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Manuscript Tune Index

by Aaron McGregor


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Key signature
Time signature
Bass
Source
KS (edited)
TS (edited)
Variations

Key note
Index 1 [starts with / is]
Index 2 [starts with / is]
How to use
Index 1 & Index 2

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Manuscript: McGibbon Manuscript

Title (source) Title (standardised) Source Key note Key signature KS (edited) Time signature TS (edited) Strains Variations Bass Index 1 Index 2 Index 1 (long) Index 2 (long)
Amiable Vanqueur:
The "Aimable Vainqueur" was a French dance by Lois-Guillaume Pécour, set to an air of the same name from André Campra's Tragedy Hésione. The choreography was first published by Feuillet in 1701 and it became famous London entr'acte dance of early 18th century. Musically, the tune here follows the rough shape of the original, but with more embellishment and more in keeping with mid-18th century style.

- [The Louver], The Louvre (from Cuming Manuscript 41, p. 60) [331; 112]
- The Louvre, The Louvre (from Robert Kelsall Manuscript 576, f. 118) [331; 112]
- The Louver, The Louvre (from Robert Kelsall Manuscript 603, f. 125) [331; 112]
 Aimable Vainqueur
Title (alternative): Des Amanz Fortunéz; The Louvre		 McGibbon Manuscript 129, p. 73 G ♯ ♯ 3/4 3/4 2 no no 331 112 331 112
Airy and gay
Minuet tune. Concordances (other): [untitled], GB-Lbl Add. 47446, f. 4 (c. 1722)

- [Airy and Gay], Airy and Gay (from Thomson Manuscript 96, p. 72) [536; 531]
 Airy and Gay McGibbon Manuscript 5, p. 3 A ♯♯ ♯♯ 3/4 3/4 2 no no 536 531 536 531
Arthur's Seat
Reel tune. At end is written "End with 2d part."

- Arthur’s Seat, Arthur’s Seat (from Young-Bodleian 16, f. 20) [1563; 4362]
- Arthur’s Seat, Arthur’s Seat (from MacFarlane Manuscript 2 89, p. 138) [1563; 4362]
 Arthur's Seat McGibbon Manuscript 197, p. 96 G ♯ ♯ ₵ ₵ 2 no no 1563 4362 1563 436L2
Away Whigs away
Away Whigs away McGibbon Manuscript 109, p. 66 D ♯ ♯ ₵ ₵ 2 no no 5554 5553 5554 5553
Bachil=tutie

- N’Inghean òg Choll dhuinn, N’Inghean Òg Choll Dhuinn (from MacFarlane Manuscript 3 293, p. 288) [1651; 1613]
 Bachil-tutie
Title (alternative): N’Inghean Òg Choll Dhuinn		 McGibbon Manuscript 188, p. 93 G ₵ ₵ 2 no no 1651 1613 16L5L1 16L13
Barley Cakes
D.C. at end. Same tune as that in MacFarlane Vol 2, but note values doubled here.

- Barley Cakes, Barley Cakes (from MacFarlane Manuscript 2 248, p. 287) [1235; 5226]
 Barley Cakes McGibbon Manuscript 175, p. 90 G ♯ ♯ C C 2 no no 1122 3551 1122 3551H
Go to Berwick Johny
1 strain tune + 6 variations.No double barlines, but there are clearly 7 separate strains.

- Berrick Johne, Berwick Johnny (from Gairdyn Manuscript 283, f. 36v) [None; None]
- Banick Johnie, Berwick Johnny (from Leyden Lyra-viol and Violin Manuscript 40, f. 66v) [516; 424]
- Berwick Johny, Berwick Johnny (from Sinkler Manuscript 45, f. 60v) [516; 424]
 Berwick Johnny McGibbon Manuscript 105, p. 64 F 3/2 3/2 7 yes no 515 424 515 4x24x
Black Jock The Irish Sett
Long set of variations. 2 strain tune + 9 variations.

- A country dance, Black Jock (from Gairdyn Manuscript 86, f. 14v) [None; None]
- Black Jock, Black Jock (from Gairdyn Manuscript 387, f. 53v) [; ]
- Black Joack. McLean., Black Jock (from MacFarlane Manuscript 2 207, p. 246) [5122; 3522]
- Black Jock by Mr McLean, Black Jock by McLean (from McGibbon Manuscript 130, p. 74) [5122; 3522]
 Black Jock McGibbon Manuscript 60, p. 38 A ♯♯♯ ♯♯♯ 6/8 6/8 20 yes no 6122 3322 6L122 3322
Black Jock by Mr McLean
Long variation set by Charles McLean. 2 strain tune + 8 variations. Lots of extended violin techniques.

- A country dance, Black Jock (from Gairdyn Manuscript 86, f. 14v) [None; None]
- Black Jock, Black Jock (from Gairdyn Manuscript 387, f. 53v) [; ]
- Black Joack. McLean., Black Jock (from MacFarlane Manuscript 2 207, p. 246) [5122; 3522]
- Black Jock The Irish Sett, Black Jock (from McGibbon Manuscript 60, p. 38) [6122; 3322]
 Black Jock by McLean McGibbon Manuscript 130, p. 74 A ♯♯♯ ♯♯♯ 6/8 6/8 18 yes no 5122 3522 5L122 3522
Blackmoor's Hornpipe
2 strain tune + 1 variation. Looks like there might be some notational errors in strain 1.

- Jack a Green, Jack on the Green (from Robert Kelsall Manuscript 34, f. 9) [722; 723]
- Jack on the Green, Jack on the Green (from Young-Bodleian 36, f. 40) [712; 523]
- Jack on the Green, Jack on the Green (from McGibbon Manuscript 125, p. 71) [212; 523]
 Blackmoor's Hornpipe
Title (alternative): Jack on the Green		 McGibbon Manuscript 110, p. 66 D ♯♯ ♯♯ 9/8 9/8 4 yes no 722 713 7L22 713
Bung Your Eye

- Bung your Eye, Bung your Eye (from Young-Bodleian 1, f. 5) [1352; 7242]
 Bung Your Eye McGibbon Manuscript 186, p. 93 A 6/8 6/8 2 no no 1352 7242 13b52 7bL242
Caberfei
Long set of variations. 2 strain tune + 5 variations.

- Caper fei, Caber Feidh (from Drummond Castle Manuscript 2 16) [1115; 1531]
- Caberfei, Caber Feidh (from Young-Bodleian 12, f. 16) [1115; 1531]
- Caber-fei. D.Y., Caber Feidh (from MacFarlane Manuscript 2 113, p. 162) [1115; 1531]
- Caperfie, Caber Feidh (from James Knox Manuscript 27, f. 14) [1115; 1531]
 Caber Feidh McGibbon Manuscript 84, p. 54 C ♯ ♯ ₵ ₵ 12 yes no 1115
Alt. index 1: 7774 (Alt index given as if key note is D)		 1531
Alt. index 2: 7427 (Alt index given as if key note is D)		 1H1H1H5
Alt. index 1: 7b7b7b4 (Alt index given as if key note is D)		 1H531
Alt. index 2: 7b427bL (Alt index given as if key note is D)
Cambdelmoir
Reel tune.
Cambdelmoir McGibbon Manuscript 179, p. 91 G ♯ ♯ ₵ ₵ 2 no no 3366 5311 3366 5311
Charming Bettie
Minuet tune.

- Charming Betty, Charming Betty (from McGibbon Manuscript 106, p. 64) [113; 311]
 Charming Betty McGibbon Manuscript 79, p. 51 G ♯ ♯ 3/4 3/4 2 no no 115 312 115 312
Charming Betty

- Charming Bettie, Charming Betty (from McGibbon Manuscript 79, p. 51) [115; 312]
 Charming Betty McGibbon Manuscript 106, p. 64 G ♯ ♯ 3/4 3/4 2 no no 113 311 113 311
Mr McLeans Variations on the Gavott in Corelli's 10th Solo
Corelli Sonata in F Major Op 5 No 10 iv. Gavotta. With variations by Charles McLean

- Gavotta Allegro, Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta Allegro (from Robert Kelsall Manuscript 308, f. 55v) [1122; 3322]
- Gavotta, Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta (from Robert Kelsall Manuscript 639, f. 134) [1122; 3325]
- Mr McGibbon's Variations on the Gavot in Corelli's 10 Solo, Corelli Violin Sonata in F Major, Op 5 No 10, iv. Gavotta (with variations by McGibbon). (from McGibbon Manuscript 140, p. 79) [1522; 3322]
- [Corelli Sonata in F Major Op 5 no 10, IV: Gavotta], Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta (from James Knox Manuscript 90, f. 27) [1122; 3322]
 Corelli Sonata in F Major Op 5 No 10 iv. Gavotta (variations by McLean) McGibbon Manuscript 82, p. 52 F ♭ ♭ C C 12 yes no 1122 3422 1H1H2H2H 3H4H2H2H
Mr McGibbon's Graces on Corelli’s IXth Solo. Adagio I
Solo part of Corelli's Violin Sonata in A Major, Op 5 No 9 i. Adagio, with embellishments by William McGibbon.

- Sonata, Corelli Violin Sonata in A Major op 5 no 9, i. Preludio (from Robert Kelsall Manuscript 635, f. 132) [3325; 1275]
- Sonata IX [Preludio], Corelli Violin Sonata in A Major op 5 no 9, i. Preludio (from James Knox Manuscript 211, f. 54v) [3325; 1275]
 Corelli Violin Sonata in A Major, Op 5 No 9 i. Adagio (with embellishments by McGibbon) McGibbon Manuscript 51, p. 33 A ♯♯♯ ♯♯♯ C C 2 no no 3325 1275 3325L 127L5L
Adagio 2
Solo part of Corelli's Violin Sonata in A Major, Op 5 No 9 iii. Adagio, with embellishments by William McGibbon.
Corelli Violin Sonata in A Major, Op 5 No 9 iii. Adagio (with embellishments by McGibbon) McGibbon Manuscript 52, p. 33 F♯ ♯♯♯ ♯♯♯ 3/2 3/2 no no 001 555 001 555
[Tempo di Gavotta]
Solo part of Corelli's Violin Sonata in A Major, Op 5 No 9 iv. Tempo di Gavotta, variation by William McGibbon (ie this is intended to follow Corelli's movement).

- Tempo di gavotta, Corelli Violin Sonata in A Major, op 5 no 9, iv. Tempo di Gavotta (from Robert Kelsall Manuscript 644, f. 137) [5127; 1675]
- Tempo Di Gavotta Allegro, Corelli Violin Sonata in A Major op 5 no 9, iv. Tempo di Gavotta (from James Knox Manuscript 215, f. 55v) [5127; 1675]
 Corelli Violin Sonata in A Major, Op 5 No 9 iv. Tempo di Gavotta (with embellishments by McGibbon) McGibbon Manuscript 53, p. 34 A ♯♯♯ ♯♯♯ C C 2 yes no 5117 7665 51H1H7 7665
Mr McGibbon’s Graces on the 2 Adagio’s of Corelli’s VIIth Solo. Adagio I
Solo part of Corelli's Violin Sonata in D minor, Op 5 No 7 i. Adagio, with embellishments by William McGibbon.
Corelli Violin Sonata in D minor, Op 5 No 7 i. Adagio (with embellishments by McGibbon) McGibbon Manuscript 49, p. 32 D C C 2 no no 1331 1231 13b3b1H 1H2H3bH1H
Adagio 2 Sarabanda
Solo part of Corelli's Violin Sonata in D minor, Op 5 No 7 iii. Sarabanda Largo, with embellishments by William McGibbon.
Corelli Violin Sonata in D minor, Op 5 No 7 iii. Sarabanda Largo (with embellishments by McGibbon) McGibbon Manuscript 50, p. 32 D ♭ ♭ 3/4 3/4 2 no no 531 665 5H3bH1H 6bH6bH5H
[Corelli Violin Sonata in E Major op 5 no 11, iii. Adagio]
Solo part of Corelli's Violin Sonata in E Major, Op 5 No 11 iii. Adagio (with embellishments by McGibbon). This movement in C♯ minor.

