"Air", no. 8 from Christopher Simpson's 3-part ayres.

Air, no. 4 from Christopher Simpson's 3-part ayres.

Air, no. 10 from Christopher Simpson's 3-part ayres.

Air, no. 12 from Christopher Simpson's 3-part ayres.

Air, no. 15 from Christopher Simpson's 3-part ayres.

Air, no. 18 from Christopher Simpson's 3-part ayres..

Air, no. 21 from Christopher Simpson's 3-part ayres..

Air, no. 6 from Christopher Simpson's 3-part ayres.

Aire, from John Jenkin's Newberry Airs, no. 20.

Almain, no. 2 from Christopher Simpson's 3-part ayres.

Almain, no. 16 from Christopher Simpson's 3-part ayres.

Almain, no. 19 from Christopher Simpson's 3-part ayres.

Instrumental version of Lully’s “Sommes-nous pas trop hereux / Belle Iris que vous ensemble”, from Ballet de L’Impatience. Concordances (other): “Belle hereuse, with the 9th lowed halfe a note, mr Beck’s way”, Balcarres, p. 19. “Belle hereuse, by, Mr lesslie”, Balcarres p. 82. “La Buckingham”, Playford Apollo's Banquet, no 206.

- Belle Rese, Belle Heureuse (from Panmure Violin Manuscript 1 15, f. 6v) [3255; 7773]

- Borry Royall, Bourée Royale (from Panmure Violin Manuscript 1 16, f. 7) [7511; 3317]

Concordances (other): "Ayre Jaferry Bannester", Panmure Violin 2, no. 1, f. 1.

- Ayre Jaferry Bannester, Air by Jafery Banister (from Panmure Violin Manuscript 2 1, f. 1) [1133; 5567]

Coranto, no. 9 from Christopher Simpson's 3-part ayres.

- [Coranto], Coranto (from Panmure Ensemble Part Books 16, f. 6) [5313; 6275]

Coranto, no. 9 from Christopher Simpson's 3-part ayres. Extended version of Panmure Ensemble no. 10.

- [Coranto], Coranto (from Panmure Ensemble Part Books 10, f. 4) [5313; 6275]

Coranto, no. 3 from Christopher Simpson's 3-part ayres.

Coranto, no. 5, from Christopher Simpson's 3-part ayres.

Coranto, no. 20 from Christopher Simpson's 3-part ayres.

Coranto, from John Jenkin's Newberry Airs, no. 21.

"Echo" from John Jenkin's Newberry Airs, no. 19.

Galliard, no. 14 from Christopher Simpson's 3-part ayres.

Galliard, no. 17 from Christopher Simpson's 3-part ayres.

According to Matthew Spring, this was composed by Artus Leborgne (d. 1668) one of the 24 violons du Roi (see Spring, Balcarres, II, 282). Concordances (other): “La galliardo”, Playford AB, no 193 (vn). “la Galliard, mr gallots way”, Balcarres, p. 37.

- The Galleard, La Galliard (from Newbattle Violin Manuscript 2 16, f. 6v) [1177; 1133]

Pavane, no. 1 from Christopher Simpson's 3-part ayres.

Pavane, no. 13 from Christopher Simpson's 3-part ayres.

Pavane, no. 7 from Christopher Simpson's 3-part ayres.

Saraband, no. 11 from Christopher Simpson's 3-part ayres.

Sarabande, no. 22 from Christopher Simpson's 3-part ayres..

Three part arrangement of no. 3 of the "Short and Easie Ayres Designed For Learners" (treble & bass only) in Christopher Simpson's The Principles of Practical Musick (1665), p. 46. In the Panmure arrangement, the second treble part-book contains the original from Simpson's piece, and the first treble book has a new voice.

- [untitled], Untitled (from Newbattle Violin Manuscript 2 34, f. 16) [555; 666]

Three part arrangement of no. 2 of the "Short and Easie Ayres Designed For Learners" (treble & bass only) in Christopher Simpson's The Principles of Practical Musick (1665), p. 46.

- [untitled], Untitled (from Newbattle Violin Manuscript 2 35, f. 16v) [5555; 3355]
- [untitled], Untitled (from Newbattle Violin Manuscript 2 35, f. 16v) [5555; 3355]

Three part arrangement of no. 6 of the "Short and Easie Ayres Designed For Learners" (treble & bass only) in Christopher Simpson's The Principles of Practical Musick (1665), p. 50. Simpson printed version is a tone lower.

- [untitled], Untitled (from Newbattle Violin Manuscript 2 36, f. 16v) [1117; 6651]

Three part air of the style of the other three part arrangements of the "Short and Easie Ayres Designed For Learners" in Christopher Simpson's The Principles of Practical Musick (1665).

- [untitled], Untitled (from Newbattle Violin Manuscript 2 37, f. 17) [3332; 3333]

Three part air of the style of the other three part arrangements of the "Short and Easie Ayres Designed For Learners" in Christopher Simpson's The Principles of Practical Musick (1665).

- [untitled], Untitled (from Newbattle Violin Manuscript 2 38, f. 18) [0011; 3333]

Three part air of the style of the other three part arrangements of the "Short and Easie Ayres Designed For Learners" in Christopher Simpson's The Principles of Practical Musick (1665).

Three part arrangement of no. 11 of the "Short and Easie Ayres Designed For Learners" (treble & bass only) in Christopher Simpson's The Principles of Practical Musick (1665), p. 55.

Three part air of the style of the other three part arrangements of the "Short and Easie Ayres Designed For Learners" in Christopher Simpson's The Principles of Practical Musick (1665).

Three part air of the style of the other three part arrangements of the "Short and Easie Ayres Designed For Learners" in Christopher Simpson's The Principles of Practical Musick (1665).

Three part arrangement of no. 5 of the "Short and Easie Ayres Designed For Learners" (treble & bass only) in Christopher Simpson's The Principles of Practical Musick (1665), p. 49.

3-part piece, looks like a Pavane. Begins similarly to the first of the "Lessons by sundry Authors for the Trebles, Bass-Viol, and Harp" in Christopher Simpson's "A Compendium of Practical Musick" (1678 edition), p. 183.

A 3-part arrangement (tr tr b) of no. 3 of the pieces "For two Bass-Viols" in Christopher Simpson's The Principles of Practical Musick (1665), pp. 66-67.

Three part arrangement of the first of the "Short and Easie Ayres Designed For Learners" (treble & bass only) in Christopher Simpson's The Principles of Practical Musick (1665), p. 45.

- [untitled], Untitled (from Newbattle Violin Manuscript 2 33, f. 16) [3322; 3332]