hms.scot
hms.scot

Manuscript Tune Index

by Aaron McGregor


All title fields
Key signature
Time signature
Bass
Source
KS (edited)
TS (edited)
Variations

Key note
Index 1 [starts with / is]
Index 2 [starts with / is]
How to use
Index 1 & Index 2

Clear form
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Showing results for:

Manuscript: Gairdyn Manuscript

Title (source) Title (standardised) Source Key note Key signature KS (edited) Time signature TS (edited) Strains Variations Bass Index 1 Index 2 Index 1 (long) Index 2 (long)
3 high
incipit
3 high Gairdyn Manuscript 142, f. 20 no no
Lump of Land
Incipit

- A Lass and a Lump o’ Land, A Lass and a Lump of Land (from MacFarlane Manuscript 3 11, p. 8) [1772; 1744]
 A Lass and a Lump of Land Gairdyn Manuscript 28, f. 3v G ♯ 6/8 no no 1772 1753 1H772H 1H753
A Rock & a wee pickle tow
Incipit only. Rhythms and key from McGibbon. Concordances (other): “A Rock & a wi pickel Tow”, McGibbon vol 2, p. 55. “ “A Rock and a wi Pickle Tow”, Oswald CPC I, p. 8.

- A Rock and a wee pickle Tow, A Rock and a Wee Pickle Tow (from MacFarlane Manuscript 3 230, p. 206) [612; 335]
 A Rock and a Wee Pickle Tow Gairdyn Manuscript 18, f. 3 G ♯ 3/4 no no 612 335 6L12 335
A Scots measure
3 full strains, approx rhythms
A Scots Measure Gairdyn Manuscript 66, f. 10 3 no no
and a tenant of my own
full tune, some rhythms approx
A Tenant of My Own Gairdyn Manuscript 338, f. 46v no no
Alas the apron bidden down
Incipit only (4 bars)
Alas the Apron Bidden Down Gairdyn Manuscript 20, f. 3 D ♯♯ ₵ no no 1555 3532 1H555 353H2H
Haille great Sir
Incipit only. Looks like variation rather than tune (see Gairdyn no. 90, f. 15v for tune). Only roughly matches the La Folia harmonic outline.

- [La Folia], La Folia (from Gairdyn Manuscript 91, f. 15v) [111; 777]
- All Joy to great Caesar, All Joy to Great Caesar (from Robert Kelsall Manuscript 196, f. 30v) [111; 777]
- Joy to great Cesar, All Joy to Great Caesar (from MacFarlane Manuscript 3 195, p. 168) [111; 777]
 All Joy to Great Caesar
Title (alternative): La Folia		 Gairdyn Manuscript 19, f. 3 B ♯♯ 3/4 no no 112 177 112 17L7L
Allan water
incipit

- Alen Watter, Allan Water (from Bowie Manuscript 12, f. 9v) [1131; 5221]
- Allin Water, Allan Water (from Thomson Manuscript 50, p. 35) [1331; 5221]
- Allan watter, Allan Water (from Sinkler Manuscript 11, f. 67) [1131; 5221]
- Allan Water, Allan Water (from Cuming Manuscript 21, p. 25) [1131; 5221]
- Allan Water. D.Y., Allan Water (from MacFarlane Manuscript 2 103, p. 146) [1131; 5521]
 Allan Water Gairdyn Manuscript 340, f. 46v no no
wert you but my oun thing
full tune, but misbarred

- If thou wert my own thing, An Thou Were My Ain Thing (from Guthrie Manuscript 49, p. 306) [5613; 2611]
- Gin thou was my Ain thing, An Thou Were My Ain Thing (from Robert Kelsall Manuscript 594, f. 122v) [5513; 2265]
- An thou were my own thing, An Thou Were My Ain Thing (from MacFarlane Manuscript 2 17, p. 42) [5513; 2265]
 An Thou Were My Ain Thing Gairdyn Manuscript 97, f. 17v no no
& let the world be
Incipit
And Let the World Be Gairdyn Manuscript 362, f. 49 no no
Archers March
Full tune - this is actually by Handel.

- Royal Archers, Archer's March (from MacFarlane Manuscript 2 238, p. 281) [1111; 3333]
 Archer's March Gairdyn Manuscript 47, f. 6 D ♯♯ C 2 no no 1112 3331 1H1H1H2H 3H3H3H1H
As I went down yon burn so Clear
full piece, approximate rhythms. includes variation.

- pege I most Love the, Peggy I Must Love Thee (from Bowie Manuscript 24, f. 16v) [6111; 2266]
- Pegy I mosst love thee Capt: Campbell his marsh, Peggy I Must Love Thee (from Bowie Manuscript 48, f. 30v) [6111; 2266]
- Magie I most love thee, Peggy I Must Love Thee (from Sinkler Manuscript 32, f. 63) [6111; 2266]
- Peggie I must love thee, Peggy I Must Love Thee (from MacFarlane Manuscript 2 18, p. 44) [5111; 2266]
 As I Went Down Yon Burn So Clear
Title (alternative): Peggy I Must Love Thee		 Gairdyn Manuscript 54, f. 7v A ♯♯♯ ₵ 4 yes no 6111 2266 6L111 226L6L
Rob Morice
Incipit

- Auld Rob Morris, Auld Rob Morris (from MacFarlane Manuscript 3 171, p. 134) [115; 611]
 Auld Rob Moriss Gairdyn Manuscript 309, f. 43v no no
bab at the Bouster
Incipit
Babbity Bowster Gairdyn Manuscript 391, f. 54 no no
Bang the broker
Full tune plus actual rhythms
Bang the Broker Gairdyn Manuscript 256, f. 27v D ♯♯ ♯♯ 6/4 2 no no 5123 4327 51H2H3H 4327
Berrick Johne
Full setting, with exact rhythms. 2 strain tune + 2 variations.

- Banick Johnie, Berwick Johnny (from Leyden Lyra-viol and Violin Manuscript 40, f. 66v) [516; 424]
- Berwick Johny, Berwick Johnny (from Sinkler Manuscript 45, f. 60v) [516; 424]
- Go to Berwick Johny, Berwick Johnny (from McGibbon Manuscript 105, p. 64) [515; 424]
 Berwick Johnny Gairdyn Manuscript 283, f. 36v yes no
Bessie's Haggis
Incipit

- Baes Hages, Bessie’s Haggis (from Bowie Manuscript 19, f. 13) [1334; 6423]
- Bessies Hagis, Bessie's Haggis (from Gairdyn Manuscript 337, f. 46) [; ]
- Bessie’s haggies, Bessie's Haggis (from James Knox Manuscript 202, f. 52v) [1315; 6422]
 Bessie's Haggis Gairdyn Manuscript 290, f. 40 no no
Bessy's Hages
Full tune, but misbarred, missing ks
Bessie's Haggis Gairdyn Manuscript 332, f. 45v no no
Bessies Hagis
full tune, some rhythms approx

- Baes Hages, Bessie’s Haggis (from Bowie Manuscript 19, f. 13) [1334; 6423]
- Bessie's Haggis, Bessie's Haggis (from Gairdyn Manuscript 290, f. 40) [; ]
- Bessie’s haggies, Bessie's Haggis (from James Knox Manuscript 202, f. 52v) [1315; 6422]
 Bessie's Haggis Gairdyn Manuscript 337, f. 46 no no
Country dance - Black Jack
incipit
Black Jack Gairdyn Manuscript 120, f. 19 no no
A country dance
Full tune, plus beginning of variation, but rhythms approx

- Black Jock, Black Jock (from Gairdyn Manuscript 387, f. 53v) [; ]
- Black Joack. McLean., Black Jock (from MacFarlane Manuscript 2 207, p. 246) [5122; 3522]
- Black Jock The Irish Sett, Black Jock (from McGibbon Manuscript 60, p. 38) [6122; 3322]
- Black Jock by Mr McLean, Black Jock by McLean (from McGibbon Manuscript 130, p. 74) [5122; 3522]
 Black Jock Gairdyn Manuscript 86, f. 14v no no
Black Jock
Incipit

- A country dance, Black Jock (from Gairdyn Manuscript 86, f. 14v) [None; None]
- Black Joack. McLean., Black Jock (from MacFarlane Manuscript 2 207, p. 246) [5122; 3522]
- Black Jock The Irish Sett, Black Jock (from McGibbon Manuscript 60, p. 38) [6122; 3322]
- Black Jock by Mr McLean, Black Jock by McLean (from McGibbon Manuscript 130, p. 74) [5122; 3522]
 Black Jock Gairdyn Manuscript 387, f. 53v no no
Blink over the burn sweet Beatie
Full 2 strain tune, but approximate rhythms

- Blink o’er the burn Sweet Bettie, Blink O’er the Burn Sweet Betty (from MacFarlane Manuscript 3 240, p. 216) [333; 553]
- Blink o’er the burn Sweet Betty, Blink O’er the Burn Sweet Betty (from James Knox Manuscript 113, f. 30) [333; 552]
 Blink O'er the Burn Sweet Betty Gairdyn Manuscript 62, f. 9 E♭ ♭♭♭ 3/4 2 no no 333 552 3H3H3H 552H
Blyth was she but & ben
incipit
Blyth Was She Gairdyn Manuscript 342, f. 46v no no
B Kirstie
ie Bonny Christy. Incipit

- bonnie Christan, Bonny Christy (from Guthrie Manuscript 58, p. 309) [5531; 6651]
- bone Cirste, Bonny Christy (from Bowie Manuscript 4, f. 3v) [5251; 3111]
- Bonny Christie, Bonny Christy (from MacFarlane Manuscript 3 286, p. 270) [5251; 3214]
 Bonny Christy Gairdyn Manuscript 206, f. 24v no no
Bonny Dundie 
full setting, more exact rhythms, lots of ornaments. More like George Skene

- Bonny Dundee, Bonny Dundee (from MacFarlane Manuscript 3 138, p. 104) [511; 117]
 Bonny Dundee Gairdyn Manuscript 273, f. 35 no no
Bony Jean of Aberdeen
Full tune, with exact rhythms.