- Adagio, Corelli Violin Sonata in E Major op 5 no 11, iii. Adagio (from James Knox Manuscript 183, f. 47) [001; 255]
 Corelli Violin Sonata in E Major op 5 no 11, iii. Adagio McGibbon Manuscript 58, p. 37 C♯ ♯♯♯♯ ♯♯♯♯ 3/2 3/2 no no 001 255 001H 2H55H
Mr McGibbon's Graces on Corelli's XIth Solo
Solo part of Corelli's Violin Sonata in E Major, Op 5 No 11 i. Preludio Adagio (with embellishments by McGibbon).

- Sonata XI Preludio Adagio, Corelli Violin Sonata in E Major op 5 no 11, i. Preludio (from James Knox Manuscript 181, f. 46v) [5566; 5545]
 Corelli Violin Sonata in E Major, Op 5 No 11 i. Preludio Adagio (with embellishments by McGibbon). McGibbon Manuscript 57, p. 37 E ♯♯♯♯ ♯♯♯♯ C C no no 5566 5545 5566 5545
Mr McGibbon's Variations on the Gavott in Corelli's 11th Solo

- [Gavotta], Corelli Violin Sonata in E Major, op 5 no 11, v. Gavotta (with variations by William McGibbon).. (from McGibbon Manuscript 139, p. 78) [2323; 2651]
 Corelli Violin Sonata in E Major, op 5 no 11, v. Gavotta (with variations by William McGibbon). McGibbon Manuscript 138, p. 78 E ♯♯♯♯ ♯♯♯♯ 2/4 2/4 4 yes no 5151 2351 5H1H5H1H 2H3H5H1H
[Gavotta]

- Mr McGibbon's Variations on the Gavott in Corelli's 11th Solo, Corelli Violin Sonata in E Major, op 5 no 11, v. Gavotta (with variations by William McGibbon). (from McGibbon Manuscript 138, p. 78) [5151; 2351]
 Corelli Violin Sonata in E Major, op 5 no 11, v. Gavotta (with variations by William McGibbon).. McGibbon Manuscript 139, p. 78 E ♯♯♯♯ ♯♯♯♯ 2/4 2/4 4 yes no 2323 2651 2H3H2H3H 2H651H
Mr McGibbon's Graces on Corelli's VIIIth Solo
Solo part of Corelli 's Violin Sonata in E Minor, Op 5 No 8 i. Preludio Largo (with embellishments by McGibbon).

- Sonata VIII 5th Opera Corelli Preludio, Corelli Violin Sonata in E Minor op 5 no 8, i. Preludio (from James Knox Manuscript 207, f. 54) [112; 334]
 Corelli Violin Sonata in E Minor, Op 5 No 8 i. Preludio Largo (with embellishments by McGibbon) McGibbon Manuscript 54, p. 35 E ♯ ♯ 3/4 3/4 2 no no 112 334 1H1H2H 3bH3bH4H
Mr McGibbon's Graces on Corelli's Xth Solo
Solo part of Corelli's Violin Sonata in F Major, Op 5 No 10 i. Preludio Adagio (with embellishments by McGibbon).

- Corelli Sonata X Preludio Adagio, Corelli Violin Sonata in F Major op 5 no 10, i. Preludio Adagio (from Robert Kelsall Manuscript 305, f. 55v) [3511; 6430]
 Corelli Violin Sonata in F Major, Op 5 No 10 i. Preludio Adagio (with embellishments by McGibbon) McGibbon Manuscript 55, p. 36 F ♭ ♭ C C no no 3511 6540 3511 6540
[untitled]
Solo part of Corelli's Violin Sonata in F Major, Op 5 No 10 iii. Sarabanda (with embellishments by McGibbon).

- Sarabanda Allegro, Corelli Violin Sonata in F Major op 5 no 10, iii. Sarabanda Allegro (from Robert Kelsall Manuscript 307, f. 55v) [133; 725]
 Corelli Violin Sonata in F Major, Op 5 No 10 iii. Sarabanda (with embellishments by McGibbon). McGibbon Manuscript 56, p. 36 F ♭ ♭ 3/4 3/4 2 no no 133 725 1H3H3H 7L2H5L
Mr McGibbon's Variations on the Gavot in Corelli's 10 Solo
Solo part of Corelli's Violin Sonata in F Major, Op 5 No 10 iv. Gavotta (variations by William McGibbon).

- Gavotta Allegro, Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta Allegro (from Robert Kelsall Manuscript 308, f. 55v) [1122; 3322]
- Gavotta, Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta (from Robert Kelsall Manuscript 639, f. 134) [1122; 3325]
- Mr McLeans Variations on the Gavott in Corelli's 10th Solo, Corelli Sonata in F Major Op 5 No 10 iv. Gavotta (variations by McLean) (from McGibbon Manuscript 82, p. 52) [1122; 3422]
- [Corelli Sonata in F Major Op 5 no 10, IV: Gavotta], Corelli Violin Sonata in F Major op 5 no 10, iv. Gavotta (from James Knox Manuscript 90, f. 27) [1122; 3322]
 Corelli Violin Sonata in F Major, Op 5 No 10, iv. Gavotta (with variations by McGibbon). McGibbon Manuscript 140, p. 79 F ♭ ♭ ₵ ₵ 4 yes no 1522 3322 1H52H2H 3H3H2H2H
Vivace
Violin part to Arcangelo Corelli Violin sonata Op 5 No 5. ii. Vivace; Adagio.

- Vivace, Corelli Violin Sonata in G minor op 5 no 5 ii. Vivace - Adagio (from James Knox Manuscript 149, f. 38) [013; 255]
 Corelli Violin Sonata in G minor op 5 no 5, ii. Vivace - Adagio McGibbon Manuscript 35, p. 25 G ♭ ♭ 3/8 3/8 no no 013 255 013b 255L
Vivace
Violin part to Arcangelo Corelli Violin Sonata Op 5 No 5. iv. Vivace.

- Vivace, Corelli Violin Sonata in G minor op 5 no 5 iv. Vivace (from James Knox Manuscript 152, f. 38v) [5355; 770]
 Corelli Violin Sonata op 5 no 5, iv. Vivace McGibbon Manuscript 37, p. 26 G ♭ ♭ 3/4 3/4 2 no no 535 777 53bH5 777
Allegro
Violin part to Corelli Violin sonata Op 5 No 6 ii. Allegro

- Allegro, Corelli Violin Sonata in A Major op 5 no 6, ii. Allegro (from James Knox Manuscript 160, f. 40v) [1145; 1755]
 Corelli Violin sonata in A Major Op 5 No 6 ii. Allegro McGibbon Manuscript 40, p. 28 A ♯♯ ♯♯ C C no no 1145 1755 1145 1755
[untitled]
Violin part to Corelli Violin sonata Op 5 No 6 iii. Allegro

- Allegro, Corelli Violin Sonata in A Major op 5 no 6, iii. Allegro (from James Knox Manuscript 161, f. 40v) [1125; 1175]
 Corelli Violin sonata in A Major Op 5 No 6 iii. Allegro McGibbon Manuscript 41, p. 28 A ♯♯ ♯♯ C C no no 1125 1175 1H125 1H1H75
6. Grave
Violin part to Corelli Violin sonata Op 5 No 6 i. Grave

- Sonata VI Opera 5th Corelli Grave, Corelli Violin Sonata in A Major op 5 no 6, i. Grave (from James Knox Manuscript 159, f. 40v) [3511; 2430]
 Corelli Violin sonata in A Major op 5 no 6, i. Grave McGibbon Manuscript 39, p. 27 A ♯♯ ♯♯ C C no no 3511 2430 3511 2430
Mr McGibbons Variations upon the Giga in Corelli's 5th Solo
Solo part of Corelli Violin Sonata in G Minor Op 5 no 5 v. Giga. Variation by William McGibbon

- Giga di Corelli, Correli Violin Sonata in G Minor Op 5 no 5, v. Giga (from Robert Kelsall Manuscript 406, f. 78) [1111; 7655]
- [Giga], Corelli Violin Sonata in G minor op 5 no 5, v. Giga (from Cameron Manuscript 278, p. 67) [1111; 7655]
- Giga, Corelli Violin sonata in G minor Op 5 No 5, v. Giga (from McGibbon Manuscript 38, p. 27) [1111; 7655]
- [McGibbon's variations on Corelli's Giga op 5 no 5], Corelli Violin sonata in G minor Op 5 No 5 v. Giga (variation by McGibbon) (from McGibbon Manuscript 70, ) [1213; 7655]
- Variations on the Giga of Corelli's 5th Solo. By Mr McLean, Corelli Violin sonata in G minor Op 5 No 5. v Giga (variations by McLean) (from McGibbon Manuscript 135, p. 77) [1111; 7655]
- Allegro, Corelli Violin Sonata in G minor op 5 no 5 v. Giga (from James Knox Manuscript 153, f. 39) [1111; 7655]
- Variations on the Giga Allegro by Mr Johnston of Dublin, Corelli Violin Sonata in G minor op 5 no 5 v. Giga, with variations by Johnston (from James Knox Manuscript 155, f. 39v) [1211; 7753]
 Corelli Violin sonata in G minor Op 5 No 5 v. Giga (variation by McGibbon) McGibbon Manuscript 69, p. 44 G ♭ ♭ 12/8 12/8 2 yes no 1713 7653 1H71H3bH 7b6b53bH
[McGibbon's variations on Corelli's Giga op 5 no 5]
Solo part of Corelli Violin Sonata in G Minor Op 5 no 5 v. Giga. Variation by William McGibbon

- Giga di Corelli, Correli Violin Sonata in G Minor Op 5 no 5, v. Giga (from Robert Kelsall Manuscript 406, f. 78) [1111; 7655]
- [Giga], Corelli Violin Sonata in G minor op 5 no 5, v. Giga (from Cameron Manuscript 278, p. 67) [1111; 7655]
- Giga, Corelli Violin sonata in G minor Op 5 No 5, v. Giga (from McGibbon Manuscript 38, p. 27) [1111; 7655]
- Mr McGibbons Variations upon the Giga in Corelli's 5th Solo, Corelli Violin sonata in G minor Op 5 No 5 v. Giga (variation by McGibbon) (from McGibbon Manuscript 69, p. 44) [1713; 7653]
- Variations on the Giga of Corelli's 5th Solo. By Mr McLean, Corelli Violin sonata in G minor Op 5 No 5. v Giga (variations by McLean) (from McGibbon Manuscript 135, p. 77) [1111; 7655]
- Allegro, Corelli Violin Sonata in G minor op 5 no 5 v. Giga (from James Knox Manuscript 153, f. 39) [1111; 7655]
- Variations on the Giga Allegro by Mr Johnston of Dublin, Corelli Violin Sonata in G minor op 5 no 5 v. Giga, with variations by Johnston (from James Knox Manuscript 155, f. 39v) [1211; 7753]
 Corelli Violin sonata in G minor Op 5 No 5 v. Giga (variation by McGibbon) McGibbon Manuscript 70 G ♭ ♭ ₵ ₵ 2 yes no 1213 7655 1H2H1H3bH 7b6b55H
Giga
Violin part to Arcangelo Corelli Violin Sonata Op 5 No 5. v. Giga.

