian 29, f. 33) [1342; 1353]
- Simon Brodie, Simon Brodie (from MacFarlane Manuscript 3 65, p. 50) [1522; 3575]
- Simon Brodie, Simon Brodie (from McGibbon Manuscript 198, p. 96) [1522; 3575]
 Milton Brodie
Title (alternative): Simon Brodie		 MacFarlane Manuscript 3 145, p. 110 A ♯ ♯ ₵ ₵ 5 yes no 3133 2724 3b13b3b 27bL24
Minuet

- Menwett 57, Minuet 57 (from Cameron Manuscript 57, p. 11) [556; 513]
 Minuet MacFarlane Manuscript 3 88, p. 68 G ♯ ♯ 3/4 3/4 2 no no 556 513 556 513
Minuet

- [Minuet], Minuet (from Cuming Manuscript 47, p. 67) [517; 115]
 Minuet MacFarlane Manuscript 3 89, p. 68 G ♯ ♯ 3/4 3/4 2 no no 517 115 51H7 1H1H5
Minuet
Minuet MacFarlane Manuscript 3 92, p. 70 G ♯ ♯ 3/4 3/4 2 no no 165 123 16L5L 123
Minuet
Minuet MacFarlane Manuscript 3 96, p. 73 E ♯ ♯ 3/4 3/4 2 no no 131 175 1H3bH1H 1H75
Minuet
Minuet MacFarlane Manuscript 3 97, p. 74 D ♯♯ ♯♯ 3/4 3/4 2 no no 133 111 133 11H1H
Minuet
Minuet MacFarlane Manuscript 3 99, p. 75 D ♯♯ ♯♯ 3/4 3/4 2 no no 135 771 1H3H5H 771H
Minuet

- Trumpet Tune, Trumpet Tune (from Robert Kelsall Manuscript 361, f. 67) [111; 315]
 Minuet
Title (alternative): Trumpet Tune		 MacFarlane Manuscript 3 104, p. 78 D ♯♯ ♯♯ 3/4 3/4 2 no no 111 315 111 315
Minuet
Minuet MacFarlane Manuscript 3 111, p. 83 A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 555 553 555 553
Handels Minuet
Handel Minuet (HWV 543), originally in G Minor, and in two strains. The version here cuts out the final bar of strain 1, going straight into strain 2.

- Minuet by Mr Handell, Minuet by Handel (from Robert Kelsall Manuscript 373, f. 69) [517; 132]
 Minuet by Handel MacFarlane Manuscript 3 70, p. 56 A 3/4 3/4 1 no no 517 132 517L 13b2
Minuet Oswald
Minuet by [James] Oswald. Strains 3-4 in minor. Probably da capo at end. Index given as if 3/4
Minuet by James Oswald MacFarlane Manuscript 3 142, p. 108 F ♭ ♭ 3/8 3/8 4 no no 111 642 1H1H1H 642
Minuet by D[itt]o
Minuet by [James] Oswald.
Minuet by James Oswald MacFarlane Manuscript 3 143, p. 108 D ♯♯ ♯♯ 3/4 3/4 4 no no 111 252 1H1H1H 2H52H
Minuet by McGibbon
2 strain tune + 2 variations. Concordances (other): Bremner Minuets.

- Minuet by Mr McGibbon, Minuet by McGibbon (from McGibbon Manuscript 67, p. 43) [117; 115]
 Minuet by McGibbon MacFarlane Manuscript 3 125, p. 92 A ♯♯♯ ♯♯♯ 3/8 3/8 6 yes no 117 115 11H7 1H1H5
Miss Lanae
Minuet

- Minuet, Minuet (from George Skene Manuscript 51, f. 24) [333; 517]
 Miss Lanae MacFarlane Manuscript 3 78, p. 61 G ♯ ♯ 3/4 3/4 2 no no 333 511 333 511
Miss Lockhart
Minuet tune. Closely related to, though not quite concordant with "Minuet 81", Cameron MS p. 16.
Miss Lockhart MacFarlane Manuscript 3 69, p. 56 D ♯♯ ♯♯ 3/4 3/4 2 no no 135 332 1H3H5H 3H3H2H
Miss Saunders
Minuet

- Miss Saunders, Miss Saunders (from McGibbon Manuscript 205, p. 100) [117; 175]
 Miss Saunders MacFarlane Manuscript 3 72, p. 57 G ♯ ♯ 3/4 3/4 2 no no 117 175 11H7 1H75
Miss Stuart
Minuet tune. Similar to, but not quite concordant with "Minuet 128", Cameron MS p. 27.
Miss Stuart MacFarlane Manuscript 3 63, p. 49 D ♯♯ ♯♯ 3/4 3/4 2 no no 111 113 1H1H1H 1H13
Mock hobby Horse
Mock Hobby Horse MacFarlane Manuscript 3 217, p. 196 D ♯♯ ♯♯ 6/8 2 no no 3622 3511 3H62H2H 3H51H1H
Montrose’s Lament
Montrose’s Lament MacFarlane Manuscript 3 133, p. 97 D ♯ ♯ 3/4 3/4 2 no no 511 255 51H1H 2H55
Mother Roger
Mother Roger MacFarlane Manuscript 3 261, p. 238 C ₵ ₵ 2 no no 1123 4532 1H1H2H3H 4H5H3H2H
Muire’n inghean Gluberlan
Muire’n Inghean Gluberlan MacFarlane Manuscript 3 235, p. 211 A ₵ ₵ 2 no no 5111 1171 5L111 117bL1
Muirland Willie

- kick Malury, Kick Malury (from Panmure Violin Manuscript 1 69, f. 34) [1357; 4147]
 Muirland Willie MacFarlane Manuscript 3 56, p. 44 E ♯ ♯ 6/8 6/8 2 no no 1257 4747 1257b 47b47bL
My ain kind Deary
Variation sonata: Slow 3/4; Brisk ₵; Brisk 3/4; Quick 2/4; Fast 12/8; Very fast ₵ [backwards].