- [Bonny Jean of Aberdeen], Bonny Jean of Aberdeen (from Cuming Manuscript 43, p. 62) [1155; 1132]
- Bonny Jean, Bonny Jean of Aberdeen (from MacFarlane Manuscript 3 260, p. 234) [1155; 1112]
 Bonny Jean of Aberdeen Gairdyn Manuscript 313, f. 44 G ♯ ₵ 2 no no 1155 1132 115L5L 1132
Bride next
full tune, approx rhythms
Bride Next Gairdyn Manuscript 70, f. 11 no no
Bride Next
Incipit
Bride Next Gairdyn Manuscript 382, f. 53 no no
Britans strik home
Full piece. At end of piece is written “follows - ow’r the hills & far away”
Britons Strike Home Gairdyn Manuscript 263, f. 29 no no
Bruc's Minuet 1729
Incipit
Bruce's Minuet Gairdyn Manuscript 295, f. 40v no no
A Measure
Incipit

- Y’ere the Lass that has the Geir & I am the Lad that Loes you &c., You're the Lass That Has the Gear (from George Skene Manuscript 23, f. 7v) [5526; 5511]
- Cadger of Crief, Cadger of Crief (from Drummond Castle Manuscript 2 35) [3126; 3355]
- The Cadger o’ Crief, Cadger of Crief (from Young-Bodleian 9, f. 13) [5526; 5511]
- Cadger of Crief, Cadger of Crief (from MacFarlane Manuscript 2 197, p. 239) [5526; 5511]
 Cadger of Crief
Title (alternative): You're the Lass That Has the Gear; Back of the Change House		 Gairdyn Manuscript 49, f. 6v D ♯♯ C no no 5526 5511 552H6 551H1H
Calle John who's the man that can
incipit
Call John Who's the Man That Can Gairdyn Manuscript 326, f. 45 no no
Caricks Reel
Full version, and exact rhythms. quite strathspey-like. Looks like missing KS, poss #.
Carrick's Reel Gairdyn Manuscript 380, f. 52v no no
pease caill in Aberdeen
Incipit

- Lang Kell in Aberden, Lang Kell in Aberdeen (from Bowie Manuscript 21, f. 14) [5152; 5154]
- Cauld Kail in Aberdeen Kail-castocks in Strahbogie - Bagpipe humour, Cauld Kail in Aberdeen (from George Skene Manuscript 45, f. 17v) [5352; 3154]
 Cauld Kail in Aberdeen Gairdyn Manuscript 29, f. 3v A ₵ no no 5152 5154 5152 5154
Chami Ma Whatle
incipit

- Ane Irish tune, Chami Ma Chattle (from Sinkler Manuscript 12, f. 67) [5126; 5321]
- Past one a clock, Past One o'clock (from Robert Kelsall Manuscript 572, f. 117v) [6126; 6321]
- Ata mi mo chedail, Ata Mi Mo Chedail (from MacFarlane Manuscript 3 269, p. 246) [611; 111]
- The Cold Frosty Morning, The Cold Frosty Morning (from McGibbon Manuscript 145, p. 81) [511; 111]
 Chami Ma Chattle Gairdyn Manuscript 345, f. 47 no no
Chi non vult pone
vocal piece, with words, written in full with correct rhythms
Chi Non Vult Pone Gairdyn Manuscript 267, f. 33 no no
Coridon Trumpet Air
incipit
Coridon Trumpet Air Gairdyn Manuscript 230, f. 26 no no
Corn riggs
Incipit

- New Corn Rigs, Corn Riggs (from Newbattle Violin Manuscript 2 31, f. 14v) [1132; 7725]
- New Corn riggs, Corn Riggs (from Panmure Violin Manuscript 1 56, f. 27) [1332; 7221]
- [Corn Riggs], Corn Riggs (from Cuming Manuscript 32, p. 45) [1342; 7725]
- Corn Riggs or Sawney was tall, Corn Riggs (from Robert Kelsall Manuscript 647, f. 138v) [1112; 7775]
- Corn Riggs, Corn Riggs (from MacFarlane Manuscript 3 288, p. 274) [1342; 7775]
 Corn Riggs Gairdyn Manuscript 31, f. 4 D ♯♯ C no no 1132 7725 1H1H3H2H 772H5
A Country Dance B.B.MG
full tune, approx rhythms
Country Dance Gairdyn Manuscript 68, f. 10v no no
A Country Dance
Full tune, approx rhythms
Country Dance Gairdyn Manuscript 83, f. 14 no no
Country dance
incipit
Country Dance Gairdyn Manuscript 128, f. 19v no no
Country Dance
full tune, approx rhythms
Country Dance Gairdyn Manuscript 146, f. 20 no no
Country Dance 
incipit
Country Dance  Gairdyn Manuscript 198, f. 24 no no
Country dance
incipit
Country dance Gairdyn Manuscript 105, f. 18v no no
Country dance 
incipit
Country dance  Gairdyn Manuscript 107, f. 18v no no
A Corant
incipit
Courante Gairdyn Manuscript 204, f. 24v  no no
Cockhold Geo:
Incipit

- Sow’s Tail to Geordie, Sow’s Tail to Geordie (from James Knox Manuscript 58, f. 22) [5524; 5513]
 Cuckold George
Title (alternative): Sow’s Tail to Geordie		 Gairdyn Manuscript 37, f. 4 D ♯♯ ₵ no no 5524 5513 5524 551H3H
fy on the warrs
incipit

- Foull take the warss, De'il Take the Wars (from Leyden Lyra-viol and Violin Manuscript 14, f. 56) [1122; 1553]
- De'il take ye wars, De'il take the wars (from Robert Kelsall Manuscript 533, f. 110) [1122; 1653]
 De'il Take the Wars Gairdyn Manuscript 138, f. 19v no no
Derbes M[inuet]
Full tune, exact rhythms.

- Lady Carlerits Minuit, Lady Carlerit's Minuet (from James Knox Manuscript 54, f. 21) [111; 555]
 Derby's Minuet
Title (alternative): Lady Carlerit's Minuet		 Gairdyn Manuscript 299, f. 42 G ♯ ♯ 3/4 no no 111 555 111 555
Donald Couper
Incipit only. Concordances (other): “Daniel Cowper”, Playford DM (1695)

- New donnald Cupper, Donald Coupar (from Newbattle Violin Manuscript 2 32, f. 15) [1111; 2222]
- Donald Couper, Donald Coupar (from Newbattle Violin Manuscript 2 42, f. 19v) [None; None]
- Donald Cooper. D.Y., Donald Coupar (from MacFarlane Manuscript 2 116, p. 176) [6162; 6531]
- New donnald Cupper, Donald Coupar (from Newbattle Violin Manuscript 2 32, f. 15) [1111; 2222]
- Donald Couper, Donald Coupar (from Newbattle Violin Manuscript 2 42, f. 19v) [None; None]
- Daniel Cowper, Daniel Coupar (from Robert Kelsall Manuscript 172, f. 27v) [5116; 6225]
- Daniel Coupper, Daniel Coupar (from Cameron Manuscript 254, p. 61) [5116; 6225]
- Donald Cooper. D.Y., Donald Coupar (from MacFarlane Manuscript 2 116, p. 176) [6162; 6531]
 Donald Coupar Gairdyn Manuscript 6, f. 1v G ₵ no no 1245 3356 1245 3356
Down tweedsead
Full tune + variation, but rhythms approx

- Tweedside, Tweed Side (from Cuming Manuscript 33, p. 48) [156; 113]
- Tweed Side, Tweed Side (from Robert Kelsall Manuscript 246, f. 43) [156; 113]
- Tweed-side, Tweed Side (from Robert Kelsall Manuscript 494, f. 98) [356; 113]
- Tweed Side. MacLean., Tweed Side (from MacFarlane Manuscript 2 209, p. 252) [156; 113]
- Preludio to Tweedside by A. Monro, Preludio to Tweed Side (from McGibbon Manuscript 65, p. 42) [1122; 3321]
- Tweedside by Mr McLean, Tweed Side by McLean (from McGibbon Manuscript 83, p. 53) [156; 113]
- Tweed Syde, Tweed Side (from James Knox Manuscript 111, f. 30) [15L6L; 113]
- Tweedsyde, Tweed Side (from James Knox Manuscript 217, f. 56) [156; 113]
 Down Tweed Side Gairdyn Manuscript 81, f. 13 no no
Drucken Meg Young
Incipit

- Jennet come tye my bony cravat, Janet Come Tie My Bonny Cravat (from Robert Kelsall Manuscript 42, f. 10) [3524; 3531]
- Drunken Meg Young, Drunken Meg Young (from Young-Bodleian 20, f. 24) [3524; 3531]
 Drunken Meg Young
Title (alternative): Janet Come Tie My Bonny Cravat		 Gairdyn Manuscript 308, f. 43v no no
Dutches De Savoy
incipit
Dutches De Savoy Gairdyn Manuscript 222, f. 25v no no
Etrick Banks
Incipit

- Ettrick Banks, Ettrick Banks (from MacFarlane Manuscript 3 37, p. 23) [3317; 1513]
 Ettrick Banks Gairdyn Manuscript 360, f. 49 no no
We'll me I'm fairly shot of her
[title only - tune missing]

- Fairly Shot of Her, Fairly Shot of Her (from Drummond Castle Manuscript 1 6) [3335; 3374]
- Fairly shot of her, Fairly Shot of Her (from MacFarlane Manuscript 2 34, p. 70) [3335; 3374]
 Fairly Shot of Her Gairdyn Manuscript 397, f. 55 no no
Figur dance
incipit
Figure Dance Gairdyn Manuscript 178, f. 23 no no
First when I cam to this town
Incipit
First When I Came to this Town Gairdyn Manuscript 388, f. 53v no no
Fy gar rubher
Incipit

- Fye gar rub her ore with straw, Fy Gar Rub Her O'er With Strae (from Robert Kelsall Manuscript 94, f. 16v) [3315; 4321]
- Fy gar rub her oer wt straw, Fy Gar Rub Her O'er With Strae (from Robert Kelsall Manuscript 276, f. 47v) [3315; 4421]
- Fy gar rub her o'er wi Strae, Fy Gar Rub Her O'er Wi Strae (from MacFarlane Manuscript 3 290, p. 282) [3315; 4321]
 Fy Gar Rub Her O'er Wi Strae Gairdyn Manuscript 32, f. 4 A ₵ no no 3215 4321 3b215 43b21
Gallasheills
Incipit

- Gallowshiels, Galashiels (from MacFarlane Manuscript 3 255, p. 226) [3331; 5222]
- Gallow sheils, Galashiels (from McGibbon Manuscript 114, p. 68) [1533; 5222]
 Galashiels Gairdyn Manuscript 409, f. 58 no no
Gallant shoemaker
incipit

- The Shoemaker, The Shoemaker (from McGibbon Manuscript 77, p. 48) [3522; 3366]
 Gallant Shoemaker
Title (alternative): The Peer of Leith		 Gairdyn Manuscript 319, f. 44v no no
Highland tune
Full tune, actual rhythms. Concordances (other): “Hilland Tune,” Young Scots Tunes 1720.

- [Glenrinnes Cheer], Glenrinnes Cheer (from Bowie Manuscript 33, f. 20v) [1535; 7474]
- Glenrinnes Cheer, Glenrinnes Cheer (from MacFarlane Manuscript 2 201, p. 240) [1535; 7474]
 Glenrinnes Cheer Gairdyn Manuscript 93, f. 16 A ₵ 2 no no 1535 7474 153b5 7b47bL4
hap me with thy petticoat
Incipit
Hap Me With Thy Petticoat Gairdyn Manuscript 310, f. 43v no no
Hey tuttie tattie
Incipit
Hey Tutti Tatie Gairdyn Manuscript 368, f. 49v no no
Highland air
incipit
Highland Air Gairdyn Manuscript 259, f. 28 no no
Highland tune
Incipit
Highland Tune Gairdyn Manuscript 279, f. 36 no no
Highland tune
Incipit
Highland Tune Gairdyn Manuscript 354, f. 48 no no
2nd part Highland tune
Incipit, or possibly 2nd strain of a tune.
Highland tune Gairdyn Manuscript 22, f. 3 C 3/4 no no 511 111 51H1H 1H1H1H
Highland tune
Incipit
Highland tune Gairdyn Manuscript 25, f. 3v D ♯♯ ₵ no no 3244 5331 324H4H 5H3H3H1H
Ho tilt & the tilt 
Incipit
Ho Tilt & the Tilt  Gairdyn Manuscript 40, f. 4v no no
Scots Measur
Incipit [Holy Even]
Holy Even Gairdyn Manuscript 278, f. 36 no no
hornpype
incipit
Hornpipe Gairdyn Manuscript 122, f. 19 no no
Hornpipe
Incipit
Hornpipe Gairdyn Manuscript 300, f. 43 no no
How can I be Carlie
Incipit
How can I be Carlie Gairdyn Manuscript 393, f. 54v no no
I burn my brain consumes to ashes
Vocal piece, with words, written in full with correct rhythms
I Burn My Brain Consumes to Ashes Gairdyn Manuscript 264, f. 29v  no no
I Love my Love in Secret
1 strain only 