- Giga di Corelli, Correli Violin Sonata in G Minor Op 5 no 5, v. Giga (from Robert Kelsall Manuscript 406, f. 78) [1111; 7655]
- [Giga], Corelli Violin Sonata in G minor op 5 no 5, v. Giga (from Cameron Manuscript 278, p. 67) [1111; 7655]
- Mr McGibbons Variations upon the Giga in Corelli's 5th Solo, Corelli Violin sonata in G minor Op 5 No 5 v. Giga (variation by McGibbon) (from McGibbon Manuscript 69, p. 44) [1713; 7653]
- [McGibbon's variations on Corelli's Giga op 5 no 5], Corelli Violin sonata in G minor Op 5 No 5 v. Giga (variation by McGibbon) (from McGibbon Manuscript 70, ) [1213; 7655]
- Variations on the Giga of Corelli's 5th Solo. By Mr McLean, Corelli Violin sonata in G minor Op 5 No 5. v Giga (variations by McLean) (from McGibbon Manuscript 135, p. 77) [1111; 7655]
- Allegro, Corelli Violin Sonata in G minor op 5 no 5 v. Giga (from James Knox Manuscript 153, f. 39) [1111; 7655]
- Variations on the Giga Allegro by Mr Johnston of Dublin, Corelli Violin Sonata in G minor op 5 no 5 v. Giga, with variations by Johnston (from James Knox Manuscript 155, f. 39v) [1211; 7753]
 Corelli Violin sonata in G minor Op 5 No 5, v. Giga McGibbon Manuscript 38, p. 27 G ♭ ♭ 12/8 12/8 2 no no 1111 7655 1H1H1H1H 7b6b55
Mr McGibbon's Graces to the two Adagios of Corelli's 5th Solo
Solo part of Corelli Violin Sonata in G Minor Op 5 no 5 i. Adagio. Embellished by William McGibbon.

- Solo 5th. Adagio, Corelli Violin sonata in G minor op 5 no 5, i. Adagio (from McGibbon Manuscript 34, p. 25) [1070; 5060]
- Sonata V Opera 5 Adagio, Corelli Violin Sonata in G minor op 5 no 5 i. Adagio (from James Knox Manuscript 148, f. 38) [1070; 5060]
 Corelli Violin sonata in G minor Op 5 No 5. i. Adagio (embellished by McGibbon) McGibbon Manuscript 133, p. 76 G ♭ ♭ C C 2 no no 1070 5060 1H070 506b0
Adagio 2
Solo part of Corelli Violin Sonata in G Minor Op 5 no 5 iii. Adagio. Embellished by William McGibbon

- Adagio, Corelli Violin sonata in G minor op 5 no 5, iii. Adagio (from McGibbon Manuscript 36, p. 26) [000; 733]
- Adagio, Corelli Violin Sonata in G minor op 5 no 5 iii. Adagio (from James Knox Manuscript 151, f. 38v) [000; 733]
 Corelli Violin sonata in G minor Op 5 No 5. iii. Adagio (embellished by McGibbon) McGibbon Manuscript 134, p. 76 G ♭ ♭ 3/4 3/4 no no 000 733 000 7bL3b3b
Variations on the Giga of Corelli's 5th Solo. By Mr McLean
Solo part of Corelli Violin Sonata in G Minor Op 5 no 5 v. Giga. Variation by Charles McLean.

- Giga di Corelli, Correli Violin Sonata in G Minor Op 5 no 5, v. Giga (from Robert Kelsall Manuscript 406, f. 78) [1111; 7655]
- [Giga], Corelli Violin Sonata in G minor op 5 no 5, v. Giga (from Cameron Manuscript 278, p. 67) [1111; 7655]
- Giga, Corelli Violin sonata in G minor Op 5 No 5, v. Giga (from McGibbon Manuscript 38, p. 27) [1111; 7655]
- Mr McGibbons Variations upon the Giga in Corelli's 5th Solo, Corelli Violin sonata in G minor Op 5 No 5 v. Giga (variation by McGibbon) (from McGibbon Manuscript 69, p. 44) [1713; 7653]
- [McGibbon's variations on Corelli's Giga op 5 no 5], Corelli Violin sonata in G minor Op 5 No 5 v. Giga (variation by McGibbon) (from McGibbon Manuscript 70, ) [1213; 7655]
- Allegro, Corelli Violin Sonata in G minor op 5 no 5 v. Giga (from James Knox Manuscript 153, f. 39) [1111; 7655]
- Variations on the Giga Allegro by Mr Johnston of Dublin, Corelli Violin Sonata in G minor op 5 no 5 v. Giga, with variations by Johnston (from James Knox Manuscript 155, f. 39v) [1211; 7753]
 Corelli Violin sonata in G minor Op 5 No 5. v Giga (variations by McLean) McGibbon Manuscript 135, p. 77 G ♭ ♭ 12/8 12/8 2 yes no 1111 7655 1H1H1H1H 7b6b55
Solo 5th. Adagio
Violin part to Arcangelo Corelli Violin sonata Op 5 No 5. i. Adagio. "Corelli’s 5th 6th 7th 8th 9th 10th & 11th Solo’s" written at top of page

- Mr McGibbon's Graces to the two Adagios of Corelli's 5th Solo, Corelli Violin sonata in G minor Op 5 No 5. i. Adagio (embellished by McGibbon) (from McGibbon Manuscript 133, p. 76) [1070; 5060]
- Sonata V Opera 5 Adagio, Corelli Violin Sonata in G minor op 5 no 5 i. Adagio (from James Knox Manuscript 148, f. 38) [1070; 5060]
 Corelli Violin sonata in G minor op 5 no 5, i. Adagio McGibbon Manuscript 34, p. 25 G ♭ ♭ C C 2 no no 1070 5060 1H070 506b0
Adagio
Violin part to Arcangelo Corelli Violin Sonata Op 5 No 5. iii. Adagio.

- Adagio 2, Corelli Violin sonata in G minor Op 5 No 5. iii. Adagio (embellished by McGibbon) (from McGibbon Manuscript 134, p. 76) [000; 733]
- Adagio, Corelli Violin Sonata in G minor op 5 no 5 iii. Adagio (from James Knox Manuscript 151, f. 38v) [000; 733]
 Corelli Violin sonata in G minor op 5 no 5, iii. Adagio McGibbon Manuscript 36, p. 26 G ♭ ♭ 3/4 3/4 no no 000 733 000 7bL3b3b
Cow'd I ha'e claw'd her
1 strain tune + 4 variations.

- Cutie Clather, Cuddie Clauder (from Bowie Manuscript 36, f. 21v) [3552; 3553]
- Caddie Clauder, Cuddie Clauder (from Robert Kelsall Manuscript 591, f. 122) [3552; 3553]
 Cuddie Clauder McGibbon Manuscript 115, p. 69 G 6/8 6/8 5 yes no 3552 3553 3552 3553
Drummond Castle

- Drummond Castle, Drummond Castle (from Drummond Castle Manuscript 1 20, ) [1177; 3524]
 Drummond Castle McGibbon Manuscript 184, p. 92 A 6/8 6/8 2 no no 1117 3524 11H1H7b 3b524
The drunken Sailor

- Drunken Sailor, Drunken Sailor (from MacFarlane Manuscript 2 160, p. 216) [321; 472]
- Drunken Sailor, Drunken Sailor (from MacFarlane Manuscript 2 160, p. 216) [321; 472]
 Drunken Sailor McGibbon Manuscript 111, p. 67 D 3/2 3/2 4 yes no 321 472 3b21 47bL2
Duncan Gray
Duncan Gray McGibbon Manuscript 178, p. 91 D ♯♯ ♯♯ ₵ ₵ 2 no no 5721 1231 572H1 1H2H3H1H
Fie na Trolly John
Fie na Trolly John McGibbon Manuscript 132, p. 75 G ♯ ♯ ₵ ₵ 2 no no 3111 3551 3111 3551H
Gallow sheils
2 strain tune + 2 variations.

- Gallasheills, Galashiels (from Gairdyn Manuscript 409, f. 58) [; ]
- Gallowshiels, Galashiels (from MacFarlane Manuscript 3 255, p. 226) [3331; 5222]
 Galashiels McGibbon Manuscript 114, p. 68 G ♯ ♯ C C 6 yes no 1533 5222 1533 5222
Gavott
Gavotte McGibbon Manuscript 137, p. 77 G ♭ ♭ ₵ ₵ 2 no no 1177 5554 1H1H7b7b 5554
Good Night & c.
1 strain tune + 4 variations. Strain 2 looks like an accompaniment, suggesting this was originally for treble and bass.

- good night & god be with yow, Good Night and Joy Be With You (from Guthrie Manuscript 61, p. 310) [1655; 6666]
- Good night and God be with you, Good Night and Joy Be With You (from Thomson Manuscript 38, p. 28) [1155; 6666]
- Good Night, Good Night and Joy Be With You (from Sinkler Manuscript 30, f. 63) [1155; 6666]
 Good Night and Joy Be With You McGibbon Manuscript 207, p. 102 C ₵ ₵ 5 yes no 3166 3331 3H1H66H 3H3H3H1H
Gray Jock

- Gray Joack, Gray Jock (from MacFarlane Manuscript 2 233, p. 277) [1375; 3627]
 Gray Jock McGibbon Manuscript 153, p. 83 D ♭ ♭ 6/8 6/8 2 no no 1375 3627 1H3bH7b5 3b6b27L
Green grow the Rushes
Variations: 2 strain tune + 1 variation.

- Green grows the Rushes, Green Grow the Rashes (from Panmure Violin Manuscript 1 75, f. 38) [1113; 5333]
- Green grows the rashes, Green Grow the Rashes (from Guthrie Manuscript 6, p. 294) [1111; 5311]
- Green grows the Rashes, Green Grow the Rashes (from George Skene Manuscript 16, f. 4v) [1113; 3433]
- another way of Green grows the Rashes, Green Grow the Rashes (from George Skene Manuscript 20, f. 6v) [3573; 4614]
- Green grow the Rashes, Green Grow the Rashes (from MacFarlane Manuscript 3 228, p. 204) [6651; 1211]
 Green Grow the Rashes McGibbon Manuscript 1, p. 1 A ♯♯♯ ♯♯♯ C C 4 yes no 6651 1211 6L6L5L1 1211
Hornpipe
2 strain tune + 1 variation.
Hornpipe McGibbon Manuscript 112, p. 67 D ♯♯ ♯♯ 3/2 3/2 4 yes no 313 222 3H1H3H 22H2H
I love my Love in Secret by Mr McLean
Variation by Charles McLean. 2 strain tune + 2 variations.

- I Love my Love in secret, I Love My Love in Secret (from Guthrie Manuscript 39, p. 303) [3155; 6225]
- I Love my Love in secret, I Love My Love in Secret (from Guthrie Manuscript 52, p. 306) [3155; 5555]
- I Love my Love in secret, I Love My Love In Secret (from Bowie Manuscript 52, f. 33v) [3111; 6223]
- I Love my Love in Secret, I Love my Love in Secret (from Gairdyn Manuscript 4, f. 1v) [3215; 6226]
- I Love my Love in Secret, I Love My Love In Secret (from Thomson Manuscript 3, p. 2) [3215; 5226]
- I Love My Love In Secret , I Love My Love In Secret (from Agnes Hume Manuscript 16, f. 5v) [3111; 6226]
- I love my Love in Secret, I Love My Love in Secret (from MacFarlane Manuscript 2 155, p. 210) [3211; 6226]
- I Love my Love in Secret, I Love my Love in Secret (from McGibbon Manuscript 156, p. 84) [3211; 6226]
- I love my love in secret, I Love My Love in Secret (from James Knox Manuscript 109, f. 29v) [3211; 6225]
 I Love My Love In Secret McGibbon Manuscript 3, p. 2 B♭ ♭♭ ♭♭ ₵ ₵ 6 yes no 3211 6226 3211 6L226
I Love my Love in Secret
Long set of variations.