- My own kind Dearie, My Ain Kind Dearie (from Drummond Castle Manuscript 1 15) [1511; 2326]
 My Ain Kind Dearie MacFarlane Manuscript 3 196, p. 172 A ♯♯♯ ♯♯♯ 3/4 3/4 22 yes no 156 111 156L 111
My Chloe why do you slight me
My Chloe Why Do You Slight Me MacFarlane Manuscript 3 115, p. 86 D ♯♯ ♯♯ 12/8 12/8 2 no no 1251 4150 1H2H5H1H 4H1H50
My Love’s bonny when she smiles on me
My Love’s Bonny When She Smiles On Me MacFarlane Manuscript 3 144, p. 109 G ♯ ♯ C C 2 no no 5511 3332 5L5L11 3332
My Wife she canno’ be guided

- My Wyfe she'l never be guided, My Wife She Cannot Be Guided (from Gairdyn Manuscript 357, f. 48v) [None; None]
 My Wife She Cannot Be Guided
Title (alternative): My Wife is a Wanton Wee Thing		 MacFarlane Manuscript 3 173, p. 136 D ♯♯ ♯♯ 6/8 6/8 2 no no 1615 7777 1H61H5 7b7b7b7bL
New York
3/2 hornpipe. 1 strain tune + 3 variations.

- kings maggot or new york, King's Maggot (from Cameron Manuscript 260, p. 62) [543; 226]
 New York MacFarlane Manuscript 3 177, p. 138 F 3/2 3/2 4 yes no 176 467 17L6L 4x67L
N’Inghean òg Choll dhuinn

- Bachil=tutie, Bachil-tutie (from McGibbon Manuscript 188, p. 93) [1651; 1613]
 N’Inghean Òg Choll Dhuinn
Title (alternative): Bachil-tutie		 MacFarlane Manuscript 3 293, p. 288 G ₵ ₵ 2 no no 1651 1613 16L5L1 16L13
O an ye were dead Goodman
O An ye Were Dead Goodman MacFarlane Manuscript 3 85, p. 66 F ₵ ₵ 2 no no 1151 3221 1151 3221
O Dear Mother
Variation set by James Oswald. 2 strain tune + 2 variations. Final variation is a 6/8 jig.

- O Minie, O Dear Mother What Shall I Do (from Sinkler Manuscript 50, f. 59v) [1312; 1652]
- O dear Mother what shall I do, O Dear Mother What Shall I Do (from MacFarlane Manuscript 2 213, p. 262) [113; 356]
- O Dear Mother what Shall I do, O Dear Mother What Shall I Do (from James Knox Manuscript 146, f. 37v) [111; 356]
 O Dear Mother What Shall I Do MacFarlane Manuscript 3 135, p. 100 C 3/4 3/4 6 yes no 112 356 112 356
Ochonochie O
French style ornaments.
Ochonochie O MacFarlane Manuscript 3 246, p. 220 G ♯ ♯ 3/4 3/4 2 no no 334 221 334 221
Oho' na m Boddich
Oho' na m Boddich MacFarlane Manuscript 3 77, p. 61 A ♯ ♯ 6/8 6/8 2 no no 5544 5541 5544 5541
Our Bride’s no Maiden
Our Bride’s No Maiden MacFarlane Manuscript 3 179, p. 140 C 9/8 9/8 2 no no 156 244 1H5H6H 2H4H4H
O’er Bogie
2 strain tune + 1 variation.

- O're Bogie, O'er Bogie (from Robert Kelsall Manuscript 284, f. 49) [1111; 1556]
- O’er Bogie, O’er Bogie (from Drummond Castle Manuscript 1 45) [1115; 1251]
 O’er Bogie MacFarlane Manuscript 3 4, p. 5 C ₵ ₵ 4 yes no 1115 1151 1H1H1H5 1H1H51H
O’er the hills & far awa

- Ow'r the hills and far away, O'er the Hills and Far Away (from Gairdyn Manuscript 275, f. 35v) [None; None]
- My plaid away, My Plaid Away (from Sinkler Manuscript 18, f. 65v) [1113; 1165]
- Over the hill’s & far awar, O'er the Hills and Far Away (from Robert Kelsall Manuscript 89, f. 16) [1113; 1666]
 O’er the Hills and Far Away MacFarlane Manuscript 3 13, p. 9 C ₵ ₵ 2 no no 1113 1665 1H1H1H3H 1H665
Paspie Royal
Passepied Royal MacFarlane Manuscript 3 118, p. 88 F ♭ ♭ 3/4 3/4 4 no no 112 324 1H1H2H 3H2H4H
Patie & Peggy
Vocal duet from the Gentle Shepherd. Concordances (other): Stuart, Musick.
Patie & Peggy MacFarlane Manuscript 3 48, p. 38 D ♯ ♯ C C 4 no no 1452 5555 1H4H5H2H 5555
Peggie in Devotion

- Peggie in devotion bred From tender years, Peggie In Devotion (from Gairdyn Manuscript 403, f. 56) [; ]
- [Peggie in Devotion], Peggie in Devotion (from Thomson Manuscript 63, p. 43) [1351; 5533]
- A Country Dance, Peggie in Devotion (from Robert Kelsall Manuscript 72, f. 13v) [1351; 5533]
 Peggie in Devotion MacFarlane Manuscript 3 213, p. 193 D ♯♯ ♯♯ ₵ ₵ 2 no no 1351 5533 1351H 5533
Pretty Polly Say
Hornpipe
Pretty Polly Say MacFarlane Manuscript 3 123, p. 90 A 3/2 3/2 2 no no 112 315 112 3b15
Prince William
Prince William MacFarlane Manuscript 3 250, p. 223 G ♯ ♯ ₵ ₵ 2 no no 1325 3211 1325L 3211
Princess Louisa’s Jigg
Princess Louisa’s Jigg MacFarlane Manuscript 3 168, p. 131 A ♯♯♯ ♯♯♯ 6/8 6/8 2 no no 3552 5212 35L52 5212
Pudding Pyes

- Pudding pyes, Pudding Pies (from Gairdyn Manuscript 12, f. 2v) [6715; 2267]
- pudings and pyes, Pudding Pies (from Cameron Manuscript 242, p. 58) [6765; 2267]
 Pudding Pies MacFarlane Manuscript 3 17, p. 11 D ♯♯ ♯♯ 6/8 6/8 2 no no 6765 2267 6765 2267
Pàl mòr
Strathspey-like. 2 strain tune + 1 variation. "Argyle’s Bowling Green" (Drummond 1) is a version of this set with straight rhythms.