- I Love my Love in secret, I Love My Love in Secret (from Guthrie Manuscript 39, p. 303) [3155; 6225]
- I Love my Love in secret, I Love My Love in Secret (from Guthrie Manuscript 52, p. 306) [3155; 5555]
- I Love my Love in secret, I Love My Love In Secret (from Bowie Manuscript 52, f. 33v) [3111; 6223]
- I Love my Love in Secret, I Love My Love In Secret (from Thomson Manuscript 3, p. 2) [3215; 5226]
- I Love My Love In Secret , I Love My Love In Secret (from Agnes Hume Manuscript 16, f. 5v) [3111; 6226]
- I love my Love in Secret, I Love My Love in Secret (from MacFarlane Manuscript 2 155, p. 210) [3211; 6226]
- I love my Love in Secret by Mr McLean, I Love My Love In Secret (from McGibbon Manuscript 3, p. 2) [3211; 6226]
- I Love my Love in Secret, I Love my Love in Secret (from McGibbon Manuscript 156, p. 84) [3211; 6226]
- I love my love in secret, I Love My Love in Secret (from James Knox Manuscript 109, f. 29v) [3211; 6225]
 I Love my Love in Secret Gairdyn Manuscript 4, f. 1v C ₵ 1 no no 3215 6226 3H2H1H5 62H2H6H
I wish My Love wer in a mire
Incipit

- I wish my love were in a mire, I Wish My Love Were in a Mire (from Gairdyn Manuscript 344, f. 47) [None; None]
- I wish my love were in a mire, I Wish My Love Were in a Mire (from MacFarlane Manuscript 2 53, p. 108) [1111; 2265]
- I wish my Love were in a Mire, I Wish My Love Were in a Mire (from McGibbon Manuscript 204, p. 100) [1111; 2261]
 I Wish My Love Were in a Mire Gairdyn Manuscript 293, f. 40 no no
I wish my love were in a mire
incipit

- I wish My Love wer in a mire, I Wish My Love Were in a Mire (from Gairdyn Manuscript 293, f. 40) [; ]
- I wish my love were in a mire, I Wish My Love Were in a Mire (from MacFarlane Manuscript 2 53, p. 108) [1111; 2265]
- I wish my Love were in a Mire, I Wish My Love Were in a Mire (from McGibbon Manuscript 204, p. 100) [1111; 2261]
 I Wish My Love Were in a Mire Gairdyn Manuscript 344, f. 47 no no
I would halv my gown made
Incipit

- The gown made, The Gown Made (from Guthrie Manuscript 5, p. 294) [1665; 6665]
- I woul’d ha’e my Gown made, I Would Have My Gown Made (from MacFarlane Manuscript 2 150, p. 206) [3215; 1137]
 I Would Have My Gown Made Gairdyn Manuscript 374, f. 50v no no
I'm the lad that Feeds the cattell
Incipit
I'm the Lad that Feeds the Cattle Gairdyn Manuscript 366, f. 49v no no
Ianthe 2 part
incipit
Ianthe Gairdyn Manuscript 265, f. 31 no no
Since Loves a sweet pasion
Full tune, but approximate rhythms. Song by Henry Purcell from "The Fairy Queen" (Z. 629)

- If loves a sweat pasion, If Love's a Sweet Passion (from Leyden Lyra-viol and Violin Manuscript 17, f. 56v) [535; 554]
- Loves a sweet passion, If Love's a Sweet Passion (from Sinkler Manuscript 20, f. 65) [4431; 4555]
- Since love's a Sweet passion, If Love's A Sweet Passion (from Robert Kelsall Manuscript 344, f. 63v) [444; 435]
 If Love's a Sweet Passion Gairdyn Manuscript 67, f. 10 no no
If you will not take her
incipit
If You Will Not Take Her Gairdyn Manuscript 343, f. 47 no no
Jack Laton
Full version. strains 1-2 have correct rhythms, then approx. 2 strain tune + 1 variation.

- Latin's Jigg Johnson, Latin's Jig (from Robert Kelsall Manuscript 510, f. 106) [1331; 5331]
- Latin's Jigg, Latin's Jig (from Robert Kelsall Manuscript 582, f. 119) [1335; 5331]
- Jack Leighton, Jack Leighton (from Drummond Castle Manuscript 1 2) [1553; 5353]
 Jack Latin
Title (alternative): Jack Leighton; Latin's Jig		 Gairdyn Manuscript 379, f. 52 4 no no 1553 5353 1553 5353
Jamaico
incipit

- Jameca, Jamaica (from Thomson Manuscript 57, p. 39) [1333; 6361]
- Jamaica, Jamaica (from James Knox Manuscript 147, f. 37v) [1113; 6361]
 Jamaica Gairdyn Manuscript 119, f. 19 no no
Jenne Nettles
Incipit

- Janie Nettle, Jenny Nettles (from Panmure Violin Manuscript 2 22, f. 16v) [3577; 4722]
- Jenny Nettles, Jenny Nettles (from MacFarlane Manuscript 3 7, p. 7) [3211; 7747]
 Jenny Nettles Gairdyn Manuscript 281, f. 36 no no
Jige
incipit
Jig Gairdyn Manuscript 112, f. 19 no no
Jige
incipit
Jig Gairdyn Manuscript 190, f. 23v  no no
Jige
incipit
Jig Gairdyn Manuscript 200, f. 24 no no
Jige
incipit
Jig Gairdyn Manuscript 233, f. 26 no no
A Jigge
Full tune, exact rhythms. 
Jig Gairdyn Manuscript 298, f. 41v G ♯ ♯ 3/4 2 no no 5143 5362 5143 536L2
Jockie playes wie Jamie
Incipit only
Jockie Plays With Jamie Gairdyn Manuscript 11, f. 2v A 3/4 no no 134 574 13b4 57b4
John Highland Man Laugh
incipit
John Highlandman Laugh Gairdyn Manuscript 189, f. 23v  no no
McLachlen Scots measure
incipit

- J: Mc: Scotts Measure, John McLachlan’s Scots Measure (from Bowie Manuscript 37, f. 22v) [1155; 5151]
- McLachlens scotts measure, John McLachlan's Scots Measure (from Leyden Lyra-viol and Violin Manuscript 2, f. 50) [1155; 5151]
 John McLachlan's Scots measure Gairdyn Manuscript 173, f. 22v no no
Jump my Joe
incipit
Jump My Joe Gairdyn Manuscript 114, f. 19 no no
Jumping John
Incipit

- Jumping John, Jumping John (from Thomson Manuscript 45, p. 32) [3326; 3211]
- jumping John or Jane plague, Jumping John (from Cameron Manuscript 192, p. 47) [3322; 3211]
- Jumping John , Jumping John (from MacFarlane Manuscript 3 19, p. 11) [3322; 3211]
 Jumping John Gairdyn Manuscript 361, f. 49 no no
Kanty [?] 
incipit
Kanty Gairdyn Manuscript 244, f. 26v no no
Cathrin Ogie
Incipit

- Kathren Oggie, Katherine Oggie (from Panmure Violin Manuscript 1 73, f. 36) [5117; 2111]
- Ketron Ogie, Katherine Oggie (from Guthrie Manuscript 27, p. 299) [5111; 2111]
- Catharin Logie, Katherine Oggie (from Bowie Manuscript 30, f. 19v) [5111; 3217]
- Catherne Logie, Katherine Oggie (from Leyden Lyra-viol and Violin Manuscript 20, f. 58) [3325; 4443]
- Katherine Ogie, Katherine Oggie (from Robert Kelsall Manuscript 303, f. 54v) [5111; 3217]
- Katherine Ogie, Katherine Oggie (from Robert Kelsall Manuscript 310, f. 56) [5117; 2112]
- Katharine Ogie. Disb., Katherine Oggie (from MacFarlane Manuscript 2 29, p. 58) [5111; 3211]
- Katharine Ogie, Katherine Oggie (from James Knox Manuscript 144, f. 37) [5111; 3217]
 Katherine Oggie Gairdyn Manuscript 396, f. 54v no no
Kick the world before you
Full tune, approx rhythms

- Kick the World Before you, Kick the World Before You (from Drummond Castle Manuscript 1 46, ) [327; 321]
- Kick the World before you, Kick the World Before You (from MacFarlane Manuscript 2 19, p. 45) [327; 321]
 Kick the World Before You Gairdyn Manuscript 370, f. 50 no no
Gillecrankie
incipit

- Killie Krankie, Killiecrankie (from Thomson Manuscript 27, p. 20) [5555; 5555]
- Killie Krankie, Killiecrankie (from Thomson Manuscript 58, p. 40) [1111; 1116]
- Gillecrankie, Killiecrankie (from MacFarlane Manuscript 2 159, p. 216) [5555; 2255]
- Killicrancky, Killiecrankie (from MacFarlane Manuscript 3 114, p. 85) [3344; 3435]
 Killiecrankie Gairdyn Manuscript 181, f. 23 no no
King Georges eldest son
Incipit
King George's Eldest Son Gairdyn Manuscript 353, f. 48 no no
[La Folia]
Full theme, plus single bar of 1st variation

- Haille great Sir, All Joy to Great Caesar (from Gairdyn Manuscript 19, f. 3) [112; 177]
- All Joy to great Caesar, All Joy to Great Caesar (from Robert Kelsall Manuscript 196, f. 30v) [111; 777]
- Joy to great Cesar, All Joy to Great Caesar (from MacFarlane Manuscript 3 195, p. 168) [111; 777]
 La Folia
Title (alternative): All Joy to Great Caesar		 Gairdyn Manuscript 91, f. 15v B ♯♯ 3/4 1 no no 111 777 111 7L7L7L
The Lads of duns 1729
Whole tune, but very approximate rhythms. Index reconstructed by cross-reference with MacFarlane 3.

- Lads of Duns, Lads of Duns (from MacFarlane Manuscript 3 22, p. 12) [5116; 6562]
 Lads of Duns Gairdyn Manuscript 1, f. 1 D ₵ 2 no no 5116 6572 5116 6572
yellow Coatie
Full tune, but rhythms approximate

- Lassie with the yellow Coatie, Lassie With the Yellow Coatie (from Drummond Castle Manuscript 1 37, ) [1151; 6166]
 Lassie With the Yellow Coatie Gairdyn Manuscript 44, f. 5 G ₵ 2 no no 1151 6161 1151H 61H61H
Laugh Wanton Highland
incipit
Laugh Wanton Highlandman Gairdyn Manuscript 224, f. 25v no no
Logan water
incipit

- Logan Water, Logan Water (from MacFarlane Manuscript 2 20, p. 46) [3212; 7477]
 Logan Water Gairdyn Manuscript 339, f. 46v no no
My Lord Cranston Minuet May 1735
Incipit

- Minuet, Lord Cranston's Minuet (from Robert Kelsall Manuscript 412, f. 79) [133; 112]
- Lord Cranston, Lord Cranston's Minuet (from MacFarlane Manuscript 2 72, p. 122) [133; 112]
 Lord Cranston's Minuet Gairdyn Manuscript 377, f. 51 no no
Love lies a bleeding
Incipit
Love Lies a Bleeding Gairdyn Manuscript 383, f. 53v no no
Love is the cause of my Mourning
Incipit. Looks like either double stops or corrections on first 4 notes.