- I Love my Love in secret, I Love My Love in Secret (from Guthrie Manuscript 39, p. 303) [3155; 6225]
- I Love my Love in secret, I Love My Love in Secret (from Guthrie Manuscript 52, p. 306) [3155; 5555]
- I Love my Love in secret, I Love My Love In Secret (from Bowie Manuscript 52, f. 33v) [3111; 6223]
- I Love my Love in Secret, I Love my Love in Secret (from Gairdyn Manuscript 4, f. 1v) [3215; 6226]
- I Love my Love in Secret, I Love My Love In Secret (from Thomson Manuscript 3, p. 2) [3215; 5226]
- I Love My Love In Secret , I Love My Love In Secret (from Agnes Hume Manuscript 16, f. 5v) [3111; 6226]
- I love my Love in Secret, I Love My Love in Secret (from MacFarlane Manuscript 2 155, p. 210) [3211; 6226]
- I love my Love in Secret by Mr McLean, I Love My Love In Secret (from McGibbon Manuscript 3, p. 2) [3211; 6226]
- I love my love in secret, I Love My Love in Secret (from James Knox Manuscript 109, f. 29v) [3211; 6225]
 I Love my Love in Secret McGibbon Manuscript 156, p. 84 B♭ ♭♭ ♭♭ C C 11 yes no 3211 6226 3211 6L226
I wish my Love were in a Mire
Set of variations with large Italianate flourishes. 2 strain tune + variations. Last is a 6/8 jig.

- I wish My Love wer in a mire, I Wish My Love Were in a Mire (from Gairdyn Manuscript 293, f. 40) [; ]
- I wish my love were in a mire, I Wish My Love Were in a Mire (from Gairdyn Manuscript 344, f. 47) [None; None]
- I wish my love were in a mire, I Wish My Love Were in a Mire (from MacFarlane Manuscript 2 53, p. 108) [1111; 2265]
 I Wish My Love Were in a Mire McGibbon Manuscript 204, p. 100 D ♯♯ ♯♯ C C 6 yes no 1111 2261 1H1H1H1H 2261
I'll never leave thee

- I’ll ne’er leave Thee, I'll Never Leave Thee (from Young-Bodleian 23, f. 27) [1334; 1346]
- I’ll ne’er leave him, I'll Never Leave Thee (from MacFarlane Manuscript 2 183, p. 232) [1334; 1346]
 I'll Never Leave Thee McGibbon Manuscript 174, p. 90 D ♯♯ ♯♯ ₵ ₵ 1 no no 1334 1346 1H3H3H4H 1H3H4H6
I'll never rue I lov'd thee
2 strain tune + 2 &1/2 variations. Last variation follows 2nd strain.
I'll Never Rue I Loved Thee McGibbon Manuscript 90, p. 58 F ♭ ♭ ₵ ₵ 7 yes no 1511 5265 15L11 526L5L
If you winna' tak’ me, you may let me be
This is not same as two tunes named "If you will not have me, you may let me go" (William Vickers MS; Foulis edition of The Gentle Shepherd).
If You Winna Tak Me, You May Let Me Be McGibbon Manuscript 46, p. 31 G ♯ ♯ 9/8 9/8 1 no no 123 121 123 121
In her Cape She wore a feather

- In her Cape she wore a feather, In Her Cap She Wore a Feather (from MacFarlane Manuscript 2 250, p. 288) [1111; 1132]
 In Her Cap She Wore a Feather McGibbon Manuscript 150, p. 82 F ♭ ♭ ₵ ₵ 2 no no 1111 1132 111H1H 1132
Irish Air

- Irish Air, Irish Air (from MacFarlane Manuscript 3 127, p. 93) [511; 317]
 Irish Air McGibbon Manuscript 97, p. 61 D ♭ ♭ 3/4 3/4 2 no no 511 317 51H1H 3bH1H7b
Jack on the Green

- Jack a Green, Jack on the Green (from Robert Kelsall Manuscript 34, f. 9) [722; 723]
- Jack on the Green, Jack on the Green (from Young-Bodleian 36, f. 40) [712; 523]
- Blackmoor's Hornpipe, Blackmoor's Hornpipe (from McGibbon Manuscript 110, p. 66) [722; 713]
 Jack on the Green
Title (alternative): Blackmoor's Hornpipe		 McGibbon Manuscript 125, p. 71 D ♯♯ ♯♯ 9/8 9/8 6 yes no 212 523 212 523
Jackie Faw
Jackie Faw McGibbon Manuscript 157, p. 85 D ♯♯ ♯♯ C C 2 no no 1144
Alt. index 1: 5511 (Alt index given as if key note is D)		 2255
Alt. index 2: 6622 (Alt index given as if key note is D)		 1144
Alt. index 1: 551H1H (Alt index given as if key note is D)		 2255
Alt. index 2: 662H2H (Alt index given as if key note is D)
Johnny cock up your Beaver
1 strain tune + 8 variations. This variation set first printed in Playford's Division Violin (1684)

- Jockey cock the beaver. Horse to new market, Johnny Cock Thy Beaver (from Robert Kelsall Manuscript 292, f. 51) [5324; 5313]
- New market or Jockey Cock thy Bever, Johnny Cock Thy Beaver (from Robert Kelsall Manuscript 433, f. 82) [5324; 5313]
- Johny cock up your Beaver, Johnny Cock Thy Beaver (from MacFarlane Manuscript 3 55, p. 42) [5324; 5313]
 Johnny Cock Thy Beaver
Title (alternative): Horse to New Market		 McGibbon Manuscript 191, p. 94 F ♭ ♭ 6/8 6/8 9 yes no 5324 5313 5324 5313
The Lads of Air
Reel tune

- The Lads of Air, Lads of Ayr (from Young-Bodleian 25, f. 29) [3111; 3733]
- [Lads of Air], Lads of Ayr (from MacFarlane Manuscript 3 23, p. 13) [; ]
 Lads of Ayr McGibbon Manuscript 91, p. 59 C ₵ ₵ 2 no no 3111 3733 3H1H1H1H 3H73H3H
Lady Fannie Weemyss
Minuet tune
Lady Fanny Wemyss McGibbon Manuscript 159, p. 86 G ♯ ♯ 3/4 3/4 2 no no 177 175 1H77 1H75
Lady Grace Montgomery
Minuet tune
Lady Grace Montgomery McGibbon Manuscript 158, p. 86 D ♯♯ ♯♯ 3/4 3/4 2 no no 117 132 1H1H7 1H3H2H
Lady Jean Gordon
Minuet tune.
Lady Jean Gordon McGibbon Manuscript 172, p. 89 D ♯♯ ♯♯ 3/4 3/4 2 no no 312 312 3H1H2H 3H1H2H
Lady Margaret Boyle
Minuet tune.
Lady Margaret Boyle McGibbon Manuscript 155, p. 83 F ♭ ♭ 3/4 3/4 2 no no 131 555 1H3H1H 555
Lady Mary Murray
Minuet tune
Lady Mary Murray McGibbon Manuscript 169, p. 88 F ♭ ♭ 3/4 3/4 2 no no 157 157 157 157
Lamotte's No. 23
Minuet, presumably by the Edinburgh dancing master Pierre de Lamotte.
Lamotte's No. 23 McGibbon Manuscript 171, p. 89 G ♯ ♯ 3/4 3/4 2 no no 111 175 11H1H 1H75
Leslie's March
1 strain tune + 3 variations.

- Lashly march, Leslie's March (from Robert Kelsall Manuscript 167, f. 27) [1116; 1512]
- The Earl of marr’s March, The Earl of Marr’s March (from Robert Kelsall Manuscript 190, f. 29v) [1115; 1542]
 Leslie's March
Title (alternative): The Earl of Marr’s March		 McGibbon Manuscript 127, p. 72 D ♯♯ ♯♯ 6/8 6/8 4 yes no 1115 1542 1H1H1H5 1H542
Lochaber

- King James March, King James’s March (from Sinkler Manuscript 21, f. 65) [5322; 3511]
- Limerick's Lament, Limerick's Lament (from George Skene Manuscript 17, f. 5v) [333; 333]
- Menwett 122 Lochaber, Lochaber (from Cameron Manuscript 122, p. 25) [133; 331]
- Lochaber no more, Lochaber (from James Knox Manuscript 112, f. 30) [333; 333]
 Lochaber
Title (alternative): Limerick's Lament; King James's March		 McGibbon Manuscript 85, p. 55 G ♯ ♯ 3/4 3/4 2 no no 133 333 133 333
Lord Aberdour
Minuet tune.
Lord Aberdour McGibbon Manuscript 75, p. 47 D ♯♯ ♯♯ 3/4 3/4 2 no no 613 413 61H3 413
Lord John Drummond
Minuet tune
Lord John Drummond McGibbon Manuscript 161, p. 86 G ♯ ♯ 3/4 3/4 2 no no 111 133 111 133
Lord Robert Kerr
Minuet tune.
Lord Robert Kerr McGibbon Manuscript 63, p. 41 D ♯♯ ♯♯ 3/4 3/4 2 no no 517 113 5H1H7 1H13
Love for ever

- Love for ever, Love Forever (from MacFarlane Manuscript 2 246, p. 286) [5132; 6261]
 Love Forever McGibbon Manuscript 148, p. 82 G ♯ ♯ 6/8 6/8 2 no no 5132 6261 5L132 626L1
Love is the Cause of my mourning

- Love is the Caues of My mornen, Love is the Cause of my Mourning (from Bowie Manuscript 7, f. 6v) [1313; 4312]
- Love is the cause of my Mourning, Love is the Cause of My Mourning (from Gairdyn Manuscript 385, f. 53v) [; ]
- Love is the caus of my mourning , Love is the Cause of My Mourning  (from Leyden Lyra-viol and Violin Manuscript 3, f. 50v) [133; 331]
- Love is the Cause of my mourning, Love is the Cause of My Mourning (from MacFarlane Manuscript 2 129, p. 189) [133; 333]
- Love is the Cause of my mourning, Love is the Cause of my Mourning (from MacFarlane Manuscript 3 237, p. 213) [133; 333]
 Love is the Cause of my mourning McGibbon Manuscript 113, p. 67 F ♭ ♭ 3/4 3/4 2 no no 133 333 133 333
Lumps of Pudding
Long set of variations. 1 strain tune + 8 variations.

- Lumps of Puddings, Lumps of Puddings (from Gairdyn Manuscript 39, f. 4v) [3151; -]
- Sweet pudding, Sweet Pudding (from Sinkler Manuscript 27, f. 63v) [3151; 2747]
- Lumps of Pudding, Lumps of Pudding (from Robert Kelsall Manuscript 166, f. 27) [3351; 2247]
 Lumps of Pudding McGibbon Manuscript 61, p. 40 G ♭ ♭ 6/8 6/8 9 yes no 1151 2747 1151 27bL47bL
Madam Violante’s Minuet, by Mr McGibbon wt Variations
Minuet by William McGibbon, named after the dancer and dancing teacher Madam Violante, resident in Edinburgh in the 1730s. Concordances (other): Bremner Minuets. The opening theme is four strains long, going to G minor in strain 3. Two variations follow.

- Madam Violanti's minuet by Mr McGibbon, Madam Violante’s Minuet by McGibbon (from Gairdyn Manuscript 405, f. 56v) [356; 334]
- Ditto by Mr McLean, Madam Violante’s Minuet by McLean (from Gairdyn Manuscript 406, f. 57) [354; 321]
 Madam Violante’s Minuet McGibbon Manuscript 44, p. 30 G ♯ ♯ 3/4 3/4 12 yes no 356 771 356 7L7L1
Miss Lauder
1 strain tune + 3 variations.