- Argyle’s bowling Green, Argyle’s Bowling Green (from Drummond Castle Manuscript 1 5) [1113; 1153]
 Pàl Mòr
Title (alternative): Argyle's Bowling Green		 MacFarlane Manuscript 3 1, p. 1 C ₵ ₵ 4 yes no 1113 1153 11H1H3H 1H1H53
Scotch Measure
Concordances (other): Neal CST p. 16 "Scotch Measure".

- Queensberry’s Scots measure, Queensberry’s Scots Measure (from Cuming Manuscript 25, p. 30) [1113; 5132]
- Queensbury’s Scotch measure, Queensberry’s Scots Measure (from Robert Kelsall Manuscript 235, f. 41) [1113; 5132]
 Queensberry’s Scots Measure MacFarlane Manuscript 3 106, p. 79 G ♯ ♯ ₵ ₵ 2 no no 1113 5132 1113 51H32
Ratcliff Cross
3/2 hornpipe. 2 strain tune + variation.
Ratcliff Cross MacFarlane Manuscript 3 186, p. 145 G ♯ ♯ 3/2 3/2 4 yes no 153 627 1H53H 627L
Red Joack
1 strain tune + 2 variations
Red Joack MacFarlane Manuscript 3 152, p. 115 G ♯ ♯ ₵ ₵ 3 yes no 1155 1122 1H1H55 1H1H22
Richmond Ball

- Richmond Ball, Richmond Ball (from Thomson Manuscript 5, p. 4) [5544; 3422]
- Standley for Ever, Standley For Ever (from Robert Kelsall Manuscript 54, f. 11v) [5544; 3225]
 Richmond Ball
Title (alternative): Mr Lane’s Maggot; Standley Forever		 MacFarlane Manuscript 3 289, p. 281 E ♯ ♯ ₵ ₵ 2 no no 5544 3425 5H5H4H4H 3bH4H2H5
Rigadoon
Rigadon MacFarlane Manuscript 3 166, p. 129 A ♯♯ ♯♯ 6/8 6/8 2 no no 5615 3255 561H5 3255
Riogh na ’n Gaodhil D.Y.
Long variation set by D[avid] Y[oung]. 2 strain tune + 4 variations.
Riogh na’ n Gaedhil MacFarlane Manuscript 3 3, p. 2 G ₵ ₵ 10 yes no 3331 2274 3331 227b4
Robbi’ gòrach
Concordances (other): "Robie Donna Gorach" , Niel Gow 1, p. 36.
Robbi Donna Gòrach
Title (alternative): Daft Robin		 MacFarlane Manuscript 3 121, p. 89 G ♯ ♯ C C 2 no no 4266 5111 426L6L 5L111H
Row the Rump to Maggie
1 strain tune [long] + variation

Row the Rump to Maggie
Title (alternative): Deal the Rump Among You		 MacFarlane Manuscript 3 156, p. 120 D ♯ ♯ ₵ ₵ 2 yes no 3151 3515 3H1H5H1H 3H5H1H5H
Sailor’s Jigg
Sailor’s Jig MacFarlane Manuscript 3 26, p. 15 D 6/8 6/8 2 no no 1213 5254 121H3bH 5H2H54
Saint Katharine

- deells dozen, Devil’s Dozen (from Sinkler Manuscript 19, f. 65v) [5112; 3332]
- St Katherine, Saint Katherine (from Robert Kelsall Manuscript 353, f. 66) [5112; 3332]
- the Devills Dusine or St Catherings, Devil's Dozen (from Cameron Manuscript 182, p. 45) [5112; 3332]
 Saint Katherine
Title (alternative): Devil's Dozen		 MacFarlane Manuscript 3 223, p. 200 G ♯ ♯ ₵ ₵ 2 no no 5133 4272 5133 427L2
Sapho and Phaon:
Sapho and Phaon MacFarlane Manuscript 3 264, p. 240 B♭ ♭♭ ♭♭ 9/8 9/8 2 no no 555 222 555 222
Scotland for ever
Scotland Forever MacFarlane Manuscript 3 218, p. 196 G ♯ ♯ 9/8 9/8 2 no no 156 724 1H56 724
She rose and let me in
Originally a London "Scotch" tune, with words by Thomas D'Urfey.

- She rose and let me in, She Rose and Let Me In (from Gairdyn Manuscript 369, f. 49v) [None; None]
- She rose and let me in, She Rose and Let Me In (from MacFarlane Manuscript 3 234, p. 210) [1551; 7754]
- She rose and let me in, She Rose and Let Me In (from McGibbon Manuscript 182, p. 92) [1551; 7756]
 She Rose and Let Me In MacFarlane Manuscript 3 80, p. 63 E ♯ ♯ C C 2 no no 1551 7755 1551H 7755
She rose and let me in
Marked "Slow". 2 strain tune + 1 variation. Originally a London "Scotch" tune, with words by Thomas D'Urfey.

- She rose and let me in, She Rose and Let Me In (from Gairdyn Manuscript 369, f. 49v) [None; None]
- She rose and let me in, She Rose and Let Me In (from MacFarlane Manuscript 3 80, p. 63) [1551; 7755]
- She rose and let me in, She Rose and Let Me In (from McGibbon Manuscript 182, p. 92) [1551; 7756]
 She Rose and Let Me In MacFarlane Manuscript 3 234, p. 210 E ♯ ♯ ₵ ₵ 4 yes no 1551 7754 1551H 7754
Sherriff muir
2 strain tune + 1 variation. Presumably named for the Battle of Sherriffmuir (1715). Barnaby Brown lists this as a pibroch, though presumably only related to the Ground (Urlar) of a pibroch.
Sherriffmuir MacFarlane Manuscript 3 176, p. 138 G ♯ ♯ ₵ ₵ 4 yes no 5535 2424 5535 2424
Simon Brodie
1 strain tune + 6 variations.