- Love is the Caues of My mornen, Love is the Cause of my Mourning (from Bowie Manuscript 7, f. 6v) [1313; 4312]
- Love is the caus of my mourning , Love is the Cause of My Mourning  (from Leyden Lyra-viol and Violin Manuscript 3, f. 50v) [133; 331]
- Love is the Cause of my mourning, Love is the Cause of My Mourning (from MacFarlane Manuscript 2 129, p. 189) [133; 333]
- Love is the Cause of my mourning, Love is the Cause of my Mourning (from MacFarlane Manuscript 3 237, p. 213) [133; 333]
- Love is the Cause of my mourning, Love is the Cause of my mourning (from McGibbon Manuscript 113, p. 67) [133; 333]
 Love is the Cause of My Mourning Gairdyn Manuscript 385, f. 53v no no
Lumps of Puddings
Incipit

- Sweet pudding, Sweet Pudding (from Sinkler Manuscript 27, f. 63v) [3151; 2747]
- Lumps of Pudding, Lumps of Pudding (from Robert Kelsall Manuscript 166, f. 27) [3351; 2247]
- Lumps of Pudding, Lumps of Pudding (from McGibbon Manuscript 61, p. 40) [1151; 2747]
 Lumps of Puddings Gairdyn Manuscript 39, f. 4v G ♭ 6/4 no no 3151 - 3b151 -
Mcdonalds Rant
Full tune, but rhythms approximate, and barlines in wrong place.

- Macdonald’s Rant, MacDonald's Rant (from Young-Bodleian 43, f. 47) [3552; 4266]
- Sir Alexr Macdonalds Reel, Sir Alexander MacDonald's Reel (from MacFarlane Manuscript 2 169, p. 224) [3532; 4266]
 MacDonald's Rant
Title (alternative): Sir Alexander MacDonald's Reel		 Gairdyn Manuscript 43, f. 5 D ♯♯ ₵ 2 no no 3513 4266 351H3H 4H2H66
Mcpherson's Rant 
incipit

- Mcfarsances tesment, MacPherson’s Rant (from Sinkler Manuscript 14, f. 66v) [1122; 1165]
- Mcpherson’s Rant, MacPherson’s Rant (from Young-Bodleian 30, f. 34) [1122; 1766]
- Macphersons Rant, MacPherson's Rant (from MacFarlane Manuscript 3 291, p. 287) [1122; 1766]
 MacPherson's Rant Gairdyn Manuscript 46, f. 5v C ₵ no no 1122 1766 1H1H2H2H 1H766
Madam Violanti's minuet by Mr McGibbon
Full tune, exact rhythms etc. Opening key sig should be #. G minor (bb) st 3-4.

- Ditto by Mr McLean, Madam Violante’s Minuet by McLean (from Gairdyn Manuscript 406, f. 57) [354; 321]
- Madam Violante’s Minuet, by Mr McGibbon wt Variations, Madam Violante’s Minuet (from McGibbon Manuscript 44, p. 30) [356; 771]
 Madam Violante’s Minuet by McGibbon Gairdyn Manuscript 405, f. 56v G ♯♯ ♯♯ 3/4 3/4 4 no no 356 334 356 334
Ditto by Mr McLean
Full tune, exact rhythms etc. St 3-4 should all be G minor (bb)

- Madam Violanti's minuet by Mr McGibbon, Madam Violante’s Minuet by McGibbon (from Gairdyn Manuscript 405, f. 56v) [356; 334]
- Madam Violante’s Minuet, by Mr McGibbon wt Variations, Madam Violante’s Minuet (from McGibbon Manuscript 44, p. 30) [356; 771]
 Madam Violante’s Minuet by McLean Gairdyn Manuscript 406, f. 57 G ♯ 3/4 3/4 4 no no 354 321 354 321
March
Longer setting, approx rhythms
March Gairdyn Manuscript 61, f. 9 2 no no
March
full tune, approx rhythms
March Gairdyn Manuscript 72, f. 11v no no
March
incipit
March Gairdyn Manuscript 168, f. 22 no no
March 
incipit
March  Gairdyn Manuscript 106, f. 18v no no
Mall borrow March
March and Minuet pair. Notated in full, actual rhythms

- [Malborough March], Marlborough March (from Thomson Manuscript 67, p. 45) [5353; 5551]
 Marlborough March Gairdyn Manuscript 95, f. 16v C ₵ ₵ 3 no no 5353 5551 5H3H5H3H 5H5H5H1H
Mary Scot's the Flower of yearow
Incipit only. Rhythms / key taken from McGibbon. Concordances (other): “Mary Scot”, Thumoth Scotch & Irish. “Mary Scot”, McGibbon Scots Tunes Vol 2, p. 60. “Mary Scott”, Oswald CPC 1, p. 4.

- Mary Scott, Mary Scott (from Agnes Hume Manuscript 1, f. 1) [1555; 2111]
- Mary Scott, Mary Scott (from Agnes Hume Manuscript 4, f. 2) [1555; 2111]
- Mary Scott, Mary Scott (from Cuming Manuscript 8, p. 10) [113; 553]
- Mary Scot, Mary Scott (from Robert Kelsall Manuscript 290, f. 50v) [113; 556]
- Mary Scott, Mary Scott (from Robert Kelsall Manuscript 580, f. 118v) [113; 556]
- Mary Scott, Mary Scott (from MacFarlane Manuscript 3 238, p. 214) [113; 556]
 Mary Scott
Title (alternative): When the Cold Winter Nights Were Frozen; The Banks of Yaro; Sir John Fenwick’s the Flower Amang Them All		 Gairdyn Manuscript 15, f. 2v D ♯♯ 3/4 no no 113 555 113 555
Minuet
Incipit only. rhythms approximate
Minuet Gairdyn Manuscript 16, f. 3 C 3/4 no no 352 331 352H 3H3H1H
Minuet
Incipit only. rhythms approximate
Minuet Gairdyn Manuscript 17, f. 3 C 3/4 no no 355 515 355 515H
Minuet
Incipit
Minuet Gairdyn Manuscript 21, f. 3 D ♭ 3/4 no no 331 456 3bH3bH1H 4H5H6bH
Minuet
Incipit. Uses double stops 
Minuet Gairdyn Manuscript 23, f. 3v D ♭ 3/4 no no 223 222 2H2H3bH 2H2H2H
Minuet
Incipit. classic minuet melodic / rhythmic cliches
Minuet Gairdyn Manuscript 24, f. 3v B♭ ♭♭ 3/4 no no 111 111 111 111
Minuet
full piece, but rhythms / barring very approximate
Minuet Gairdyn Manuscript 52, f. 7 2 no no
Minuet
full piece, but rhythms / barring very approximate
Minuet Gairdyn Manuscript 53, f. 7 2 no no
Minuet
Incipit
Minuet Gairdyn Manuscript 57, f. 8 2 no no
Minuet
incipit
Minuet Gairdyn Manuscript 74, f. 12 no no
Minuet
incipit
Minuet Gairdyn Manuscript 75, f. 12 no no
Minuet
Full tune, including time sig [3], but rhythms approx
Minuet Gairdyn Manuscript 78, f. 12v no no
Minuet
incipit
Minuet Gairdyn Manuscript 79, f. 12v no no
Mineuet
full tune, rhythms approx
Minuet Gairdyn Manuscript 88, f. 14v no no
Minuet
full tune, approx rhythms
Minuet Gairdyn Manuscript 100, f. 18 no no
Minuet
incipit
Minuet Gairdyn Manuscript 101, f. 18 no no
Minuet
incipit
Minuet Gairdyn Manuscript 102, f. 18 no no
Minuet
incipit
Minuet Gairdyn Manuscript 113, f. 19 no no
Minuet
incipit
Minuet Gairdyn Manuscript 118, f. 19 no no
Minwet
incipit
Minuet Gairdyn Manuscript 123, f. 19 no no
Minwet
incipit
Minuet Gairdyn Manuscript 124, f. 19 no no
Minwet
incipit
Minuet Gairdyn Manuscript 126, f. 19v no no
Minwet
incipit
Minuet Gairdyn Manuscript 127, f. 19v no no
Minwet
incipit
Minuet Gairdyn Manuscript 131, f. 19v no no
Minuett
incipit
Minuet Gairdyn Manuscript 132, f. 19v no no
Minuet
incipit
Minuet Gairdyn Manuscript 136, f. 19v no no
Minuet
incipit
Minuet Gairdyn Manuscript 141, f. 20 no no
Minuet
incipit
Minuet Gairdyn Manuscript 143, f. 20 no no
Minuett
incipit
Minuet Gairdyn Manuscript 145, f. 20 no no
Minuett
incipit
Minuet Gairdyn Manuscript 148, f. 20v no no
Minuet
incipit
Minuet Gairdyn Manuscript 153, f. 21 no no
Minuet
incipit
Minuet Gairdyn Manuscript 155, f. 21 no no
Minuet de p[?]
full tune, rhythms approx
Minuet Gairdyn Manuscript 159, f. 21 no no
Minuet
incipit
Minuet Gairdyn Manuscript 161, f. 22 no no
Minuet
Full tune, approx rhythms
Minuet Gairdyn Manuscript 166, f. 22 no no
Minuet
incipit
Minuet Gairdyn Manuscript 169, f. 22 no no
Minuet
incipit
Minuet Gairdyn Manuscript 172, f. 22v  no no
Minuet
incipit
Minuet Gairdyn Manuscript 174, f. 22v  no no
Minuet
incipit
Minuet Gairdyn Manuscript 175, f. 22v  no no
Minuet
incipit
Minuet Gairdyn Manuscript 177, f. 22v  no no
Minuet
incipit
Minuet Gairdyn Manuscript 179, f. 23 no no
Minuet
incipit
Minuet Gairdyn Manuscript 180, f. 23 no no
Minuet
incipit
Minuet Gairdyn Manuscript 186, f. 23v  no no
Minuet
incipit
Minuet Gairdyn Manuscript 187, f. 23v  no no
Minuet
incipit
Minuet Gairdyn Manuscript 188, f. 23v  no no
Minuet
incipit
Minuet Gairdyn Manuscript 192, f. 23v  no no
Minuet
incipit
Minuet Gairdyn Manuscript 193, f. 23v  no no
Minuet
incipit
Minuet Gairdyn Manuscript 194, f. 24 no no
Minuet
incipit
Minuet Gairdyn Manuscript 195, f. 24 no no
Minuet
incipit
Minuet Gairdyn Manuscript 199, f. 24 no no
Minuet
incipit
Minuet Gairdyn Manuscript 201, f. 24 no no
Minuet
incipit
Minuet Gairdyn Manuscript 202, f. 24 no no
Minuet
incipit
Minuet Gairdyn Manuscript 203, f. 24v  no no
Minuet
incipit
Minuet Gairdyn Manuscript 205, f. 24v  no no
Minuet
incipit
Minuet Gairdyn Manuscript 209, f. 24v  no no
Minuet
incipit
Minuet Gairdyn Manuscript 215, f. 25 no no
Minuet
incipit
Minuet Gairdyn Manuscript 216, f. 25 no no
Minuet
incipit
Minuet Gairdyn Manuscript 217, f. 25 no no
Minuet
incipit
Minuet Gairdyn Manuscript 218, f. 25 no no
Minuet
incipit
Minuet Gairdyn Manuscript 226, f. 25v no no
Minuet
incipit
Minuet Gairdyn Manuscript 227, f. 25v no no
Minuet
incipit
Minuet Gairdyn Manuscript 234, f. 26 no no
Minuet
incipit
Minuet Gairdyn Manuscript 235, f. 26 no no
Minuet
incipit
Minuet Gairdyn Manuscript 236, f. 26 no no
No[vember] 8th [1]700 Minuet
incipit
Minuet Gairdyn Manuscript 237, f. 26v no no
Minuet
incipit
Minuet Gairdyn Manuscript 238, f. 26v no no
August 1701 Minuet
incipit
Minuet Gairdyn Manuscript 240, f. 26v no no
Minuet
incipit
Minuet Gairdyn Manuscript 241, f. 26v no no
Minuet
incipit
Minuet Gairdyn Manuscript 242, f. 26v no no
Minuet
incipit
Minuet Gairdyn Manuscript 243, f. 26v no no
Minuet
incipit
Minuet Gairdyn Manuscript 245, f. 27 no no
Minuet
incipit
Minuet Gairdyn Manuscript 246, f. 27 no no
Minuet
incipit
Minuet Gairdyn Manuscript 248, f. 27 no no
Minuet
incipit
Minuet Gairdyn Manuscript 249, f. 27 no no
Jan 1703 Minuet
incipit
Minuet Gairdyn Manuscript 252, f. 27 no no
Minuet
incipit
Minuet Gairdyn Manuscript 253, f. 27 no no
Minuet
incipit
Minuet Gairdyn Manuscript 254, f. 27 no no
Minuet
incipit
Minuet Gairdyn Manuscript 255, f. 27 no no
Minuet
Incipit
Minuet Gairdyn Manuscript 258, f. 28 no no
Minuet
incipit
Minuet Gairdyn Manuscript 260, f. 28 no no
Minuet
incipit - rhythms a bit easier to reconstruct. Some ornaments
Minuet Gairdyn Manuscript 271, f. 34 no no
Minuet
“Brone 1700”. incipit
Minuet Gairdyn Manuscript 277, f. 36 no no
Minuet 11 Aprile 1710
Incipit
Minuet Gairdyn Manuscript 287, f. 40 no no
Minuet
Incipit
Minuet Gairdyn Manuscript 294, f. 40v no no
Minuet
Incipit
Minuet Gairdyn Manuscript 302, f. 43 no no
Minuet
Incipit
Minuet Gairdyn Manuscript 303, f. 43 no no
Minuet
Incipit
Minuet Gairdyn Manuscript 304, f. 43 no no
Minuet
Incipit
Minuet Gairdyn Manuscript 305, f. 43 no no
Minuet
incipit
Minuet Gairdyn Manuscript 333, f. 46 no no
Minuet
incipit
Minuet Gairdyn Manuscript 346, f. 47 no no
Minuet
Incipit.
Minuet Gairdyn Manuscript 358, f. 48v no no
Minuet
Incipit
Minuet Gairdyn Manuscript 399, f. 55 no no
Minuet Dolfin
incipit