- Maggy Lauder, Maggie Lauder (from Robert Kelsall Manuscript 97, f. 17) [1111; 2272]
- Maggie Lauder. Disb., Maggie Lauder (from MacFarlane Manuscript 2 45, p. 90) [1111; 2272]
- Maggie Lauder, Maggie Lauder (from MacFarlane Manuscript 3 73, p. 58) [1531; 2472]
 Maggie Lauder McGibbon Manuscript 76, p. 48 G ♯ ♯ ₵ ₵ 4 yes no 1531 2472 15L31L 247L2
Marquis of Graham
Reel tune.
Marquis of Graham McGibbon Manuscript 177, p. 90 C ₵ ₵ 2 no no 3551 1322 3551H 1H3H2H2
Marquis of Tweeddale
Minuet tune

- Marquis of Tweed dale, Marquis of Tweeddale (from MacFarlane Manuscript 2 79, p. 128) [132; 116]
 Marquis of Tweeddale McGibbon Manuscript 163, p. 87 D ♯♯ ♯♯ 3/4 3/4 2 no no 132 115 1H3H2H 1H1H5H
Matrimony
This variation set also appears in the MacFarlane MS vol 3 (also in David Young's hand) as "Marriage and Money". It was later known as "The Dandling o' the Bairns", this is likely a border air, here presented as a long variation set, but without double barlines. Difficult to pull out specific strains. Clearly there is a four-bar recurring phrase, but unlike the later Riddell setting the structure here is far more fluid. Nevertheless, there are large passages in the variations concordant with Riddell's setting. It is likely that this version is intended for scordatura tuning of ADAE. Concordances (other): "The Dandling o' the Bairns", Robert Riddell, A Collection of Scotch, Galwegian and Border Tunes (1794), p. 8.

- Dunnigalls Rant, Donegal’s Rant (from Sinkler Manuscript 43, f. 61) [5211; 1213]
- Marriage and Money, Marriage and Money (from MacFarlane Manuscript 3 68, p. 54) [5211; 1213]
 Matrimony
Title (alternative): Marriage and Money; The Dandling O' The Bairns; Donegal's Rant		 McGibbon Manuscript 4, p. 3 D ♯♯ ♯♯ 3/8 3/8 yes no 553
Alt. index 1: 5211 (Alt index given as if ts is 6/8)		 262
Alt. index 2: 1213 (Alt index given as if ts is 6/8)		 553
Alt. index 1: 5211 (Alt index given as if ts is 6/8)		 26L2
Alt. index 2: 1213 (Alt index given as if ts is 6/8)
Solo by Mr McGibbon. Presto
Violin part to William McGibbon, Violin Sonata in A Major i. Presto; Adagio; [Presto]. This movement is in multiple sections, opening Presto 3/4; with a central section in Adagio C, and finally returning to the opening prelude style in 3/4 [Presto]. NB this sonata is not known elsewhere
McGibbon, Violin Sonata in A Major i. Presto; Adagio McGibbon Manuscript 32, p. 24 A ♯♯♯ ♯♯♯ 3/4 3/4 no no 055 333 055 333
Allegro
Violin part to William McGibbon, Sonata in A major ii. Allegro. NB this sonata is not known elsewhere
McGibbon, Violin Sonata in A major ii. Allegro McGibbon Manuscript 33, p. 24 A ♯♯♯ ♯♯♯ ₵ ₵ 2 no no 5170 5320 517L0 5320
The Miller of Dron

- The Miller of Drone, Miller of Dron (from Young-Bodleian 21, f. 25) [1555; 4327]
- Miller of Dron, Miller of Dron (from MacFarlane Manuscript 2 230, p. 275) [1555; 4327]
 Miller of Dron McGibbon Manuscript 187, p. 93 F ♭ ♭ 6/8 6/8 2 no no 1555 4327 1555 4327L
Minuet
Minuet McGibbon Manuscript 18, p. 15 C ♭♭♭ ♭♭♭ 3/4 3/4 2 no no 117 112 117 112
Minuet
Similarities with "Miss Ogilvy's Minuet", MacFarlane 2, no. 55, p. 111.
Minuet McGibbon Manuscript 19, p. 15 G ♯ ♯ 3/4 3/4 2 no no 113 557 113 557
Minuet
Minuet McGibbon Manuscript 24, p. 19 D ♯♯ ♯♯ 3/4 3/4 2 no no 135 115 135 1H1H5
Minuet
Minuet McGibbon Manuscript 28, p. 21 A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 536 511 536 51H1H
Minuet
Minuet McGibbon Manuscript 29, p. 21 A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 111 112 111L 112
Minuet
Minuet McGibbon Manuscript 43, p. 29 G ♯ ♯ 3/4 3/4 2 no no 135 131 135 1H31H
Minuet
Minuet McGibbon Manuscript 47, p. 31 G ♯ ♯ 3/4 3/4 2 no no 131 154 1H3H1H 1H54
Minuet
Minuet McGibbon Manuscript 48, p. 31 G ♯ ♯ 3/4 3/4 2 no no 331 113 331 113
Minuet
Minuet McGibbon Manuscript 59, p. 37 D ♯♯ ♯♯ 3/4 3/4 2 no no 137 154 1H3H7 1H5H4H
Minuet
Minuet McGibbon Manuscript 80, p. 51 G ♭♭ ♭♭ 3/4 3/4 2 no no 131 113 13b1 1H13bH
Minuet
Minuet McGibbon Manuscript 81, p. 51 G ♭♭ ♭♭ 3/4 3/4 2 no no 113 553 1H13b 553b
Minuet
2 strain tune + 2 variations.
Minuet McGibbon Manuscript 87, p. 57 D ♯♯ ♯♯ 3/4 3/4 6 yes no 311 172 31H1H 1H72H
Minuet
Minuet McGibbon Manuscript 104, p. 63 G ♯ ♯ 3/4 3/4 2 no no 113 555 113 555
Minuet
Strains 3-4 are in G Minor (ks ♭♭)
Minuet McGibbon Manuscript 124, p. 71 G ♯ ♯ 3/4 3/4 4 no no 111 161 111 16L1
Minuet
Minuet McGibbon Manuscript 131, p. 75 B♭ ♭♭ ♭♭ 3/4 3/4 2 no no 172 344 1L72L 3L44L
Minuet
Possibly the wrong key signature. D Major would make more sense.
Minuet McGibbon Manuscript 154, p. 83 D ♭ ♭ 3/4 3/4 2 no no 151 775 151H 7b7b5
[untitled]
Minuet tune.
Minuet McGibbon Manuscript 203, p. 99 D ♯♯ ♯♯ 3/8 3/8 2 no no 135 111 135 111
Minuet by Mr Handel

- A minuet by Lully, Minuet by Lully (from Robert Kelsall Manuscript 240, f. 42) [517; 112]
- Menwett 121 Handel's, Minuet by Handel (from Cameron Manuscript 121, p. 25) [517; 112]
 Minuet by Handel McGibbon Manuscript 200, p. 98 A 3/4 3/4 2 no no 517 112 51H7 1H12
Minuet by Mr. McGibbon
Minuet by William McGibbon. Excerpt only - 9 bars long.
Minuet by McGibbon McGibbon Manuscript 45, p. 31 G ♯ ♯ 3/4 3/4 1 no no 133 555 133 555
Minuet by Mr McGibbon
2 strain tune + 2 variations. Concordances (other): Bremner Minuets.

- Minuet by McGibbon, Minuet by McGibbon (from MacFarlane Manuscript 3 125, p. 92) [117; 115]
 Minuet by McGibbon McGibbon Manuscript 67, p. 43 A ♯♯♯ ♯♯♯ 3/8 3/8 6 yes no 117 115 11H7 1H1H5
Minuet by Mr McGibbon
Minuet by William McGibbon. Otherwise unknown.
Minuet by McGibbon McGibbon Manuscript 71, p. 45 A ♯♯♯ ♯♯♯ 3/8 3/8 2 no no 122 321 122 321
Minuet by Mr McGibbon
Minuet by William McGibbon. In 4 sections, strains 3-4 in F Minor.
Minuet by McGibbon McGibbon Manuscript 141, p. 79 F ♭ ♭ 3/4 3/4 4 no no 311 257 3H1H1H 2H57
Minuet by Mr McLean
Minuet by Charles McLean.
Minuet by McLean McGibbon Manuscript 92, p. 59 E♭ ♭♭♭ ♭♭♭ 3/4 3/4 2 no no 517 175 51H7 1H75
Minuet by Mr McLean
Minuet by Charles McLean.
Minuet by McLean McGibbon Manuscript 142, p. 79 A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 154 313 1H54 313
Miss Campbell
Minuet tune.
Miss Campbell McGibbon Manuscript 121, p. 70 C 3/4 3/4 2 no no 112 345 1H1H2H 3H4H5H
Miss Campbell
Minuet tune
Miss Campbell McGibbon Manuscript 168, p. 88 F ♭ ♭ 3/4 3/4 2 no no 354 321 354 321
Miss Cochran
Minuet tune. Different to both the "Miss Cochran's Minuet" in MacFarlane MS 2, and tune of the same name in Knox, f. 14v.
Miss Cochran's Minuet McGibbon Manuscript 120, p. 70 D ♯♯ ♯♯ 3/4 3/4 2 no no 153 135 1H53 135
Miss Cunningham
Minuet tune.
Miss Cunningham McGibbon Manuscript 117, p. 70 F ♭ ♭ 3/4 3/4 2 no no 516 543 516 543
Miss Douglas
Minuet tune.
Miss Douglas McGibbon Manuscript 195, p. 95 G ♯ ♯ 3/4 3/4 2 no no 112 322 1H1H2H 3H2H2H
Miss Duff
Minuet tune
Miss Duff McGibbon Manuscript 165, p. 87 F ♭ ♭ 3/4 3/4 2 no no 113 272 11H3H 2H7L2H
Miss Elliot
Minuet tune
Miss Elliot McGibbon Manuscript 170, p. 89 E ♯ ♯ 3/4 3/4 2 no no 131 665 13b1 6b6b5
Miss Erskine
Minuet tune
Miss Erskine McGibbon Manuscript 166, p. 88 G ♯ ♯ 3/4 3/4 2 no no 112 776 1H1H2H 7L7L6L
Miss Forbes
Minuet tune
Miss Forbes McGibbon Manuscript 164, p. 87 A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 135 221 135 221
Miss Grant
Minuet tune.
Miss Grant McGibbon Manuscript 119, p. 70 C 3/4 3/4 2 no no 511 544 51H1H 544
Miss Jenny Ferguson
Minuet tune.
Miss Jenny Ferguson McGibbon Manuscript 122, p. 70 A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 113 114 113 114
Miss Katy Hall's Reel
Miss Katy Hall's Reel McGibbon Manuscript 88, p. 57 D ♯♯ ♯♯ 6/8 6/8 2 no no 1555 1524 1H555 1H524
Miss Murray
Minuet tune.
Miss Murray McGibbon Manuscript 194, p. 95 G ♯ ♯ 3/4 3/4 2 no no 534 555 534 555
Miss Nisbet
Minuet tune. Four separate sections, rather than variations.
Miss Nisbet McGibbon Manuscript 116, p. 69 B♭ ♭♭ ♭♭ 3/4 3/4 4 no no 133 211 1L33 211
Miss Russel
Minuet tune.
Miss Russel McGibbon Manuscript 118, p. 70 B♭ ♭♭ ♭♭ 3/4 3/4 2 no no 111 216 11L1 216L
Miss Saunders
Minuet tune.