- Old Simon Brodie, Simon Brodie (from Bowie Manuscript 44, f. 26v) [3133; 2724]
- Simon Brody, Simon Brodie (from Young-Bodleian 29, f. 33) [1342; 1353]
- Milton Brodie, Milton Brodie (from MacFarlane Manuscript 3 145, p. 110) [3133; 2724]
- Simon Brodie, Simon Brodie (from McGibbon Manuscript 198, p. 96) [1522; 3575]
 Simon Brodie MacFarlane Manuscript 3 65, p. 50 E ♯ ♯ ₵ ₵ 7 yes no 1522 3575 1522 3b57b5
Teague’s Jigg
2 strain tune + 2 variations.
Teague’s Jig MacFarlane Manuscript 3 164, p. 128 A ♯♯ ♯♯ 6/8 6/8 6 yes no 1511 1527 1511H 1527b
[Temple Eugen]
Missing Leaf
Temple Eugene MacFarlane Manuscript 3 24, p. 13 no no
Tenth of June
Different tune from "Cottilion nouvaux or the tenth of June" in Cameron.
Tenth of June MacFarlane Manuscript 3 98, p. 74 G ♯ ♯ ₵ ₵ 2 no no 3352 3551 3352 3551H
The Accepted Mason
Masonic anthem.
The Accepted Mason MacFarlane Manuscript 3 64, p. 49 G ♯ ♯ 6/8 6/8 2 no no 1372 1335 137L2 1335
The ald ga’d Aver
1 strain tune + 21 variations. Pipe style, related to Gairdyn and Kelsall MS settings.

- The gum ga’d aver, The Gum Ga’d Aver (from Gairdyn Manuscript 286, f. 38v) [None; None]
- Auld ga teaver Set by mr McGibbon in Glasgow, The Ald Ga’d Aver (from Robert Kelsall Manuscript 339, f. 62v) [3135; 2277]
 The Ald Ga’d Aver MacFarlane Manuscript 3 268, p. 242 A ♯♯ ♯♯ ₵ ₵ 22 yes no 3327 3331 3327bL 3331
The America
Multi metre country dance: ₵ & 3/4.

- [The America], The America (from Cuming Manuscript 10, p. 12) [1135; 6557]
 The America MacFarlane Manuscript 3 109, p. 82 D ♯♯ ♯♯ ₵ ₵ 4 no no 1135 6557 1H13b5 6b557b
The Banks of Forth

- The Banks of Fourth, The Banks of Forth (from Robert Kelsall Manuscript 528, f. 109) [1351; 3366]
- The Banks of Forth, The Banks of Forth (from McGibbon Manuscript 192, p. 95) [1351; 3366]
 The Banks of Forth MacFarlane Manuscript 3 248, p. 222 D ♯♯ ♯♯ C C 2 no no 1351 3366 1351H 3H3H66
The Bath Minuet
The Bath Minuet MacFarlane Manuscript 3 124, p. 91 D ♯ ♯ 3/4 3/4 2 no no 534 536 5H3H4H 5H3H6H
The Battle of Boyn
The Battle of the Boyne MacFarlane Manuscript 3 257, p. 232 G ♯ ♯ ₵ ₵ 2 no no 3752 3114 37L5L2 3114
The Bob o’ Dunblane
The Bob o’ Dunblane MacFarlane Manuscript 3 119, p. 89 A ♯ ♯ 6/8 6/8 2 no no 7576 7671 7b57b6 7b67b1
The bonny bruicked Lassie

- The bonie brookit lasie blew beneath the eys, The Bonny Bruicked Lassie (from Leyden Lyra-viol and Violin Manuscript 25, f. 60) [315; 551]
- The bonie brooked lassie, The Bonny Bruicked Lassie (from Leyden Lyra-viol and Violin Manuscript 26, f. 60v) [5532; 3513]
- [The Bonny Brooked Lassie], The Bonny Bruicked Lassie (from Sinkler Manuscript 29, f. 63) [3532; 3513]
 The Bonny Bruicked Lassie MacFarlane Manuscript 3 208, p. 187 G ♯ ♯ 3/4 3/4 2 no no 315 551 31H5 551
Bonny gray eyed Morning

- Bonny Gray head morn, The Bonny Gray Eyed Morn (from Gairdyn Manuscript 134, f. 19v) [None; None]
- The Gray Eyed Morning, The Bonny Gray Eyed Morn (from Leyden Lyra-viol and Violin Manuscript 13, f. 55v) [1132; 3555]
- The Gray Eyed Morn, The Bonny Gray Eyed Morn (from Thomson Manuscript 32, p. 24) [1132; 3555]
- Gray Morning, The Bonny Gray Eyed Morn (from Sinkler Manuscript 13, f. 67) [1132; 3555]
- The Bonny gray-Ey'd morning, The Bonny Gray Eyed Morn (from Robert Kelsall Manuscript 360, f. 115v) [1132; 3555]
 The Bonny Gray Eyed Morn MacFarlane Manuscript 3 15, p. 10 C C C 2 no no 1112 3555 1H1H1H2H 3H5H5H5H
The Braes of Bellandèan
Variation set by [William] McGibbon. 2 strain tune + 4 variations.

- The Braes of Ballanden, The Braes of Ballenden (from James Knox Manuscript 218, f. 56) [355; 556]
 The Braes of Ballenden MacFarlane Manuscript 3 191, p. 160 B♭ ♭♭ ♭♭ 3/4 3/4 10 yes no 355 556 355 556
The Cadie’s Lady
The Cadie’s Lady MacFarlane Manuscript 3 8, p. 7 F ♭ ♭ 3/2 3/2 2 no no 151 642 151 642
The Captain sha’nna’ get thee
2 strain tune + 1 variation.