- Meneut Dolphin, Minuet Dolphin (from Newbattle Violin Manuscript 2 17, f. 7) [1355; 1355]
- Minuet Dolfine, Minuet Dolphin (from Gairdyn Manuscript 184, f. 23) [; ]
 Minuet Dolphin Gairdyn Manuscript 182, f. 23 no no
Minuet Dolfine
incipit

- Meneut Dolphin, Minuet Dolphin (from Newbattle Violin Manuscript 2 17, f. 7) [1355; 1355]
- Minuet Dolfin, Minuet Dolphin (from Gairdyn Manuscript 182, f. 23) [; ]
 Minuet Dolphin Gairdyn Manuscript 184, f. 23 no no
Minuet 
incipit
Minuet  Gairdyn Manuscript 103, f. 18 no no
Minuet 
full tune, approx rhythms
Minuet  Gairdyn Manuscript 104, f. 18v no no
Minuet 
incipit
Minuet  Gairdyn Manuscript 108, f. 18v no no
Minuet 
incipit
Minuet  Gairdyn Manuscript 109, f. 18v no no
Minuet 
incipit
Minuet  Gairdyn Manuscript 111, f. 18v no no
Minuet 
incipit
Minuet  Gairdyn Manuscript 208, f. 24v  no no
Minuet 
incipit
Minuet  Gairdyn Manuscript 210, f. 24v  no no
Minuet 
incipit
Minuet  Gairdyn Manuscript 212, f. 25 no no
Minuet 
incipit
Minuet  Gairdyn Manuscript 213, f. 25 no no
Ms Bracegirdle
incipit
Ms Bracegirdle Gairdyn Manuscript 322, f. 45 no no
Murray's March
full setting, rhythms more exact. ornament symbols
Murray's March Gairdyn Manuscript 272, f. 34v  no no
Must then a faithful lover go
vocal piece, with words, written in full with correct rhythms
Must Then a Faithful Lover Go Gairdyn Manuscript 266, f. 31v no no
My Apron Diry
incipit
My Apron Deary Gairdyn Manuscript 323, f. 45 no no
My dirie an't thou die
Incipit

- My Derrie and thou die, My Dearie an Thou Die (from Newbattle Violin Manuscript 2 27, f. 12v) [1555; 5553]
- My Dearie an thou die. Disblair, My Dearie an Thou Die (from MacFarlane Manuscript 2 78, p. 126) [3777; 5311]
 My Dearie An Thou Die Gairdyn Manuscript 394, f. 54v no no
My Love's Fair, My love's rare
Incipit
My Love's Fair, My Love's Rare Gairdyn Manuscript 386, f. 53v no no
Ap: 14 1700 My Miny forbade me when I was young
incipit

- My Minnie forbid me, My Miny Forbade Me (from MacFarlane Manuscript 2 164, p. 221) [1127; 1531]
 My Miny Forbade Me Gairdyn Manuscript 223, f. 25v no no
The last part of my Nanio
2nd strain only?
My Nanio Gairdyn Manuscript 94, f. 16 1 no no
The last pt of My Nanio
2nd strain only? rhythms and barring more exact
My Nanio Gairdyn Manuscript 261, f. 28v 1 no no
My Wyfe she'l never be guided
Incipit

- My Wife she canno’ be guided, My Wife She Cannot Be Guided (from MacFarlane Manuscript 3 173, p. 136) [1615; 7777]
 My Wife She Cannot Be Guided Gairdyn Manuscript 357, f. 48v no no
Nansy's to the green wood gane
Incipit only. rhythms / key  extrapolated from Oswald CPC. Looks like first bar should correspond to bb 1-2 of tune. Concordances (other): “Nancy’s to the Green Wood gane”, Oswald CPC 1, p. 3.
Nansy's to the Greenwood Gane Gairdyn Manuscript 7, f. 1v D ♯♯ ₵ no no 5553 2166 5553 2166
New Country Dance 
incipit
New Country Dance  Gairdyn Manuscript 191, f. 23v  no no
New Minuet 
incipit
New Minuet  Gairdyn Manuscript 197, f. 24 no no
Ow'r the hills and far away
incipit

- My plaid away, My Plaid Away (from Sinkler Manuscript 18, f. 65v) [1113; 1165]
- Over the hill’s & far awar, O'er the Hills and Far Away (from Robert Kelsall Manuscript 89, f. 16) [1113; 1666]
- O’er the hills & far awa, O’er the Hills and Far Away (from MacFarlane Manuscript 3 13, p. 9) [1113; 1665]
 O'er the Hills and Far Away
Title (alternative): My Plaid Away		 Gairdyn Manuscript 275, f. 35v no no
Old Minuet
Incipit
Old Minuet Gairdyn Manuscript 381, f. 53 no no
Pease strae
Incipit only.

- Pease Strae, Pease Strae (from MacFarlane Manuscript 2 6, p. 14) [1343; 2577]
 Pease Strae Gairdyn Manuscript 5, f. 1v D ♯ ₵ no no 1343 2577 1H3H4H3H 2H57b7b
Peggie in devotion bred From tender years
Incipit

- [Peggie in Devotion], Peggie in Devotion (from Thomson Manuscript 63, p. 43) [1351; 5533]
- A Country Dance, Peggie in Devotion (from Robert Kelsall Manuscript 72, f. 13v) [1351; 5533]
- Peggie in Devotion, Peggie in Devotion (from MacFarlane Manuscript 3 213, p. 193) [1351; 5533]
 Peggie In Devotion Gairdyn Manuscript 403, f. 56 no no
another Philander
incipit
Philander Gairdyn Manuscript 231, f. 26 no no
Another [Philander] 
incipit
Philander Gairdyn Manuscript 232, f. 26 no no
Pinkie house
Incipit

- Pinkie house. MacLean., Pinkie House (from MacFarlane Manuscript 2 110, p. 154) [3332; 5551]
- Pinkie House by Mr McLean, Pinkie House (from McGibbon Manuscript 73, p. 46) [3332; 5555]
 Pinkie House Gairdyn Manuscript 400, f. 55 no no
Polwarth on the greene
Incipit

- Polwarth on the Green. Craig., Polwarth on the Green (from MacFarlane Manuscript 2 13, p. 34) [3254; 5511]
 Polwarth on the Green Gairdyn Manuscript 288, f. 40 no no
prelude
5-bar prelude in G Major
Prelude Gairdyn Manuscript 92, f. 15v G ♯ C 1 no no 1355 1327 1355 1327L
Prince Loves March
Looks like full tune, rhythms look almost correct, though all in white notes. key sig missing
Prince Love's March Gairdyn Manuscript 80, f. 13 no no
Pudding pyes
Incipit only. rhythms / key extrapolated from Playford. Concordances (other): “Puddings and Pies”, Playford Dancing Master (1698), 406.

- pudings and pyes, Pudding Pies (from Cameron Manuscript 242, p. 58) [6765; 2267]
- Pudding Pyes, Pudding Pies (from MacFarlane Manuscript 3 17, p. 11) [6765; 2267]
 Pudding Pies Gairdyn Manuscript 12, f. 2v D ♯♯ 6/4 no no 6715 2267 671H5 2267
Ranting roaring willie
Incipit

- Ratling roaring Willie, Ranting Roaring Willie (from Gairdyn Manuscript 38, f. 4) [513; 776]
- Ranting roring Willie, Ranting Roaring Willie (from Robert Kelsall Manuscript 146, f. 24) [513; 714]
- Rattling Roaring Willy, Ranting Roaring Willie (from MacFarlane Manuscript 2 2, p. 2) [313; 744]
 Ranting Roaring Willie Gairdyn Manuscript 33, f. 4 no no
Ratling roaring Willie
Incipit

- Ranting roaring willie, Ranting Roaring Willie (from Gairdyn Manuscript 33, f. 4) [None; None]
- Ranting roring Willie, Ranting Roaring Willie (from Robert Kelsall Manuscript 146, f. 24) [513; 714]
- Rattling Roaring Willy, Ranting Roaring Willie (from MacFarlane Manuscript 2 2, p. 2) [313; 744]
 Ranting Roaring Willie Gairdyn Manuscript 38, f. 4 D ♯ 9/8 no no 513 776 513 7b7b6
Remember o thou man
Incipit
Remember o Thou Man Gairdyn Manuscript 376, f. 50v no no
Ross Mayth Country dance
incipit
Ross Mayth Country Dance Gairdyn Manuscript 147, f. 20 no no
The Round Dozen
incipit
Round Dozen Gairdyn Manuscript 196, f. 24 no no
Britania
Incipit, rhythms very approximate - signs of aural circulation
Rule Britannia Gairdyn Manuscript 50, f. 6v C C no no 1115 2435 1H1H1H5H 2H4H3H5
Sarabin
incipit
Sarabande Gairdyn Manuscript 117, f. 19 no no
Sarabin
incipit
Sarabande Gairdyn Manuscript 137, f. 19v no no
Sarabande
incipit
Sarabande Gairdyn Manuscript 220, f. 25 no no
Saw ye my pegie
Incipit - barlines in wrong places.