- Miss Saunders, Miss Saunders (from MacFarlane Manuscript 3 72, p. 57) [117; 175]
 Miss Saunders McGibbon Manuscript 205, p. 100 A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 117 175 11H7 1H75
Miss Scot
Minuet tune
Miss Scott McGibbon Manuscript 160, p. 86 C 3/4 3/4 2 no no 122 315 1H2H2H 3H1H5
Miss Urquhart
Minuet tune
Miss Urquhart McGibbon Manuscript 167, p. 88 B♭ ♭♭ ♭♭ 3/4 3/4 2 no no 153 322 15L3 322
Mr Jenkins's Hornpipe
Set of variations on a hornpipe. In scordatura - tuning of AEAE given at end of tune.
Mr Jenkins's Hornpipe McGibbon Manuscript 144, p. 80 A ♯♯♯ ♯♯♯ 3/2 3/2 5 yes no 554 726 5L54 7L26L
Mr Peter Murray
Minuet tune
Mr Peter Murray McGibbon Manuscript 162, p. 87 G ♯ ♯ 3/4 3/4 2 no no 115 354 1H1H5 354
Mumping Nelly
Reel tune. 2 strain tune + 1 variation.

- Mumping Nelly, Mumping Nelly (from Young-Bodleian 17, f. 21) [1131; 1127]
- Mumping Nelly, Mumping Nelly (from MacFarlane Manuscript 2 127, p. 188) [1131; 1127]
 Mumping Nelly McGibbon Manuscript 173, p. 89 G ♯ ♯ ₵ ₵ 4 yes no 1131 1127 1H131 1H127bL
My Nanny-o
2 strain tune + 2 variations. Final two strains are a 6/8 jig.

- my Nanny O, My Nanny O (from George Skene Manuscript 43, f. 16v) [5554; 3117]
- My Nanny-o. Disb., My Nanny O (from MacFarlane Manuscript 2 108, p. 150) [3155; 3217]
 My Nanny O McGibbon Manuscript 201, p. 98 D ♭ ♭ C C 6 yes no 3155 3217 3b155 3b217bL
My Wife has ta'en the Gee
1 strain tune + 2 variations. "BD" is written above the fourth stave. Looks like initials.
My Wife Has Taken the Gee McGibbon Manuscript 126, p. 72 A ₵ ₵ 3 yes no 3151 5344 3b151 5L3bL44
No Charms above her
Marked "Slow". This was an English broadside ballad tune known as "I often for my Jenny Strove" (see Simpson p. 347-47). Concordances (other): "I often for my Jenny Strove", Playford Dancing Master & Apollo's Banquet 6.

- I often for my Jenny Strove, I often for my Jenny Strove (from Robert Kelsall Manuscript 173, f. 27v) [5225; 6367]
- No Charms above her, No Charms Above Her (from MacFarlane Manuscript 2 114, p. 169) [5226; 6267]
 No Charms Above Her
Title (alternative): I often for my Jenny Strove		 McGibbon Manuscript 25, p. 19 G ♯ ♯ 6/8 6/8 2 no no 5226 6752 5226L 6752
O'er the Muir to Maggie
1 strain tune + 8 variations. Concordances (other): "O’er the moor to Maggy", Neal CST p. 12 (close concordance with st1-4).

- over the moor to magie, O'er the Moor to Maggie (from Bowie Manuscript 50, f. 32v) [5113; 2227]
- ore the muir to Maggie, O'er the Moor to Maggie (from Sinkler Manuscript 38, f. 62) [5122; 5155]
- O’er the muir to Maggie, O’er the Moor to Maggie (from Cuming Manuscript 26, p. 31) [5122; 5155]
- Over ye muir to Maggie, O'er the Moor to Maggie (from Robert Kelsall Manuscript 247, f. 43) [5311; 2221]
 O'er the Moor to Maggie McGibbon Manuscript 94, p. 60 G ♯ ♯ ₵ ₵ 9 yes no 5122 5155 51H22H 51H55
Old Age and young
Hornpipe tune + variations. Da Capo at end. "Shire of Air" is a 9/8 version of this tune.

- Old Age and Young, Old Age and Young (from Drummond Castle Manuscript 1 40) [135; 272]
- The Shire of Air, Shire of Ayr (from Young-Bodleian 35, f. 39) [1352; 272]
- Old Age and young, Old Age and Young (from MacFarlane Manuscript 2 232, p. 276) [135; 275]
 Old Age and Young
Title (alternative): Shire of Air		 McGibbon Manuscript 181, p. 91 G ♭ ♭ 3/2 3/2 6 yes no 135 272 13b5 27bL2
Pinkie House by Mr McLean
Variation sonata on Pinkie House by Charles McLean: [Air + variations]; [Minuet]; [Giga].

- Pinkie house, Pinkie House (from Gairdyn Manuscript 400, f. 55) [; ]
- Pinkie house. MacLean., Pinkie House (from MacFarlane Manuscript 2 110, p. 154) [3332; 5551]
 Pinkie House McGibbon Manuscript 73, p. 46 E♭ ♭♭♭ ♭♭♭ C C 10 yes no 3332 5555 3332 5555
Preludio to Tweedside by A. Monro
The first movement from Alexander Munro's variations on Tweedside. Concordances (other): Munro, Scots Tunes (1732).

- Down tweedsead, Down Tweed Side (from Gairdyn Manuscript 81, f. 13) [None; None]
- Tweedside, Tweed Side (from Cuming Manuscript 33, p. 48) [156; 113]
- Tweed Side, Tweed Side (from Robert Kelsall Manuscript 246, f. 43) [156; 113]
- Tweed-side, Tweed Side (from Robert Kelsall Manuscript 494, f. 98) [356; 113]
- Tweed Side. MacLean., Tweed Side (from MacFarlane Manuscript 2 209, p. 252) [156; 113]
- Tweedside by Mr McLean, Tweed Side by McLean (from McGibbon Manuscript 83, p. 53) [156; 113]
- Tweed Syde, Tweed Side (from James Knox Manuscript 111, f. 30) [15L6L; 113]
- Tweedsyde, Tweed Side (from James Knox Manuscript 217, f. 56) [156; 113]
 Preludio to Tweed Side McGibbon Manuscript 65, p. 42 A ♯♯♯ ♯♯♯ 6/8 6/8 4 no no 1122 3321 1122 3321
Prince Eugens Minuet

- Menwett 77, Prince Eugene's Minuet (from Cameron Manuscript 77, p. 15) [112; 321]
 Prince Eugene's Minuet McGibbon Manuscript 72, p. 45 C 3/4 3/4 2 no no 112 321 112 321
Robin Adair

- Allin a roon, Eileen a Roon (from Robert Kelsall Manuscript 521, f. 108) [567; 123]
- Allin A Roon, Eileen A Roon (from Robert Kelsall Manuscript 558, f. 114v) [567; 113]
- Allin A Roon, Eileen A Roon (from Robert Kelsall Manuscript 359, f. 115) [567; 113]
- Robin Adair, Robin Adair (from James Knox Manuscript 142, f. 36) [567; 113]
 Robin Adair
Title (alternative): Eileen A Roon		 McGibbon Manuscript 185, p. 92 A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 561 231 5L6L1 213
Saraband
Sarabande McGibbon Manuscript 136, p. 77 G ♭ ♭ 3 3/4 2 no no 331 555 3b3b1 555
Saw ye nae my Peggie
2 strain tune + 3 variations.

- Saw ye my pegie, Saw Ye No My Peggie (from Gairdyn Manuscript 26, f. 3v) [665; 555]
- Saw you my Love Migey Linken over the Lee, Saw Ye No My Peggie (from Thomson Manuscript 7, p. 5) [663; 552]
- Saw ye not my Meggie. divisions 1720, Saw Ye No My Peggie (from Clerk of Penicuik Papers 21, GD18/4538/5/7) [663; 552]
- [Saw Ye No My Peggie], Saw Ye No My Peggie (from Sinkler Manuscript 54, f. 58v) [663; 253]
- Saw ye my Peggy, Saw Ye No My Peggie (from James Knox Manuscript 172, f. 43v) [665; 555]
 Saw Ye No My Peggie McGibbon Manuscript 107, p. 65 F ♭ ♭ 3/2 3/2 8 yes no 665 554 665 554
[untitled]
Scales, showing shifts and higher positions (up to 8th position).
Scales McGibbon Manuscript 31, p. 23 no no
She rose and let me in
Originally a London "Scotch" tune, with words by Thomas D'Urfey.

- She rose and let me in, She Rose and Let Me In (from Gairdyn Manuscript 369, f. 49v) [None; None]
- She rose and let me in, She Rose and Let Me In (from MacFarlane Manuscript 3 80, p. 63) [1551; 7755]
- She rose and let me in, She Rose and Let Me In (from MacFarlane Manuscript 3 234, p. 210) [1551; 7754]
 She Rose and Let Me In McGibbon Manuscript 182, p. 92 G ♭♭ ♭♭ ₵ ₵ 2 yes no 1551 7756 1551H 7b7b56b
Sibell

- Old Cibell A Cibell, Sibell (from Robert Kelsall Manuscript 241, f. 42) [4444; 5543]
 Sibell McGibbon Manuscript 100, p. 62 A ₵ ₵ no no 4444 5543 4444 5543b
Sibell
Sibell McGibbon Manuscript 101, p. 62 C C C no no 3335 1111 3335 111H1H
Sibell
Sibell McGibbon Manuscript 102, p. 63 F ♭ ♭ ₵ ₵ 2 no no 5424 3211 5424 321H1H
Sibell

- Cibel, Sibell (from Robert Kelsall Manuscript 210, f. 34) [6644; 5533]
 Sibell McGibbon Manuscript 103, p. 63 G ♭♭ ♭♭ ₵ ₵ no no 6644 5533 6b6b44 553b3b
Simon Brodie
Set of variations. Irregular amount of bars in each strain: 6; 10; 6; 14; 8; 8; 8.

- Old Simon Brodie, Simon Brodie (from Bowie Manuscript 44, f. 26v) [3133; 2724]
- Simon Brody, Simon Brodie (from Young-Bodleian 29, f. 33) [1342; 1353]
- Simon Brodie, Simon Brodie (from MacFarlane Manuscript 3 65, p. 50) [1522; 3575]
- Milton Brodie, Milton Brodie (from MacFarlane Manuscript 3 145, p. 110) [3133; 2724]
 Simon Brodie McGibbon Manuscript 198, p. 96 E ♯ ♯ ₵ ₵ 7 yes no 1522 3575 1522 3b57b5
Stella darling of the Muses, with McLean’s Variation on it
This is the name of a song set to the aria "Semplicetta Tortona" from the opera Demetrius by Giovanni Battista Pescetti. Here presented with a single variation by Charles McLean. Concordances (other): Pescetti, The Favourite Songs in the Opera Call'd Demetrius (1737); "The Charmer To a Celebrated Air in Demtrius" (words begin "Stella Darling of the Muses"), Calliope or English Harmony, vol 1 (1737), p. 31.

- Stella darling of the Muses, Stella, Darling of the Muses (from MacFarlane Manuscript 2 208, p. 250) [134; 567]
- Stella darling of the Muses, Stella, Darling of the Muses (from McGibbon Manuscript 66, p. 42) [1517; 6543]
 Stella, Darling of the Muses
Title (alternative): Semplicetta Tortona		 McGibbon Manuscript 2, p. 1 G ♯ ♯ 3/8 3/8 6 yes no 134
Alt. index 1: 1517 (Alt index given as if ts is 6/8)		 567
Alt. index 2: 6543 (Alt index given as if ts is 6/8)		 134
Alt. index 1: 151H7 (Alt index given as if ts is 6/8)		 567
Alt. index 2: 6543 (Alt index given as if ts is 6/8)
Stella darling of the Muses
"Minuet" written below first stave. This is the name of a song set to the aria "Semplicetta Tortona" from the opera Demetrius by Giovanni Battista Pescetti. Here presented with a single variation by Charles McLean. Concordances (other): Pescetti, The Favourite Songs in the Opera Call'd Demetrius (1737); "The Charmer To a Celebrated Air in Demtrius" (words begin "Stella Darling of the Muses"), Calliope or English Harmony, vol 1 (1737), p. 31.