- the Capten: shall not get the:, The Captain Shall Not Get Thee (from Bowie Manuscript 3, f. 2v) [1315; 7221]
- The Captain shall not [gett me], The Captain Shall Not Get Thee (from Gairdyn Manuscript 162, f. 22) [None; None]
- The captain shall not get you, The Captain Shall Not Get Thee (from Gairdyn Manuscript 328, f. 45v) [None; None]
 The Captain Shall Not Get Thee
Title (alternative): The Blathrie o’t; Deel take the gair and the Bragie o’it		 MacFarlane Manuscript 3 44, p. 33 G ♯ ♯ ₵ ₵ 4 yes no 1315 7776 1315L 7bL7bL7bL6
The Cardinal
The Cardinal MacFarlane Manuscript 3 233, p. 209 A ♯♯♯ ♯♯♯ 9/8 9/8 2 no no 132 137 132 137L
The Charming Month of May
The Charming Month of May MacFarlane Manuscript 3 52, p. 40 A 6/8 6/8 1 no no 1375 5351 13b7L5L 5L3b51
The Corby an’ the Pyat
Strathspey-like.
The Corby and the Pyat MacFarlane Manuscript 3 2, p. 1 D ♯♯ ♯♯ ₵ ₵ 2 no no 3513 6613 3513 661H3H
The Countrey Coquet
The Country Coquet MacFarlane Manuscript 3 41, p. 25 F ♭ ♭ ₵ ₵ 2 no no 1172 1554 1H1H72H 1H554
The Cummers of Largo
Long variation set by D[avid] Y[oung]. 1 strain tune + 11 variations

- Cimmers of Largo, The Cummers of Largo (from Gairdyn Manuscript 135, f. 19v) [None; None]
- Cumers of Largo, The Cummers of Largo (from Gairdyn Manuscript 289, f. 40) [None; None]
 The Cummers of Largo MacFarlane Manuscript 3 198, p. 178 D ♯ ♯ 9/8 9/8 12 yes no 137 151 137b 1H51H
The Cyppress Grove
2 strain tune + variation. In pencil below the tune is written: "Said to be composed by Oswald; it bears a strong resemblance to Roslin Castle which has thus also been attributed to him, although much older"
The Cypress Grove MacFarlane Manuscript 3 190, p. 158 G ♭♭ ♭♭ C C 4 yes no 3211 7701 3b211H 7701H
The drunken Wives of Carlyl
2 strain tune + 3 variations, but strain 2 is itself essentially a division on strain 1 (and this structure breaks down in 3rd variation). Concordant with versions in Thomson and Sinkler, though rhythm values halved here.

- The Pinken Durceken wives of Carilel, The Drunken Wives of Carlisle (from Thomson Manuscript 35, p. 26) [1111; 7722]
- Drunken wives of Carlyle, The Drunken Wives of Carlisle (from Sinkler Manuscript 23, f. 64v) [1111; 7722]
 The Drunken Wives of Carlisle MacFarlane Manuscript 3 45, p. 34 G ♯ ♯ ₵ ₵ 8 yes no 1172 1115 1172 111H5
The Duke’s dung o’er my Daddie
Marked "Slow". 2 strain tune + 2 variations. Final variation is a jig.

- The Duk's dung ore my dadie , The Duke's Dang O'er My Daddy  (from Gairdyn Manuscript 276, f. 35v) [; ]
 The Duke’s Dang O’er My Daddy MacFarlane Manuscript 3 197, p. 176 D ♯♯ ♯♯ 3/4 3/4 6 yes no 115 331 1H1H5 331
Far away Wedding
1 strain tune + 2 variations.

- The farr away Wedding, The Far Away Wedding (from Robert Kelsall Manuscript 252, f. 43v) [363; 367]
 The Far Away Wedding MacFarlane Manuscript 3 155, p. 119 A ♯♯ ♯♯ 9/8 9/8 3 yes no 363 367 363 367b
The Friar and the Nun

- The friar & the Nun, The Friar and the Nun (from Gairdyn Manuscript 404, f. 56) [; ]
 The Friar and the Nun MacFarlane Manuscript 3 216, p. 195 D ♯♯ ♯♯ ₵ ₵ 1 no no 1111 2722 1H1H1H1H 2H72H2H
The Funeral of the Theatre Oswald.
Tune by James Oswald.
The Funeral of the Theatre MacFarlane Manuscript 3 270, p. 249 D ♯ ♯ 6/8 6/8 2 no no 3355 7747 3H3H55 7b7b4H7b
The Galloper
The Galloper MacFarlane Manuscript 3 252, p. 224 D ♯♯ ♯♯ 6/8 6/8 2 no no 1232 5211 1H2H3H2H 5H2H1H1H
The Gowk
The Gowk MacFarlane Manuscript 3 258, p. 233 C ₵ ₵ 2 no no 1111 3333 1H1H1H1H 3H3H3H3H
The Gypsie
The Gypsy MacFarlane Manuscript 3 254, p. 225 G ♯ ♯ 6/8 6/8 2 no no 1122 3322 1122 3322
The Hares Fudd
2 strain tune + 1 variation.
The Hare's Fudd MacFarlane Manuscript 3 130, p. 95 G 9/8 9/8 4 yes no 135 724 135 7bL24
The Highland Lassie
The Highland Lassie MacFarlane Manuscript 3 51, p. 40 G ♯ ♯ C C 2 no no 1115 6423 1115 6423
The highland Lassie
2 strain tune + 2 variations.
The Highland Lassie MacFarlane Manuscript 3 209, p. 188 D ♯♯ ♯♯ C C 6 yes no 3235 6422 3235 6422
The Highland Lassie’s bonny thing

- The Highlands Lassies Lovly thing, The Highland Lassie's Bonny Thing (from George Skene Manuscript 21, f. 7) [1135; 7147]
 The Highland Lassie’s Bonny Thing MacFarlane Manuscript 3 159, p. 123 D ♯ ♯ ₵ ₵ 2 no no 1135 7147 1135 7b1H47bL
The Isle of Kell
The Isle of Kell MacFarlane Manuscript 3 265, p. 241 G ♯ ♯ 3/4 3/4 1 no no 335 726 335 72H6
The King shall enjoy his own again
Setting for treble and bass by William McGibbon. Jacobite air.