- Saw you my Love Migey Linken over the Lee, Saw Ye No My Peggie (from Thomson Manuscript 7, p. 5) [663; 552]
- Saw ye not my Meggie. divisions 1720, Saw Ye No My Peggie (from Clerk of Penicuik Papers 21, GD18/4538/5/7) [663; 552]
- [Saw Ye No My Peggie], Saw Ye No My Peggie (from Sinkler Manuscript 54, f. 58v) [663; 253]
- Saw ye nae my Peggie, Saw Ye No My Peggie (from McGibbon Manuscript 107, p. 65) [665; 554]
- Saw ye my Peggy, Saw Ye No My Peggie (from James Knox Manuscript 172, f. 43v) [665; 555]
 Saw Ye No My Peggie Gairdyn Manuscript 26, f. 3v B♭ ♭ 3/2 no no 665 555 665 555
highland air or A Scots chacune
Incipit, but clearly same piece as A Scots Chaconne from Bowie.

- the Scots Chaconne, Scots Chaconne (from Bowie Manuscript 22, f. 14v) [3342; 1155]
- The Scots Shochone, Scots Chaconne (from Leyden Lyra-viol and Violin Manuscript 43, f. 68v) [3342; 1155]
- Scoth chacon, Scots Chaconne (from Robert Kelsall Manuscript 586, f. 121) [1H1H2H7; 663H3H]
 Scots Chaconne
Title (alternative): Highland Air		 Gairdyn Manuscript 257, f. 28 no no
A Scots-measure
Full tune, but approx rhythms.

- The maltman or Roger the Cavalier, The Maltman Comes On Monday (from Cuming Manuscript 24, p. 29) [615; 627]
- Rodger, Roger de Coverley (from Robert Kelsall Manuscript 287, f. 49v) [615; 726]
- Roger de Coverley, Roger de Coverley (from Robert Kelsall Manuscript 645, f. 137) [615; 227]
- The Maltman, The Maltman Comes On Monday (from Drummond Castle Manuscript 1 11) [615; 727]
- The Maltman comes on monday. Dis, The Maltman Comes On Monday (from MacFarlane Manuscript 2 40, p. 76) [635; 727]
- The Maltman, The Maltman Comes On Monday (from James Knox Manuscript 67, f. 24) [615; 327]
 Scots Measure
Title (alternative): Sir Roger de Coverley		 Gairdyn Manuscript 64, f. 9v no no
Scots Mesuer
Full tune plus actual rhythms
Scots Measure Gairdyn Manuscript 96, f. 17 G ♯ ₵ 2 no no 1355 5522 1355 5522
Scots M[easure]
incipit. Tune crossed out
Scots Measure Gairdyn Manuscript 121, f. 19 no no
Scots measure
incipit
Scots Measure Gairdyn Manuscript 152, f. 20v no no
Scots measure
incipit
Scots Measure Gairdyn Manuscript 156, f. 21 no no
Scotts measure
incipit
Scots Measure Gairdyn Manuscript 158, f. 21 no no
Scots Measure
incipit
Scots Measure Gairdyn Manuscript 160, f. 21 no no
Scots measure
incipit
Scots Measure Gairdyn Manuscript 170, f. 22v  no no
Scots Meas-
incipit
Scots Measure Gairdyn Manuscript 214, f. 25 no no
Scots measure
incipit
Scots Measure Gairdyn Manuscript 250, f. 27 no no
Scots Measure
1 strain only, full rhythms
Scots Measure Gairdyn Manuscript 315, f. 44v 1 no no
Scots measure
incipit
Scots Measure Gairdyn Manuscript 321, f. 45 no no
Scots Measure 
incipit
Scots Measure  Gairdyn Manuscript 207, f. 24v  no no
she got the thing she earnd for
Incipit
She Got the Thing She Earned For Gairdyn Manuscript 297, f. 41v no no
She rose and let me in
Incipit only. Originally a London "Scotch" tune, with words by Thomas D'Urfey.

- She rose and let me in, She Rose and Let Me In (from MacFarlane Manuscript 3 80, p. 63) [1551; 7755]
- She rose and let me in, She Rose and Let Me In (from MacFarlane Manuscript 3 234, p. 210) [1551; 7754]
- She rose and let me in, She Rose and Let Me In (from McGibbon Manuscript 182, p. 92) [1551; 7756]
 She Rose and Let Me In Gairdyn Manuscript 369, f. 49v no no
So Mirry as whe have been
1 strain tune, rhythms approximate

- So merry as we have been, So Merry As We Have Been (from MacFarlane Manuscript 2 109, p. 152) [121; 553]
 So Merry As We Have Been Gairdyn Manuscript 2, f. 1 D ♯♯ 3/4 1 no no 135 131 135 131H
A Spainish Jige
1 strain tune, approx rhythms
Spanish Jig Gairdyn Manuscript 65, f. 10 1 no no
Stage tune
Incipit
Stage Tune Gairdyn Manuscript 364, f. 49 no no
Stay and take your Breeks w'ye 
incipit

- Stay and take your Breecks with you, Stay and Take Your Breeks With You (from Thomson Manuscript 54, p. 38) [1122; 1113]
 Stay and Take Your Breeks With You Gairdyn Manuscript 164, f. 22 no no
Steer her up
incipit

- Hold her going, Steer Her Up and Had Her Gaun (from Guthrie Manuscript 25, p. 299) [1533; 2277]
- Steer Her Up and Had Her Gaun, Steer Her Up and Had Her Gaun (from Cuming Manuscript 3, p. 4) [1133; 1355]
- Steer her up and had her gaing, Steer Her Up and Had Her Gaun (from MacFarlane Manuscript 2 216, p. 266) [1133; 1355]
 Steer Her Up and Had Her Gaun Gairdyn Manuscript 171, f. 22v no no
Such commands are my fate 
Full tune, approx rhythms
Such Commands Are My Fate  Gairdyn Manuscript 82, f. 13v no no
Sugar Candie
incipit. crossed out

- Shes sweet like sugarcandie, Sweet Like Sugar Candie (from Agnes Hume Manuscript 18, f. 10v) [3571; 4472]
- Sweet like Sugar Candie, Sweet Like Sugar Candie (from MacFarlane Manuscript 2 44, p. 88) [3571; 4472]
- Sweet as Sugar Candie, Sweet Like Sugar Candie (from McGibbon Manuscript 128, p. 73) [3571; 4472]
 Sugarcandy Gairdyn Manuscript 183, f. 23 no no
Lasses Gar your Tales todell
full version, approx rhythms [1st strain crossed out]

- Taill todle, Tail Toddle (from Gairdyn Manuscript 378, f. 51v) [1343; 1327]
- [Tail Toddle], Tail Toddle (from Sinkler Manuscript 52, f. 59) [1131; 4427]
- Lasses gar your Tails Todle, Tail Toddle (from George Skene Manuscript 37, f. 12) [1344; 1327]
- Tail Todle, Tail Toddle (from Drummond Castle Manuscript 2 14) [1341; 1327]
 Tail Toddle Gairdyn Manuscript 350, f. 47v no no
Taill todle
Full setting, correct rhythms. Close to George Skene version

- Lasses Gar your Tales todell, Tail Toddle (from Gairdyn Manuscript 350, f. 47v) [None; None]
- [Tail Toddle], Tail Toddle (from Sinkler Manuscript 52, f. 59) [1131; 4427]
- Lasses gar your Tails Todle, Tail Toddle (from George Skene Manuscript 37, f. 12) [1344; 1327]
- Tail Todle, Tail Toddle (from Drummond Castle Manuscript 2 14) [1341; 1327]
 Tail Toddle Gairdyn Manuscript 378, f. 51v D ♯♯ ♯♯ ₵ 3 no no 1343 1327 1H3H4H3H 1H3H2H7
Birks of Abergeldy
Incipit only. Rhythms / key  extrapolated from Atkinson & Playford OST. Rhythm of bb. 2-3 should be mcc, mcc. Concordances (other): “Aber Geldy”, Atkinson MS p. 111. “The Berks of Abergelde”, Playford OST, p. 11.

- The Birks of Abbergaldie, The Birks of Abergeldy (from Thomson Manuscript 20, p. 14) [1135; 1177]
 The Birks of Abergeldy Gairdyn Manuscript 8, f. 1v F ♭ ₵ no no 1135 1H1H77 1135 1H1H77
Birks of Invermay
Full tune, looks like most rhythms right, but some misbarring

- The Birks of Endermay, The Birks of Invermay (from Robert Kelsall Manuscript 517, f. 107) [5552; 2266]
- Birks of Invermay. MacLean., The Birks of Invermay (from MacFarlane Manuscript 2 210, p. 254) [5552; 2266]
- The Birks of Invermay, The Birks of Invermay (from McGibbon Manuscript 78, p. 50) [5552; 2266]
 The Birks of Invermay Gairdyn Manuscript 412, f. 58 no no
The bishops gown
incipit
The Bishop's Gown Gairdyn Manuscript 165, f. 22 no no
The Boatman
Incipit

- The Bonny Boatman, The Boatman (from Robert Kelsall Manuscript 330, f. 60) [5555; 4255]
 The Boatman Gairdyn Manuscript 301, f. 43 no no
The bonnyest lass in a the warld
Incipit

- The boniest lass in all the World, The Bonniest Lass in All the World (from Robert Kelsall Manuscript 302, f. 54) [3561; 2265]
- The bonniest Lass in a’ the world, The Bonniest Lass in a’ the World (from MacFarlane Manuscript 2 102, p. 145) [3361; 2265]
 The Bonniest Lass in a the World Gairdyn Manuscript 312, f. 43v no no
Bonny Gray head morn
incipit

- The Gray Eyed Morning, The Bonny Gray Eyed Morn (from Leyden Lyra-viol and Violin Manuscript 13, f. 55v) [1132; 3555]
- The Gray Eyed Morn, The Bonny Gray Eyed Morn (from Thomson Manuscript 32, p. 24) [1132; 3555]
- Gray Morning, The Bonny Gray Eyed Morn (from Sinkler Manuscript 13, f. 67) [1132; 3555]
- The Bonny gray-Ey'd morning, The Bonny Gray Eyed Morn (from Robert Kelsall Manuscript 360, f. 115v) [1132; 3555]
- Bonny gray eyed Morning, The Bonny Gray Eyed Morn (from MacFarlane Manuscript 3 15, p. 10) [1112; 3555]
 The Bonny Gray Eyed Morn Gairdyn Manuscript 134, f. 19v no no
The broom of coudingknoes
Incipit
The Broom of Cowdinknows Gairdyn Manuscript 30, f. 3v G C no no 2255 5211 2255 5211H
Traquair
Incipit only

- Traquair, The Bush Aboon Traquair (from Gairdyn Manuscript 41, f. 4v) [3511; 2222]
- The Flames of Love hath perced me or Traquair, The Flames of Love Hath Pierced Me (from Gairdyn Manuscript 351, f. 47v) [; ]
- The flames of Love hath peirced me, The Flames of Love Hath Pierced Me (from Gairdyn Manuscript 363, f. 49) [; ]
 The Bush Aboon Traquair Gairdyn Manuscript 3, f. 1 D ♯♯ ₵ no no 3511 2222 351H1H 2H2H2H2H
Traquair
Incipit

- Traquair, The Bush Aboon Traquair (from Gairdyn Manuscript 3, f. 1) [3511; 2222]
- The Flames of Love hath perced me or Traquair, The Flames of Love Hath Pierced Me (from Gairdyn Manuscript 351, f. 47v) [; ]
- The flames of Love hath peirced me, The Flames of Love Hath Pierced Me (from Gairdyn Manuscript 363, f. 49) [; ]
 The Bush Aboon Traquair Gairdyn Manuscript 41, f. 4v D ♯♯ C no no 3511 2222 351H1H 2H2H2H2H
The Captain shall not [gett me]
incipit