- Stella darling of the Muses, Stella, Darling of the Muses (from MacFarlane Manuscript 2 208, p. 250) [134; 567]
- Stella darling of the Muses, with McLean’s Variation on it, Stella, Darling of the Muses (from McGibbon Manuscript 2, p. 1) [134; 567]
 Stella, Darling of the Muses
Title (alternative): Semplicetta Tortona		 McGibbon Manuscript 66, p. 42 G ♯ ♯ 6/8 6/8 3 no no 1517
Alt. index 1: 134 (Alt index given as if ts is 3/8)		 6543
Alt. index 2: 567 (Alt index given as if ts is 3/8)		 151H7
Alt. index 1: 134 (Alt index given as if ts is 3/8)		 6543
Alt. index 2: 567 (Alt index given as if ts is 3/8)
Stirling's No. 1
Minuet tune.
Stirling's No. 1 McGibbon Manuscript 146, p. 81 A ♯♯♯ ♯♯♯ 3/4 3/4 2 no no 115 421 1H1H5 421
Sweet as Sugar Candie
1 strain tune + 2 variations.

- Sugar Candie, Sugarcandy (from Gairdyn Manuscript 183, f. 23) [; ]
- Shes sweet like sugarcandie, Sweet Like Sugar Candie (from Agnes Hume Manuscript 18, f. 10v) [3571; 4472]
- Sweet like Sugar Candie, Sweet Like Sugar Candie (from MacFarlane Manuscript 2 44, p. 88) [3571; 4472]
 Sweet Like Sugar Candie McGibbon Manuscript 128, p. 73 G ₵ ₵ 3 yes no 3571 4472 357b1H 447bL2
Tarry Woo
2 strain tune + 1 variation.
Tarry Woo McGibbon Manuscript 74, p. 47 D ♯♯ ♯♯ ₵ ₵ 4 yes no 1462 1443 146L2 1443
Concerto VIII Tessarini. Allegro
Solo part to Tessarini Violin Concert in B♭ Major i. Allegro (Tes39).
Tessarini Violin Concert in B♭ Major i. Allegro McGibbon Manuscript 21, p. 16 B♭ ♭♭ ♭♭ C C no no 1510 3130 15L1L0 313L0
Largo
Solo part to Tessarini Violin Concert in B♭ Major ii. Largo (Tes39). This movement in G Minor.
Tessarini Violin Concert in B♭ Major ii. Largo McGibbon Manuscript 22, p. 17 G ♭♭ ♭♭ 3/4 3/4 no no 135 775 1H3b5 775H
Allegro
Solo part to Tessarini Violin Concert in B♭ Major iii. Allegro (Tes39).
Tessarini Violin Concert in B♭ Major iii. Allegro McGibbon Manuscript 23, p. 18 B♭ ♭♭ ♭♭ 3/4 3/4 no no 13L1 13L1 13L1 13L1
Concerto 9th Tessarini Allegro
Solo part to Tessarini Violin Concerto in A Minor i. Allegro (Tes36).
Tessarini Violin Concerto in A Minor i. Allegro McGibbon Manuscript 26, p. 20 A C C no no 1115 3112 1115L 3bL1L12
Adagio
Solo part to Tessarini Violin Concerto in A Minor ii. Adagio (Tes36). This movement is in C Major.
Tessarini Violin Concerto in A Minor ii. Adagio McGibbon Manuscript 27, p. 21 C C C no no 5120 2540 5H1H2H0 2H54H0
Allegro
Solo part to Tessarini Violin Concerto in A Minor iii. Allegro (Tes36).
Tessarini Violin Concerto in A Minor iii. Allegro McGibbon Manuscript 30, p. 22 A 2/4 2/4 no no 3213 1230 3b213bL 123b0
Concerto del Sigr Tessarini I. Allegro
Solo part of Tessarini Violin Concert in E Minor, i. Allegro (Tes15)
Tessarini Violin Concerto in E Minor i. Allegro McGibbon Manuscript 6, p. 4 E ♯ ♯ C C no no 5177 2431 51H7b7b 2H4H3bH1H
Largo
Solo part of Tessarini Violin Concerto in E Minor ii.. Largo (Tes 15). This movement is in G major.
Tessarini Violin Concerto in E Minor ii.. Largo McGibbon Manuscript 7, p. 4 G ♯ ♯ 3/4 3/4 no no 115 205 115 205
Allegro
Solo part of Tessarini Violin Concerto in E Minor iii. Allegro (Tes 15).
Tessarini Violin Concerto in E Minor iii. Allegro McGibbon Manuscript 8, p. 5 E ♯ ♯ 2/4 2/4 no no 1531 1231 1H53b1 1H2H3bH1H
Concerto Tessarini II Allegro
Solo part of Tessarini Violin Concerto in F Major i. Allegro (Tes17)
Tessarini Violin Concerto in F Major i. Allegro McGibbon Manuscript 9, p. 6 F ♭ ♭ 2/4 2/4 no no 1312 1512 131H2H 151H2H
[untitled]
Solo part of Tessarini Violin Concerto in F Major ii. [untitled] (Tes17). This movement is in B♭ Major.
Tessarini Violin Concerto in F Major ii. [untitled] McGibbon Manuscript 10, p. 7 B♭ ♭♭ ♭♭ 3/4 3/4 no no 135 255 135 255
Allegro
Solo part of Tessarini Violin Concerto in F Major iii. Allegro (Tes17).
Tessarini Violin Concerto in F Major iii. Allegro McGibbon Manuscript 11, p. 8 F ♭ ♭ 3/4 3/4 no no 135 131 135 1H3H1H
Concerto Tessarini III. Allegro
Solo part of Tessarini Violin Concerto in G Major i. Allegro (Tes22).
Tessarini Violin Concerto in G Major i. Allegro McGibbon Manuscript 12, p. 10 G ♯ ♯ C C no no 1113 1557 1H1H1H3 1L557
Grave
Solo part of Tessarini Violin Concerto in G Major ii. Grave (Tes22)
Tessarini Violin Concerto in G Major ii. Grave McGibbon Manuscript 13, p. 11 G ♯ ♯ 3/4 3/4 no no 151 175 151H 1H75
Allegro Assai
Solo part of Tessarini Violin Concerto in G Major iii. Allegro Assai (Tes22).
Tessarini Violin Concerto in G Major iii. Allegro Assai McGibbon Manuscript 14, p. 11 G ♯ ♯ 3/8 3/8 no no 132 132 1H3H2H 1H32
The Banks of Forth

- The Banks of Fourth, The Banks of Forth (from Robert Kelsall Manuscript 528, f. 109) [1351; 3366]
- The Banks of Forth, The Banks of Forth (from MacFarlane Manuscript 3 248, p. 222) [1351; 3366]
 The Banks of Forth McGibbon Manuscript 192, p. 95 D ♯♯ ♯♯ C C 2 no no 1351 3366 1351H 3H3H66
The Birks of Invermay
Long set of variations by Charles McLean. 2 strain tune + 4 variations. Last variation is in 3/4.

- Birks of Invermay, The Birks of Invermay (from Gairdyn Manuscript 412, f. 58) [None; None]
- The Birks of Endermay, The Birks of Invermay (from Robert Kelsall Manuscript 517, f. 107) [5552; 2266]
- Birks of Invermay. MacLean., The Birks of Invermay (from MacFarlane Manuscript 2 210, p. 254) [5552; 2266]
 The Birks of Invermay McGibbon Manuscript 78, p. 50 B♭ ♭♭ ♭♭ ₵ ₵ 10 yes no 5552 2266 5552 226L6L
The Black Ew
The Black Ewe McGibbon Manuscript 98, p. 61 F ♭ ♭ ₵ ₵ 2 no no 1131 6666 1131 6L6L66
The Bride has a bonny thing

- The Bride has a bonny thing, The Bride has a Bonny Thing (from MacFarlane Manuscript 2 215, p. 264) [6531; 6532]
 The Bride has a Bonny Thing McGibbon Manuscript 96, p. 61 A ♯♯♯ ♯♯♯ 6/8 6/8 8 yes no 5531 6532 5531 6532
The Castle hill
The Castle Hill McGibbon Manuscript 180, p. 91 F ♭ ♭ ₵ ₵ 2 no no 1135 6655 1H135 6655
The Cold Frosty Morning
2 strain tune + 1 variation.

- Chami Ma Whatle, Chami Ma Chattle (from Gairdyn Manuscript 345, f. 47) [None; None]
- Ane Irish tune, Chami Ma Chattle (from Sinkler Manuscript 12, f. 67) [5126; 5321]
- Past one a clock, Past One o'clock (from Robert Kelsall Manuscript 572, f. 117v) [6126; 6321]
- Ata mi mo chedail, Ata Mi Mo Chedail (from MacFarlane Manuscript 3 269, p. 246) [611; 111]
 The Cold Frosty Morning
Title (alternative): Chami Ma Chattle		 McGibbon Manuscript 145, p. 81 G ♯ ♯ 3/4 3/4 4 yes no 511
Alt. index 1: 5126 (Alt index as if TS is 6/4)		 111
Alt. index 2: 6321 (Alt index as if TS is 6/4)		 5L11
Alt. index 1: 5L126L (Alt index as if TS is 6/4)		 111
Alt. index 2: 6L321 (Alt index as if TS is 6/4)
The Collonell
The Colonel McGibbon Manuscript 64, p. 41 G ♯ ♯ 9/8 9/8 2 no no 353 652 353 652
The Drummer
Reel tune.

- [The Drummer], The Drummer (from Gairdyn Manuscript 42, f. 4v) [1355; 7724]
- [The Drummer], The Drummer (from Gairdyn Manuscript 45, f. 5v) [1355; 7724]
- [The Drummer], The Drummer (from Gairdyn Manuscript 51, f. 6v) [1355; 7724]
- The Drummer, The Drummer (from Gairdyn Manuscript 411, f. 58) [None; None]
- Beggar Reel, Beggar Reel (from Drummond Castle Manuscript 2 34) [5455; 7724]
- The Drummer, The Drummer (from Young-Bodleian 5, f. 9) [5455; 7724]
- The Drummer, The Drummer (from McGibbon Manuscript 193, p. 95) [1355; 7724]
 The Drummer
Title (alternative): Beggar Reel		 McGibbon Manuscript 151, p. 82 A ♯♯♯ ♯♯♯ ₵ ₵ 2 no no 1355 7724 135L5L 7L7L24
The Drummer
Reel tune.

- [The Drummer], The Drummer (from Gairdyn Manuscript 42, f. 4v) [1355; 7724]
- [The Drummer], The Drummer (from Gairdyn Manuscript 45, f. 5v) [1355; 7724]
- [The Drummer], The Drummer (from Gairdyn Manuscript 51, f. 6v) [1355; 7724]
- The Drummer, The Drummer (from Gairdyn Manuscript 411, f. 58) [None; None]
- Beggar Reel, Beggar Reel (from Drummond Castle Manuscript 2 34) [5455; 7724]
- The Drummer, The Drummer (from Young-Bodleian 5, f. 9) [5455; 7724]
- The Drummer, The Drummer (from McGibbon Manuscript 151, p. 82) [1355; 7724]
 The Drummer
Title (alternative): Beggar Reel		 McGibbon Manuscript 193, p. 95 A ♯♯♯ ♯♯♯ ₵ ₵ 2 no no 1355 7724 135L5L 7bL7bL24
The East Neuk of Fife
Long set of variations. 2 strain tune + 5 variations.