- When ye king enjoyes his oun, The King Shall Enjoy His Own Again (from Sinkler Manuscript 9, f. 67v) [5511; 2432]
 The King Shall Enjoy His Own Again MacFarlane Manuscript 3 194, p. 167 D ♯♯ ♯♯ ₵ ₵ 2 no yes 5117 5470 51H1H7 5H4H70
The Lass of Patie’s Mill
Long variation set. 2 strain tune + 10 variations. Lots of double stopping in final variation.

- [The Lass of Patie’s Mill], The Lass of Patie's Mill (from Clerk of Penicuik Papers 23, GD18/4538/5/8/1) [3235; 1155]
- The Lass of Patys Mill, The Lass of Patie's Mill (from MacFarlane Manuscript 2 14, p. 36) [3235; 1155]
- Peaties Mill, The Lass of Patie's Mill (from MMC 491 10, p. 54) [3235; 1130]
- Lass of Paties Mill, The Lass of Patie's Mill (from James Knox Manuscript 57, f. 21v) [3235; 1155]
 The Lass of Patie’s Mill MacFarlane Manuscript 3 188, p. 146 D ♯♯ ♯♯ C C 22 yes no 3235 1155 3235 1H1H55
The lovely Lass of Inverness
The Lovely Lass of Inverness MacFarlane Manuscript 3 231, p. 207 D ♯♯ ♯♯ C C 2 no no 1531 2121 1H531H 2H1H21
The Maid in the Mill
The Maid in the Mill MacFarlane Manuscript 3 221, p. 197 D ♭ ♭ 6/8 6/8 2 no no 1347 1255 1H3bH47b 1H2H5H5H
The Maids Complaint
The Maid's Complaint MacFarlane Manuscript 3 243, p. 218 D ♭ ♭ C C 2 no no 1111 3333 1H1H1H1H 3bH3b3b3bH
The Malt grinds well
1 strain tune + 3 variations.

- The malt grinds well, The Malt Grinds Well (from Guthrie Manuscript 17, p. 297) [3155; 2721]
 The Malt Grinds Well MacFarlane Manuscript 3 160, p. 124 A ♯♯ ♯♯ ₵ ₵ 4 yes no 1154 2724 11H54 27b24
The Man Tiger
The Man Tiger MacFarlane Manuscript 3 214, p. 193 A ♯♯♯ ♯♯♯ ₵ ₵ 2 no no 1131 1277 1H131 1H2H77
The masons Anthem
The Mason's Anthem MacFarlane Manuscript 3 212, p. 192 A 3/4 3/4 2 no no 121 671 121 6b7L1
The Master Mason’s Musick
Masonic anthem. Strains 3-4 in 2/4.
The Master Mason’s Music MacFarlane Manuscript 3 249, p. 222 G ♯ ♯ 3/4 3/4 4 no no 112 351 112 351
The Minister’s wife has learnt a sang

- The Minsters wife has earn’d a sang & she cares not how grit it be if it be lang , The Minister's Wife Has Earned a Sang (from George Skene Manuscript 5, f. 2) [1125; 3211]
 The Minister’s Wife Has Earned a Sang MacFarlane Manuscript 3 183, p. 143 D ♯♯ ♯♯ 6/8 6/8 2 no no 1125 3211 1H1H2H5 3H2H1H1
The nine Pint Cogie

- The Coaliers daughter, The Collier's Daughter (from Gairdyn Manuscript 35, f. 4) [3311; 1156]
- The Colleyrs daughter, The Collier's Daughter (from Leyden Lyra-viol and Violin Manuscript 12, f. 55v) [3311; 1155]
- Coalliers daughter, The Collier’s Daughter (from Sinkler Manuscript 10, f. 67v) [3311; 1155]
- [The Collier's Daughter], The Collier’s Daughter (from Cuming Manuscript 45, p. 64) [3311; 1155]
 The Nine Pint Cogie
Title (alternative): The Collier's Daughter; The Collier's Lass		 MacFarlane Manuscript 3 58, p. 46 G ₵ ₵ 2 no no 3312 1155 3312 115L5L
The noble Reel of Skinking
In pencil below the tune is wrriten: Parody of "Of a noble race was Shenkin"
The Noble Reel of Skinking
Title (alternative): Of a noble race was Shenkin		 MacFarlane Manuscript 3 162, p. 125 G ♯ ♯ ₵ ₵ 2 no no 1757 6663 1H757 66L6L3H
The Northern Lass
The Northern Lass MacFarlane Manuscript 3 242, p. 218 D ♯♯ ♯♯ C C 2 no no 3225 3266 3225 3H2H66
The Parson upon Dorothy
"English air" written in pencil next to title.

- Parson upon Dorothy, The Parson Upon Dorothy (from Robert Kelsall Manuscript 45, f. 10v) [1127; 3335]
 The Parson upon Dorothy MacFarlane Manuscript 3 187, p. 145 A ₵ ₵ 3 no no 1127 3335 1127bL 3b3b3b5
The Piper