- the Capten: shall not get the:, The Captain Shall Not Get Thee (from Bowie Manuscript 3, f. 2v) [1315; 7221]
- The captain shall not get you, The Captain Shall Not Get Thee (from Gairdyn Manuscript 328, f. 45v) [None; None]
- The Captain sha’nna’ get thee, The Captain Shall Not Get Thee (from MacFarlane Manuscript 3 44, p. 33) [1315; 7776]
 The Captain Shall Not Get Thee Gairdyn Manuscript 162, f. 22 no no
The captain shall not get you
incipit

- the Capten: shall not get the:, The Captain Shall Not Get Thee (from Bowie Manuscript 3, f. 2v) [1315; 7221]
- The Captain shall not [gett me], The Captain Shall Not Get Thee (from Gairdyn Manuscript 162, f. 22) [None; None]
- The Captain sha’nna’ get thee, The Captain Shall Not Get Thee (from MacFarlane Manuscript 3 44, p. 33) [1315; 7776]
 The Captain Shall Not Get Thee Gairdyn Manuscript 328, f. 45v no no
The Calds taken me Goodman
Incipit
The Cauld's Taken Me Goodman Gairdyn Manuscript 48, f. 6v no no
The Coaliers daughter
Incipit

- The Colleyrs daughter, The Collier's Daughter (from Leyden Lyra-viol and Violin Manuscript 12, f. 55v) [3311; 1155]
- Coalliers daughter, The Collier’s Daughter (from Sinkler Manuscript 10, f. 67v) [3311; 1155]
- [The Collier's Daughter], The Collier’s Daughter (from Cuming Manuscript 45, p. 64) [3311; 1155]
- The nine Pint Cogie, The Nine Pint Cogie (from MacFarlane Manuscript 3 58, p. 46) [3312; 1155]
 The Collier's Daughter
Title (alternative): The Nine Pint Cogie; The Collier's Lass		 Gairdyn Manuscript 35, f. 4 G ♯ ₵ no no 3311 1156 3311 115L6L
The cooke hes got my Maiden head
Incipit only. Rhythms / key approximate.
The Cooke Has Got My Maidenhead Gairdyn Manuscript 14, f. 2v D ♯♯ ₵ no no 3315 3512 3315 351H2H
Cimmers of Largo
incipit

- Cumers of Largo, The Cummers of Largo (from Gairdyn Manuscript 289, f. 40) [None; None]
- The Cummers of Largo, The Cummers of Largo (from MacFarlane Manuscript 3 198, p. 178) [137; 151]
 The Cummers of Largo Gairdyn Manuscript 135, f. 19v no no
Cumers of Largo
Incipit

- Cimmers of Largo, The Cummers of Largo (from Gairdyn Manuscript 135, f. 19v) [None; None]
- The Cummers of Largo, The Cummers of Largo (from MacFarlane Manuscript 3 198, p. 178) [137; 151]
 The Cummers of Largo Gairdyn Manuscript 289, f. 40 no no
[The Drummer]
Incipit

- [The Drummer], The Drummer (from Gairdyn Manuscript 45, f. 5v) [1355; 7724]
- [The Drummer], The Drummer (from Gairdyn Manuscript 51, f. 6v) [1355; 7724]
- The Drummer, The Drummer (from Gairdyn Manuscript 411, f. 58) [None; None]
- Beggar Reel, Beggar Reel (from Drummond Castle Manuscript 2 34) [5455; 7724]
- The Drummer, The Drummer (from Young-Bodleian 5, f. 9) [5455; 7724]
- The Drummer, The Drummer (from McGibbon Manuscript 151, p. 82) [1355; 7724]
- The Drummer, The Drummer (from McGibbon Manuscript 193, p. 95) [1355; 7724]
 The Drummer
Title (alternative): Beggar Reel		 Gairdyn Manuscript 42, f. 4v D ₵ 1 no no 1355 7724 1H3bH55 7b7b2H4H
[The Drummer]
1 strain only, same tune as Gairdyn no 41.

- [The Drummer], The Drummer (from Gairdyn Manuscript 42, f. 4v) [1355; 7724]
- [The Drummer], The Drummer (from Gairdyn Manuscript 51, f. 6v) [1355; 7724]
- The Drummer, The Drummer (from Gairdyn Manuscript 411, f. 58) [None; None]
- Beggar Reel, Beggar Reel (from Drummond Castle Manuscript 2 34) [5455; 7724]
- The Drummer, The Drummer (from Young-Bodleian 5, f. 9) [5455; 7724]
- The Drummer, The Drummer (from McGibbon Manuscript 151, p. 82) [1355; 7724]
- The Drummer, The Drummer (from McGibbon Manuscript 193, p. 95) [1355; 7724]
 The Drummer
Title (alternative): Beggar Reel		 Gairdyn Manuscript 45, f. 5v D ₵ 1 no no 1355 7724 1H3bH55 7b7b2H4H
[The Drummer]
incipit

- [The Drummer], The Drummer (from Gairdyn Manuscript 42, f. 4v) [1355; 7724]
- [The Drummer], The Drummer (from Gairdyn Manuscript 45, f. 5v) [1355; 7724]
- The Drummer, The Drummer (from Gairdyn Manuscript 411, f. 58) [None; None]
- Beggar Reel, Beggar Reel (from Drummond Castle Manuscript 2 34) [5455; 7724]
- The Drummer, The Drummer (from Young-Bodleian 5, f. 9) [5455; 7724]
- The Drummer, The Drummer (from McGibbon Manuscript 151, p. 82) [1355; 7724]
- The Drummer, The Drummer (from McGibbon Manuscript 193, p. 95) [1355; 7724]
 The Drummer
Title (alternative): Beggar Reel		 Gairdyn Manuscript 51, f. 6v D ₵ 1 no no 1355 7724 1H3bH55 7b7b2H4H
The Drummer
Incipit

- [The Drummer], The Drummer (from Gairdyn Manuscript 42, f. 4v) [1355; 7724]
- [The Drummer], The Drummer (from Gairdyn Manuscript 45, f. 5v) [1355; 7724]
- [The Drummer], The Drummer (from Gairdyn Manuscript 51, f. 6v) [1355; 7724]
- Beggar Reel, Beggar Reel (from Drummond Castle Manuscript 2 34) [5455; 7724]
- The Drummer, The Drummer (from Young-Bodleian 5, f. 9) [5455; 7724]
- The Drummer, The Drummer (from McGibbon Manuscript 151, p. 82) [1355; 7724]
- The Drummer, The Drummer (from McGibbon Manuscript 193, p. 95) [1355; 7724]
 The Drummer
Title (alternative): Beggar Reel		 Gairdyn Manuscript 411, f. 58 no no
The Duk's dung ore my dadie 
incipit

- The Duke’s dung o’er my Daddie, The Duke’s Dang O’er My Daddy (from MacFarlane Manuscript 3 197, p. 176) [115; 331]
 The Duke's Dang O'er My Daddy  Gairdyn Manuscript 276, f. 35v no no
The figaries
Incipit
The Figaries Gairdyn Manuscript 395, f. 54v no no
The Fits come or me now 
Incipit
The Fits Come O'er Me Now  Gairdyn Manuscript 282, f. 36 no no
The Flames of Love hath perced me or Traquair
Incipit

- Traquair, The Bush Aboon Traquair (from Gairdyn Manuscript 3, f. 1) [3511; 2222]
- Traquair, The Bush Aboon Traquair (from Gairdyn Manuscript 41, f. 4v) [3511; 2222]
- The flames of Love hath peirced me, The Flames of Love Hath Pierced Me (from Gairdyn Manuscript 363, f. 49) [; ]
 The Flames of Love Hath Pierced Me
Title (alternative): The Bush Aboon Traquair		 Gairdyn Manuscript 351, f. 47v no no
The flames of Love hath peirced me
Incipit

- Traquair, The Bush Aboon Traquair (from Gairdyn Manuscript 3, f. 1) [3511; 2222]
- Traquair, The Bush Aboon Traquair (from Gairdyn Manuscript 41, f. 4v) [3511; 2222]
- The Flames of Love hath perced me or Traquair, The Flames of Love Hath Pierced Me (from Gairdyn Manuscript 351, f. 47v) [; ]
 The Flames of Love Hath Pierced Me Gairdyn Manuscript 363, f. 49 no no
The friar & the Nun
Incipit

- The Friar and the Nun, The Friar and the Nun (from MacFarlane Manuscript 3 216, p. 195) [1111; 2722]
 The Friar and the Nun Gairdyn Manuscript 404, f. 56 no no
The Friskers
Full tune, exact rhythms, plus variations. 2 strain tune + 1 variation.
The Friskers Gairdyn Manuscript 402, f. 55v A ♯♯ ♯♯ 6/8 6/8 4 yes no 1335 7774 1335 7bL7bL7b4
The Gaberlungy Man
1 strain only, full rhythms

- The Gaberluniman, The Gaberlunzie Man (from Robert Kelsall Manuscript 93, f. 16v) [511; 117]
 The Gaberlunzie Man Gairdyn Manuscript 314, f. 44 A 3/4 3/4 1 no no 511 117 5L11 117b
The gum ga’d aver
Full setting, with exact rhythms and variations. Strains numbered. 1 strain tune + 10 variations. Pipe style

- Auld ga teaver Set by mr McGibbon in Glasgow, The Ald Ga’d Aver (from Robert Kelsall Manuscript 339, f. 62v) [3135; 2277]
- The ald ga’d Aver, The Ald Ga’d Aver (from MacFarlane Manuscript 3 268, p. 242) [3327; 3331]
 The Gum Ga’d Aver
Title (alternative): The Ald Ga’d Aver		 Gairdyn Manuscript 286, f. 38v 11 yes no
The highland kings rant
full tune, approx rhythms

- the highland kings Rant, The Highland King's Rant (from Bowie Manuscript 38, f. 23) [3135; 3317]
 The Highland King's Rant Gairdyn Manuscript 71, f. 11v no no
The last time I came ou’r the Muir 
Incipit

- Last time I came over the Mure, The Last Time I Came O'er the Moor (from Panmure Violin Manuscript 1 76, f. 39) [1111; 2777]
- [The Last time I Came O'er the moor] J: McL, The Last Time I Came O’er the Moor (from Bowie Manuscript 35, f. 21v) [3211; 2216]
- The last time I came ore ye muir, The Last Time I Came O'er the Moor (from Robert Kelsall Manuscript 277, f. 47v) [4211; 3276]
- Last Time I came o’er the Muir, The Last Time I Came O’er the Moor (from MacFarlane Manuscript 2 15, p. 40) [3211; 2776]
 The Last Time I Came O'er the Moor Gairdyn Manuscript 311, f. 43v no no
The Mariners[?]
incipit
The Mariners Gairdyn Manuscript 247, f. 27 no no
Mirry Meeting
Incipit

- [The Merry Meeting], The Merry Meeting (from Cuming Manuscript 49, p. 68) [5331; 3175]
- The merry Meeting, The Merry Meeting (from Robert Kelsall Manuscript 183, f. 28v) [5331; 3175]
- Merry Meeting, The Merry Meeting (from MacFarlane Manuscript 2 211, p. 257) [5331; 3725]
 The Merry Meeting Gairdyn Manuscript 280, f. 36 no no
The Mill mill o
Incipit

- Millmill-o, The Mill Mill O (from MacFarlane Manuscript 2 76, p. 124) [1551; 6611]
 The Mill Mill O Gairdyn Manuscript 355, f. 48 no no
The Ruged sailor
Full piece, with mostly correct rhythms, though some barlines are in the wrong place, and some rhythms incorrectly notated. At bottom is written "End with the middle strain".