- East neuk of Fife, The East Neuk of Fife (from Robert Kelsall Manuscript 244, f. 42v) [1111; 5151]
 The East Neuk of Fife McGibbon Manuscript 86, p. 56 G ♯ ♯ ₵ ₵ 12 yes no 1155 2266 1155 2266
The Gemlot an Irish Jigg
A gimlet is a tool for boring holes in wood

- The Gimlet, The Gimlet (from Young-Bodleian 19, f. 23) [175; 114]
 The Gimlet McGibbon Manuscript 183, p. 92 F ♭ ♭ 9/8 9/8 2 no no 175 114 1H75 1H1H4
The Hares Foot
The Hare's Foot McGibbon Manuscript 89, p. 57 D ♯♯ ♯♯ ₵ ₵ 2 no no 3131 4526 3H1H3H1H 4H5H2H6
The Holly Bush

- The Holly Bush, The Holly Bush (from Young-Bodleian 11, f. 15) [5122; 5111]
- Captain Deleny, Captain Deleny (from MacFarlane Manuscript 2 88, p. 138) [5122; 5111]
 The Holly Bush
Title (alternative): Captain Deleny		 McGibbon Manuscript 196, p. 96 D ♯♯ ♯♯ 6/8 6/8 2 no no 5122 5111 5L122 5L111
The Leather Haughs of Yarrow
2 strain tune + 2 variations. Final variation is in 9/8.
The Leather Haughs of Yarrow McGibbon Manuscript 93, p. 59 D ♯♯ ♯♯ 3/4 3/4 6 yes no 355 644 355 644
The merry Dancers
The Merry Dancers McGibbon Manuscript 176, p. 90 G ♯ ♯ 6/8 6/8 3 no no 3411 3455 3411 345L5L
The Merry jolly Sailor
2 strain tune + 1 variation.

- The Ruged sailor, The Ragged Sailor (from Gairdyn Manuscript 268, f. 33v) [1152; 6211]
- The Ragged Sailor, The Ragged Sailor (from Young-Bodleian 8, f. 12) [1152; 6211]
- The Ragged Sailor, The Ragged Sailor (from MacFarlane Manuscript 2 111, p. 156) [1152; 6211]
 The Merry Jolly Sailor
Title (alternative): The Ragged Sailor		 McGibbon Manuscript 95, p. 60 G ♯ ♯ 6/8 6/8 4 yes no 1152 6211 11H52 6211H
The Miller of Mansfield
The Miller of Mansfield McGibbon Manuscript 152, p. 83 G ♯ ♯ 6/8 6/8 2 no no 1352 1352 1352 1352
The Millers Wedding.
Reel tune.

- The Miller’s wedding, The Miller’s Wedding (from James Knox Manuscript 94, f. 27v) [5122; 5113]
 The Miller's Wedding McGibbon Manuscript 189, p. 93 D ♯♯ ♯♯ ₵ ₵ 2 no no 5122 5113 5H1H2H2H 5H1H1H3H
The Moldewort
The Moldewort McGibbon Manuscript 202, p. 99 D ♭ ♭ 6/8 6/8 2 no no 7414 7411 7b41H4 7b41H1
The Shire Teviotdale

- The Shire of Teviotdale, The Shire of Teviotdale (from MacFarlane Manuscript 3 284, p. 261) [3133; 3115]
- The Shire of Teviotdale, The Shire of Teviotdale (from McGibbon Manuscript 190, p. 93) [3313; 3115]
 The Shire of Teviotdale McGibbon Manuscript 68, p. 43 A 6/8 6/8 2 no no 3313 3115 3b13b3b 3b11H5
The Shire of Teviotdale

- The Shire of Teviotdale, The Shire of Teviotdale (from MacFarlane Manuscript 3 284, p. 261) [3133; 3115]
- The Shire Teviotdale, The Shire of Teviotdale (from McGibbon Manuscript 68, p. 43) [3313; 3115]
 The Shire of Teviotdale McGibbon Manuscript 190, p. 93 A 6/8 6/8 2 no no 3313 3115 3b13b3b 3b11H5
The Shoemaker
1 strain tune + 3 variations. Repeats given for the B sections only.

- Gallant shoemaker, Gallant Shoemaker (from Gairdyn Manuscript 319, f. 44v) [None; None]
 The Shoemaker
Title (alternative): The Peer of Leith; The Gallant Shoemaker		 McGibbon Manuscript 77, p. 48 D ♯♯ ♯♯ C C 8 yes no 3522 3366 352H2H 3H3H66
The Submissive Admirer Ariadne
Originally a minuet from Handel's Arianna in Creta. Concordances (other): "Submissive Admirer", The Musical Entertainer (1737), p. 9.

- Menuet in the opra of Ariedne, Minuet from Ariadne (from Cameron Manuscript 280, p. 68) [556; 424]
 The Submissive Admirer McGibbon Manuscript 42, p. 29 D ♯♯ ♯♯ 3/4 3/4 2 no no 556 324 556 324
Tubal=Cain

- Tubal-Cain, Tubal Cain (from MacFarlane Manuscript 2 130, p. 190) [1315; 7272]
 Tubal Cain McGibbon Manuscript 147, p. 82 G ♯ ♯ 6/8 6/8 2 no no 1315 7272 1315 7L27L2
The Corn Bunting Tullochgorum
Set of variations on the strathspey tune Tullochgorum (though here without any back-dotted rhythms). 2 strain tune + 2 variations. Phrase lengths of 4+6 bars.

- Corn bunting, Corn Bunting (from Guthrie Manuscript 14, p. 296) [5133; 4722]
- Tullochgorum, Tullochgorum (from Drummond Castle Manuscript 2 3) [3542; 3535]
 Tullochgorum
Title (alternative): The Corn Bunting		 McGibbon Manuscript 143, p. 80 G ₵ ₵ 6 yes no 3542 3535 3542 3535
Tweedside by Mr McLean
Variations on Tweedside by Charles McLean.

- Down tweedsead, Down Tweed Side (from Gairdyn Manuscript 81, f. 13) [None; None]
- Tweedside, Tweed Side (from Cuming Manuscript 33, p. 48) [156; 113]
- Tweed Side, Tweed Side (from Robert Kelsall Manuscript 246, f. 43) [156; 113]
- Tweed-side, Tweed Side (from Robert Kelsall Manuscript 494, f. 98) [356; 113]
- Tweed Side. MacLean., Tweed Side (from MacFarlane Manuscript 2 209, p. 252) [156; 113]
- Preludio to Tweedside by A. Monro, Preludio to Tweed Side (from McGibbon Manuscript 65, p. 42) [1122; 3321]
- Tweed Syde, Tweed Side (from James Knox Manuscript 111, f. 30) [15L6L; 113]
- Tweedsyde, Tweed Side (from James Knox Manuscript 217, f. 56) [156; 113]
 Tweed Side by McLean McGibbon Manuscript 83, p. 53 A ♯♯♯ ♯♯♯ 3/4 3/4 8 yes no 156 113 15L6L 113
[untitled]
Begins in what looks like the middle of a longer set of variations. Possibly there were originally extra leaves, which were removed before pagination. Follows the passamezzo antico bass, so might be part of a set on Greensleeves or When She Came Ben She Bobbed. Index given starting at first complete bar.
Untitled McGibbon Manuscript 62, p. 41 G ♭♭ ♭♭ 12/8 5 yes no 1157 3372 1H157bL 3bH3b7b2H
Concerto. Vivaldi Violino primo del Concertino. IV. Allegro
Solo part of Antonio Vivaldi, Violin Concerto in A Major, i. Allegro (RV 519).

- Violino Primo Allegro Concerto di Antonio Vivaldi, Vivaldi, Violin Concerto in A Major, i. Allegro (from Robert Kelsall Manuscript 648, f. 139v) [1110; 1111]
 Vivaldi, Violin Concerto in A Major, i. Allegro McGibbon Manuscript 15, p. 12 A ♯♯♯ ♯♯♯ C C no no 1110 1111 1110 11L11L
Solo é cantabile
Solo part of Antonio Vivaldi, Violin Concerto in A Major, ii. Solo é Cantabile Largo (RV 519).

- Largo Solo - Cantabile, Vivaldi, Violin Concerto in A Major, ii. Solo é Cantabile Largo (from Robert Kelsall Manuscript 649, f. 141) [0055; 4430]
 Vivaldi, Violin Concerto in A Major, ii. Solo é Cantabile Largo McGibbon Manuscript 16, p. 13 A ♯♯♯ ♯♯♯ C C no no 0055 4430 0055 4430
Allegro
Solo part of Antonio Vivaldi, Violin Concerto in A Major, iii. Allegro (RV 519).

- Allegro, Vivaldi, Violin Concerto in A Major, iii. Allegro (from Robert Kelsall Manuscript 650, f. 142) [031; 275]
 Vivaldi, Violin Concerto in A Major, iii. Allegro McGibbon Manuscript 17, p. 14 A ♯♯♯ ♯♯♯ 3/4 3/4 no no 031 275 031 27L5
We'll get gear enough we're but young
2 strain tune + 1 variation.
We'll get gear enough we're but young McGibbon Manuscript 99, p. 62 F ♭ ♭ 6/8 6/8 4 yes no 3322 3316 3322 331H6
The Welsh Fusiliers

- Welsh Fusileers, Welsh Fusileers (from Young-Bodleian 14, f. 18) [1233; 1616]
- Welsh Fusilleer’s, Welsh Fusileers (from MacFarlane Manuscript 2 231, p. 275) [1233; 1616]
 Welsh Fusileers McGibbon Manuscript 149, p. 82 D ♯ ♯ 6/8 6/8 2 no no 1233 1616 1H2H3H3H 1H61H6
What beauteous scenes
What Beauteous Scenes McGibbon Manuscript 199, p. 97 G ♯ ♯ ₵ ₵ 2 no no 1126 1533 1H1H2H6 1H533
What shall I do to show how much I love her
Song by Henry Purcell from his music for Dioclesian (Z.627).

- What shall I doe to show, What Shall I Do to Show How Much I Love Her (from Gairdyn Manuscript 84, f. 14) [None; None]
- What shall I do to show, What Shall I Do to Show How Much I Love Her (from Thomson Manuscript 17, p. 12) [312; 771]
- What Shall I do to Shew how Much I love her, What Shall I Do to Show How Much I Love Her (from Robert Kelsall Manuscript 436, f. 82v) [5742; 5311]
- What shall I do to show how much I love her?, What Shall I Do to Show How Much I Love Her (from MacFarlane Manuscript 2 249, p. 288) [312; 771]
 What Shall I Do to Show How Much I Love Her McGibbon Manuscript 20, p. 15 A 3/4 3/4 2 no no 312 771 3b12 7L7L1
Why shou'd not I love my Love

- Why shou’dn’t I love, Why Shoudn’t I Love My Love (from MacFarlane Manuscript 2 39, p. 75) [133; 774]
 Why Shouldn't I Love My Love McGibbon Manuscript 123, p. 71 A 9/8 9/8 2 no no 133 774 13b3b 7bL7bL4
Widow art thou' waking
Set of variations with large Italianate flourishes. 2 strain tune + variations. Last is a 6/8 jig.

- Widow are thou 'waking. Monro., Widow Are Thou Waking (from MacFarlane Manuscript 2 166, p. 222) [1133; 6221]
 Widow Are Thou Waking McGibbon Manuscript 206, p. 101 F ♭ ♭ C C 6 yes no 1133 6221 1133 6221
Wives of the Bowe
1 strain tune + 2 variations.

- Wifes of the Bow, Wives of the Bow (from Gairdyn Manuscript 375, f. 50v) [None; None]
- Honie wilt thou take it, Honey Wilt Thou Take It (from Thomson Manuscript 33, p. 24) [6665; 1113]
- Walli's Humour, Walli’s Humour in Tapping the Ale (from Cuming Manuscript 38, p. 56) [6665; 1113]
 Wives of the Bow
Title (alternative): Walli’s Humour in Tapping the Ale; Wives of the Bow; Honey Wilt Thou Take It		 McGibbon Manuscript 108, p. 65 F ♭ ♭ ₵ ₵ 3 yes no 6666 1113 6L6L6L6L 1113