- The Piper, The Piper (from Young-Bodleian 45, f. 49) [315; 315]
 The Piper MacFarlane Manuscript 3 29, p. 17 G 9/8 9/8 2 no no 315 315 315 31H5
The Restoration
Variation set by Disblair. 2 strain tune + 2 variations. Last is a 6/8 jig.
The Restoration MacFarlane Manuscript 3 163, p. 126 D ♭ ♭ C C 6 yes no 1133 5577 113b3b 557b7b
The Ripples Goodman
2 strain tune + 1 variation.
The Ripples Goodman MacFarlane Manuscript 3 61, p. 48 D ♯ ♯ 6/8 6/8 4 yes no 3316 3315 33H1H6 33H1H5
The Royal Lament
The Royal Lament MacFarlane Manuscript 3 132, p. 96 G ♯ ♯ 3/4 3/4 2 no no 331 642 331H 642
The Royal Oak
Minuet
The Royal Oak MacFarlane Manuscript 3 131, p. 96 D ♯♯ ♯♯ 3/4 3/4 2 no no 111 642 1H1H1H 642
The running Footman
The Running Footman MacFarlane Manuscript 3 251, p. 224 G ♯ ♯ 6/8 6/8 2 no no 1523 1717 1H523 17L17L
The Russel
The Russel MacFarlane Manuscript 3 220, p. 197 B♭ ♭♭ ♭♭ 6/8 6/8 2 no no 1327 5631 1H327L 5631
The Scots Recluse
The Scots Recluse MacFarlane Manuscript 3 244, p. 219 D ♯♯ ♯♯ C C 2 no no 1166 5211 1H1H66 5211
The Shire of Teviotdale

- The Shire Teviotdale, The Shire of Teviotdale (from McGibbon Manuscript 68, p. 43) [3313; 3115]
- The Shire of Teviotdale, The Shire of Teviotdale (from McGibbon Manuscript 190, p. 93) [3313; 3115]
 The Shire of Teviotdale MacFarlane Manuscript 3 284, p. 261 A 6/8 6/8 2 no no 3133 3115 3b13b3b 3b11H5
The Solitude
Tune by James Oswald.
The Solitude MacFarlane Manuscript 3 141, p. 107 E ♯ ♯ 3/4 3/4 2 no no 131 511 13b1 51H1H
The Taylors Shirt
The Taylor's Shirt MacFarlane Manuscript 3 120, p. 89 A ♯♯ ♯♯ 6/8 6/8 2 no no 2472 3513 247b2 351H3
The Wood of Fyvie
Long variation set. 2 strain tune + 5 variations.

- The Wood of Fyvie , The Wood of Fyvie (from Drummond Castle Manuscript 2 42, ) [5324; 5353]
- The Wood of Fyvie, The Wood of Fyvie (from Young-Bodleian 40, f. 44) [5324; 5353]
 The Wood of Fyvie MacFarlane Manuscript 3 47, p. 36 A ♯♯ ♯♯ ₵ ₵ 12 yes no 5324 5353 5324 5353
[There’s my thumb I’ll ne’er beguile you]
Partially missing - only last strain there, but says 6 strains.
There’s My Thumb I’ll Ne'er Beguile You MacFarlane Manuscript 3 25, p. 14 6 no no
Thomas I cannot
Thomas I cannot MacFarlane Manuscript 3 112, p. 84 G ♯ ♯ 6/8 6/8 2 no no 3516 4211 351H6 4211H
Tis not your Wealth my Dear
Song from Pyrrhus and Demetrius by Allessandro Scarlatti and Nicola Francesco Haym, but based on an aria by Handel, "Hò un nun sò che nel cor", which appeared in both La Resurrezione (HWV 47) and Il Pastor Fido (HWV 8).

- [Tis Not Your Wealth My Dear], Tis Not Your Wealth My Dear (from Thomson Manuscript 141, p. 134) [0015; 2033]
- Tis not your wealth my Dear, Tis Not Your Wealth My Dear (from Robert Kelsall Manuscript 634, f. 132) [0015; 2233]
 Tis Not Your Wealth My Dear
Title (alternative): Hò un nun sò che nel cor		 MacFarlane Manuscript 3 59, p. 46 D ♯♯ ♯♯ C C no no 0015 2033 001H5 2H03H3H
To daunten me
2 strain tune + 3 variations. Final variation is a jig.

- To Danton me, To Daunton Me (from James Knox Manuscript 175, f. 44v) [5114; 2177]
 To Daunton Me MacFarlane Manuscript 3 211, p. 190 E ♯ ♯ C C 8 yes no 5114 2177 5114 217bL7b
Trench mòr
Trench Mòr MacFarlane Manuscript 3 181, p. 141 G ♯ ♯ 6/8 6/8 2 no no 7222 5365 7L222 5L365
Edinburgh Town MacLean
Variation sonata by Charles McLean. Theme C; [Minuet] 3/4; [Jig] 6/8. At bottom of first page reads: "N.B. This Minuet by mistake is written a Note too low, it must therefore be play’d a note higher on the Violin or German Flute and on the same Key with the two first Strains."

- two furlongs from Edr toun, Twas Within a Furlong of Edinburgh Town (from Leyden Lyra-viol and Violin Manuscript 7, f. 53) [1354; 4511]
- within a furlong of Edenburgh, Twas Within a Furlong of Edinburgh Town (from Sinkler Manuscript 22, f. 65) [1354; 4511]
- Twas within a furlong of Edinborough town, Twas Within a Furlong of Edinburgh Town (from Robert Kelsall Manuscript 178, f. 28) [3354; 4511]
- It was within a forlong of Edinbrough toun, Twas Within a Furlong of Edinburgh Town (from Cameron Manuscript 248, p. 59) [1354; 4511]
 Twas Within a Furlong of Edinburgh Town MacFarlane Manuscript 3 215, p. 194 A C C 6 yes no 1354 4511 13b54 4511
Tòm Brown
Tòm Brown MacFarlane Manuscript 3 185, p. 144 G ♯ ♯ 6/8 6/8 2 no no 1131 5272 1131 527L2
Tóm na H’Jurach
2 strain tune + 1 variation.
Tóm na H’Jurach MacFarlane Manuscript 3 5, p. 6 D ♯ ♯ ₵ ₵ 4 yes no 3355 4572 3H3H5H5H 4H5H72H
Under her apron
1 strain tune + variation.
Under Her Apron MacFarlane Manuscript 3 175, p. 137 A 6/8 6/8 2 yes no 1437 1456 143b7bL 1456b
Valentine’s Een