- The Ragged Sailor, The Ragged Sailor (from Young-Bodleian 8, f. 12) [1152; 6211]
- The Ragged Sailor, The Ragged Sailor (from MacFarlane Manuscript 2 111, p. 156) [1152; 6211]
- The Merry jolly Sailor, The Merry Jolly Sailor (from McGibbon Manuscript 95, p. 60) [1152; 6211]
 The Ragged Sailor
Title (alternative): The Merry Jolly Sailor		 Gairdyn Manuscript 268, f. 33v G ♯ 6/4 3 no no 1152 6211 11H52 6211H
The Repenting Stool
Incipit
The Repenting Stool Gairdyn Manuscript 410, f. 58 no no
The Sheepherds Dance 
full tune, rhythms approx
The Shepherd's Dance  Gairdyn Manuscript 87, f. 14v no no
The shomaker
incipit

- The shoemaker, The Shoemaker (from Guthrie Manuscript 40, p. 304) [6152; 6155]
 The Shoemaker Gairdyn Manuscript 167, f. 22 no no
up wi the suters of Selkyrk
incipit
The Souters of Selkirk Gairdyn Manuscript 325, f. 45 no no
The Walking in the falds
Incipit
The Wawking in the Faulds Gairdyn Manuscript 359, f. 48v no no
The way to Wallingtoun
Incipit

- There all clad or with flea's or the way to walington, The Way to Wallington (from Gairdyn Manuscript 398, f. 55) [None; None]
 The Way to Wallington Gairdyn Manuscript 384, f. 53v no no
There all clad or with flea's or the way to walington
Incipit

- The way to Wallingtoun, The Way to Wallington (from Gairdyn Manuscript 384, f. 53v) [; ]
 The Way to Wallington
Title (alternative): With Flea's; They're all Clad		 Gairdyn Manuscript 398, f. 55 no no
The winter nights is cald or hap me with your peticot
Incipit
The Winter Nights are Cold
Title (alternative): Hap Me With Your Petticoat		 Gairdyn Manuscript 365, f. 49 no no
The yellow hair'd Ladie
Incipit

- A lass that was lead in with care, A Lass that was Loaded With Care (from Robert Kelsall Manuscript 563, f. 116) [111; 552]
- Yellow Haird Ladie, The Yellow Haired Laddie (from MMC 491 9, p. 53) [356; 113]
- The Yellow Haird Laddie, The Yellow Haired Laddie (from MMC 491 11, p. 56) [156; 111]
 The Yellow Haired Laddie Gairdyn Manuscript 36, f. 4 D ♯♯ 3/4 no no 356 113 356 1H1H3H
There was ane old wyfe she […?]
incipit
There was an Old Wife Gairdyn Manuscript 225, f. 25v no no
throw the wood Ladie
Incipit
Through the Wood Laddie Gairdyn Manuscript 291, f. 40 no no
To Armes
rhythms more exact, but still some mistakes
To Arms Gairdyn Manuscript 262, f. 28v no no
Tom Ur’s lass of Caricots
Incipit only
Tom Ur’s Lass of Caricots Gairdyn Manuscript 10, f. 2v no no
Trumpet air
incipit
Trumpet Air Gairdyn Manuscript 219, f. 25 no no
Trump: Minuet
Incipit only

- Minuet, King of France (from Robert Kelsall Manuscript 337, f. 62) [111; 333]
- Menwett 59 king of frances, King of France (from Cameron Manuscript 59, p. 11) [111; 333]
 Trumpet Minuet
Title (alternative): King of France		 Gairdyn Manuscript 9, f. 2 D ♯♯ 3/4 no no 111 333 111 333
[untitled]
posibly another minuet. full tune, but again very approximate in rhythms and barring
Untitled Gairdyn Manuscript 55, f. 7v 4 no no
[untitled]
posibly another minuet. full tune, but again very approximate in rhythms and barring
Untitled Gairdyn Manuscript 56, f. 8 2 no no
[untitled]
Incipit
Untitled Gairdyn Manuscript 58, f. 8v no no
[untitled]
Incipit
Untitled Gairdyn Manuscript 59, f. 8v no no
[untitled]
Longer setting, approx rhythms
Untitled Gairdyn Manuscript 60, f. 8v no no
[untitled]
incipit only
Untitled Gairdyn Manuscript 69, f. 10v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 73, f. 11v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 76, f. 12 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 77, f. 12v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 85, f. 14 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 89, f. 15 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 90, f. 15 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 98, f. 17v no no
[untitled]
2 strain tune, but approx rhythms
Untitled Gairdyn Manuscript 99, f. 18 2 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 110, f. 18v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 115, f. 19 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 116, f. 19 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 125, f. 19 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 129, f. 19v no no
[untitled
incipit
Untitled Gairdyn Manuscript 130, f. 19v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 133, f. 19v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 139, f. 20 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 140, f. 20 no no
[Untitled]
incipit
Untitled Gairdyn Manuscript 144, f. 20 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 149, f. 20v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 150, f. 20v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 151, f. 20v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 154, f. 21 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 157, f. 21 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 163, f. 22 no no
[untitled]
incipit. crossed out
Untitled Gairdyn Manuscript 176, f. 22v  no no
[untitled]
incipit
Untitled Gairdyn Manuscript 185, f. 23 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 211, f. 24v  no no
[untitled]
incipit
Untitled Gairdyn Manuscript 221, f. 25v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 228, f. 25v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 229, f. 25v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 239, f. 26v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 251, f. 27 no no
[untitled]
full setting, exact rhythms
Untitled Gairdyn Manuscript 274, f. 35v no no
[untitled]
Giga. Full setting, more exact rhythms, but some misbarring.
Untitled Gairdyn Manuscript 284, f. 37 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 285, f. 37v no no
[untitled]
Incipit
Untitled Gairdyn Manuscript 292, f. 40 no no
[untitled]
Incipit
Untitled Gairdyn Manuscript 296, f. 41v no no
[untitled]
Incipit
Untitled Gairdyn Manuscript 306, f. 43 no no
[untitled]
Incipit
Untitled Gairdyn Manuscript 307, f. 43 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 316, f. 44v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 317, f. 44v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 318, f. 44v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 320, f. 44v no no
[untitled]
minuet? double stops. incipit
Untitled Gairdyn Manuscript 324, f. 45 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 327, f. 45 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 330, f. 45v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 331, f. 45v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 334, f. 46 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 335, f. 46 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 341, f. 46v no no
[untitled]
incipit
Untitled Gairdyn Manuscript 348, f. 47 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 349, f. 47 no no
[untitled]
minuet tune with double stops. incipit only
Untitled Gairdyn Manuscript 356, f. 48v no no
[untitled]
Incipit
Untitled Gairdyn Manuscript 367, f. 49v no no
[untitled]
Incipit
Untitled Gairdyn Manuscript 373, f. 50 no no
[untitled]
Incipit
Untitled Gairdyn Manuscript 389, f. 53v no no
[untitled]
Incipit
Untitled Gairdyn Manuscript 390, f. 53v no no
[untitled]
Incipit
Untitled Gairdyn Manuscript 392, f. 54v no no
[untitled]
Incipit
Untitled Gairdyn Manuscript 401, f. 55 no no
[untitled]
incipit
Untitled Gairdyn Manuscript 407, f. 57 no no
[untitled]
full tune, misbarring and approx rhythms. looks like a minuet.
Untitled Gairdyn Manuscript 408, f. 57 no no
[untitled]
Incipit, appears at the top of the page, between first two staves of previous piece
Untitled Gairdyn Manuscript 413, f. 58 no no
[untitled]
Incipit
Untitled Gairdyn Manuscript 414, f. 58 no no
up your heart bonny Lass
incipit
Up Your Heart Bonny Lass Gairdyn Manuscript 329, f. 45v no no
Vigo
full piece, rhythms approx
Vigo Gairdyn Manuscript 269, f. 34 no no
Wantones for evermair
Incipit
Wantones Forevermore Gairdyn Manuscript 371, f. 50 no no
Welcome from Vigo 
incipit
Welcome from Vigo  Gairdyn Manuscript 270, f. 34 no no
What shall I doe to show
incipit only. Song by Henry Purcell from his music for Dioclesian (Z.627).

- What shall I do to show, What Shall I Do to Show How Much I Love Her (from Thomson Manuscript 17, p. 12) [312; 771]
- What Shall I do to Shew how Much I love her, What Shall I Do to Show How Much I Love Her (from Robert Kelsall Manuscript 436, f. 82v) [5742; 5311]
- What shall I do to show how much I love her?, What Shall I Do to Show How Much I Love Her (from MacFarlane Manuscript 2 249, p. 288) [312; 771]
- What shall I do to show how much I love her, What Shall I Do to Show How Much I Love Her (from McGibbon Manuscript 20, p. 15) [312; 771]
 What Shall I Do to Show How Much I Love Her Gairdyn Manuscript 84, f. 14 no no
What is my Mrs
Incipit
What is My Mrs Gairdyn Manuscript 372, f. 50 no no
Wat you what Marion Allans gotten
Incipit

- Marion Ailon, Marion Ailon (from Young-Bodleian 15, f. 19) [5242; 1353]
 What you What Marion Allan's Gotten Gairdyn Manuscript 352, f. 48 no no
Wher have yow been all the Willy my Lad
incipit
Where Have You Been All the Willy My Lad Gairdyn Manuscript 347, f. 47 no no
Where Helen Lyes
Incipit only. Roughly matches shape of Bowie 3/2 version, but very simplified pitches, and rhythms approximate. Concordances (other): “I wish I were where Helen lyes, by David Grieve”, Balcarres 96.

- I wish I wer for hellen lyes, Where Helen Lies (from Bowie Manuscript 51, f. 33) [133; 566]
 Where Helen Lies Gairdyn Manuscript 13, f. 2v C 3/2 no no 111 166 1H1H1H 1H66
Where shall our Goodman Lay
Full tune, approximate rhythms

- wher will oure Good man ly, Where Shall Our Good Man Lie (from Bowie Manuscript 43, f. 25v) [1124; 3314]
- Where shall our Good-man Lye in the Cold nights in Winter, Where Shall Our Good Man Lie (from Thomson Manuscript 44, p. 32) [5615; 3312]
- Wher will our Good man ly, Where Shall Our Good Man Lie (from Cameron Manuscript 191, p. 47) [1117; 5533]
- Ay as she piss’d she padled it, As She Piss’d She Paddled It (from MacFarlane Manuscript 2 12, p. 32) [1124; 3314]
 Where Shall Our Good Man Lie
Title (alternative): As She Piss’d She Paddled It		 Gairdyn Manuscript 63, f. 9v no no
Willie is a wanton wag
Incipit
Willie Was a Wanton Wag Gairdyn Manuscript 34, f. 4 D ♯♯ C no no 3556 1215 3556 1H2H1H5
Wifes of the Bow
Incipit

- Honie wilt thou take it, Honey Wilt Thou Take It (from Thomson Manuscript 33, p. 24) [6665; 1113]
- Walli's Humour, Walli’s Humour in Tapping the Ale (from Cuming Manuscript 38, p. 56) [6665; 1113]
- Wives of the Bowe, Wives of the Bow (from McGibbon Manuscript 108, p. 65) [6666; 1113]
 Wives of the Bow
Title (alternative): Walli’s Humour in Tapping the Ale; Wives of the Bow; Honey Wilt Thou Take It		 Gairdyn Manuscript 375, f. 50v no no
Ye'll never be like my last goodman 
incipit
Ye'll Never Be Like My Last Goodman  Gairdyn Manuscript 336, f. 46 no no
ye'd nev'r be Like my Last Goodman
Incipit - close to George Skene version
You'd Never Be Like My Last Goodman Gairdyn Manuscript 27, f. 3v D ♯♯ 6/8 no no 1712 1765 1H71H2H 1H765