- Vallentine Couterdanc[e] +, Valentine's Eve (from Cameron Manuscript 161, p. 41) [5342; 5321]
 Valentine’s Eve MacFarlane Manuscript 3 16, p. 10 G ♯ ♯ 6/8 6/8 2 no no 5342 5321 5342 5321
Valiant Jockie
Valiant Jockie MacFarlane Manuscript 3 210, p. 189 D ♯♯ ♯♯ 3/4 3/4 2 no no 151 652 1H51H 652
Walie walie
Waly waly MacFarlane Manuscript 3 39, p. 24 D ♯ ♯ 3/4 3/4 2 no no 351 222 351H 2H2H2H
Welsh Ground
1 strain theme + 7 variations [over a ground bass].
Welsh Ground MacFarlane Manuscript 3 169, p. 132 C 3/4 3/4 8 yes no 113 555 1H1H3H 5H5H5H
Welsh Sibell
last two strains are twice as long

- march, Welsh Sibell (from Robert Kelsall Manuscript 590, f. 121v) [1122; 3313]
 Welsh Sibell MacFarlane Manuscript 3 172, p. 135 D ♯♯ ♯♯ ₵ ₵ 5 yes no 1122 3313 1H1H2H2H 3H3H1H3H
Wee’re a’ Marr’s Men
We’re a’ Marr’s Men MacFarlane Manuscript 3 150, p. 113 D ♯ ♯ ₵ ₵ 2 no no 1111 2222 1H1H1H1H 2H2H2H2H
Wha’ll hae my dainty white Puddings
Probably based on a street cry.
Wha’ll Hae My Dainty White Puddings MacFarlane Manuscript 3 149, p. 112 G ♯ ♯ 6/8 6/8 2 no no 3530 2420 3530 2420
When she came ben she bobbed
2 strain tune + 2 variations, all based on the passamezzo antico. Variations are an updated version of older John MacLachlan's setting (Bowie; Balcarres; Leyden LV).

- when she came ben she bobbed, When She Came Ben She Bobbed (from Bowie Manuscript 46, f. 28v) [1327; 1175]
- When the bryd cam ben she becked, When She Came Ben She Bobbed (from Leyden Lyra-viol and Violin Manuscript 8, f. 53v) [1327; 1175]
- When she cam ben, When She Came Ben She Bobbed (from Sinkler Manuscript 35, f. 62v) [121; 334]
- When She came ben She bobbed, When She Came Ben She Bobbed (from James Knox Manuscript 220, f. 56v) [111; 334]
 When She Came Ben She Bobbed MacFarlane Manuscript 3 227, p. 202 A 3/4 3/4 6 yes no 111 333 111 3b3b3b
Whilst absent from the Nymph I adore
2 strain tune + 1 variation.
Whilst Absent From the Nymph I Adore MacFarlane Manuscript 3 236, p. 212 G ♯ ♯ C C 4 yes no 3211 5266 321H1H 526L6L
Whilst I am single &c.
Whilst I am Single MacFarlane Manuscript 3 128, p. 94 G ♯ ♯ 6/8 6/8 2 no no 6172 3651 6L172 36L5L1
Whip her below the Covering
Whip Her Below the Covering MacFarlane Manuscript 3 82, p. 64 G ♯ ♯ 9/8 9/8 2 no no 533 535 533 535
William and Margaret
William and Margaret MacFarlane Manuscript 3 229, p. 205 D ♯ ♯ 3/4 3/4 2 no no 132 156 1H3H2H 1H56
Willie Winkie’s Testmt

- Willie Winkie, Willie Winkie's Testament (from Newbattle Violin Manuscript 2 25, f. 11) [5131; 2266]
- Willie Winkie’s Testament, Willie Winkie’s Testament (from Cuming Manuscript 4, p. 6) [5332; 2266]
- Willie Winkie, Willie Winkie's Testament (from Newbattle Violin Manuscript 2 25, f. 11) [5131; 2266]
- Willie Winkie’s Testament, Willie Winkie’s Testament (from Cuming Manuscript 4, p. 6) [5332; 2266]
 Willie Winkie’s Testament MacFarlane Manuscript 3 60, p. 47 F ♭ ♭ ₵ ₵ 2 no no 5326 5651 5326L 5651H
Wae’s my heart that we should sunder
2 strain tune + 1 variation. Concordances (other): "A ways my Heart that we mun sunder" Playford OST p. 14; "Woes my heart that we should sunder" Stuart, Musick p. 10; "Woes my heart that we shou’d sunder", Oswald CPC vol 3, p. 5; "Woes my heart, that we should sunder, / Mr Mclaughlans way, by Mr Beck", Balcarres p. 119.

- Wo’s my heart that we shou’d sunder, Woe’s My Heart That We Should Sunder (from Cuming Manuscript 30, p. 39) [None; None]
- [Woe's my heart that we should sunder], Woe’s My Heart That We Should Sunder (from Cuming Manuscript 46, p. 65) [3255; 6665]
 Woe’s My Heart That We Should Sunder MacFarlane Manuscript 3 113, p. 84 G ♯ ♯ C C 4 yes no 1114 2221 1114 2221
Ye Beaux of Pleasure
Ye Beaux of Pleasure MacFarlane Manuscript 3 147, p. 111 A 3/4 3/4 2 no no 112 321 112 3b21
Young Damon
Young Damon MacFarlane Manuscript 3 146, p. 111 D ♯♯ ♯♯ ₵ ₵ 2 no no 1751 2751 1H751H 2H751H
Young Roger
Young Roger MacFarlane Manuscript 3 18, p. 11 D ♯♯ ♯♯ 9/8 9/8 2 no no 351 224 351H 2H24
You’re no twice married yet
You’re No Twice Married Yet MacFarlane Manuscript 3 9, p. 7 D ♯♯ ♯♯ ₵ ₵ 2 no no 1362 1351 1H362 1H351
[untitled]
Untitled march tune.
[untitled] MacFarlane Manuscript 3 20, p. 12 D ♯♯ ♯♯ ₵ ₵ 1 no no 1111 2755 1H1H1H1H 2H755
[untitled]
Minuet or possibly song air.
[untitled] MacFarlane Manuscript 3 21, p. 12 D ♯♯ ♯♯ 3/4 3/4 1 no no 122 771 1H2H2H 771H